FINAL DRAFT The Glass Menagerie 3/25/08 Welcome

UPCOMING Dear Friends, I am pleased to welcome you to our production of an unforgettable classic, Tennessee Williams’ The Glass HERSHEY FELDER’S Menagerie, the play that established Tennessee BEETHOVEN, AS Williams as a brilliant voice in American theatre. We I KNEW HIM are especially delighted to welcome two-time Emmy May 3 - June 8, 2008 Award-winning actress Mare Winningham in the role Old Globe Theatre of Amanda. This production is the second in our “Classics Up HERSHEY FELDER’S MONSIEUR CHOPIN Close” series, bringing you classics of American June 11 - June 22, 2008 theatre in the intimate setting of an arena stage. The sense of immediacy fostered by Old Globe Theatre being no more than a few rows from the actors invites you to re-visit these well-known HERSHEY FELDER’S plays with a fresh perspective and new insights. GEORGE GERSHWIN ALONE June 25 - June 29, 2008 Intimacy between stage and audience has been the hallmark of the Cassius Carter Old Globe Theatre Centre Stage since it opened in 1969. But after nearly 40 years, with this production we say goodbye to this venerable stage. We have planned a vibrant new theatre center, OOO including a new arena stage and a new education center. Rest assured that preserving 2008 Summer the intimacy of your experience in the Carter has been our highest priority in design- SHAKESPEARE ing our new theatre complex. The new theatre will be a small arena stage with audi- FESTIVAL ence seated no more than five rows deep on all sides. The differences you will notice June 14 - September 28, 2008 are its enhanced capabilities for lighting,sound,and scenic effects and improved audi- Lowell Davies Festival Theatre ence comfort. We are sure the new space will soon become as beloved as the Carter has been. Take a moment to watch the DVD previewing the new theatre center, now ROMEO AND JULIET playing in the lobby! THE MERRYWIVES OF WINDSOR ALL’S WELL THAT ENDS WELL We are fortunate that, just steps from the Globe at the San Diego Museum of Art, we will be able to offer you uninterrupted enjoyment of close-up productions during the OOO construction period. A near-replica of the Carter will be constructed “within” the THE PLEASURE OF HIS Museum’s Copley Auditorium to house our “second stage” productions during this COMPANY period. July 12 - August 17,2008 As we begin construction of our new facilities, we must acknowledge the generous Old Globe Theatre donors who brought our capital and endowment campaign, Securing a San Diego Landmark,to over 75% of its goal. As we approach the final leg of the campaign,I urge OOO you to consider how you might participate in this historic effort. For ways to show SIGHT UNSEEN your support, please see page P7 in this program or contact our Development Office. August 2 - September 7,2008 The Old Globe is at a very exciting point in its history.With our new facilities,we look The Old Globe Arena Stage forward to a period of continuing growth in our artistic and education programming. at Copley Auditorium Equally,we look forward to your company on our journey toward our 75th year of out- (San Diego Museum of Art) standing theatre in San Diego.

Executive Producer

PERFORMANCES MAGAZINE P1 Season Sponsors

The Old Globe is deeply grateful to its Season Sponsors, each of whom has made an annual donation of $50,000 or greater. These gifts are critical to maintaining the Theatre’s high quality of artistic programming and award-winning work in the community.

The LeglerBenbough Foundation Las Patronas

Karen and Donald Cohn The Lipinsky Family

PeterCooperand Norman Blachford Conrad Prebys

Valerie and Harry Cooper Donald and Darlene Shiley

Audrey S. Geisel SupervisorPamSlater-Price and the County of San Diego Globe Guilders Sheryl and Harvey White Joan and Irwin Jacobs Anonymous

To become a Season Sponsor, please contact Director of Development Todd R. Schultz at (619) 231-1941 x2310.

P2 PERFORMANCES MAGAZINE PRESENTS THE GLASS MENAGERIE

BY Tennessee Williams

SCENICDESIGN COSTUMEDESIGN LIGHTINGDESIGN SOUNDDESIGN Michael Fagin Anne Kennedy Chris Lee Lindsay Jones

VOICE&DIALECTCOACH STAGEMANAGER Jan Gist Diana Moser

DIRECTEDBY Joe Calarco

Casting by Samantha Barrie, CSA

Presented by special arrangement with Samuel French,Inc. on behalf of The University of the South, Sewanee, Tennessee

PERFORMANCES MAGAZINE P3 Cast of Characters

Amanda Wingfield (The Mother)...... Mare Winningham Tom Wingfield (Her Son) ...... Michael Simpson Laura Wingfield (Her Daughter)...... Michelle Federer Jim O’Connor (The Gentleman Caller)...... Kevin Isola

Stage Manager ...... Diana Moser

Setting: The Wingfield Apartment, St. Louis, 1937

There will be one 15-minute intermission.

The Actors and Stage Manager employed by this production are members of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States. Si desea una sinopsis de esta obra en Español, favor de pedírsela al acomodador que le entregó este programa. If you would like a synopsis of this production in Spanish, please request it from an usher.

THE GLASS MENAGERIE is supported, in part, by the following generous sponsors:

Mary Beth Adderley-Wright, RichardWright and Elizabeth Adderley Mary Beth Adderley-Wright and Richard Wright are both long-time San Diegans who have supported The Old Globe for many years. Mary Beth is an active member of The Old Globe’s Board of Directors. She also serves on the Vanderbilt Board of Trust and the Board of South Coast Repertory. Richard is supportive of San Diego’s live theatre and local fine arts venues, such as Balboa Park’s Museum of the Living Artist. He is a retired Air Force officer whose passion has turned from flying to sailing. He now serves as a Staff Commodore of the Ancient Mariners Sailing Society — a group dedicated to the preservation and promotion of classic sea vessels. Along with Mary Beth’s daughter Elizabeth and her husband, the two regularly attend The Old Globe and encourage friends and colleagues to do the same. In addition, Richard and Mary Beth further support the Theatre by hosting dinners in their home featuring artists and other members of The Old Globe’s creative team. We thank this wonderful family for their devotion to The Old Globe.

Mandell Weiss Charitable Trust Mandell Weiss was a Romanian immigrant who discovered his love of theatre while attending high school in New York City. Although his plans to become an actor were interrupted by World War I, he later contributed millions of dollars to the arts and helped San Diego develop a vibrant, nationally-renowned theatre scene. His legacy, the Mandell Weiss Charitable Trust, has sponsored many Globe productions, including The Two Gentlemen of Verona,Lincolnesque,Lobby Hero,Don Juan,Time Flies,Beyond Therapy, and The Taming of the Shrew. The Old Globe is grateful to Mandell Weiss and the Mandell Weiss Charitable Trust for their ongoing support.

Union Bank of California As part of its pledge to reinvest in the communities it serves, Union Bank of California supports The Old Globe in many ways. Union Bank employees volunteer at Seussabration, a special children’s event for our annual production of Dr.Seuss’ How the Grinch Stole Christmas! Joseph Benoit, Union Bank’s San Diego Retail Market President, serves on the Globe’s Board of Directors. Union Bank’s previous production support includes The Two Gentlemen of Verona,Othello,The Comedy of Errors, A Midsummer Night’s Dream,Rough Crossing,Imaginary Friends and AsYou Like It. The Old Globe salutes Union Bank for its long-time support.

P4 PERFORMANCES MAGAZINE Board of Directors

Dear Friends,

I am pleased to welcome you to this performance of the final production in the Cassius Carter Centre Stage. We all eagerly anticipate celebrating the opening of the new Conrad Prebys Theatre Center and then The Old Globe’s 75th Anniversary. The Center will bring us both a new education center for expanded education and outreach programs and a new arena stage. The new theatre-in-the-round will offer enhanced technical capabilities and audience comfort while preserving the intimacy we have enjoyed in the Carter for the past 40 years.

As construction of the new facilities will begin in July, we are entering the final phase of our Capital and Endowment Campaign. To help the Globe complete the campaign, the nationally-renowned Kresge Foundation has awarded us a Challenge Grant of $1 million, provided we achieve our financial goal within the next eighteen months.

Elsewhere in this program you can read about a special opportunity to assist the Campaign and record your support for The Old Globe “in stone” with the purchase of a personalized Granite Paver for the re-designed plaza. I invite you to join with the Globe family at this crucial juncture and help us meet the Kresge Challenge.

Donald Cohn, Chair, Board of Directors BOARD OF DIRECTORS / OFFICERS Donald Cohn* Kathy Hattox* Anthony S. Thornley* SandraRedman* Susan Major* Harvey P.White* Chair Immediate Vice Chair Finance Vice Chair Vice Chair Secretary Past Chair & Treasurer Nominating Development DIRECTORS Martin Goodman Daniel L. Sullivan, Ph.D. HONORARYDIRECTORS Mary Beth Adderley-Wright Viviana Ibañez Julie H. Sullivan, Ph.D. Mrs. Richard C. Adams Joseph Benoit Deni Jacobs Evelyn Mack Truitt (1912–2005) Deni S. Carpenter Daphne Jameson Debra Turner Clair Burgener (1921-2006) Robert Cartwright Timothy A. MacDonald Crystal Watkins Mrs. John H. Fox (1908–2003) Peter J. Cooper Fern Murphy Ruth Wikberg-Leonardi Audrey Geisel Valerie S. Cooper Marianne Nelson June Yoder Paul Harter Stephen M. Cusato Arthur Neumann Carolyn Yorston Gordon Luce (1925-2006) Elaine Bennett Darwin Robin Nordhoff Deborah Young Dolly Poet (1921-2007) David W. Down Rafael Pastor* Tim K. Zinn Deborah Szekely Joel Ewan Conrad Prebys* Hon. Pete Wilson Pamela A. Farr John Rebelo EMERITUS DIRECTORS Jake Figi Sara Rosenthal, M.D. Garet B. Clark Sally Furay, R.S.C.J. Jeri Rovsek J. Dallas Clark (1913–2005) Harold W. Fuson, Jr.* Jean Shekhter Bernard Lipinsky (1914-2001) *Executive Committee Member Victor P.Gálvez Nancy A. Spector Delza Martin (1915–2005) Robert Gleason Louis G. Spisto* Patsy Shumway

Major funding provided by the City of San Diego Commission for Arts and Culture. The Old Globe is supported in part by grants from Supervisor Pam Slater-Price and The County of San Diego.

PERFORMANCES MAGAZINE P5 City of San Diego: Investing in Arts & Culture CITYOFSANDIEGO: Leadership Gifts to The Old Globe INVESTINGINARTS&CULTURE

The Old Globe would like to recognize and The City of San Diego provides thank the following generous donors critical financial support to who have made extraordinary gifts of non-profit arts and culture $1 million or more to this organization. These organizations through a rigorous major contributions for artistic projects, application process managed endowment and facilities help The Old Globe remain one of our country’s great theatre by the City of San Diego institutions. Commission for Arts and Culture. Each year the Commissioners and other $20,000,000 or greater community volunteers evaluate organizations based on artistic THE OLD GLOBE’S CEO/EXECUTIVE PRODUCER LOU SPISTO WITH Donald and Darlene Shiley MAYOR JERRY SANDERS AND HIS WIFE RANA SAMPSON AT THE programming, educational 2006 GLOBE GALA.PHOTO:PAUL NESTOR $10,000,000 or greater activities, administrative stability, board leadership, and programs for underserved Conrad Prebys populations.

$5,000,000 or greater City funding for arts and culture is derived from the Transient Occupancy Tax (TOT), a hotel tax paid by tourists visiting San Diego. The city currently is able Sheryl and Harvey White to allocate less than 1% of total TOT proceeds to the Commission for distribution Kathryn Hattox to qualified applicants. Yet TOT funding of arts and culture yields positive results Karen and Donald Cohn and a significant economic benefit for the entire community. In 2007,the Commission for Arts and Culture invested a total of $6.4 million in 80 local $1,000,000 or greater organizations, both large and small. Collectively, these arts and culture California Cultural and institutions purchase $148.7 million in goods and services from San Diego Historical Endowment businesses, provide 5,529 jobs, and attract two million out-of-town visitors each year. A one day stay in San Diego by these cultural tourists contributes an Estate of Dorothy S. Prough additional $492 million to the local economy. The Rivkin Family Estate of Beatrice Lynds For The Old Globe, funding from the San Diego Commission for Arts and Audrey S. Geisel / Culture represents a vital annual funding source for the Theatre’s artistic projects San Diego Foundation as well as for education and outreach programs that reach students in every City Dr. Seuss Fund Council district. The City’s investment yields a positive return, as The Old Globe’s annual economic impact in San Diego totals more than $28 million, with at least Mr. and Mrs. Victor H. Ottenstein $8.6 million generated by cultural tourists attending the Summer Shakespeare Mrs. Helen Edison Festival and other high-profile shows. The Stephen and Mary Birch Foundation The Old Globe is grateful to the City of San Diego Commission for Arts and The Kresge Foundation Culture for continually advocating on behalf of the arts and culture community. The Commission’s vision for a vibrant and successful San Diego recognizes arts and culture as a major factor in improving the local economy while enhancing the quality of life for both residents and visitors.

P6 PERFORMANCES MAGAZINE Securing A San Diego Landmark

BE A LASTING PART OF THE OLD GLOBE By Naming A GRANITE PAVER On Our New Plaza

By purchasing a personalized Granite Paver on our beautifully re-designed plaza, you can play a critical role in securing The Old Globe for future generations! • Only 150 Available • Prominent Location in Copley Plaza • Individualized with Your Name (or Your Honoree) • Payment Can be Made Over 5 Years • Will be Enjoyed by Globe Patrons & Millions of Park Visitors each Year

$50,000 and $25,000 Granite Pavers Near the entrances of the two theatres will be the Granite Pavers recognizing gifts of $50,000 and $25,000.

$10,000 Granite Pavers At the top of the walkway entering the plaza will be the circle of Granite Pavers recognizing gifts of $10,000.

To learn how you can participate call the Development Office, (619) 231-1941 x2317

PERFORMANCES MAGAZINE P7 Program Notes

Letters on Tennessee “The Glass Menagerie” by Tennessee Williams From Tennessee Williams' Letters to Donald The following is excerpted Windham, 1940-1965. Edited with com- from an article written by ments by Donald Windham. New York: Mel Gussow, published in Penguin Books, 1976, 1977. The New York Times on February 26, 1983, one day after the playwright’s death. These excerpts were selected from the pub- lished letters of Tennessee Williams to his friend Donald Windham. In them, Williams Tennessee Williams, writes about the original production of The whose innovative drama Glass Menagerie which he refers to at first and sense of lyricism were as “The Gentleman Caller." a major force in the post- war American theater, was April 22, 1943 the author of more than 24 I am out of cigarettes and very nervous so I full-length plays, including cannot write much of a letter. I have been The Glass Menagerie, A writing with tigerish intensity on “The Streetcar Named Desire,and Gentleman Caller" every day, and today I Cat on a Hot Tin Roof. He felt like I was going to just blow up, so I had a profound effect on quit. What I am doing to that quiet little the American theater and play I don't know. on American playwrights and actors. He wrote with deep sympathy and expansive humor about outcasts in July 28, 1943 our society. Though his images were often violent, he was a poet of the human “The Gentleman Caller" remains my chief heart. work, but it goes slowly. I feel no over- The Glass Menagerie, his first success, was his “memory play.'' Although seldom whelming interest in it. It lacks the vio- intentionally autobiographical, his plays were almost all intensely personal – torn lence that excited me, so I piddle around from his own private anguishes and anxieties. He remembered his sister's room with it. My picture work is to make a sce- in the family home in St. Louis, with her collection of glass figures, as represent- nario out of “Billy the Kid" material —as ing “all the softest emotions that belong to recollection of things past.'' But, he good an assignment I could hope for, but I remembered, outside the room was an alley in which, nightly, dogs destroyed cats. am lazy about it and barely am started. His basic premise, he said, was “the need for understanding and tenderness and fortitude among individuals trapped by circumstance.'' The most successful July ?, 1944 serious playwright of his time, he did not write for success but, as one friend said, I have just finished the “Caller" and am as a “biological necessity.'' slowly retyping it. I think I will submit the Thomas Lanier Williams was born in Columbus, Miss., on March 26, 1911. His short version first and if people like it, will mother, the former Edwina Dakin, was the puritanical daughter of an Episcopal add the rest. It is not a very exciting busi- rector. His father, Cornelius Coffin Williams, was a violent and aggressive travel- ness but it keeps me occupied while I wait ing salesman. There was an older daughter, Rose (memorialized as Laura in The for the energy to do something more Glass Menagerie), and a younger brother named Walter Dakin. important. While his father traveled, Tom was mostly brought up overprotected by his mother — particularly after he contracted diphtheria at the age of 5. By the time the family moved to St. Louis, young Tom retreated into himself. He made up and told stories, many of them scary. FOR MORE INFORMATION ABOUT THIS PRODUCTION, PLEASE VISIT OUR WEBSITE AT WWW.THEOLDGLOBE.ORG

P8 PERFORMANCES MAGAZINE August 18 or25, 1944 Williams (1911 - 1983) Have finished “The Caller." No doubt it goes in my reservoir of noble efforts. It is In the fall of 1929 he went off to the University of Missouri to study journal- the last play I will try to write for the now ism. When his childhood girlfriend, Hazel Kramer, also decided to enroll at existing theater. Missouri, his father said he would withdraw him, and succeeded in breaking up the incipient romance. It was his only known romantic relationship with a December18, 1944 woman. In a state of depression, Tom dropped out of school and, at his father's (At this time, The Glass Menagerie was rehearsing in Chicago.) instigation, took a job as a clerk in a shoe company. It was, he recalled, “living We're having a bloody time of it here — as death.'' expected. Yesterday, Sunday evening, I To survive, every day after work he retreated to his room and wrote — stories, thought the situation was hopeless — as poems, plays — through the night. The strain finally led to a nervous breakdown. Taylor was ad libbing practically every Sent to Memphis to recuperate, the young Mr. Williams joined a local theater speech and the show sounded like the group. He eventually returned to his studies at the University of Iowa in 1937, Aunt Jemima Pancake hour. We all got where he wrote a number of plays. Sadly, around the time of his graduation in drunk, and this A.M. Taylor was even 1938, his sister lost her mind. The family allowed — with subsequent recrimina- worse. I finally lost my temper and when tions — a prefrontal lobotomy to be performed, and she spent much of her life in she made one of her little insertions I a sanitarium. screamed over the footlights, “My God, At 28, Thomas Williams left home for New Orleans, where he changed his what corn!" She screamed back I was a fool style of living, as well as his name. It was a reaction against his early inferior work, and playwrights made her sick — then she published under his real name. It was a college nickname, given because his father came back after lunch and suddenly began was from Tennessee. giving a real acting performance — so In New Orleans he discovered new netherworlds, soaking up the milieu that good that Julia and I, the sentimental would appear in A Streetcar Named Desire. He wrote stories, some of which later element in the company, wept. So I don't became plays, and entered a Group Theater playwriting contest. He won $100 and know what to think or expect ... was solicited by the agent Audrey Wood, who became his friend and adviser. “Miss Wood,” as she was universally known, got him a job in Hollywood writing January 11,1945 scripts for Metro-Goldwyn-Mayer. He began writing an original screenplay, which It is four A.M. but I feel like talking to you was later rejected. a little. The show is doing swell now. Still under contract, he began turning the screenplay into a play titled The Weekends almost capacity and other Gentleman Caller, which slowly evolved into The Glass Menagerie. On March 31, 1945, nights about fifteen hundred and still five days after its author turned 34 years old, it opened on Broadway and changed building. So it looks like we'll remain here Mr. Williams' life, and the American theater. — they're selling tickets up till Feb. 10th. His second masterpiece, A Streetcar Named Desire, opened in December, 1947, Everybody except Dowling is eager to get and was an even bigger hit than The Glass Menagerie. It won Mr. Williams his into New York — especially Laurette. She second Drama Critics' award and his first Pulitzer Prize. He won his second gets better all the time. However I guess Pulitzer for Cat on a Hot Tin Roof in 1955. it's wise to milk Chicago a little before we For many years after Streetcar, almost every other season there was another face another set of critics. Williams play on Broadway (and a one-act play somewhere else). Soon there was a continual flow from the stage to the screen. And he never stopped revising his fin- March 8, 1945 ished work. For more than 35 years, the stream was unabated. He produced an “The menagerie" is no lie about this enormous body of work, including more than two dozen full-length plays, all of company — and neither is glass! I some- them produced a record unequaled by any of his contemporaries. times wonder if we'll all really get to New He died in his New York apartment in 1983, one year after his final play, A York in one piece. The play backstage is far House Not Meant to Stand, premiered in Chicago. He was 71 years old. more exciting than the one on!

PERFORMANCES MAGAZINE P9 Program Notes continued

I am More Faithful than stranger — anything I Intended to Be that can blow your candles out!" ByEdwinaDakinWilliams, At this moment,in Motherof PlaywrightTennesseeWilliams the corner of the stage behind a thin veil of a Despite advice from theatrical friends that The Glass curtain,Julie bent low Menagerie would never be a success because of its fragile plot over the candles in her and unhappy ending,Mr.(Eddie) Dowling went ahead trying to tenement home as Mr. raise money.Some of the backers wanted Tom to change the KIRK DOUGLAS AND JANE WYMAN Dowling said sadly, ending and allow the sister and gentleman caller to fall in love IN 1950 FILM VERSION OF THE GLASS MENAGERIE. “— for nowadays the world is lit by lightning! Blow out your but he firmly refused.Finally Mr.Dowling persuaded Louis J. candles,Laura and so good-bye...." Singer,a banker who had put money into a few Broadway pro- And the curtain dropped slowly on the world premiere of ductions, to invest $75,000 and the four parts of Menagerie were The Glass Menagerie. then cast.Mr.Dowling was to be the son,Laurette Taylor the At first it was so quiet I thought the audience didn't like the mother,Julie Haydon the sister,and Anthony Ross the gentle- play.....Then,all of a sudden,a tumultuous clapping of hands man caller. broke out.The audience had been recovering from the mood Chicago was chosen for the out-of-town opening.Tom into which the play had plunged it..... asked me to come up and I was delighted,but at attending my ....I wanted to congratulate Laurette,who had brought first premiere and at the feeling my son needed me..... down the house with her amazing performance as Amanda ....The evening of the premiere was the night after Christ- Wingfield,the faded,fretful,dominating mother lost in the mas, Tuesday,December 26,1944.Everything seemed against dream world of her past,bullying her son into finding a gentle- the play,even the weather.The streets were so ice-laden we man caller for his abnormally shy sister. could not find a taxi to take us to the Civic Theatre and had to I entered Laurette'sdressing room,not knowing what to walk.The gale blowing off Lake Michigan literally hurled us expect,for she was sometimes quite eccentric.She was sitting through the theater door. with her feet propped up on the radiator,trying to keep warm. This was the first of Before I had a chance to get a word out,she greeted me. Tom'splays I had seen, “Well,how did you like you'seff,Mis' Williams?" she asked. unless you count The Magic I was so shocked I didn't know what to say.It had not Tower,and I was thrilled to occurred to me as I watched Tom'splay that I was Amanda..... think he had created a play ....Tom has contradicted himself when asked if the play without a wasted word and were [sic] based on his life.Once he told a reporter it was a one in which every “memory play," adding,“My mother and sister will never forgive moment added drama.I me for that." Then again,he denied it was autobiographical,call- don't think there'sbeen a ing it “a dream or fantasy play.The gentleman caller is meant to play like it,before or since. be a symbol of the world and its attitude toward the unrealistic The audience seemed dreamers who are three characters in this play." spellbound throughout I am not Amanda.I'm sure that if Tom stops to think,he and particularly when Mr. realizes I am not.The only resemblance I have to Amanda is that Dowling stood to one side PLAYBILL COVER, 1945. we both like jonquils. of the stage and uttered the words.“I didn't go to the moon,I went much further — for time From: Remember Me to Tom. By Edwina Dakin Williams as is the longest distance between two places....Oh Laura,Laura,I told to Lucy Freeman. St. Louis: Sunrise Publishing Co., Inc.© tried to leave you behind me,but I am more faithful than I 1936 by Edwina Dakin Williams, Walter Dakin Williams, and intended to be! I reach for a cigarette,I cross the street,I run Lucy Freeman. into the movies or a bar,I buy a drink,I speak to the nearest

P10 PERFORMANCES MAGAZINE Profiles

MichelleFederer FILM: Frank the Rat,The New Bozena, tion,Golden Globe nomination), Amber (Laura Wingfield) How the Grinch Stole Christmas, Waves (Emmy award),Love Is Never Silent THE OLD Uninvited,24 Nights,Academy Boyz,Le New (Emmy nomination),The Maldonado GLOBE:Debut. Yorker. TELEVISION: Damages,Boston Miracle (Emmy nomination),The Boys BROADWAY: Legal,Law and Order,Viva Variety,The Sum- Next Door (Emmy nomination),The Three Days of Rain, mer of Ben Tyler (Hallmark Hall of Fame), Thornbirds,Off the Minnesota Strip,Love Wicked.NEW All My Children. TRAINING: MFA NYU and Lies,God Bless the Child,Helen Keller: YORK THE- Graduate Acting Program. For Susie The Miracle Continues,Eye on the Sparrow, ATRE: Anon, A and Tim Matthews. and Law & Order: SVU (Emmy nomina- Man of No Impor- tion), Grey’s Anatomy, Boston Legal.CD’s: tance, In the Absence of Spring.REGION- Michael Simpson Refuge Rock Sublime (2007),Lonesomers AL:Wicked, The Curran Theatre;The Trip (Tom Wingfield) (1998),What Might Be (1992). to Bountiful, Hartford Stage;Closer, THE OLD Towards Zero,Hay Fever, Alley Theatre; GLOBE:Michael TennesseeWilliams Compleat Female Stage Beauty, City The- is happy to be (Playwright) atre; Water Children,CATF;The Impor- making his One of America'sgreatest playwrights tance of Being Earnest,The River Rep; theatrical debut Tennessee Williams wrote fiction and Romeo and Juliet,Ohio Theatre.FILM: at the Globe. motion picture screenplays,but is Dancing with Shiva,Flannel Pajamas,Kinsey, acclaimed primarily for his plays,nearly When Stars Fall,Aisle Six.TV:Law & Order: all of which are set in the South,but Criminal Intent,All My Children. TRAIN- which rise above regionalism to ING: BFA Musical Theatre,Ithaca Col- MareWinningham approach universal themes.Williams lege. Member Actors’ Equity. (Amanda Wingfield) drew heavily on his family experiences THE OLD in his writings.When The Glass KevinIsola GLOBE:Debut. Menagerie hit Broadway in 1945,it not (Jim O’Connor) THEATRE:10 only changed Tennessee Williams' life, THE OLD Million Miles, it revolutionized American theatre. A GLOBE: Debut. Atlantic Theater Streetcar Named Desire,The Night of the BROADWAY: Company;Side Iguana and Cat on a Hot Tin Roof are some Brooklyn Boy. Man, Pasadena of his other masterpieces.Among his OFF-BROAD- Playhouse; Hurly- many awards,Williams won two WAY: Trust,Kirk burly, Westwood Playhouse;The Genius, Pulitzer Prizes and four New York Theatre;Twelfth Mark Taper Forum.FILM:Georgia Drama Critics Circle Awards.In addi- Night,Venus,WASP (Academy Award nomination,SAG tion to 25 full-length plays,Williams and Other Plays,all for NYSF/ Public Award nomination,winner Indepen- produced dozens of short plays and Theatre;The World Over,The Water Chil- dent Spirit Award,Best Supporting screenplays,two novels,a novella,60 dren,Playwrights Horizons;Everett Actress),Wyatt Earp,Turner and Hooch,St. short stories,more than 100 poems and Beekin, Lincoln Center Theatre;The New Elmo’s Fire,Hard Promises, Miracle Miles, an auto- biography.His works have Bozena,Cherry Lane.REGIONAL: As Shy People,Dandelion,Nobody’s Fool, been translated into at least 27 lan- You Like It,Shakespeare Theatre of New Threshold,One Trick Pony, and the upcom- guages, and countless productions of Jersey;Brooklyn Boy,South Coast Rep; ing Brothers,and Swing Vote.TV:Over 50 his work have been staged around the The Rainmaker,Baltimore Center Stage; television movies including George Wal- world. The New Bozena,The Tiffany Theatre, lace (Emmy award,SAG award nomina- The Hudson Theatre;Venus,Yale Rep.

PERFORMANCES MAGAZINE P11 Profiles continued

JoeCalarco Tall, Lucille Lortel Theatre; The Mistress Claw,Arden Theatre Co; The Invention of (Director) Cycle,The Lion,Circumference of a Squirrel, Love, Studio Theatre; Passion and THE OLD GLOBE: Lincolnesque (world Urban Stages, David Auburn’s Sunday in the Park with George, Sondheim premiere). OFF-BROADWAY: Skyscraper, Greenwich House Theatre. Celebration/ Kennedy Center. Shakespeare’s R&J (adaptor/director, WEST END: Shakespeare’s R & J, www.akcostume.com. Lucille Lortel Award, also the West End Hotmouth. REGIONAL: A Midsummer and Tokyo), Floyd and Clea Under the Night’s Dream, The Shakespeare Theatre; Chris Lee Western Sky, Playwrights Horizons; Boy, Art, Syracuse Stage; Stop Kiss, Geva; (Lighting Design) Primary Stages;...in the absence of spring... Nijinsky’s Last Dance,Four Dogs and a BROADWAY/WEST END:Fame (writer/ director),Second Stage; Sarah, Bone, Berkshire Theatre Festival; M. Becomes Me,Linda Eder Live At The Gersh- Plain and Tall, The Summer of the Swans, Butterfly,The Last FiveYears, Philadelphia win, Shakespeare’s R&J (Tokyo & Lon- The Lucille Lortel; The Audience (con- Theatre Company. Mr. Fagin has also don). OFF-BROADWAY:The Mistress tributing book writer), The Transport served as production designer for Cycle,Under The Bridge,Boy,Broadway Group; The Mistress Cycle, New York numerous film and television projects. Bares VI – XIV,…in the absence of spring…, Musical Theatre Festival; Fugitive Songs, The Notebook,Sarah Plain and Tall,The Dream Light Theatre Company. AnneKennedy Summer of The Swans,Skyscraper,Cloud NATIONAL TOUR: Ring of Fire. (Costume Design) Nine,Linda Eder Live at Carnegie Hall. REGIONAL: The Burnt Part Boys,The THE OLD GLOBE: Lincolnesque. OFF- REGIONAL:Kiss of The Spider Woman, Mysteries of Harris Burdick (book BROADWAY: Floyd and Clea Under the Merrily WeRoll Along,The Word Begins, writer/director), Barrington Stage Western Sky,Playwright’s Horizons; The Witches of Eastwick,Into the Woods, Assas- Company; Assassins (Helen Hayes Mistress Cycle, NYMTF; Slut,ATA sins, Urinetown,Elegies:A Song Cycle,Burnt Award), Urinetown (Helen Hayes Theatre; Sarah Plain and Tall, Walk Two Part Boys,The Last FiveYears,Follies,Hedwig Award), Side Show (Helen Hayes Moons,Lucille Lortel; Under the Bridge, and The Angry Inch,Sideshow,I Am My Own Award), Nijinsky’s Last Dance (Helen The Zipper Theatre; Cam Jansen, Lamb’s Wife,and Of Mice and Men.OTHER:The Hayes Award), Nest (world premiere), Theatre; Opus,Boy , Primary Stages. Backyardigans (National Tour),Barbie Signature Theatre; A Midsummer Nights REGIONAL: West Side Story, BSC; The Live in Fairytopia (National Tour),Jesus Dream,The Shakespeare Theatre; The Bluest Eye, Playmaker’s Rep; False Creeds, Christ Superstar (European Tour),Twice Last FiveYears (Barrymore Award Best The Alliance; Assassins, Signature Charmed and Remember the Magic for Dis- Musical), Elegies (Barrymore nomina- Theatre; Third,The Sweetest Swing in ney, the film Camp,and a senior design tion), M.Butterfly,Philadelphia Theatre Baseball,The Clean House, Denver associate with Imagination (USA) Inc. Co; Nijinsky’s Last Dance,Berkshire Center. Signature Theatre Artistic Mr.Lee has been nominated for three Theatre Festival; My Fair Lady,Of Mice Associate: Pacific Overtures,The Highest Helen Hayes,two Barrymores,and won and Men,Hangar Theatre; Twice Yellow,Twentieth Century,Hedwig and the the Artsie. Charmed:an original twist on the Cinderella Angry Inch,Floyd Collins,Sweeney Todd, story,Disney Creative Entertainment. Over and Over, A Little Night Music. LindsayJones www.JoeCalarco.net Helen Hayes nominations: Urinetown, (Sound Design) Side Show and The Fix. Other credits THE OLD GLOBE: In This Corner, Michael Fagin include The Goat or Who is Sylvia?,Proof, Oscar and the Pink Lady,Lincolnesque,Sky (Scenic Design) Book of Days,Anthems:Culture Clash in the Girls,Much Ado About Nothing,Beyond THE OLD GLOBE: Lincolnesque. NEW District,On the Jump and All My Sons, Therapy.OFF-BROADWAY: The world YORK: Judith Jamison’s Reminiscin’ for Arena Stage; Living Out, Round House. premiere of Sam Shepard’s The God of Alvin Ailey American Dance Theatre; Nijinsky’s Last Dance, Berkshire Theatre Hell,Dedication or the Stuff of Dreams,In Boy, Primary Stages; ...in the absence of Festival; Elegies, The Last FiveYears, the Continuum,Luminescence Dating,O spring..., Second Stage; Sarah Plain and Philadelphia Theatre Co; Tooth and Jerusalem,Beautiful Thing and Closet Land.

P12 PERFORMANCES MAGAZINE REGIONAL: Center Stage, American Radio’s “A Way with Words” and has ADDITIONAL STAFF FOR Conservatory Theatre, Hartford Stage, narrated for various San Diego THIS PRODUCTION South Coast Rep, Alliance Theatre, Museum of Art’s documentaries. She Ford’s Theatre, Goodman Theatre, coached dialects on the film The Rosa Assistant Director ...... Desha Crownover Production Assistant ...... Jess Slocum Actors’ Theatre of Louisville, Chicago Parks Story and has recorded dozens of Shakespeare, Pasadena Playhouse, “Books to Listen To”. Gist is a found- Steppenwolf, as well as many others. ing and published member of The Voice and Speech Trainers INTERNATIONAL CREDITS: produc- Association and has presented at many UNDERSTUDIES tions in Austria, Zimbabwe, South conference workshops internationally, Africa, Scotland and The Royal such as “Shakespeare’s Shapely Shakespeare Company of England. Amanda Wingfield ...... Vivia Font Language,” and for The Voice Laura Wingfield ...... Ashley Clements Lindsay has received four Joseph Foundation Symposium on “Filling the Tom Wingfield ...... Kern McFadden Jefferson Awards and twelve nomina- House with Ease. ” She teaches in The Jim O’Connor ...... Brian Huynh tions, an Ovation Award, two ASCAP Old Globe/USD Professional Actor Plus Awards, nominations for a Training Program. Recently she was Barrymore Award, NAACP Theatre invited to Russia to teach in the Award, Connecticut Critics Award and International Voice Teachers Exchange Austin Critics Table Award, and was at The Moscow Art Theatre, and to SPECIAL THANKS the first sound designer to win the London’s Central School of Speech & Myles Thurman Michael Maggio Emerging Designer Drama to teach Shakespeare and Pinter Award. Recent film/tv scoring work workshops. Gist has been published in VASTA Journals, in The Complete Vocal include the pilot for Family Practice for Warm-Up, and in More Stage Dialects. Sony Pictures/Lifetime Television and A Note of Triumph (2006 Academy DianaMoser Award winner, Best Short (Stage Manager) Documentary) for HBO Films. This theatre operates under an agreement between the THE OLD GLOBE: In This Corner, League of Resident Theatres and Actors’ Equity Association, the union of professional actors and stage Jan Gist 2007 Summer Shakespeare Festival, managers in the United States. (Voice and Dialect Coach) Restoration Comedy,Christmas on Mars,A Jan Gist has been resident Voice, Body of Water,Lobby Hero,Fiction,The Intelligent Design of Jenny Chow. The Directors are members of the Society of Stage Speech, and Dialect Coach for The Old Directors and Choreographers, an independent national Globe since 2002. Previously she was REGIONAL: La Jolla Playhouse, San labor union. Head of Voice and Speech for the Diego Rep, Arena Stage, Repertory Alabama Shakespeare Festival for nine Theatre of St. Louis, New York Theatre The Scenic, Costume, Lighting and Sound Designers in years and 140 productions. She has Workshop, Berkshire Theatre Festival, LORT Theatres are represented by United Scenic Artists Local USA-826, IATSE. coached many productions at theatres Children’s Theatre Company of around the country including: Minneapolis, and Arizona Theatre Ahmanson Theatre, La Jolla Playhouse, Company. EDUCATION: MFA in Oregon Shakespeare Festival, The This Theatre operates under an Agreement with the directing from Purdue University. International Alliance of Theatrical Stage Employees Shakespeare Theatre (DC); Milwaukee Diana splits her time away from theatre Local No. 122. Rep, Arena Stage, PlayMakers Rep, between Nova Scotia and a classic American Players Theatre, American wooden sailboat, “Simba I.” Proud Shakespeare Center, Indiana Rep, and five full seasons at Utah Shakespearean member of Actors’ Equity. Festival. Gist has been a guest on KPBS

PERFORMANCES MAGAZINE P13 A Fond Farewell to the Cassius CarterCentre Stage

With this production of The Glass Menagerie, we bid farewell Experimental 60s staging tended toward stark sets, some- to the Cassius Carter Centre Stage. In July 2008, construction times even a bare stage, so the planners of that time could never will begin on the Globe’s new Conrad Prebys Theatre Center, have predicted the transformations later artists would imagine which will house a new arena stage, the Sheryl and Harvey White for the Carter. The space before you has been everything from a Theatre, and the Karen and Donald Cohn Education Center, fea- lake, to a parade float, to a basement with a working coal chute, turing Hattox Hall, a 1,700 square foot training and performance to a 3-dimensional maze. And the weather we’ve conjured here! space. But we cannot move on to this exciting future without There has been blazing sun, falling rain, snow and dense fog taking a moment to honor the history of the space upon which (precisely calibrated so that audiences could see the actors but the new facilities will rise. not the audience on the opposite side). The Carter itself is a reincarnation of an earlier space. It And, as you know, the actors enter the stage by the same began as the Falstaff Tavern at the 1935 International Exposition doors and stairs that the audience uses — as many actresses in Balboa Park, a “Merrie Olde Englande” theme restaurant fea- could tell you, quite a challenge in a hoop skirt! But perhaps the turing costumed waitresses serving hearty English fare. greatest challenge to the arrangement of entrances and exits Following the Exposition, the space served at times as a came in a production of Greater Tuna, when two actors played 11 rehearsal hall, storage space for scenery, and even living quarters characters, rushing from one door to another while changing on for the Globe’s resident manager. By 1963, the Globe was begin- the fly from, for example, a grandma in a wig, birdseed-filled ning to grow beyond its single theatre, so 200 chairs on wooden body form and cane to a dandy in a leisure suit and cowboy hat. risers turned the Falstaff Tavern into a performance space that At 40 years old, the Carter is showing its age. But its rich housed 28 productions over the next six years. history will bequeath to its successor space all we have learned The success of these productions prompted the Globe to about staging in the round. The new theatre will have the same invest in a second permanent stage, retaining the intimacy of the configuration as the Carter but allow for even greater flexibility Tavern space. Using some original Tavern walls, architect Victor in set design and stage technology. Audience comfort will L. Wulff designed an arena theatre with 245 seats in four sec- improve as well, with easier access to seats, more leg room, tions surrounding a 12.5 by 16.5 foot stage. This new space was restrooms accessible from the lobby, and improved disabled dubbed the Cassius Carter Centre Stage in honor of an early San accommodations. Above all, we have made it our top priority to Diegan who was both a Shakespearean scholar and San Diego’s preserve the intimacy — the close-up relationship to actors and District Attorney from 1902 to 1906. action — that has made the Carter so special. Over 40 years and 229 productions, the Carter has become a So, as we bid farewell, we look forward — to the newest evo- beloved space for audiences and artists alike. Opening in 1969 lution of this space that, from the beginning, has been devoted with a production of Peter Ustinov’s The Unknown Soldier and His to cutting edge work in the craft of theatre. Wife, directed by Craig Noel, the Carter was an innovative space for, as an early program described it, “controversial, classical, experimental or seldom performed” plays. Early productions PHOTO CREDITS: FALSTAFF TAVERN STAFF (1935); DUKE DAYBERT AND LYMAN SAVILLE (1969); JONATHAN MCMURTRY AND ROBERT PHALEN ranged from Jean Genet’s The Balcony to Woody Allen’s Play It (1988), PHOTO BY WILL GULLETTE; JAMES SUTORIUS AND MONIQUE Again,Sam. FOWLER (2007), PHOTO BY CRAIG SCHWARTZ.

1935 1969 1988 2007 WHO’S AFRAID OF FALSTAFF TAVERN FIRST CARTER PRODUCTION TIMON OF ATHENS THE UNKNOWN SOLDIER AND HIS WIFE VIRGINIA WOOLF?

P14 PERFORMANCES MAGAZINE Education Experiences THE OLD GLOBE IN THE SCHOOLS

Thirty students stand before their families and friends to share their newfound knowledge of William Shakespeare, his plays and his times. Sweet youthful voices ring out with confi- dence as they speak the Bard’s words, each child speaking from memory, each voice echoing through the auditorium. Elsewhere teams of young people confer in their classroom while a Teaching Artist moves from group to group, listening to the discussions, gently asking guiding questions, enthusiastical- ly praising leaps of imagination and creativity. These are the children who are part of The Old Globe’s In- School Residency Program. Guided by a partnership between their classroom teacher and a Globe Teaching Artist, children work together to take the material they have been studying in school — anything from literature to math — and use the ele- TEACHING ARTIST MATT BIEDEL GUIDES STUDENTS IN SHAKESPEARE RESIDENCY. ments of theatre they have learned from the Teaching Artist to transform their knowledge into a cohesive presentation they when students are given an opportunity to learn in the way that ultimately share with another class, their parents, or even the best fits their own learning styles, they are more inclined to be whole school. After five or six weeks of working regularly with actively engaged in their learning and more apt to retain what the Teaching Artist to develop theatre skills through games, they learn. Teaching the arts supports the critical need for all improvisation, vocal exercise, and movement, students are chal- students to have the kind of education that helps them become lenged to use those skills to create a short play based on a unit of well-rounded, thinking individuals. study presented by the classroom teacher. As they integrate what The Old Globe’s Residency Program also benefits our hard- they have learned about theatre and about their classroom working public school teachers. Working with a Globe Teaching subject, students are empowered by creating something that Artist gives classroom teachers an opportunity to approach the embodies what they know. curriculum in a new and creative way. It gives them a way to But why use theatre to teach math, or history, or science? As deepen their students’ understanding and assess their knowl- you know from your own experience, theatre engages the whole edge and retention of the subject matter. And it gives them an person. We use our minds, our emotions, our senses, and even opportunity to introduce their students to the art of theatre even our bodies to respond to what we see on stage. Likewise, creat- when the classroom teachers themselves may have no back- ing theatre requires all those resources and more. In recent ground in it at all. years, educators have embraced Howard Gardner’s theory of The Old Globe Residency Program partners gifted teachers “Multiple Intelligence.” Gardner describes nine forms of intelli- with gifted artists who share these gifts with the precious chil- gence we all have: Logical, Linguistic, Visual, Naturalist, dren they have been entrusted to educate and guide. And in that Interpersonal, Intrapersonal, Existential, Kinesthetic, and collaboration, everyone gains. Students gain experience and Rhythmic (for more information on the theory of multiple intel- knowledge of theatre and their school subjects; teachers gain by ligence, see www.howardgardner.com). We all use all these learning new methods; and The Old Globe gains by introducing kinds of intelligences, but each person learns best through one young people — future audiences — to the excitement of or a few of these avenues. By using all the art forms — words, theatre. images, music and sound, movement — theatre gives students — Roberta Wells-Famula, Director of Education the opportunity to learn using many of these intelligences. And

PERFORMANCES MAGAZINE P15 Annual Fund Donors

The Old Globe’s ability to maintain the highest standard of excellence, while keeping ticket prices affordable, is due in large part to the financial support of more than 3,500 individuals, businesses, foundations and government agencies. Please join us in giving a warm thanks and recognition to these leaders who have made tonight and our 625 other performances possible. The Old Globe appreciates the support of those who have stepped into the spotlight. Benefactors ($100,000 and above) Bank of America Globe Guilders The San Diego Union-Tribune City of San Diego, Commission for Irving Hughes Donald & Darlene Shiley Arts & Culture The James Irvine Foundation The Shubert Foundation Audrey S. Geisel/The San Diego Microsoft Supervisor Pam Slater-Price Foundation Dr. Seuss Fund and the County of San Diego Season Sponsors ($50,000 to $99,999) American Express Karen & Donald Cohn Las Patronas The Legler Benbough Foundation Peter Cooper & Norman Blachford The Lipinsky Family John A. Berol Advised Fund at the San Diego Conrad Prebys Human Dignity Foundation California Bank & Trust QUALCOMM, INC. J. Dallas & Mary H. Clark Fund at Valerie & Harry Cooper Wells Fargo The San Diego Foundation Joan & Irwin Jacobs Sheryl & Harvey White Foundation Production Sponsors ($25,000 to $49,999) Mary Beth Adderley-Wright, Cohn Restaurant Group/Prado Restaurant Sempra Energy Richard Wright & Elizabeth Adderley Continental Airlines Sheraton San Diego Hotel & Marina American Airlines Danah H. Fayman Patsy & Forrest Shumway AT&T Jake & Todd Figi Starbucks Coffee Company Alan Benaroya Kathryn & John Hattox Union Bank of California Mary Ann Blair Fund HM Electronics, Inc. U.S. Bank at The San Diego Foundation Deni & Jeff Jacobs Mandell Weiss Charitable Trust Bombardier Flexjet Nokia

DirectorCircle ($10,000 to $24,999) Lawrence G.Allredge & Dawn Moore Robert Gleason & Marc Matys Jean & Gary Shekhter Anonymous Lee & Frank Goldberg Chris Skillern Mrs.Inge Lehman Barta in memory of Martin Goodman & Susan Barnett Nancy & Alan Spector and Family Chester K.Barta,MD Dr. & Mrs. Harry F. Hixson, Jr. Ms. Jeanette Stevens Jane Smisor Bastien Daphne Jameson Anne Taubman & David Boyle Charles & Molly Brazell Mr. & Mrs. Neil Kjos Gillian & Tony Thornley Dale Burgett & F. George Gilman Dr. Ronald & Mrs. Ruth Leonardi Evelyn Mack Truitt The Louis Yager Cantwell Private Jacquelyn Littlefield Erna & Andrew Viterbi Foundation Sue & John Major Weingart-Price Fund at Deni & Ken Carpenter Dr. Patricia Montalbano The San Diego Foundation Elaine & Dave Darwin Hank & Robin Nordhoff Stewart & Brenda Weissman Mr. & Mrs. Brian Devine The Kenneth T. & Eileen L. Norris Brent V. Woods & Laurie C. Mitchell Dr. & Mrs. Robert Epsten Foundation June E. Yoder Pamela A. Farr Allison & Robert Price Carolyn W. Yorston Hal & Pam Fuson Sandra & Allen Redman Robert & Deborah Young

P16 PERFORMANCES MAGAZINE FOUNDER CIRCLE William Karatz Drs. Barbara & Leonard Gosink ($5,000 to $9,999) Bob & Gladys King Norm Hapke & Valerie Jacobs Hapke Dr. & Mrs. Wayne Akeson Rosalie Kostanzer & Mike Keefe Drs. Patrick Harrison & Eleanor Lynch Anonymous (2) Bob & Laura Kyle Salah M. Hassanein Ken & Ginger Baldwin Susan L. Leone Dr. & Mrs. Peter K. Hellwig The Colwell Family Fund at The San Diego Foundation James & Pamela Lester Rhonda Heth & Thomas Mabie R. Patrick & Sharon Connell Merriel F. Mandell, Ph.D. Michael & Jill Holmes Ann & John Davies Mr. & Mrs. David Mulliken Dr. David K. Hostetler Nina & Robert Doede Tom & Lisa Pierce Gary & Carrie Huckell Bernard J. Eggertsen & Florence Nemkov Mr. & Mrs. Matthew Pollack Roberta Hussey Carol Spielman-Ewan & Joel Ewan Brenda Marsh-Rebelo & John G. Rebelo Drs. Sonia & Andy Israel Alan & Pauline Fatayerji Dr. H. Warren Ross Mr. & Mrs. David J. Johnson Martha & George Gafford Roberta J. Simpson Marge & Jerry Katleman Mary Ann & Arnold Ginnow Marisa SorBello & Peter Czipott William & Edythe Kenton Leo S. Guthman Fund Mickey Stern Jo Ann Kilty Fred & Alicia Hallett Julie & Bob Sullivan Ken & Sheryl King Alexa Kirkwood Hirsch Jay & Diane Sweeney Webster & Helen Kinnaird Leonard & Elaine Hirsch Marilyn Elizabeth Thompson Dr. & Mrs. Ara S. Klijian Melissa & James Hoffmann Carol Vassiliadis Sherry & Larry Kline Dr. & Mrs. Richard L. Kahler Doris & Lou Vettese Dr. & Mrs. R.W. Klofkorn Carol & George Lattimer Jordine Von Wantoch Curt & Nancy Koch Peter & Inge Manes Patricia & Christopher Weil Family Foundation Brooke & Dan Koehler Bob Martinet Helene & Allan Ziman Al Isenberg & Regina Kurtz Paul I. & Margaret W. Meyer Dr. Eric Lasley Money/Arenz Foundation, Inc. CRAIG NOEL CIRCLE Ledford Enterprises Inc. Harle Garth Montgomery ($1,500 to $2,499) Terry & Mary Lehr Arthur & Marilyn Neumann The Family of Richard & Mary Adams Ms. Sherrill Leist Charles & Barbara Noell Richard Addesso Sandy & Arthur Levinson Dolly* & Jim Poet Anonymous (3) Jerry & Elsa Lewis John & Marcia Price Family Foundation Edwin Bacher Robin J. Lipman & Miro Stano Mike & Elizabeth Rabbitt Diana Barliant & Nowell Wisch Mathew & Barbara Loonin Ellen C. Revelle Mrs. Lazare F. Bernhard Maday/O’Donnell Design Collective — Jeannie & Arthur Rivkin Sally & John Berry Dimitri J. Callian III & Lauren Zarobinski Deborah Szekely Charles & Charlotte Bird Charlie & Jackie Mann Dixie & Ken Unruh Cynthia Bolker & Greg Rizzi F. Dale & Lois Marriott Jean & Tim Weiss Ronda & Stanley Breitbard R.J. Maus, Architects Terry & Bill Burd Tony & Nancy McCune PLAYWRIGHT CIRCLE Clint & Susie Burdett Dr. Marianne McDonald ($2,500 to $4,999) Anita Busquets & William Ladd Bill & Jeri McGaw Gail, John & Jennifer Andrade Trish Butler & Cary Lowe Elizabeth & Edward McIntyre Dr. Bob & Jill Andres Dr. & Mrs. Robert M. Callicott Harold O. McNeil Mr. & Mrs. Richard Baldwin Ellen Casey Elizabeth Meyer Melissa Garfield Bartell & Michael Bartell Pam & Jerry Cesak Joel & Deirdre Mick Joan & Jeremy Berg Dolores Clark Estelle & Jim Milch Perry S. Binder, MD Hon. Arthur J. Collingsworth & Brian R. Simmons Rena Minisi & Rich Paul Paul Black Mike Conley & Sue Steele Judith & Neil Morgan Dr. & Mrs. Edgar D. Canada Roger Cornell, M.D. James & Nancy Mullen Cecilia Carrick & Stan Nadel Richard & Stephanie Coutts Jan & David Mullin Carol & Rudy Cesena Sally & Pat Crahan Ruth & Jim Mulvaney Carol & Jeff Chang Mrs. Willard T. Cudney Josiah & Rita Neeper Garet & Wendy Clark Dr. & Mrs. Francis C. Cushing, Jr. Bob Nelson & Murray Olson Jack & Carol Clark Fran & Matt Dalton Eileen & Lawrence Newmark Ms. Heidi Conlan/The Sahan Daywi Foundation Mrs. Gail Powell Davis Nordstrom Susan B. Cowell Pat & Dan Derbes Mr. & Mrs. Victor H. Ottenstein Gigi & Ed Cramer Dean & Mrs. Michael H. Dessent Parker & Crosland, LLP Darlene G. Davies in memory of Lowell Davies Marion Eggertsen Sigrid Pate & Glenn Butler Mrs. Philip H. Dickinson Peter & Doris Ellsworth Marcia & Jim Piper Noddy & Ira Epstein Carol Fink Mo & Bill Popp Susanna & Michael Flaster Dieter & Susan Fischer/Dieter’s Mercedes Service Dr. & Mrs. Daniel Porte Samuel I. & John Henry Fox Foundation at Mary & David Fitz Joanne Powers Union Bank of California Mr. & Mrs. Richard Ford Jim & Claudia Prescott Millicent & Charles Froehlich Sid & Jean Fox Peggy Wynn Price Barbara & Albert Garlinghouse Karen & Orrin Gabsch Marie & Don Prisby Dr. & Mrs. William Gott Deede Gales Joseph & Jane Rascoff Ms. Cheryl Haimsohn Elaine & Murray Galinson Mrs. Charlotte Rees Susan & Dr. Ronald Heller Bill & Judy Garrett Lynne Rich Tish & Jere Horsley Leslie & Robert Garson Edward H. Richard & Warren P.Kendrick Richard & Janet Hunter Drs. Thomas H. & Jane D. Gawronski Mr. & Mrs. Roger Roberts Hutcheson Family Fund at The San Diego Foundation Daniel & Arline Genis Nancy J. Robertson Al & Pat JaCoby Teresa C. George Rachel A. Rosenthal & Michael Liersch Mary & Russell Johnson Martin & Enid Gleich Mr. & Mrs. Charles P.Royce Tom & Sheila Gorey *Deceased

PERFORMANCES MAGAZINE P17 Annual Fund Donors continued

Warren & Beverly Sanborn GOLD Edward & Nancy Lyon Sanderson Family Donor Advised Fund ($500 to $999) Carl Maguire & Margaret Sheehan at the Rancho Santa Fe Foundation Tony & Margaret Acampora Dr. Robert & Marcia Malkus Sherry & C.A. Sheppard Janet Anderson & John Glascock Jeanne Maltese Drs. Joseph & Gloria Shurman Anonymous (4) Ron & Mercy Mandelbaum Dee E. Silver, M.D. Jeff & Donna Applestein Martin & Passante AAL Alan & Esther Siman Rhoda & Mike Auer Christopher Maxin & Stephanie Buttell-Maxin Dotti & Joel Sollender Mr. & Mrs. David A. Baer Dr. & Mrs. M. Joseph McGreevy Herbert & Elene Solomon Shawn & Jennifer Baker Keith & Lesley McKenzie N.L. Stanworth in loving memory of Scott Ina S. Bartell Mr. & Mrs. William McKenzie Nancy Steinhart & Rebecca Goodpasture Richard & Linda Basinger Carole S. Miller Eugene L. & Hannah Step Ben-Yehuda Family Fund of the Joel, Annette & Arianna Millman The Tarlov Family Jewish Community Foundation Tom & Doris Neuman Mr. & Mrs. Donald Tartre Nancy Blayney Katherine Newton Mr. & Mrs. Charles Taubman Bob & Joyce Blumberg Mark Niblack Pat & Jack Thomas Suzanne I. Bond Jack & Virginia Oliver Cherie Halladay Tirschwell Mrs. Wyloma Bradshaw Mr. & Mrs. David J. Pettitt Ed Torres & Mark VonderHaar Mr. & Mrs. Blaine A. Briggs Deborah B. Pettry Gene & Celeste Trepte Dr. & Mrs. Simon C. Brumbaugh, Jr. Dr. Ken Pischel & Dr. Katherine Ozanich Pamela J. Wagner Ruth Mary Campbell Drs. Paul & Katherine Ponganis Merle & Phil* Wahl Beth & Tim Cann Dr. Julie Prazich & Dr. Sara Rosenthal Jan Harden Webster & Raul Ortega Greg & Loretta Cass Mr. & Mrs. Kedar Pyatt James & Ellen Weil Ray & Shelley Chalupsky Elaine Rendon Shirli Fabbri Weiss Lynne Champagne & Wilfred Kearse Joseph W. Robinson The Gray White Family Fund Doug & Elisabeth Clark Stuart & Linda Robinson Michael & Penny Wilkes Anne C. Coleman Joseph J. Rusche Mr. & Mrs. Harold B. Williams Ronald D. Culbertson Dr. Joseph & Carol Sabatini Keith J. Wong Dr. & Mrs. William Davidson The Sapp Family Wes & Elaine Dillon Barbara A. Sawrey PLATINUM Dr. Donald & Eilene Dose John & Patricia Seiber ($1,000 to $1,499) Patricia Eichelberger Drs. Lawrence & Miriam Sherman Anonymous William Eiffert & Leslie Hodge Mr. & Mrs. Randall Silvia Michael Bark & Laura Benedict Dr. Susan Dersnah Fee Rodney & Dolores Smith Fund at Judy & Larry Belinsky Richard & Donna Ferrier The San Diego Foundation Nicholas B. Binkley Richard & Beverly Fink Family Foundation Gloria Penner Snyder & Bill Snyder H.L. & Irene Boschken Sally Fuller Sharon S. Storey & Theodore A. Milby Jane Cowgill Dr. & Mrs. Steven Garfin Helga & Sam Strong Dan & Sue Donovan Theresa & Craig Georgi Ron & Susan Styn Ron & Devora Eisenberg–Great News! Arthur & Judy Getis Edward D.S. Sullivan Dan & Phyllis Epstein Norman & Patricia Gillespie John & Linda Sunkel Earl N. Feldman The Golemb Family Clifford & Kay Sweet Peter & Christine Gault Drs. Thomas L. & Cynthia L. Goodman Dr. Terry & Naomi Tanaka Robert & Edry Goot Chris Graham & Michael Albo Linda Terramagra Sandra Gulden & Leon J. Goldberger Carol & Don Green Mrs. Terry Tidmore Gulden Private Foundation Mr. & Mrs. Norman Greene Mr. & Mrs. Jeffrey C. Truesdell Mr. & Mrs. Thomas M. Henry Suzanne & Charles Grimshaw Ms. C. Anne Turhollow & Mr. Michael J. Perkins Suzanne & Lawrence Hess Mr. George Guerra Natalie C. Venezia & Paul A. Sager Jackie Johnston-Schoell Richard & Candace Haden Jo & Howard Weiner Warren & Karen Kessler Fund of the Linda E. Hanson Janice L. Weinrick Jewish Community Foundation Alex & Mary Hart Mr. & Mrs. David Weinrieb Dr. & Mrs. James E. Lasry Mr. Stephen Hopkins & Dr. Carey Pratt Katherine White Mr. & Mrs. James Lim Steven & Nancy Howard Ross & Barbara White Don & Mary Jane Lincoln Viviana Ibanez Dennis & Carol Wilson Joy & Ronald Mankoff Isabella Fund at The San Diego Foundation Dr. Dolores Wozniak Jasna Markovac & Gary Miller Dr. & Mrs. Clyde W. Jones M.J. Zahnle Akiko Charlene Morimoto & Kathy & Rob Jones Elizabeth Zeigler & Bernard Kuchta Hubert Frank Hamilton,Jr. Kenneth & Marilyn Jones Rod & Barbara Orth Andrew & Denise Kaplan SILVER Susan Parker Patricia & Alexander Kelley ($250 to $499) Dan Rehm Mr. & Mrs. Kevin Kiernan Ben Abate William & Susane Roberts Gayle & Jerry Klusky Mr. Gale Acker & Dr. Nancy Acker Don & Darlene Russell Jo Ann & Lee Knutson Sybil & B.J. Adelson Debbie & Shayna Seid Family Fund of the Bill & Linda Kolb Mr. & Mrs. Donald Allison Jewish Community Foundation Marvin M. Kripps, M.D. George Amerault John & Margery Swanson LABS, Inc./Silvia Dreyfuss Mr. & Mrs. Thomas Anderson Stan & Anita Ulrich John Q. Lalas, Jr. Anonymous (4) Pat & Allen Weckerly Thomas Leighty Drs. Michael & Gabriela Antos Brendan M. & Kaye I. Wynne Mr. Richard Levi Earl Asbury Dr. Joseph Yedid Sherry & Rick Levin John & Elizabeth Bagby Christy & Howard Zatkin Kris & Briana Lichter Allen & Nancy Bailey Dr. & Mrs. David D. Lynn Beverly Bartlett & Barbara Sailors

*Deceased

P18 PERFORMANCES MAGAZINE Ruth & Jim Batman Bill & Cheri James Diane Roland Sharon & Bill Beamer Nancy B. & David A. James Milton & Dorothy Roll Bruce & Patricia Becker Edward & Linda Janon Gerald & Ruth Rosenbaum Edgar & Julie Berner Dr. Jim Jaranson Dr. & Mrs. Richard Rowen Armand Bernheim, Jr. In Memory of Donald Jenkins Rowling Family Charitable Fund of the Joan Bernstein Jan Jessop Jewish Community Foundation Thomas Bilotta & Family Judge & Mrs. Anthony C. Joseph Dr. Norman & Barbara Rozansky Mr. & Mrs. Stanley Birstein Jim & Sharon Justeson George & Karen Sachs Daniel & Barbara Black Michel Karp Samiljan Family Fund of the Jewish Bruce & Linda Blakley Dr. Michael & Mrs. Lucy Keehan Community Foundation Robert Blanton & Ann Clark Louis & Mary Beth Kelly Patrick Sammon & Mark Munsey Joann Boone & Nancy Danniger Gail Kendall Josiah & Abigail Sand Robert & Yvonne Boyer Lloyd & Joanna Kendall James M. Santora & Dr. Daniel D. Sewell Ed Brookins Kathleen Kim & Zachary Rattner Simon & Ruth Sayre Julia Brown Louis J. Knobbe Ann & Herb Schnall Beth Bruton Remik Kolodziej & Steven Daris Martin & Connie Schroeder Marie F. Buckey Mr. & Mrs. Jay Kranzler RAdm. & Mrs. H. James T. Sears David Burns & Diane Lischio Mr. & Mrs. Albert W. Krasnoff Linda J. Seifert Sandra Lee Burns Lou Krueger Natalie H. Service Helen M. Caldwell Janay Kruger Lori Severson & Eric Longstreet Jane Carrigan Betty & Richard Kuhn Glenda Allen Shekell William & Shirley Carrington Elizabeth Lasley Dr. & Mrs. Hano Siegel Jerry L. Carter Elliott & Phyllis Lasser Jerry & Beth Silverman Luc & Ann Marie Cayet-Pleska Dixon & Pat Lee Eunice M. Simmons, M.D. Chateau du Meow Tom & Terry Lewis Anne & Ronald Simon Elaine & Peter Chortek Donald Lipkis, MD & Arlene Pollard Christopher & Carmen Skipworth Richard Clampitt & Rachel Hurst Roy & Carol Long Terrence & Kathryn Slavin Barbara Mistler Crew Sally & Bill Luster Patti Sloan in honor of Jack Sloan Glenn Currie Photography Judge & Mrs. Frederick Mandabach Lance & Arlene Smith John Davis & Bill Hughes Kathleen Markham Malcolm E. Smith Dutch & Dawn Dershem Harold & Beverly Martyn Norman & Judith Solomon Wally & Linda Dieckmann Bruce & Brenda Mason Bill & Barbara Sperling Patricia & Glen Doughty Cdr. & Mrs. John C. Mathews III Mr. & Mrs. Fred C. Stalder Sean & Kellie Doyle Gene & Donna McAllister Alan M. Stall Stephen & Sandra Drew Ronald McCaskill & Robyn Rogers Paul & Janet Stannard Lizbeth Ecke & David Meyer Oliver McElroy & Karen Delaurier Mr. & Mrs. George Stassinopoulos Esther & Robert Feier Teresa McEuen Mark & Dale Steele Drs. Lawrence & Irene Fine Cristie C. McGuire Robert & Ann Steiner Larry & Jan Ford John Paul McHugh James K. Stenderup Pauline Forman in memory of Sid Forman Steve McIntee Wootsie Stockton Clare & Paul Friedman Charles & Billie McKnight Jan & Dave Stormoen Randee & Richard Friedman Mr. & Mrs. Jim Melcher Abbe Wolfsheimer Stutz Charles & Jeanne Gahagan Drs. John Meyers & Betty Joan Maly Mrs. J.B. Swedelius Estephan A.G. Gargost Mr. & Mrs. David Michan Donald & Margaret Sweimler Ferdinand Gasang Dr. & Mrs. Paul E. Michelson Dr. Blake S. & Mrs. Peggy Jean Talbot Thomas Gass, DDS & Chester McLemore James & Dorothy Mildice Mr. Harold S. Taxel David & Marcia Gill Dr. James & Mrs. Nancy Miller Dr. Marshall & Leila Taylor Dr. & Mrs. Michael Goldbaum Charles W. Mills, Jr. Douglas & Lynn Todd Howard & Carole Goldfeder Stan & Phyllis Minick Mr. & Mrs. John Torell Euvoughn L. Greenan Dr. Isaac & Mrs. Nancy Mizrahi Robert C. & Melesse W. Traylor Mr. & Mrs. Arthur A. Greenberg Dr. & Mrs. Robert Morrison Barbara C. Ward Martin & Deanna Greenberg Susan & Charles Muha Kathy & Jim Waring Theodore Gryga Mary Jo Murphy Mr. & Mrs. James Welterlen Jerome & Anita Gutkin Michael & Danna Murphy Sandy Wichelecki Margaret Hall Joyce & Martin Nash Olivia & Marty Winkler Helen M. Hammond Wendy & Jim Neri Cass Witkowski Family Robert M. & Helen M. Hansen Harvey & Marsha Netzer Mr. & Mrs. John W. Witt C. Harbordt Jack & Judy Nichols Dr. Perri L. Wittgrove Mark & Corrine Harvey Floyd T. Olson Janet Wolf Donald J. Hickey Larry & Marcia Osterink Mr. & Mrs. H.D. Wolpert Christine Hickman & Dennis Ragen Dr. David & Elizabeth Ostrander David Workman Mr. & Mrs. Thomas O. Hippie Barbara Painter Paul & Claudia Zimmer John & Peggy Holl Ed & Carolyn Parrish Vicky Zollweg & J. Michael Dunteman Paul & Barbara Holz Julius J. Pearl Fund at The San Diego Foundation Nancy & Bill Homeyer Clifford T. Pentrack & Mary E. Giovaniello This list is current as of February 25, 2008 Mr. & Mrs. Lee Horowitt Lawrence Roy Perrin To learn more about supporting The Old Globe’s Kendyl & Merri Houdyshell Mr. & Mrs. Leslie D. Reed performances and education and outreach In Memory of Ray Howard Robert & Doris Reed programs, please visit our website at Stephanie & Carl Hurst Daniel & Lynn Reisfeld www.TheOldGlobe.org or call Robert Hyman Brent & Bev Robinson Courtney Quinn at (619) 231-1941 x2311. Joseph & Donna Hynes Clarice & Irl Robinson Susan D. Inot Mr. & Mrs. Christopher Rohrer

PERFORMANCES MAGAZINE P19 Globe Ambassadors

Lawrence G. Alldredge and Dawn Moore Mary Ann and Arnold Ginnow Roberta J. Simpson Perry S. Binder, M.D. Alexa Kirkwood Hirsch Ms. Jeanette Stevens Paul Black Leonard and Elaine Hirsch Jay and Diane Sweeney Dr. and Mrs. Edgar D. Canada Al and Pat Jacoby Dixie and Ken Unruh Carol and Rudy Cesena Mary and Russell Johnson Doris and Lou Vettese Jack and Carol Clark Bob and Gladys King Jordine Von Wantoch Mary H. Clark Rosalie Kostanzer and Mike Keefe Steven J. Cologne Bob and Laura Kyle R. Patrick and Sharon Connell James & Pamela Lester Globe Ambassadors are generous supporters of The Old Susan B. Cowell Merriel F. Mandell, Ph.D. Globe who attend special presentations about activities at Gigi and Ed Cramer Peter and Inge Manes the Globe and serve as the Theatre’s Ambassadors in the Darlene G. Davies Bob Martinet community. Mrs. Philip H. Dickinson Paul I. and Margaret W. Meyer Nina and Robert Doede David and Noreen Mulliken For more information please Marion Eggertsen Charles Noell and Barbara Voss contact Courtney Quinn at Bernard J. Eggertsen and Florence Nemkov Jeannie and Arthur Rivkin (619) 231-1941 x2311. Danah H. Fayman Dr. H. Warren Ross Susanna and Michael Flaster Donald and Darlene Shiley

Craig Noel League Members Planned Giving Society of The Old Globe

Anonymous (14) Joseph E. Jessop* Velda Pirtle* Merle and Phil* Wahl Robert S. Albritton* J. Robert and Gladys H. King Florence Borgeson Plunkert* Holly J.B. Ward Diana Barliant Marilyn Kneeland Dolly* and Jim Poet Sheryl and Harvey P.White Nancine Belfiore Jean and David Laing Dorothy Shorb Prough* Mrs. Jack Galen Whitney Alan Benaroya Jerry Lester Foundation Brenda Marsh-Rebelo and John Rebelo Stanley E. Willis II* Dr. and Mrs. Edgar D. Canada Dr. Bernard Lipinsky* Donald and Darlene Shiley Julie Meier Wright Garet and Wendy Clark Heather Manion Patsy and Forrest Shumway Carolyn Yorston J. Dallas* and Mary H. Clark Calvin Manning* B. Sy and Ruth Ann Silver *Deceased R. Patrick and Sharon Connell Chris and Jill Metcalf Stephen M. Silverman Patricia W. Crigler, Ph.D., CAPT/USN/Ret. Paul I. and Margaret W. Meyer Roberta Simpson Craig Noel League members are leaving Carlos and Patricia Cuellar Judy and George Miller Dolores and Rod Smith lasting gifts to the theatre through planned Patricia and Donn DeMarce* Steve Miller John and Cindy Sorensen gifts,cash contributions,bequests and other Mrs. Philip H. Dickinson Dr. Robert W. Miner Marje Spear estate planning options. Dr. and Mrs. Robert Epsten Shirley Mulcahy Nancy A. Spector and Alan R. Spector Frank A. Frye, III Laurie Dale Munday Jeanette Stevens For more information,please contact Nancy Reed Gibson Stanley Nadel and Cecilia Carrick Eric Leighton Swenson Director of Development,Todd R.Schultz Robert Gleason and Marc Matys Alice B. Nesnow Anne C. Taubman (619) 231-1941,x2310 or Marcy Goldstone Arthur and Marilyn Neumann Cherie Halladay Tirschwell TSchultz@The OldGlobe.org. Kathryn Crippen Hattox Craig Noel Marian Trevor (Mrs. Walter M.)* David and Debbie Hawkins Greg and Polly Noel Evelyn Mack Truitt Craig and Mary Hunter PACEM (Pacific Academy of Ginny Unanue Barbara Iredale* Ecclesiastical Music) Carol and Lawrence Veit Bob Jacobs Mrs. Margaret F. Peninger* Harvey* and Jordine Von Wantoch

P20 PERFORMANCES MAGAZINE Special Thanks to our Corporate Donors

SEASON SPONSORS ($50,000 and more)

PRODUCTION SPONSORS ($25,000-$49,999)

DIRECTOR CIRCLE ($10,000-$24,999) Break-Away Tours Higgs, Fletcher & Mack, LLP ResMed Foundation City National Bank KPMG, LLP Torrey Pines Bank Cyberknife Centers of San Diego, Inc./ Mercer Vistage Radiation Medical Group Neiman Marcus

FOUNDER CIRCLE PLAYWRIGHT CIRCLE ($5,000-$9,999) ($2,500-$4,999) Citigroup Foundation/Smith Barney Cush Family Foundation M2000 Corporation Nicholas-Applegate San Diego Business Journal WD-40 Company Sycuan Resort & Casino The Westgate Hotel

Corporate Partners enjoy exclusive benefits and recognition, especially the opportunity to entertain clients and employees with exclusive receptions in our Patron and Lipinsky Family Suites, behind-the-scenes tours, and preferred seating at our shows. For information, please contact Todd Schultz at (619) 231-1941 x2310.

PERFORMANCES MAGAZINE P21 Associate Artists of The Old Globe

In recognition of their unique contribution to the growth of The Old Globe and their special talent, we take great pride and pleasure in acknowledging as ASSOCIATE ARTISTS OF THE OLD GLOBE, the following who have repeatedly demonstrated by their active presence on our stages and in our shops, that wherever else they may work, they remain the heart and soul of this theatre.

Louis G. Spisto, CEO/Executive Producer Jerry Patch, Co-Artistic Director Darko Tresnjak, Co-Artistic Director William Anton Tim Donoghue Joseph Hardy Katherine McGrath Marion Ross David Ogden Stiers Jacqueline Brooks Richard Easton Mark Harelik John McLain Steven Rubin Conrad Susa Lewis Brown Tovah Feldshuh Bob James Jonathan McMurtry Ken Ruta Deborah Taylor * Victor Buono Monique Fowler * Peggy Kellner Stephen Metcalfe Douglas W. Schmidt * Irene Tedrow * Wayland Capwell Ralph Funicello Tom Lacy Robert Morgan Seret Scott Sada Thompson Kandis Chappell Lillian Garrett-Groag Diana Maddox * Ellis Rabb David F. Segal Paxton Whitehead * Eric Christmas Harry Groener Dakin Matthews Steve Rankin Richard Seger James Winker George Deloy A.R. Gurney Deborah May Robin Pearson Rose Diane Sinor Robert Wojewodski Don Sparks * G Wood Patron Information * in memoriam

TICKET SERVICES HOURS SEATING OF LATECOMERS Monday: noon – 6pm Although we understand parking is often at a premium, the seating Tuesday - Sunday: noon – last curtain of latecomers is extremely disruptive. Latecomers may be given Hours subject to change. Please call ahead. alternative seating and will be seated at an appropriate interval. Phone (619) 23-GLOBE or (619) 234-5623 FAX (619) 231-6752 YOUNG CHILDREN Email [email protected] Children five years of age and under will not be admitted to performances. ADMINISTRATION HOURS Monday - Friday : 9am – 5pm PHONE (619) 231-1941 ELECTRONIC DEVICES AND CAMERAS WEBSITE www.TheOldGlobe.org Use of recording devices and cameras is not permitted. If you are ADDRESS The Old Globe wearing a digital watch or pager, or if you are carrying a cellular P.O. Box 122171 phone, please silence it prior to entering the theatre. San Diego, CA 92112-2171 SENNHEISER® LISTENING SYSTEM ORDERING TICKETS/CHANGE OF ADDRESS For the convenience of the hearing impaired, the Sennheiser® The Old Globe accepts Visa, Discover, MasterCard, or American Listening System is available in the Old Globe Theatre. Lightweight Express. Phone orders for non-subscribers are subject to a $3 per headsets may be obtained from the house manager prior to perfor- ticket service charge, not to exceed $12. Ticket exchanges are subject mances, free of charge. to a service charge for non-subscribers. If you have moved, please notify the Ticket Services Office to update our records. Call (619) PUBLIC TOURS 234-5623 during Ticket Services hours, mail your change of address Go behind the scenes at The Old Globe to learn about the history, to the Ticket Services Office, or email us at [email protected]. three stages, shop and craft areas. Open tours: most Saturdays and Sundays at 10:30am. Groups by reservation. $5 adults; $3 seniors UNABLE TO ATTEND? and students. Phone (619) 231-1941 x2142 for information/reserva- If you find you are unable to use your tickets, please give them to a tions. friend, or turn them in to the Ticket Serivces Office and receive a tax receipt for your donation. Tickets must be received by show time. LOST AND FOUND If you have misplaced a personal item while at the theatre, please RESTROOMS AND TELEPHONES contact the Ticket Services Office or Security as soon as possible. If Restrooms are located in the lower lobby of the Old Globe Theatre we are unable to locate your item, we’ll happily take down your and adjacent to the Festival Theatre; pay phones may be found in the contact information as well as a description of the item and contact lower Globe Theatre lobby and next to the Gift Shop. you if it is found. The Old Globe does not assume liability for items left behind on premises.

Natural HerbCough Drops - Courtesy of Ricola USA, Inc. - available upon request. Please ask an usher. P22 PERFORMANCES MAGAZINE Director Profiles

LOUIS G. SPISTO JERRYPATCH DARKO TRESNJAK CEO/Executive Producer Co-Artistic Director Co-Artistic Director Louis G. Spisto has led The Old Globe since Jerry Patch was appointed Resident Artistic Director Artistic Director of the Globe’s 2004-2007 October, 2002. During his tenure, Spisto spear- of The Old Globe in February 2005, during which Shakespeare Festivals, Darko Tresnjak's directorial headed the return of the Shakespeare Repertory time he brought to the Theatre works by such credits at the Globe include: Pericles,The Winter's Tale, Season and brought to the Globe several new musi- renowned playwrights as Amy Freed, Richard Hamlet,A Midsummer Night’s Dream,Titus Andronicus, cals, including the critically-acclaimed A Catered Greenberg and Donald Margulies. In the past three The Comedy of Errors,The Two Noble Kinsmen,Antony Affair, the launch of the national tour of the Tony seasons, eleven world premieres and two second and Cleopatra and Bell,Book and Candle. Earlier this Award-winning Avenue Q and the Broadway transfers productions of new works have been presented, year he directed The Merchant of Venice at Theatre for a of Chita Rivera:The Dancer’s Life, and the Twyla including A Body of Water, winner of the 2006 Best New Audience, a production that traveled to the Tharp/Bob Dylan musical,THE TIMES THEY ARE A- New American Play Award. He previously served as Royal Shakespeare Company’s Complete Works CHANGIN’. He has produced over 75 plays and the Dramaturge and a member of the longstanding Festival. Other credits include All's Well That Ends musicals, including Dirty Rotten Scoundrels, the west artistic team at the Tony Award-winning South Well at Theatre for a New Audience; The Two Noble coast premiere of the Tony-winning play Take Me Out Coast Repertory (SCR), where he coordinated the Kinsmen at The Public Theatre; Princess Turandot and and the annual holiday favorite, Dr.Seuss’ How the development of 150 new plays, including two Hotel Universe at Blue Light Theater Company; More Grinch Stole Christmas!. Spisto has managed the Pulitzer Prize winners and numerous other Pulitzer Lies About Jerzy at the Vineyard Theater Company; The Globe’s Capital Campaign to raise $75 million by the finalists. While at SCR, Patch worked as Dramaturg Skin of Our Teeth,Rosencrantz and Guildenstern Are Theatre’s 75th anniversary in 2010. Launched in on numerous new works, including Donald Dead,The Winter's Tale,Under Milk Wood,Moving March 2006, the campaign has reached 75% of its Margulies’ Sight Unseen and Brooklyn Boy, which Picture,The Blue Demon,Princess Turandot and The Love goal to date. During the past four seasons, the Globe recently opened to critical acclaim on Broadway, of Three Oranges at Williamstown Theatre Festival; has grown its subscription audience an unprece- Margaret Edson’s Pulitzer Prize-winning Wit, Heartbreak House,What the Butler Saw,Amphitryon and dented amount, resulting in the highest level of Howard Korder’s Search and Destroy, Amy Freed’s The The Blue Demon at the Huntington Theatre; Hay Fever attendance in over a decade. The Globe was also rec- Beard of Avon, as well as Intimate Apparel,Freedomland and Princess Turandot at Westport Country Playhouse; ognized by Charity Navigator, America’s premiere and world-premieres of several plays by Richard Rosencrantz and Guildenstern Are Dead at Long Wharf charity evaluator, which recently gave the Globe its Greenberg, including Three Days of Rain,Hurrah at Theater Company; A Little Night Music,Amour at third consecutive 4-Star rating. A strong advocate of Last!,The Violet Hour and Everett Beekin. In addition, Goodspeed Opera House; and La Dispute, UCSD. arts education, Spisto initiated several new pro- he co-conceived The Education of Randy Newman with Other directing credits include productions at grams including an innovative cross-border project Michael Roth and Mr. Newman. Patch also served as Florida Grand Opera, Opera Theatre of St. Louis, involving students from both San Diego and Tijuana the founding project director of SCR’s Pacific Virginia Opera, Florentine Opera Company, and the in a unique bilingual production of Romeo and Juliet. Playwrights Festival, which annually introduces American premiere of Rimsky-Korsakov’s May Night He also launched a free matinee series which brings seven new plays to Orange County audiences and at Sarasota Opera. Upcoming projects include The thousands of students to the Globe’s productions. national theatre leaders. Typically, more than 75% of Dwarf and The Broken Jug for Los Angeles Opera’s Spisto established a reputation as a superb arts the festival plays presented receive multiple produc- “Recovered Voices” series and Antony and Cleopatra at executive here in California, where he spent over ten tions in theatres across the country. During his Theatre for a New Audience. He is the recipient of years as the Executive Director of the Pacific tenure at SCR, Patch also held the position of the Alan Schneider Award for Directing Excellence, Symphony Orchestra in Orange County. During his Artistic Director (1990-1997) of The Sundance TCG National Theater Artist Residency Award, Boris tenure there, he tripled the orchestra’s annual Theatre Program, which included the Sundance Sagal Directing Fellowship, NEA New Forms Grant, budget, while eliminating a prior deficit and success- Playwrights Laboratory, one of the nation’s leading two Pennsylvania Council on the Arts Individual fully completing the orchestra’s first endowment new play development programs. Additionally, he Artist Fellowships, San Diego Critics Circle Awards campaign. In addition, he established a series of ran the Sundance Summer Theatre, a repertory of 2-3 for his direction of Pericles and The Winter's Tale, and innovative recording projects with Sony Classical productions staged outdoors for Utah audiences and Patté Awards for his direction of The Winter’s Tale and and oversaw a number of nationally recognized The Sundance Children’s Theatre, which was dedi- Titus Andronicus. He has performed with numerous commissioning projects. He also served as the chief cated to the development and presentation of new Philadelphia dance and theatre companies and executive at both American Ballet Theatre and The works for family audiences by leading American toured across the United States and Japan with the Detroit Symphony. He holds a Masters degree from playwrights. He has also served as a consulting dra- UNIMA Award-winning Mum Puppettheatre. He the University of Wisconsin in Arts Administration maturge for New York’s Roundabout Theatre was educated at Swarthmore College and Columbia and a Bachelors of Business Administration from Company, one of two of the largest theatre compa- University. the University of Notre Dame, and spent many years nies in the country. directing, producing and as an actor in plays and musicals throughout his college and graduate school years, as well as in professional summer theatre.

PERFORMANCES MAGAZINE P23 Louis G. Spisto Jerry Patch Darko Tresnjak S t a f f CEO/Executive Producer Co-Artistic Director Co-Artistic Director

Michael G. Murphy ...... General Manager Kevin Liddell ...... MasterElectrician, Festival MARKETING Dave Henson ...... Directorof Marketing Todd Adams, Elizabeth Burress, Jason Bieber, Bonnie Becky Biegelsen ...... Public Relations Director and Communications Breckenridge, Michelle Echeverria, Kristen Flores, Maureen Ed Hofmeister ...... Audience Development Manager Todd Schultz ...... Directorof Development Hanratty, Justin Hobson, Jennifer Horowitz, Shawna Kyees, Jackie Anderson ...... Publications Coordinator Mark Somers ...... Directorof Finance Molly Mande, Michael Paolini, Katie Reynolds, Chris Walsh, Claire Kennelly ...... Marketing Assistant Richard Seer ...... Directorof Professional Training Amanda Zieve ...... Electricians Samantha Haskins ...... Public Relations Assistant Robert Drake ...... Directorof Production Sound Joyanne Buscemi, Monica Jorgensen, Roberta Wells-Famula ...... Directorof Education Paul Peterson ...... Sound Director Judy Zimmerman ...... Marketing/Events Assistants Erik Carstensen ...... MasterSound Technician, Globe ARTISTIC Erica Dei ...... Graphic Designer Rachel Eaves ...... MasterSound Technician, Carter Victoria Hayne ...... Marketing and Development Writer Samantha Barrie ...... Artistic Coordinator Craig Schwartz ...... Production Photographer Kim Montelibano Heil ...... Literary Associate ADMINISTRATION Jan Gist ...... Voice and Speech Coach Darla Lopez ...... Executive Assistant Subscription Sales Bernadette Hobson ...... Artistic Assistant Brian Ulery ...... Assistant to the General Manager Scott Cooke ...... Subscription Sales Manager Stage Management Information Technology Anna Bowen-Davies, James Dwyer, Arthur Faro, Andy Fink, Leila Knox ...... Production Stage Manager Dean Yager ...... Information Technology Manager Randi Hawkins, Pamela Malone, Yolanda Moore, Jessica Tracy Skoczelas ...... Assistant Stage Manager ThadSteffen ...... Information Technology Asst. Mgr. Morrow, Ken Seper, Cassandra Shepard, Grant Walpole, J. Adam Latham ...... Information Technology Assistant Andrea Leigh Walsh ...... Subscription Sales Representatives PRODUCTION Human Resources Ticket Services Debra Pratt Ballard ...... Associate Directorof Production Sandra Parde ...... Human Resources Director Shari Ressel ...... Ticket Services Manager Ellen Dieter ...... Company Manager Maintenance Marsi Roche ...... Ticket Operations Manager Carol Donahue ...... Production Coordinator Randy McWilliams ...... Facilities Manager Dani Meister ...... Group Sales Manager Technical Violanda Corona, Ismael Delgado, Miguel Gaspar, Roberto Lyle Wilson ...... Ticket Services Supervisor/ Benjamin Thoron ...... Technical Director Gonzalez, Reyna Huerta, Margarita Meza, Jose Morales, Albert Training Coordinator Wendy Berzansky ...... Assistant Technical Director Rios, Maria Rios, Nicolas Torres ...... Building Staff Marissa Haywood, Kacie Lyn Hultgren ...... Resident Design Assistant Shouna Shoemake ...... Lead Ticket Services Representatives PROFESSIONAL TRAINING Eliza Korshin ...... Technical Assistant/Buyer Brian Abraham, Jennifer Boyd, Elizabeth Brown, Sarah Ditges, Christian Thorsen ...... Stage Carpenter/Flyman, Globe Llance Bower ...... ProgramCoordinator Tony Dixon, Michael Knudsen, Alicia Lerner, Jenna Long, Carole Payette ...... Charge Scenic Artist Maria Carrera, Cynthia Caywood, Sabin Epstein, Robert Caryn Morgan, Christine Perez, Jeffrey Pine, Michael Pousson, Adam Bernard ...... Scenic Artists Barry Fleming, Gerhard Gessner, Jan Gist, Peter Kanelos, Fred Carlos Quezada, Jessica Seaman, Gillian Kelleher ...... MasterCarpenter Robinson, Liz Shipman ...... MFA Faculty Molly Whittaker...... Ticket Services Representatives Robert Dougherty ...... MasterCarpenter,Festival Corey Johnston, Robin Sanford Roberts, William Barron, Sheldon Goff, Jason McIntyre, Laura McEntyre, Ben Seibert, George Yé ...... MFA Production Staff PATRON SERVICES Mongo Moglia, Mason Petersen ...... Carpenters Mike Callaway ...... Theatre Manager Costumes EDUCATION Adam Lindstaedt ...... Front of House Assistant Stacy Sutton ...... Costume Director Raúl Moncada ...... Education Associate Merlin D. “Tommy” Thompson ...... Patron Services Rep Charlotte Devaux ...... Resident Design Assistant Holly Ward ...... TourCoordinator Rob Novak, Ashley Roberts ...... House Managers Maureen Mac Niallais ...... Assistant to the Director Carol Green ...... Speakers Bureau Coordinator Dana Juhl ...... Food and Beverage Manager Shelly Williams ...... Design Assistant/Shopper Marisela De la Parra, Kimberly Parker Green, Janet Hayatshahi, Haydee Aldas ...... Food and Beverage Assistant Manager Ashley Bruce ...... Design Assistant Jamie Koottarappallil, Steve Lipinsky, Sarah Price, Michelle Elliott, Brandi Mahan, Perla Rios, Anne-Marie Shafer, Louise M. Herman, Randal Sumabat ...... Drapers David Tierney ...... Teaching Artists Tess Thompson ...... Pub Staff Babs Behling, Rose Espiritu, Stephanie Rakowski, Babs Behling, Anne Glidden Grace ...... Assistant Cutters FINANCE Mary Miller ...... Costume Assistants Stephanie Reed ...... Gift Shop Supervisors Paula Nickodemus ...... SeniorAccountant Mark Baiza, Nancy Liu ...... Stitchers Security/Parking Services Dana M. Bryant ...... Accounts Payable/Accounting Assistant Judith Craigo ...... Dyer/Painter/LeadCrafts Artisan Rachel “Beahr” Garcia ...... Security/Parking Angela Yoshida ...... Payroll Coordinator/Accounting Assistant Molly O’Connor ...... Wig and Makeup Supervisor Services Supervisor TimCole...... Receptionist Kim Parker ...... Asst. to Wig and Makeup Supervisor Irene Herrig ...... Associate Supervisorof Security Erin Schindler ...... Wardrobe Supervisor DEVELOPMENT Sherisa Eselin, Janet Larson, Jeffrey Neitzel, Nola Walkup ...... CrewChief, Globe and Carter Annamarie Maricle ...... Associate Director, Sonia Paul ...... SecurityOfficers Kristin Bongiovanni, Marcella Hammond, Sarah Hendel, Institutional Grants Deborah Elliott, Nicole Hagemeyer, Beth Merriman, Nikki Gilman ...... Globe Running Crew Marilyn McAvoy ...... Associate Director, Lou Hicks, Michael Moran ...... Parking Lot Attendants Marie Jezbera ...... Rental Agent MajorGifts Mark Brickman, Dallas Chang, Properties Eileen Prisby ...... Events Manager David Nguyen ...... V.I.P.Valet Attendants Neil A. Holmes ...... Properties Director Courtney Quinn ...... Development Coordinator, Kristin Steva Campbell ...... Assistant to the Director Individual Annual Giving Amy Reams ...... Properties Buyer Diane Addis ...... Membership Administrator Pat Cain ...... Property Master,Globe Josh Martinez-Nelson ...... Development Administrator David Buess ...... Property Master,Carter Diana Steffen ...... Development Assistant M.H. Schrenkeisen ...... Shop Foreman Kristen Mulvihill ...... Development Assistant Rory Murphy ...... Lead Craftsman Donor Services Ryan Buckalew, Patricia Rutter ...... Craftspersons Babs Behling, Joyanne Buscemi, Monica Jorgensen, Barbara Kristi Rosen ...... Properties Assistant Lekes, Richard Navarro, Stephanie Reed, Lighting Judy Zimmerman ...... Suite Concierges Jack O’Brien Chris Rynne ...... Lighting Director Artistic Director Emeritus Megan Fonseca ...... Lighting Assistant Tonnie Ficken ...... MasterElectrician, Globe Craig Noel Jim Dodd ...... MasterElectrician, Carter Founding Director

P24 PERFORMANCES MAGAZINE