United States Army Headgear 1855-1902
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À Chacun Son Chapeau! Vicky Boulay
Document généré le 30 sept. 2021 03:51 Magazine Gaspésie --> Voir l’erratum concernant cet article À chacun son chapeau! Vicky Boulay En mode costume Volume 53, numéro 1 (185), mars–juin 2016 URI : https://id.erudit.org/iderudit/82767ac Aller au sommaire du numéro Éditeur(s) Musée de la Gaspésie ISSN 1207-5280 (imprimé) 2561-410X (numérique) Découvrir la revue Citer cet article Boulay, V. (2016). À chacun son chapeau! Magazine Gaspésie, 53(1), 44–45. Tous droits réservés © Musée de la Gaspésie, 2016 Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne. https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Cet article est diffusé et préservé par Érudit. Érudit est un consortium interuniversitaire sans but lucratif composé de l’Université de Montréal, l’Université Laval et l’Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. https://www.erudit.org/fr/ OBJETS DE MUSÉE À chacun son chapeau! Le chapeau, comme n’importe quelle autre pièce de vêtement, a d’abord une fonction utilitaire : celle de se protéger contre les intempéries. Au fil du temps, il deviendra un accessoire de mode. Voici une brève incursion dans la collection de chapeaux du Musée de la Gaspésie. Vicky Boulay omme accessoire de mode, on Si la coiffure acquiert une fonc- Coordonnatrice de la gestion des collections, porte le chapeau en d’innom- tion esthétique, certaines d’entre elles Musée de la Gaspésie Cbrables occasions : la messe du peuvent être le signe distinctif d’une dimanche et les célébrations religieuses fonction professionnelle, comme le en général, les sorties au théâtre ou « sawest » du pêcheur, ou d’un haut pour tout autre événement mondain, dignitaire, telle la mitre d’un évêque. -
Ohio Historical Newspapers by Region
OHIO HISTORICAL SOCIETY NEWSPAPER INDEX UNIVERSITY LIBRARIES, WRIGHT STATE UNIVERSITY Alphabetical by Region Arcanum Arcanum Time (weekly) May 11, 1899 - Jan 2, 1902 Aug. 27, 1903 - Dec. 20, 1905 April 26, 1906 – Dec. 22, 1910 May 2, 1912 – Jan 19, 1950 April 20, 1950 – Feb 9, 1961 Oct. 18 – 25, 1962 Darke Times Feb 16, 1961 – Dec 27, 1962 June 6, 1968 – Jan 23, 1969 July 3, 1969 –June 26, 1970 Early Bird (weekly) Nov 1, 1971- May 3,1977 Nov 16, 1981- Dec 27,1993 Early Bird Shopper June 2, 1969 – Oct 25,1971 Bath Township BZA Minutes 1961-1973 Trustees Minutes v.1 – 13 1849 – 1869 1951 – 1958 Beavercreek Beavercreek Daily News 1960-1962 1963 -1964 Jan 1975 – June 1978 March 1979 – Nov 30, 1979 Beavercreek News Jan 1965 – Dec 1974 Bellbrook Bellbrook Moon Sept 14, 1892 – June 23, 1897 Bellbrook-Sugarcreek Post May 19, 1965 – April 7, 1971 Bellefontaine Bellefontaine Gazette Feb 25, 1831 – Feb 29, 1840 Bellefontaine Gazette and Logan Co. Advertiser Jan 30, 1836 – Sept 16, 1837 Bellefontaine Republican Oct. 27,1854 – Jan 2 1894 Feb 26, 1897 – June 3, 1898 Sept. 28, 1900 – May 29, 1904 Bellefontaine Republican and Logan Register July 30, 1830 – Jan 15, 1831 Logan County Gazette June 9, 1854 – June 6, 1857 June 9, 1860 – Sept 18, 1863 Logan County Index Nov 19, 1885 – Jan 26, 1888 Logan Democrat Jan 4, 1843 – May 10, 1843 Logan Gazette Apr 4, 1840 – Mar 6, 1841 Jun 7, 1850 – Jun 4, 1852 Washington Republican and Guernsey Recorder July 4, 1829 – Dec 26, 1829 Weekly Examiner Jan 5, 1912 – Dec 31, 1915 March -
Dress and Cultural Difference in Early Modern Europe European History Yearbook Jahrbuch Für Europäische Geschichte
Dress and Cultural Difference in Early Modern Europe European History Yearbook Jahrbuch für Europäische Geschichte Edited by Johannes Paulmann in cooperation with Markus Friedrich and Nick Stargardt Volume 20 Dress and Cultural Difference in Early Modern Europe Edited by Cornelia Aust, Denise Klein, and Thomas Weller Edited at Leibniz-Institut für Europäische Geschichte by Johannes Paulmann in cooperation with Markus Friedrich and Nick Stargardt Founding Editor: Heinz Duchhardt ISBN 978-3-11-063204-0 e-ISBN (PDF) 978-3-11-063594-2 e-ISBN (EPUB) 978-3-11-063238-5 ISSN 1616-6485 This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 04. International License. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/. Library of Congress Control Number:2019944682 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2019 Walter de Gruyter GmbH, Berlin/Boston The book is published in open access at www.degruyter.com. Typesetting: Integra Software Services Pvt. Ltd. Printing and Binding: CPI books GmbH, Leck Cover image: Eustaţie Altini: Portrait of a woman, 1813–1815 © National Museum of Art, Bucharest www.degruyter.com Contents Cornelia Aust, Denise Klein, and Thomas Weller Introduction 1 Gabriel Guarino “The Antipathy between French and Spaniards”: Dress, Gender, and Identity in the Court Society of Early Modern -
The Hat Magazine Archive Issues 1 - 10
The Hat Magazine Archive Issues 1 - 10 Issue No Date Main Articles Workroom Process ------------------------------------------------------------------------------------------------------------------------ Issue 1 Apr-Jun 1999 Luton - Ascot Shoot - Sean Barratt Feathers - Dawn Bassam -Trade Shows - Fashion Museums & Dillon Wallwork ------------------------------------------------------------------------------------------------------------------------ Issue 2 Jul-Sep 1999 Paris – Marie O’Regan – Royal Ascot Working with crinn with - Student Shows – Geoff Roberts Frederick Fox ------------------------------------------------------------------------------------------------------------------------ Issue 3 Oct-Nov 1999 Hat Designer of the Year ’99 - Block Making with Men in Hats, shoot – Trade Fairs Serafina Grafton-Beaves ------------------------------------------------------------------------------------------------------------------------ Issue 4 Jan-Mar 2000 Mitzi Lorenz – Philip Treacy couture Working with sinamay (1) show Paris – Florence – Bridal shoot with Marie O’Regan Street page – Trades Shows ------------------------------------------------------------------------------------------------------------------------ Issue 5 Apr-Jun 2000 Coco Chanel – Trade Fairs Working with sinamay (2) Dagmara Childs – Knits Shoot with Marie O’Regan Street page - Trade Shows ------------------------------------------------------------------------------------------------------------------------ Issue 6 Jul-Sep 2000 Luton shoot – Royal Ascot Working with -
Lookbook a CAT CALLED SAM & a DOG NAMED DUKE
AW21 A CAT CALLED SAM & A DOG NAMED DUKE click here to VIEW OUR Lookbook VIDEO thebonniemob.com AW21 AW21 S STAINABLE A CAT CALLED SAM & RECYCLE ORG NIC A DOG NAMED DUKE This is the story of a cat called Sam and a dog named Duke. Everyone said that they couldn’t be friends, because cats and dogs aren’t allowed to like each other!!! But Sam and Duke were different, they were the best of friends and loved each other very much, they liked to hang out together with their owner, a famous artist called Andy Warhol. They threw parties for all the coolest cats and dogs of New York, where they would dance the night away looking up at the city skyline, when they spotted a shooting star they’d make wishes for a world filled with art and colour and fun and kindness.......... click here click here click here to for to VIEW COLLECTION VIEW OUR INSPIRATION runthrough VIDEO Video Video CULTURE T shirt click click here CAMPBELL here for Hareem pants to order line sheets online CANDY dress THUMPER #welovebonniemob tights 2 3 thebonniemob.com AW21 LIZ A Hat G NI R C LIBERTY O ABOUT US Playsuit C LEGEND We are The bonnie mob, a multi-award winning sustainable baby and O N childrenswear brand, we are a family business, based in Brighton, on the sunny T T O Blanket South Coast of England. We are committed to doing things differently, there are no differences between what we want for our family and what we ask from our brand. -
1 Breakfast at Tiffany's Truman Capote, 1958 I Am Always Drawn Back To
1 Breakfast at Tiffany's surrounded by photographs of ice-hockey stars, there is always a large bowl of fresh Truman Capote, 1958 flowers that Joe Bell himself arranges with matronly care. That is what he was doing when I came in. I am always drawn back to places where I have lived, the houses and their "Naturally," he said, rooting a gladiola deep into the bowl, "naturally I wouldn't have neighborhoods. For instance, there is a brownstone in the East Seventies where, got you over here if it wasn't I wanted your opinion. It's peculiar. A very peculiar thing during the early years of the war, I had my first New York apartment. It was one room has happened." crowded with attic furniture, a sofa and fat chairs upholstered in that itchy, particular red "You heard from Holly?" velvet that one associates with hot days on a tram. The walls were stucco, and a color He fingered a leaf, as though uncertain of how to answer. A small man with a fine rather like tobacco-spit. Everywhere, in the bathroom too, there were prints of Roman head of coarse white hair, he has a bony, sloping face better suited to someone far ruins freckled brown with age. The single window looked out on a fire escape. Even so, taller; his complexion seems permanently sunburned: now it grew even redder. "I can't my spirits heightened whenever I felt in my pocket the key to this apartment; with all its say exactly heard from her. I mean, I don't know. -
Academic Dress Rules
Academic Dress Rules 1. The University may, in respect of any University occasion, prescribe that academic dress shall be worn by students, graduates, graduates-elect or staff, or any of them, attending such occasion. 2. Academic dress shall be worn by students, graduates, graduates-elect and staff attending a University graduation ceremony. 3. The academic dress shall be: Level of award Gown Hood Cap or bonnet Professional Certificate Black gown in Cambridge No hood Black trencher cap BA style Sub-bachelor (ie Certificates Black gown in Cambridge No hood Black trencher cap and Diplomas) BA style Graduates of awards offered by the Centre for Aboriginal Studies in Music will also wear the prescribed stole Bachelor (including four year Black gown in Cambridge Black partly lined Black trencher cap degrees awarded without BA style 150mm wide with the honours) discipline colour 4, 5 and 6 year Bachelor Black gown in Cambridge Black entirely lined Black trencher cap including MBBS, BDS and four BA style with the discipline year degrees awarded with colour including a honours 12.5-13mm edging in the discipline colour Honours on the cape Graduate Certificate Black gown in Cambridge Black partly lined Black trencher cap Graduate Diploma BA style 150mm wide with white Coursework Masters Black gown in Cambridge Black entirely lined Black trencher cap MA style with white including a 12.5-13mm edging in white on the cape Black gown in Cambridge Black entirely lined Black trencher cap Masters by Research MA style with scarlet including a 12.5-13mm -
Interview No. 605
University of Texas at El Paso ScholarWorks@UTEP Combined Interviews Institute of Oral History 6-1982 Interview no. 605 Joseph Magoffin Glasgow Follow this and additional works at: https://scholarworks.utep.edu/interviews Part of the Oral History Commons, and the Social and Behavioral Sciences Commons Recommended Citation Interview with Joseph Magoffin Glasgowy b Sarah E. John, 1982, "Interview no. 605," Institute of Oral History, University of Texas at El Paso. This Article is brought to you for free and open access by the Institute of Oral History at ScholarWorks@UTEP. It has been accepted for inclusion in Combined Interviews by an authorized administrator of ScholarWorks@UTEP. For more information, please contact [email protected]. U!HVERS lTV OF T::::XAS .IIT EL P,~S') PISTITUTE OF '1Rfl HISTORY I,lTCRVIE;JEE: Col. Joseph Magoffin Glasgow (1898-1985) IiHERVIEUER: Sarah E. John P:~OJ[CT: Military History June-October. 1982 TER[<S OF USE: Unrestricted TAPE W).: 605 i'Rl\llSCRIPT ,'10.: 605 ':<;:11,15 C!~I !JER: Georgina Rivas and Marta l~cCarthy February-March. 1983 I;· I()(:f(I\P:1W~L svnops IS OF IiiTER\!I FlEE: (Member of pioneer El Paso family; retired Army colonel) Born September 28.1898 at the Maqoffin Homestead in E1 Paso; parents were Viilliam Jefferson Glasgow. a U.S. Cavalry officer. and Josephine Richardson Magoffin; attended elementary school in El Paso. private school in Kansas. and Viest Point; 0raduated from Viest Point in November. 1918. SU if ,MY OF WTERVIE"I: TAPE I: Biographical data; childhood recollections and early El Paso; moving around the country with his family; how he came to enter Viest Point; experiences as part of the Army of Occupation in Europe following World Viar I; brief histories of the Magoffin and Glasgow families. -
Baseball Caps
HILLS HATS WINTER LOOKBOOK 2019 TWEED HATS Eske Donegal English Luton Check English Tweed Cheesecutter Tweed Cheesecutter 2540 2541 Navy, Black, Olive Brown, Grey S, M, L, XL, XXL S, M, L, XL, XXL Herefordshire Check English Wiltshire Houndstooth English Tweed Cheesecutter Tweed Cheesecutter 2542 2544 Blue, Green Brown, Grey, Beige, Blue, Fawn S, M, L, XL, XXL S, M, L, XL, XXL Devon Houndstooth Swindon Houndstooth Lambswool Tweed Cheesecutter Lambswool English Tweed Cheesecutter 2552 2573 Blue, Rust Blue, Green, Wine, Fawn S, M, L, XL, XXL S, M, L, XL, XXL 1 Chester Overcheck Hunston Overcheck Lambswool English Tweed Cheesecutter English Tweed Cheesecutter 2574 2554 Blue, Olive, Brown Black, Blue, Brown, Green S, M, L, XL, XXL S, M, L, XL, XXL Saxilby Overcheck English Glencoe Overcheck Lambswool Tweed Cheesecutter Tweed Cheesecutter 2567 2537 Brown, Green Green, Mustard S, M, L, XL, XXL S, M, L, XL, XXL Bingley Check Lambswool Bramford Houndstooth English Tweed Cheesecutter Tweed Cheesecutter 2551 2556 Olive, Blue Blue, Green S, M, L, XL, XXL S, M, L, XL, XXL 2 TWEED HATS Warrington Herringbone English Tweed Cheesecutter 2576 Charcoal, Brown, Khaki S, M, L, XL, XXL English Wool Tweed Patchwork Cheesecutter 300 Blue, Green, Brown S, M, L, XL, XXL Eske Donegal English Tweed 4 Piece Cheesecutter 2570 Black, Navy, Olive S, M, L, XL, XXL 3 Dartford Herringbone English Tweed 4 Piece Cheesecutter 2570 Black, Brown, Blue, Green S, M, L, XL, XXL Bingley Check English Tweed 7 Piece Cheesecutter 2571 Blue, Olive S, M, L, XL, XXL Warrington Herringbone -
A Study on the Design and Composition of Victorian Women's Mantle
Journal of Fashion Business Vol. 14, No. 6, pp.188~203(2010) A Study on the Design and Composition of Victorian Women’s Mantle * Lee Sangrye ‧ Kim Hyejeong Professor, Dept. of Fashion Design, TongMyong University * Associate Professor, Dept. of Clothing Industry, Hankyong National University Abstract This study purposed to identify the design and composition characteristics of mantle through a historical review of its change and development focusing on women’s dress. This analysis was particularly focused on the Victorian age because the variety of mantle designs introduced and popularized was wider than ever since ancient times to the present. For this study, we collected historical literature on mantle from ancient times to the 19 th century and made comparative analysis of design and composition, and for the Victorian age we investigated also actual items from the period. During the early Victorian age when the crinoline style was popular, mantle was of A‐ line silhouette spreading downward from the shoulders and of around knee length. In the mid Victorian age from 1870 to 1889 when the bustle style was popular, the style of mantle was changed to be three‐ dimensional, exaggerating the rear side of the bustle skirt. In addition, with increase in women’s suburban activities, walking costume became popular and mantle reached its climax. With the diversification of design and composition in this period, the name of mantle became more specific and as a result, mantle, mantelet, dolman, paletot, etc. were used. The styles popular were: it looked like half-jacket and half-cape. Ornaments such as tassels, fur, braids, rosettes, tufts and fringe were attached to create luxurious effects. -
13:40 KEMPTON (AW), 5F
Jockey Colours: Black, pink star, pink sleeves, black armlets and stars on pink cap Notes: Timeform says: Foaled March 1. 4,000 gns yearling, Rip Van Winkle filly. Half-sister to 9.5f/1¼m winner Across The Sky and 1¼m winner Rat Pack. Dam, unraced, closely related PDF Form Guide - Free from attheraces.com with to smart winner up to 1¼m High Rock. (Forecast 17.00) 9 (1) TO HAVE A DREAM (IRE) 2 9 - 0 M Dwyer - b f Zoffany - Tessa Romana J S Moore 13:40 KEMPTON (A.W.), 5f Jockey Colours: Light green, light blue seams, striped sleeves, light blue cap, brown star Notes: Watch Racing UK In HD Maiden Fillies' Stakes (Plus 10) (Div 2) (Class 4) (2YO Timeform says: Foaled March 4. €7,000 yearling, Zoffany filly. Dam unraced half-sister to useful 1½m-2m winner Blimey O'Riley. (Forecast 17.00) only) TIMEFORM VIEW: RAPACITY ALEXANDER is the one who stands out on pedigree being a sister to high-class Hong Kong sprinter Peniaphobia so she could be worth chancing. Chupalla and Stormy No(Dr) Silk Form Horse Details Age/Wt Jockey/Trainer OR Clouds both represent powerful yards and are the obvious threats. 1 (9) CHUPALLA 2 9 - 0 J Fanning - M Johnston b f Helmet - Dubai Sunrise Timeform 1-2-3: 1: RAPACITY ALEXANDER Jockey Colours: Dark green, red cap, dark green diamond Notes: 2: CHUPALLA Timeform says: Foaled April 7. Helmet filly. Half-sister to 1m-1¼m winner Bewilder and 1m winner Solar Moon. Dam unraced sister to top-class winner up to 1¼m Dubai Millennium. -
APRIL, 1900. 12.1 October
APRIL,1900. MONTHLY WEATHER REVIEW. 155 River, suffered many vicissitudes. There was frost almost age difference between the wind force at the two situations is so remarkable that it may be of interest to give, without further delay, every night, and the average temperature waa only 35O, being the monthly mean values of wind velocity during 1699, at the respect- the coldest for thirty years. On the loth, the anniversary of ive stations. the blizzard of 1888, the minimum was only 2O above zero. The "head" of the Dines instrument at Hesketh Park is 36 feet A vivid picture of the ice storm that prevailed during the above the summit of the highest hill or knoll in the town, and 26 feet above the top of the roof of the Fernley structure, by which the knoll 1617th is published by Mrs. Britton, the wife of the director is capped. It is 85 feet above mean sea level. Some further idea of of the garden, in the first volume of the journal of the New its exposure and surroundings may be obtained from an inspection of York Botanical Garden. She stlys : the frontispiece to the annual report for 1897. The " head " of the Dines anemometer at Marshside is 50 feet above Notwithstanding the cold aeather of the month, there have been very level ground, and 40 feet above the roof of the brick hut. It is warm, quiet days and abundant signsof spring. The hylas were peep- 66 feet above mean sea level. In this case there is a very open expo- ing and the snow-drops were blooming in the nurseries on the loth, sure, and a large majority of winds reach the instrument without hav- and robins, meadow-larks, and song-sparrows had been singing.