Fearless Books for Perilous Times
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Shrill: Notes from a Loud Woman Pdf, Epub, Ebook
SHRILL: NOTES FROM A LOUD WOMAN PDF, EPUB, EBOOK Lindy West | 272 pages | 19 May 2016 | Quercus Publishing | 9781784295530 | English | London, United Kingdom Shrill: Notes from a Loud Woman PDF Book We use cookies to enhance your visit to us. I did for a while the other day but popped back in since I have so many authors and friends I met on online communities there. It's really effective. Still, I do recommend this book to anyone who's even remotely curious about it. The writing that feels truest to life describes Valenti feeling sapped of it. West also goes into debating Jim Norton on Totally Biased about rape jokes in comedy. But it's in the more serious parts of the book that its true value is revealed. Find a Library. Loading comments… Trouble loading? West is a proud outspoken feminist. Yet, in between some of this almost-startling-for-her-age-wisdom, there is also name-dropping, name-dropping, name- dropping, my Volvo my Volvo, my Volvo Her Volvo is mentioned frequently. I once spent a tearful eight-hour flight from Oslo to Seattle convinced I could feel my femurs splintering like candy canes. I'm ready to donate. The fetus didn't have bodily autonomy; the POC to whom you refer do. This is another thing that took me time to understand. View 1 comment. I have seen news clips about fat people flying and the argument whether they should buy two tickets, etc. What's Inside. With patience, humor and a wildly generous attitude toward her audience [West] meets readers at their point of prejudice so that she may, with little visible effort, shepherd them toward a more humane point of view. -
Rolling Stone's Matt Taibbi and Author William Mckeen to Participate In
FOR IMMEDIATE RELEASE Press Inquiries: Lauren Hendricks 502.744.7679 | [email protected] Rolling Stone’s Matt Taibbi and Author William McKeen To Participate In GonzoFest Louisville this July Events at Speed Art Museum and Frazier History Museum to Kick Off GonzoFest Louisville Celebrations LOUISVILLE, KY (May 13, 2019) – GonzoFest Louisville has big plans for its ninth annual celebration of Louisvillian Hunter S. Thompson, the founder of gonzo journalism. Matt Taibbi, contributing writer for Rolling Stone and author of four New York Times bestsellers, and William McKeen, author of Outlaw Journalist, a biography of Hunter S. Thompson, and chair of Boston University’s Department of Journalism, are just two of the special guests speaking at this year’s GonzoFest Louisville. Taibbi and McKeen will present their own lectures and conversations, and participate in a panel discussion moderated by Timothy Denevi, professor of journalism at George Mason University and author of Freak Kingdom: Hunter S. Thompson's Manic Ten-Year Crusade Against American Fascism. More guest speakers will be added and announced at a later date. During this year’s lectures, conversations and panels, local, regional and national names in journalism will trace the rapid evolution of gonzo journalism from the New Journalism of the 1960s through the Nixon era in which Hunter made his most indelible mark and to the journalists of today and their relationship to the current political climate and media environment. In addition to lectures and panels, GonzoFest Louisville will showcase spoken word artists and poets, as well as live art by local artist Braylyn Stewart and local gonzo artist Grant Goodwine, who studied with Ralph Steadman. -
MIAMI UNIVERSITY the Graduate School
MIAMI UNIVERSITY The Graduate School Certificate for Approving the Dissertation We hereby approve the Dissertation of Bridget Christine Gelms Candidate for the Degree Doctor of Philosophy ______________________________________ Dr. Jason Palmeri, Director ______________________________________ Dr. Tim Lockridge, Reader ______________________________________ Dr. Michele Simmons, Reader ______________________________________ Dr. Lisa Weems, Graduate School Representative ABSTRACT VOLATILE VISIBILITY: THE EFFECTS OF ONLINE HARASSMENT ON FEMINIST CIRCULATION AND PUBLIC DISCOURSE by Bridget C. Gelms As our digital environments—in their inhabitants, communities, and cultures—have evolved, harassment, unfortunately, has become the status quo on the internet (Duggan, 2014 & 2017; Jane, 2014b). Harassment is an issue that disproportionately affects women, particularly women of color (Citron, 2014; Mantilla, 2015), LGBTQIA+ women (Herring et al., 2002; Warzel, 2016), and women who engage in social justice, civil rights, and feminist discourses (Cole, 2015; Davies, 2015; Jane, 2014a). Whitney Phillips (2015) notes that it’s politically significant to pay attention to issues of online harassment because this kind of invective calls “attention to dominant cultural mores” (p. 7). Keeping our finger on the pulse of such attitudes is imperative to understand who is excluded from digital publics and how these exclusions perpetuate racism and sexism to “preserve the internet as a space free of politics and thus free of challenge to white masculine heterosexual hegemony” (Higgin, 2013, n.p.). While rhetoric and writing as a field has a long history of examining myriad exclusionary practices that occur in public discourses, we still have much work to do in understanding how online harassment, particularly that which is gendered, manifests in digital publics and to what rhetorical effect. -
“Rolling Stone” Columnist Matt Taibbi Visits for Finance Café Career Day
THE NATION'S OLDEST ON THE WEB: COUNTRY DAY SCHOOL www.pingry.org/stu- NEWSPAPER VOLUME CXXXIV, NUMBER 3 dents/therecord.html VOLUME CXXX, SPEciAL EDI- VOLUME CXXXVIII, NUMBER 3 The Pingry School, Martinsville, New Jersey FEBRUARY 24, 2012 “Rolling Stone” Columnist Matt Taibbi Visits for Finance Café By ALYSSA BAUM (IV) journalist, he had to become an Mr. Taibbi also explained that Mikaela Lewis (IV) agreed that expert in the fields on which he “human beings have a tremen- “Mr. Taibbi made a difficult topic On February 3rd, Matt Taibbi was reporting. Since then, he has dous urge to take short cuts” and easier to understand” adding that spoke to the Upper School as part extensively covered the 2008 and described the “fairy tale mental- she “liked the interactive portions of this year’s Finance Café. Mr. 2012 elections, the international ity” that makes people think they of the assembly.” Taibbi is a political, financial, financial crisis, and what he sees can transform something worth- Miss Leslie Wolfson, Eco- and sports reporter for “Rolling as corruption on Wall Street. less into something valuable by nomics teacher and Financial Stone” magazine and “Men’s These endeavors, among others, simply snapping their fingers. Literacy coordinator, thought Journal,” a New York Times led him to be named one of the According to Mr. Taibbi, this Mr. Taibbi connected with the bestselling author, and a regular 35 Most Influential New Yorkers mentality allowed people who students well during his presen- on radio and television talk shows under 35. were unqualified to receive bank tation. -
Adult Fiction
Adult Fiction Heroes of the Frontier The Woman in Cabin 10 Dave Eggers Ruth Ware When travel journalist Lo Blacklock is Josie is on the run with her invited on a boutique luxury cruise children. She's left her husband, around the Norwegian fjords, it seems her failing dental practice, and the like a dream job. But the trip takes a rest of her Ohio town to explore nightmarish turn when she wakes in Alaska in a rickety RV. the middle of the night to hear a body being thrown overboard. With his trademark insight, humor, and pathos, Dave Eggers explores Brit Ruth Ware has crafted her second this woman's truly heroic gripping, dark thriller in the Christie adventure, all the while exploring tradition. This page-turner toys with the concept of heroism in general. the classic plot of "the woman no one Brilliant, unpretentious, and highly would believe" with incredible language readable. and fun twists. Also a terrific, ~Alan’s and Leslie’s pick unabridged audiobook. ~Alan’s pick They May Not Mean To, But Barkskins They Do Annie Proulx Cathleen Schine Spanning hundreds of years, this When Joy Bergman's husband dies, ambitious work tells the often brutal her children are shocked that she story of the Canadian and New doesn't agree with their ideas for England lumber industry and all her. The book's title is from a those whom it enriched or displaced. Philip Larkin poem, and this funny and compassionate look at the Annie Proulx’s writing never ceases Bergman family brings Larkin's to thrill me. -
The News Media and Manufacturing Consent in the 21St Century | Matt
The News Media and Manufacturing Consent in the 21st Century | Matt Taibbi As news reporting becomes more politicized, more negativistic, less trustworthy, February 18th, 2019 and generally more of a headache to digest, people increasingly are going to turn to narrative as a source of information. ― Matt Taibbi INTRODUCTION Matt Taibbi is a contributing editor for Rolling Stone and winner of the 2008 National Magazine Award for columns and commentary. His most recent book is ‘I Can’t Breathe: A Killing on Bay Street,’ about the infamous killing of Eric Garner by the New York City police. He’s also the author of the New York Times bestsellers 'Insane Clown President,' 'The Divide,' 'Griftopia,' and 'The Great Derangement.' WHY DO I CARE? For someone who has made his career working in and around media – first, on the application development/UI side and later, on the content and editorial side – I have been impressed by how long the legacy industry has struggled to keep up with the disruptive forces of innovation wrought by the Web (blogs, in particular), Google (YouTube included), Apple (podcasting, in particular), and the large social media platforms (Facebook, Twitter, etc.). Although Craig’s List, Monster.com, and other online list boards were the first to really attack the business-side of the news industry (print media, primarily), it was blog software that commoditized journalism and created the first real, online market for alternative news and information. YouTube Media - began to do the same for the broadcast and cable news markets, and now podcasts are disrupting everything by taking attention away from written, as well as motion content, particularly for long- Multi form, in-depth material. -
Live Wire Radio Pacific Northwest Friends: $2,500 to $4,999
LIVE WIRE SPONSORSHIP DECK 2020 AN INCREDIBLE PARTNERSHIP ON-THE-AIR WITH LIVE WIRE High-Quality, Engaged, Clutter-Free & National & Distinctive Influential & Trusted Multi-Channel Programming Culturally-Minded Messaging Opportunities Audience Platform LIVE WIRE IT’S LATE NIGHT FOR RADIO Hosted by Luke Burbank, Live Wire combines the prestige of national radio broadcasting with its own outstanding reputation as an independently-produced Portland production. Over the last 16 years, Live Wire has brought audiences together to spark moments of human connectedness through performance, humor, and unpredictable moments of discovery. Live Wire is music, comedy, and conversation. Our show stands out as one of the fastest growing entertainment radio programs on air today. Listeners turn to Live Wire every week to laugh, learn, and feel the nation’s cultural pulse. It’s Late Night for Radio. THE VOICES OF LIVE WIRE FEATURED GUESTS MUSIC: Jeff Tweedy, Pink Martini, Melissa Etheridge, Little Freddie King, Patterson Hood, Kishi Bashi, Mandy Moore, Thundercat, Shakey Graves, Neko Case, Shovels & Rope, Thao and the Get Down Stay Down, Loudon Wainwright III, Waxahatchee, Blitzen Trapper, Amythyst Kiah, and Reggie Watts HOST LUKE COMEDY: Abbi Jacobson, Janeane Garofalo, Marc BURBANK Maron, Phoebe Robinson, John Hodgman, Hari Kondabolu, Paula Poundstone, Thomas Middleditch, Luke Burbank grew up one of seven Ben Schwartz, Reggie Watts, Mo Rocca, Kristen kids, learning early on how to vie for Schaal, Carrie Brownstein, and Fred Armisen attention. Those profound childhood issues have propelled him to contribute to and create various media projects, CONVERSATION: Salman Rushdie, W. Kamau Bell, including Wait Wait...Don’t Tell Me, This Lindy West, Jesse Eisenberg, Ijeoma Oluo, John Irving, American Life, CBS Sunday Morning, Diana Nyad, Eileen Myles, Jonathan Safran Foer, Luis and the daily podcast Too Beautiful to Live. -
Casting Women, Fat Stigma, and Broadway Bodies
The Journal of American Drama and Theatre (JADT) https://jadt.commons.gc.cuny.edu "Must Be Heavyset": Casting Women, Fat Stigma, and Broadway Bodies by Ryan Donovan The Journal of American Drama and Theatre Volume 31, Number 3 (Spring 2019) ISNN 2376-4236 ©2019 by Martin E. Segal Theatre Center “We need a young girl who is—what shall we say—chubby/fat/big. But a healthy version of a fat girl, because she is dancing her ass off for two hours.” —Bernard Telsey, casting director[1] Introduction Casting director Craig Burns worked on Broadway’s Hairspray (2002) from its first workshops, and it remains his favorite production because of the opportunity to cast people who “weren’t normally considered for leads in a show, and now all of a sudden these girls are getting a chance because we need a fat girl. There was so much joy in that.”[2] Katrina Rose Dideriksen was one such woman given the chance to play Hairspray’s Tracy Turnblad on Broadway and on tour. She remembered feeling excited to play Tracy because she “is the ingénue, she wins the guy, she saves the day . she’s funny and she’s lovable and all those things, but in this very real-girl way.” Dideriksen then noticed a “weight clause” in her contract: “It was really this underlying pinch to realize that subconsciously I was being told I was still wrong for it, that there was something I had to fix. I don’t think they realized how hurtful, and how anti-Hairspray it really was for them to be like, ‘Lose 20 pounds.’”[3] Apart from a few roles (including Tracy), fat women are almost never cast in roles beyond the comedic sidekick or best friend in commercial theatre. -
FALL 2021 FALL 2021 Distribution and Sales
THE NEW PRESS U.S. POSTAGE PAID 120 WALL STREET, FL 31 NONPROFIT ORG. NEW YORK, NY 10005-4007 PERMIT NO. 4041 NEW YORK, NY FALL 2021 FALL 2021 Distribution and Sales United States: Australia Ordering Information: Middle East: The New Press is distributed to the NewSouth Books Orders and IPR Team BOARD OF DIRECTORS trade by Two Rivers Distribution, Distribution Middle East Sales Group GARA LaMARCHE (CHAIR) JEFF DEUTSCH an Ingram brand. Alliance Distribution Services, IPR Director, Seminary Co-op Bookstores 9 Pioneer Avenue, PO Box 25731 President, Democracy Alliance Orders and Customer Service: Tuggerah, NSW 2259 Australia 1311 Nicosia THEODORE M. SHAW (VICE-CHAIR) BRUCE GOTTLIEB Ingram Content Group LLC One Ingram +61 (2) 4390 1300 tel CYPRUS Julius L. Chambers Distinguished Attorney Blvd. [email protected] + 357 22872355 tel Professor of Law and Director, BRAD HEBEL La Vergne, TN 37086 (866) 400-5351 tel [email protected] the Center for Civil Rights, Associate Press Director and [email protected] Canada Ordering Information: the University of North Carolina School Director of Operations and Sales, Canadian Manda Group This catalog describes books to be of Law at Chapel Hill Columbia University Press For General International Enquiries: 664 Annette Street, Toronto, ON M6S 2C8 published from September 2021 Ingram Publisher Services International +1 (416) 516-0911 tel through February 2022 SARAH BURNES (SECRETARY) AZIZ HUQ 1400 Broadway, Suite 520 [email protected] Literary Agent, Professor of Law, New York, NY 10018 The New Press The Gernert Company University of Chicago Law School [email protected] South Africa: 120 Wall Street, Fl 31 AMY GLICKMAN (TREASURER) Karis Moelker New York, NY 10005-4007 VIVIEN LABATON Media Lawyer; Former Deputy General Co-Founder, Make It Work International Orders: Sales & Support Representative (212) 629-8802 tel Counsel, Time Inc. -
AP US Government & Politics
AP US Government & Politics Summer Assignment Welcome to AP US Government & Politics Course. To prepare for class, you are required to do the following things over the summer: I) Follow a reputable news source over the summer to keep current on political issues. We will frequently be making connections to current events. Some news sources you may wish to utilize are: C-Span, Roll Call, CNN, NY Times, Washington Post or The Hill. Many students have added one of these sources as apps to their phone to stay current. AND II) Read a politically related book and do a summary and reflection. A. Choose any book from the list on the reverse side! B. Check to see if the book listed below is available in a library before buying them. C. Refer to the instructions for directions. Book Review Instructions Your book review should be typed, and include detailed responses and citations for the Reflection & Evaluation part. Your overall summary should be no longer than 3 pages double spaced and answer all the questions listed below. Include at the top of the first page a basic bibliographical citation: Author, title, place and date of publication along with your name and teacher’s name. *Make sure you include detailed examples and cite the book (using page numbers when necessary) as you respond to the questions listed below. 1. REFLECTION based on 5 separate quotes from the book. After reading you should have 5 statements/quotes you would like to respond to. The reflection should include an interpretation of what the author is saying as well as your personal response. -
Is the First Amendment Obsolete?
Columbia Law School Scholarship Archive Faculty Scholarship Faculty Publications 2018 Is the First Amendment Obsolete? Tim Wu Columbia Law School, [email protected] Follow this and additional works at: https://scholarship.law.columbia.edu/faculty_scholarship Part of the Commercial Law Commons, Environmental Law Commons, First Amendment Commons, and the Science and Technology Law Commons Recommended Citation Tim Wu, Is the First Amendment Obsolete?, 117 MICH. L. REV. 547 (2018). Available at: https://scholarship.law.columbia.edu/faculty_scholarship/2079 This Article is brought to you for free and open access by the Faculty Publications at Scholarship Archive. It has been accepted for inclusion in Faculty Scholarship by an authorized administrator of Scholarship Archive. For more information, please contact [email protected]. IS THE FIRST AMENDMENT OBSOLETE? Tim Wu* The First Amendment was brought to life in a period, the twentieth century, when the political speech environment was markedly differently than today’s. With respect to any given issue, speech was scarce, and limited to a few newspapers, pamphlets or magazines. The law was embedded, therefore, with the presumption that the greatest threat to free speech was direct punishment of speakers by government. Today, in the internet and social media age, it is no longer speech that is scarce—rather, it is the attention of listeners. And those who seek to control speech use new methods that rely on the weaponization of speech itself, such as the deployment of “troll armies,” the fabrication of news, or “flooding” tac- tics. This Essay identifies the core assumptions that proceeded from the founding era of First Amendment jurisprudence, argues that many of those assumptions no longer hold, and details the new techniques of speech control that are used by governmental and nongovernmental actors to censor and degrade speech. -
This Is a Witch Hunt. We're Witches, and We're
THIS IS A WITCH HUNT. WE’RE WITCHES, AND WE’RE HUNTING YOU. From the moment powerful men started falling to the #MeToo movement, the lamentations began: this is feminism gone too far, this is injustice, this is a witch hunt. In The Witches Are Coming, firebrand author of the New York Times bestselling memoir and now critically acclaimed Hulu TV series Shrill, Lindy West, turns that refrain on its head. You think this is a witch hunt? Fine. You’ve got one. In a laugh-out-loud, incisive cultural critique, West extolls the world-changing magic of truth, urging listeners to reckon with dark lies in the heart of the American mythos, and unpacking the complicated, and sometimes tragic, politics of not being a white man in the twenty-first century. She tracks the misogyny and propaganda hidden (or not so hidden) in the media she and her peers devoured growing up, a buffet of distortions, delusions, prejudice, and outright bullsh*t that has allowed white male mediocrity to maintain a death grip on American culture and politics— and that delivered us to this precarious, disorienting moment in history. West writes, “We were just a hair’s breadth from electing America’s first female president to succeed America’s first black president. We weren’t done, but we were doing it. And then, true to form—like the Balrog’s whip catching Gandalf by his little gray bootie, like the husband in a Lifetime movie hissing, ‘If I can’t have you, no one can’—white American voters shoved an incompetent, racist con man into the White House.” We cannot understand how we got here—how the land of the free became Trump’s America—without examining the chasm between who we are and who we think we are, without fact-checking the stories we tell ourselves about ourselves and each other.