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Hot EntErtainmEnt » by Sheri radford Skate Date The Sochi 2014 Olympic Winter Games may be just a distant memory, but you can recapture some of the spirit at the Investors Group Stars on Ice presented by Lindt (page 66). Silver medallists Tessa Virtue and Scott Moir (pictured) and Patrick Chan headline an impressive roster of Canada’s best skaters that also includes Kurt Browning, Joannie Rochette and Jeffrey Buttle. It’s ice ice baby, May 15 at Rogers Arena. Under the Big Top Quebec’s Robert Lepage has spent his career push- ing the boundaries of live theatre. Now the award- winning multidisciplinary artist has teamed up with Quebec’s equally ground-breaking Cirque du Soleil (page 62) to write and direct Totem. This new show uses comedy, music, surprising visual effects and jaw-dropping acrobatics to trace humankind’s jour- ney. Catch all the circus wizardry May 15 to Jun. 29. “CoUnTry Man” What do you get when you mix over-the-top musi- cal talent with movie-star good looks, then add in S e a dash of goofy charm? Luke Bryan, who brings his mag That’s My Kind of Night Tour to town May 3 (Rogers Arena; page 64). Last year’s Academy of Country ©OSA I Music Entertainer of the Year is promoting his latest oto Ph album, Crash My Party, and its chart-topping singles il e “That’s My Kind of Night,” “Drink a Beer” and “Play sol It Again.” Consider it a little taste of Nashville, right ue du here in Vancouver. cirq May 2014 // where.ca 61.

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THE MUSICAL FEATURES of 2015'S TOP-RANKED COUNTRY SONGS
THE MUSICAL FEATURES OF 2015’s TOP-RANKED COUNTRY SONGS By Mason Taylor Allen Senior Honors Thesis Department of Music University of North Carolina at Chapel Hill April 22, 2016 Approved: Dr. Jocelyn R. Neal, Thesis Advisor Dr. Allen Anderson, Reader Dr. Andrea Bohlman, Reader © 2016 Mason Taylor Allen ALL RIGHTS RESERVED ii ABSTRACT Mason Taylor Allen: The Musical Features of 2015’s Top-Ranked Country Songs Under the direction of Dr. Jocelyn R. Neal The 2015 top-ten country songs analyzed in this study are characterized by the various formats of their song form, harmonies, and lyrics. This thesis presents a comprehensive study of the structure and narratives in sixty-seven songs that summarizes the distinctive features within those domains of contemporary commercial country music. A detailed description of the norm along with identifiable trends emerges. The song form that features most prominently in this repertory includes a verse-chorus-bridge form with three iterations of the chorus, an intro and outro section, and instrumental sections immediately following each chorus. The top-ten country songs have varying degrees of departure from this typical model. Primary features of the harmonies of these top songs include the frequent use of a double-tonic complex, the absence of a 5-1 authentic cadence, the same chord progression throughout the verse, chorus, and bridge, and the use of only two chords throughout the song. Lyrical analyses show that 2015 songs are continuing the traditional themes about romantic attraction, love, heartache, good times and partying, home, family, nostalgia, religion, and inspiration, within the context of small-town country life that this genre has used for years.
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Linedance 108 Songs, 6.4 Hours, 631.7 MB
LineDance 108 songs, 6.4 hours, 631.7 MB Name Time Album Artist Long Legged Hannah 3:53 A Man Like Me Jesse Hunter Honky Tonk Stomp 3:04 #1s... And Then Some [Disc 1] Brooks & Dunn Keep On Lovin' You 3:03 Keep On Lovin' You - Single Steel Magnolia Riding Alone 3:28 Sex & Violins Rednex Amen Kind of Love 3:27 All Because of You Daryle Singletary In Color 4:51 That Lonesome Song Jamey Johnson Do You Love Me 2:53 Dirty Dancing - 20th Anniversary Editi… The Contours My Kinda Country 2:55 Anything Goes Randy Houser Save A Horse (Ride A Cowboy) 3:20 Horse Of A Diferent Color Big & Rich Forever Road 4:02 Learn To Live Darius Rucker Feel That Fire 3:22 Feel That Fire Dierks Bentley That's How Country Boys Roll 3:44 Little Bit Of Everything Billy Currington Corina, Corina 4:07 Tribute to the Music of Bob Wills & the… Asleep At The Wheel Swamp Thing 7:15 Pecker (Original Motion Picture Sound… The Grid Thank God I'm A Country Boy 3:29 A Song's Best Friend: The Very Best Of… John Denver Play That Funky Music 5:00 Wild Cherry Wild Cherry The Wanderer 2:49 Runaround Sue Dion God Love Her 3:37 That Don't Make Me A Bad Guy Toby Keith Back That Thing Up 2:36 Back That Thing Up - Single Justin Moore This Is Your Brain 3:37 The Essential Joe Dife Joe Dife You Shook Me All Night Long 3:30 Back In Black AC/DC Blame It On Texas 2:52 Mark Chesnutt: Greatest Hits Mark Chesnutt About The South 2:59 If You're Going Through Hell Rodney Atkins Eight Second Ride 3:05 Startin' With Me Jake Owen Mistress For Christmas 4:00 The Razor's Edge AC/DC All Summer Long 4:57 Rock N Roll Jesus Kid Rock Toes 4:21 The Foundation Zac Brown Band Cupid Shufe 3:51 Time for a Change Cupid I Still Like Bologna 4:40 Good Time Alan Jackson Firecracker 3:30 Everything Is Fine Josh Turner The Devil Went Down to Georgia 3:44 Essential Super Hits of The Charlie Da… The Charlie Daniels Band Hillbilly Bone (feat.
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On Stage (Extra): a 'Curious' Case of Broadway-Style Entertainment
On Stage (Extra): A ‘Curious’ case of Broadway-style entertainment Feb 25th, 2017 · 0 Comment By Denny Dyroff, Staff Writer, The Times The Curious Incident of the Dog in the Night-Time. Theater fans from this area have been very fortunate this month – mainly because of the offerings from the Kimmel Center’s “Broadway Philadelphia” series at the Academy of Music (Broad and Locust streets, Philadelphia, 215-731-3333, www.kimmelcenter.org). Instead of being presented for the umpteenth time with tried-and-true musicals such as “Annie,” “Sound of Music” or “Rent,” fans are being treated to two hit shows that are fresh off Broadway and making their Philadelphia debuts. “The Bodyguard” is running through February 26. Then, from February 28-March 5, the Academy of Music is hosting “The Curious Incident of the Dog in the Night-Time.” Hailed as “One of the most fully immersive works ever to wallop Broadway” by The New York Times, this adaptation is the Tony Award®-winning new play by Simon Stephens, adapted from Mark Haddon’s best- selling novel and directed by Tony winner Marianne Elliott. Winner of the 2015 Tony Award for Best New Play, the acclaimed National Theatre production of “The Curious Incident of the Dog in the Night-Time” is now on its first North American tour. Two-time Tony Award winner Marianne Elliott (“War Horse”) directs this adaptation by Tony and Olivier Award winner Simon Stephens – an adaptation that brings Mark Haddon’s internationally best-selling novel to thrilling life. Christopher John Francis Boone, a 15-year-old boy with an extraordinary brain, is exceptionally intelligent but ill-equipped to interpret everyday life.
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Union College Union | Digital Works Honors Theses Student Work 6-2012 Sexy Songs: A Study of Gender Construction in Contemporary Music Genres Lea Tessitore Union College - Schenectady, NY Follow this and additional works at: https://digitalworks.union.edu/theses Part of the Feminist, Gender, and Sexuality Studies Commons, and the Musicology Commons Recommended Citation Tessitore, Lea, "Sexy Songs: A Study of Gender Construction in Contemporary Music Genres" (2012). Honors Theses. 910. https://digitalworks.union.edu/theses/910 This Open Access is brought to you for free and open access by the Student Work at Union | Digital Works. It has been accepted for inclusion in Honors Theses by an authorized administrator of Union | Digital Works. For more information, please contact [email protected]. i “Sexy” Songs: A Study of Gender Construction in Contemporary Music Genres By Lea M. Tessitore * * * * * * * * * * Senior Thesis Submitted to the Political Science Department in Partial Fulfillment of the Requirements for Graduation UNION COLLEGE March 2012 ii Acknowledgements I would like to extend a heartfelt Thank You To my Mom Your complete support made everything possible To all of my Professors at Union For helping me to grow intellectually and as a person To my Friends For being wonderful colleagues and for being true friends iii Table of Contents Preface……………………………………………………………………………………v Introduction………………………………………………………………………………1 Chapter I………………………………………………………………………………….5 Rap/Hip-Hop Music Chapter II….…………………………………………………………………………….33 Country Music Chapter III…………….…………………………………………………………………67 Punk Rock Music Conclusion……………………………………………………………………………...99 Bibliography…………………………………………………………………………..113 iv “One is not born, but rather becomes, a woman.” - Simone de Beauvoir “Music expresses that which cannot be said and on which it is impossible to be silent.” - Victor Hugo v Preface This study focuses on gender construction in contemporary music genres, including Rap/Hip-hop, Country, and Punk Rock.
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Goodnight Saigon: Billy Joel’S Musical Epitaph to the Vietnam War
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Intoxication and Empire: Distilled Spirits and The
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The Complete Angler
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Country Music Annual 2001
University of Kentucky UKnowledge Music Arts and Humanities 2001 Country Music Annual 2001 Charles K. Wolfe Middle Tennessee State University James E. Akenson Tennessee Technological University Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Wolfe, Charles K. and Akenson, James E., "Country Music Annual 2001" (2001). Music. 5. https://uknowledge.uky.edu/upk_music/5 Country Music Annual 2001 Country Music Annual 2001 Edited by unanes K. wane and James LAkensen THE UNIVERSIIY PRESS OF KJSNTUCKY Publication of this volume was made possible in part by a grant from the National Endowment for the Humanities. Copyright © 2001 by The University Press of Kentucky Scholarly publisher for the Commonwealth, serving Bellarmine University, Berea College, Centre College of Kentucky, Eastern Kentucky University, The Filson Historical Society, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. All rights reserved. Editorial and Sales Offices: The University Press of Kentucky 663 South Limestone Street, Lexington, Kentucky 40508-4008 05 04 03 02 01 5 4 3 2 1 ISBN 0-8131-0990-6 (pbk: alk. paper) Contents Introduction 1 Charles K. Wolfe and James E. Akenson Having the Franchise: Country Music TV from the Third Coast 4 David Black The Country Music-NASCAR Connection 26 Lawrence E.
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