Renaissance Web TV: New Media Promoting Sphere Participation & Information Society Increasing Innovative Business Practices
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Toy Story: How Pixar Reinvented the Animated Feature
Brown, Noel. " An Interview with Steve Segal." Toy Story: How Pixar Reinvented the Animated Feature. By Susan Smith, Noel Brown and Sam Summers. London: Bloomsbury Academic, 2017. 197–214. Bloomsbury Collections. Web. 2 Oct. 2021. <http:// dx.doi.org/10.5040/9781501324949.ch-013>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 2 October 2021, 03:24 UTC. Copyright © Susan Smith, Sam Summers and Noel Brown 2018. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. 1 97 Chapter 13 A N INTERVIEW WITH STEVE SEGAL N o e l B r o w n Production histories of Toy Story tend to focus on ‘big names’ such as John Lasseter and Pete Docter. In this book, we also want to convey a sense of the animator’s place in the making of the fi lm and their perspective on what hap- pened, along with their professional journey leading up to that point. Steve Segal was born in Richmond, Virginia, in 1949. He made his fi rst animated fi lms as a high school student before studying Art at Virginia Commonwealth University, where he continued to produce award- winning, independent ani- mated shorts. Aft er graduating, Segal opened a traditional animation studio in Richmond, making commercials and educational fi lms for ten years. Aft er completing the cult animated fi lm Futuropolis (1984), which he co- directed with Phil Trumbo, Segal moved to Hollywood and became interested in com- puter animation. -
Globalization Strategies Utilized by Discovery Networks: a Case Study
Globalization Strategies Utilized by Discovery Networks: A Case Study A Thesis Submitted to the Faculty of Drexel University by Jingyi Yang in partial fulfillment of the requirements for the degree of Master of Science February 2014 ii iii © Copyright 2014 Jingyi Yang. All Rights Reserved. iv Table of Contents Table of Contents .................................................................................................. iv List of Tables ......................................................................................................... v CHAPTER 1: INTRODUCTION .......................................................................... 1 Introduction ................................................................................................................... 1 Purpose of the Study ..................................................................................................... 3 Statement of the Problem .............................................................................................. 4 Research Questions ....................................................................................................... 7 Definitions ..................................................................................................................... 8 Limitations .................................................................................................................. 10 CHAPTER 2: LITERATURE REVIEW ............................................................. 11 CHAPTER 3: METHODOLOGY ...................................................................... -
Keeping the Score the Impact of Recapturing North American Film and Television Sound Recording Work
Keeping the Score The impact of recapturing North American film and television sound recording work December 2014 [This page is intentionally left blank.] Keeping the Score Table of Contents Acknowledgments 2 Executive Summary 3 Introduction 5 Precarious work in a shifting industry 7 From full-time to freelance 7 A dignified standard set by decades of organizing 9 Musicians in a Twenty-First Century studio system 12 What is a “major studio” anyhow? 12 Composers squeezed in the middle: the rise of the “package deal” 15 Chasing tax credits 17 A profitable industry 19 The “last actors” feel the pain 21 Recording employment slipping away 21 Where has recording gone? 24 Recording the score as “an afterthought” 25 Hollywood provides quality employment – for most 26 Bringing work back: the debate thus far 28 A community weakened by the loss of music 33 Case Study: Impact on the Los Angeles regional economy 33 Impact on the cultural fabric 35 Breaking the social compact 36 Federal subsidies 36 Local subsidies 37 Cheating on employment 38 Lionsgate: a new major roars 39 Reliance on tax incentives 41 Wealth – and work – not shared 41 Taking the high road: what it could mean 43 Conclusion and Recommendations 44 Recommendations to policy makers 44 Recommendations to the industry 46 Endnotes 47 laane: a new economy for all 1 Keeping the Score Acknowledgments Lead author: Jon Zerolnick This report owes much to many organizations and individuals who gave generously of their time and insights. Thanks, first and foremost, to the staff and members of the American Federation of Musicians, including especially Local 47 as well as the player conference the Recording Musicians Association. -
(12) United States Patent (10) Patent No.: US 9,191,722 B2 Alexander Et Al
US009 191722B2 (12) United States Patent (10) Patent No.: US 9,191,722 B2 Alexander et al. (45) Date of Patent: Nov. 17, 2015 (54) SYSTEMAND METHOD FOR MODIFYING (58) Field of Classification Search ADVERTISEMENT RESPONSIVE TO EPG USPC ............................................ 725/9–11, 13,46 INFORMATION See application file for complete search history. (71) Applicant: Gemstar Development Corporation, (56) References Cited Santa Clara, CA (US) U.S. PATENT DOCUMENTS (72) Inventors: Ronald Alexander, Needham, MA (US); Stephen Dias, Sharon, MA (US); 3,440,427 A 4, 1969 Kammer Kenneth S. Hancock, Nashua, NH (US); 3.492.577 A 1/1970 Reiter et al. Elsie Y. Leung, South Pasadena, CA (US); Douglas B. Macrae, Weston, MA (Continued) (US); Arthur Y. Ng, Waltham, MA (US); Shawn P. O'Neil, Danville, NH FOREIGN PATENT DOCUMENTS (US); P. Christopher Shoaff, Westford, AU T31010 7, 1998 MA (US); Jonathon Sutton, Concord, AU 5619898 7, 1998 MA (US); Thomas E. Ward, Weston, (Continued) MA (US); Thomas E. Westberg, Stow, OTHER PUBLICATIONS MA (US); Henry C. Yuen, Pasadena, CA (US) US 5,047,897.9/1991, Strubbe et al. (withdrawn). (73) Assignee: Rovi Guides, Inc., Santa Clara, CA (US) (Continued) (*) Notice: Subject to any disclaimer, the term of this Primary Examiner — Nasser Goodarzi patent is extended or adjusted under 35 Assistant Examiner — Fred Peng U.S.C. 154(b) by 0 days. (74) Attorney, Agent, or Firm — Ropes & Gray LLP (21) Appl. No.: 14/094,573 (57) ABSTRACT (22) Filed: Dec. 2, 2013 A system and method for utilizing data stored in an EPG database for modifying advertisement information. -
9781474410571 Contemporary
CONTEMPORARY HOLLYWOOD ANIMATION 66543_Brown.indd543_Brown.indd i 330/09/200/09/20 66:43:43 PPMM Traditions in American Cinema Series Editors Linda Badley and R. Barton Palmer Titles in the series include: The ‘War on Terror’ and American Film: 9/11 Frames Per Second Terence McSweeney American Postfeminist Cinema: Women, Romance and Contemporary Culture Michele Schreiber In Secrecy’s Shadow: The OSS and CIA in Hollywood Cinema 1941–1979 Simon Willmetts Indie Reframed: Women’s Filmmaking and Contemporary American Independent Cinema Linda Badley, Claire Perkins and Michele Schreiber (eds) Vampires, Race and Transnational Hollywoods Dale Hudson Who’s in the Money? The Great Depression Musicals and Hollywood’s New Deal Harvey G. Cohen Engaging Dialogue: Cinematic Verbalism in American Independent Cinema Jennifer O’Meara Cold War Film Genres Homer B. Pettey (ed.) The Style of Sleaze: The American Exploitation Film, 1959–1977 Calum Waddell The Franchise Era: Managing Media in the Digital Economy James Fleury, Bryan Hikari Hartzheim, and Stephen Mamber (eds) The Stillness of Solitude: Romanticism and Contemporary American Independent Film Michelle Devereaux The Other Hollywood Renaissance Dominic Lennard, R. Barton Palmer and Murray Pomerance (eds) Contemporary Hollywood Animation: Style, Storytelling, Culture and Ideology Since the 1990s Noel Brown www.edinburghuniversitypress.com/series/tiac 66543_Brown.indd543_Brown.indd iiii 330/09/200/09/20 66:43:43 PPMM CONTEMPORARY HOLLYWOOD ANIMATION Style, Storytelling, Culture and Ideology Since the 1990s Noel Brown 66543_Brown.indd543_Brown.indd iiiiii 330/09/200/09/20 66:43:43 PPMM Edinburgh University Press is one of the leading university presses in the UK. We publish academic books and journals in our selected subject areas across the humanities and social sciences, combining cutting-edge scholarship with high editorial and production values to produce academic works of lasting importance. -
Strange Bedfellows in Airbnb Dispute
GOV. CUOMO eats (and eats and eats) his way through New York CRAIN’S® PAGE 33 NEW YORK BUSINESS ap images VOL. XXIX, NO. 41 WWW.CRAINSNEWYORK.COM OCTOBER 14-20, 2013 PRICE: $3.00 Strange bedfellows in Airbnb dispute Landlords, tenant groups find a common enemy in home-rental service BY MATTHEW FLAMM For Airbnb, it is pretty much an article of faith that its short-term home- rental service is no ordinary business but a community of users taking part in the “sharing economy.” But Airbnb is also helping to build another type of community, one filled with New Yorkers who ordinarily can’t stand each other: tenant advocates and building owners, who say that when it comes to stopping Airbnb, they share SANDY: 1 YEAR LATER a common cause. “I’ve always been on the opposite side of the table from [landlords],”said AA marathonmarathon efforteffort See AIRBNB on Page 31 Cancellation cost NYRR $4 million—and hurt its reputation. De Blasio’s Now Mary Wittenberg is rebuilding and expanding its mission top donor is getty images pension pal BY LISA FICKENSCHER IN THE DARK DAYS FOLLOWING SUPERSTORM SANDY, Mary Wittenberg believed deeply that the marathon scheduled for Sunday would be the inspirational event Class-action lawyer that the city needed to help it heal. When the calls came, louder and louder, to bundles thousands; cancel the event, she resisted. firm earns millions In taking that stand,the chief executive of the New York Road Runners,which organizes the ING New York City Marathon, became the object of intense vit- BY CHRIS BRAGG riol. -
The Ultimate Technology PR Guide Download
1 Foreword The buzz around the latest tech developments has never been greater with over 3,600 exhibitors and 150,000 visitors heading to this week’s CES 2016, the world’s largest tech show. In recent years, there has been an exponential increase in the number of ‘tech-specific’ journalists alone, with more and more writers, broadcasters and bloggers including technology amongst their cluster of interests. But while the opportunities for technology to grab the headlines are numerous and wide-ranging, the competition is fierce, with journalists receiving hundreds of emails every day. The possibilities for exposure and competition for mentions around CES is even greater. So how can your tech brand stand out and make the most of launching new products at such an exciting event? In this Ultimate Guide, our Technology & Innovation team at leading London PR agency, The PHA Group, give you our top tips and expertise on how to ensure your brand grabs the headlines. In this book you will learn: • How to increase the profile of your tech brand • Strategies to catch the attention of journalists • Tips for generating traction on social media • Ways to humanise your digital brand • Techniques to get your app in the press • Influential Twitter and blogger influencers you should follow 2 Contents Contents CHAPTER 1 p4 Tech PR Tips: How To Get Your Brand Noticed CHAPTER 2 p7 Being Social: Top Ten Social Media Tips Tech Businesses Need To Know CHAPTER 3 p10 How to Humanise Your Digital Brand 5 Top Tips CHAPTER 4 p14 How to Promote an App CHAPTER 5 p17 Top 40 Influential Tech Tweeters CHAPTER 6 p23 13 influential UK tech blogs you must follow 3 CHAPTER 1: Tech PR Tips: How To Get Your Brand Noticed 4 The most difficult part of any press campaign is getting your brand noticed. -
The Official Magazine of the Location Managers Guild International SPRING 2016
SPRING 2016 The Official Magazine of the Location Managers Guild International FILM AT WE ARE IN THE STUDIO ZONE Variety of backdrops on one versatile campus » 500 acres of private, adaptable film environment » 300,000 square feet of sound stages » 225 acres of open parking lots » 9,000-seat grandstand with grass infield » 5-acre self-sustaining urban farm » 244 all-suite Sheraton Fairplex Hotel, KOA RV Park and equipment rental company all on-site » Flexible and professional staff Contact: Melissa DeMonaco-Tapia at 909.865.4042 or [email protected] SPRING 2016 / IN THIS ISSUE VOLUME 4 / ISSUE 2 4 EDITORS’ DESK 6 LETTER FROM THE PRESIDENT 8 32 CONTRIBUTORS STRAIGHT OUTTA LOCATIONS Alison Taylor takes us to Compton Photo courtesy of Alison Taylor/LMGI Alison of courtesy Photo 40 GENTLY SPEAKING Claudia Eastman in Northern 10 England IN THE NEWS • London Focus/LMGI • A City Runs Through It • LAFCN/Bill Bowling 54 • Comic-Con Commandos • PSA That’s No Bull MARTINI SHOT 22 47° 35' 47" N / 120° 39' 55" W • Unintended Consequences CAREER FOCUS Chris Baugh: What’s luck got to do with it? 26 IN MY CITY Matt Palmer explores Calgary 20 AND THE 46 ON THE COVER NOMINEES ARE ... LONG LIVE O’Shea Jackson Jr. on set. Congratulations to the ROCK AND ROLL Photo by Jaimie Trueblood/ nominees and honorees of Mick Ratman faces the Courtesy of Universal the April 23 Awards Show music Pictures LMGI COMPASS | Spring 2016 • 3 FROM THE EDITORS’ DESK What’s in a name? Welcome to the Location Managers Guild International rebrand! We are excited about our continued growth, welcome our new members and join them in cel- ebrating excellence on location worldwide. -
Acting Resume- Theatrical
Erin Evans 5’4” / 95 lbs SAG-AFTRA www.erinevans.net FILM BOOST* Supporting GF Pictures / Nathan Gabaef MONSTER Star The Asylum / Eric Forsberg TRANSMORPHERS Supporting The Asylum / Leigh Scott HOW VIOLENCE SOLVED MY PROBLEMS Featured Dir. Steve Mulligan * ofcial selection, FirstGlance Film Festival TELEVISION CATACLYSMO AND THE BATTLE FOR EARTH Series Lead Hulu / New Renaissance Pictures CATACLYSMO AND THE TIME BOYS Series Lead Hulu / New Renaissance Pictures SITCOM 37:B (pilot presentation) Co-Star Dir. Christopher DeMaci BEYOND THE SENSES (pilot presentation) Supporting Dir. Joaquin Solis SHORT FILM & NEW MEDIA DECAF (SHORT) Lead Dir. Alexander Jeferey GIRLS (SHORT) Lead Dir. Caleb Claxton SOUND OF JOY (SHORT) Lead Dir. Aaron Hale EVERY OTHER WEDNESDAY Recurring everyotherwednesday.com FEED Co-Star afterellen.com THEATER (partial list) ROMEO & JULIET Juliet Ethos Theatre Company / Hollywood A MIDSUMMER NIGHT’S DREAM Puck Ethos Theatre Company / Hollywood TWO GENTLEMEN OF VERONA Julia Kenan Theater, Chapel Hill, NC THE SNOW QUEEN Gerda Kenan Theater, Chapel Hill, NC EXIT PLATO Ellie Kenan Theater, Chapel Hill, NC THE ROCKY HORROR SHOW Janet University of North Carolina, Chapel Hill UNCOMMON WOMEN & OTHERS Samantha University of North Carolina, Chapel Hill COMMERCIALS Conflicts Available Upon Request TRAINING On-Camera Jamie Smith Stan Kirsch Studio, Los Angeles (On-Going) Advanced Scene Study John Kirby John Kirby Studios, Los Angeles Improvisation Dave Hill Improv Olympic, Los Angeles On- Camera Commercials Jill Alexander Los Angeles Cold Reading / Audition Technique Janice Lynde Los Angeles Acting Joan Darling L.A. Working Stage Theater & UNC On-Camera Acting Jefrey Cornell University of North Carolina, Chapel Hill Shakespeare / Movement Ted Schafner University of North Carolina, Chapel Hill Vocal (Mezzo Soprano / Theatre) Dr. -
Big Dreams, Small Screens: Online Video for Public Knowledge and Action
March 2007 BIG DREAMS, SMALL SCREENS: Online Video for Public Knowledge and Action By Jessica Clark A Future of Public Media Project Funded by the Ford Foundation centerforsocialmedia.org The Center for Social Media showcases and analyzes media for public knowledge and action. Directed by Prof. Pat Aufderheide, it is part of American University’s School of Communication, which is headed by Dean Larry Kirkman. The Future of Public Media Project, funded by the Ford Foundation, explores the strategies and technologies that are enabling tomorrow’s public media. Jessica Clark is a research fellow at the Center for Social Media and an editor at large at In These Times magazine. She holds an MA in social sciences from the University of Chicago and has been researching and writing about technology, media, and public issues since the early ’90s. For a PDF version of this report, for more center reports and publications, or for more information, go to centerforsocialmedia.org. BIG DREAMS, SMALL SCREENS: ONLINE VIDEO FOR PUBLIC KNOWLEDGE AND ACTION By Jessica Clark Funded by the Ford Foundation EXECUTIVE SUMMARY This study describes ways in which users are employing popular commercial online digital video platforms, such as YouTube, GoogleVideo, and MySpace, to create, exchange, and comment upon information for public knowledge and action. These new platforms provide a site to test the proposition that new publics are being created around open media spaces on the Internet. These emerging video sites are enormously popular, potentially attracting -
News Release
NEWS RELEASE FOR IMMEDIATE RELEASE Contact: Michele Husak, 650-291-9911 January 28, 2014 [email protected] DISCOVERY DIGITAL NETWORKS PROMOTES TOM LOFTHOUSE TO SENIOR VICE PRESIDENT, PROGRAMMING San Francisco, Ca. – Discovery Communications announces today that Tom Lofthouse has been promoted to Senior Vice President of Programming, Discovery Digital Networks, the company’s original online video business and home to networks including Revision3, TestTube, Animalist, The DeFranco Network and SourceFed. Lofthouse was previously Vice President of Programming and Production. In this expanded role, Lofthouse will manage the San Francisco- based networks – Revision3, TestTube and Animalist, along with overseeing program development and affiliate relations for the entire Discovery Digital Networks online portfolio. “Tom has been an integral part of first Revision3 and now Discovery Digital Networks,” said Jim Louderback, General Manager of Discovery Digital Networks, to whom Lofthouse will now report. “Since he joined Revision3 three years ago, he’s been instrumental in the business’ ongoing success, as well as the very strong launches of TestTube and DNews, and I know he’ll continue to crush it in this new role.” Lofthouse holds more than 10 years of digital media experience in programming, production, online and channel management. Prior to joining Discovery Digital Networks, Lofthouse was Director of Programming and On-Air Presentation for the Emmy Award®-winning Current TV, where he managed day-to-day studio production and focused on strategic channel planning and management – including the launch of Current UK in England and Ireland. Earlier in his career, Lofthouse served as a Program Manager for Disney as well as Head of Program Planning for Extreme Sports Channel, where he helped double the channel’s ratings in his first six months. -
The Free Press Vol. 40, Issue No. 15, 03-02-2009
University of Southern Maine USM Digital Commons Free Press, The, 1971- Student Newspapers 3-2-2009 The Free Press Vol. 40, Issue No. 15, 03-02-2009 Matt Dodge University of Southern Maine Follow this and additional works at: https://digitalcommons.usm.maine.edu/free_press Recommended Citation Dodge, Matt, "The Free Press Vol. 40, Issue No. 15, 03-02-2009" (2009). Free Press, The, 1971-. 57. https://digitalcommons.usm.maine.edu/free_press/57 This Book is brought to you for free and open access by the Student Newspapers at USM Digital Commons. It has been accepted for inclusion in Free Press, The, 1971- by an authorized administrator of USM Digital Commons. For more information, please contact [email protected]. the free pressVolume 40, Issue No. 15 March 2, 2009 U S M UM system takes hit in proposed state budget Citing weakened tax base, bill calls for more layos, decreased nancial aid Daniel MacLeod sure what the governor is mean- News Editor ing by this language,” he said. The current draft of the ap- According to Governor John propriations bill projects an $18 Baldacci’s proposed budget for million shortfall for the Umaine 2010-2011, the University of system in 2010, and a $28 million Maine System may not be able shortfall in 2011. to maintain all seven campuses According to the bill, approxi- due to projected budget shortfalls mately 150-300 positions in the over the next two years. UMaine system may need to be “Ultimately, the ability to cut to offset these deficits. maintain seven separate viable “Both faculty and staff at all universities offering higher edu- seven universities would be af- cation could be at risk,” the bill fected and students would most states.