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Ford Talks on Preside.Ntial Disability Paper Deems Bv MATIHEW Coleman Paired
Cinematic SOcieties "CaVER·s:THE cAMPus un: THE MAGNaUAs." THuRsDAY, NOVEMBER 16,1995 Rat invaSion worries students, officials say it's not unusual '·' ' ·BY DANIEL JoHNsoN proceeded to lunge at Geppert. the east entrance to Reynolda Hall, outside of them before they capture us," Charlton said. length of eight inches, excluding the tail, and Cormueumm RFroRmR "l was coming home when a rat jumped at the Benson University Center and in the bu~hes He said he is particularly concerned about the weigh approximately one pound. me. So I just ran," Geppert said. He said he that surround Kitchin and Davis houses. large number of rats that he has seen between ''The students may be noticing a population Freshman Andy Oeppeit returned to his particularly feared that the rat would bite one 'Junior P.J. Charlton said-he has noticed an Davis and Benson. _ · bulge but it is not an abnormal occurrence," room in Kitchin House after a long njght of of his Birkenstock-exposed toes. increase in the amount of rats on campus The presence of rats on campus is not a new Weigl said. studying. Along his route from_ the library Geppert's experience is not unique." Over since h~ came t_o the university two years ago. problem. "There have always been rats on A surge in reproductio~ rates, more access back to Kitchin, Geppert encountered on~ of the past month, many students have noticed Charltonsaidhefeelsthatiftheratpopulation campus," said Peter Weigl, a professor of to food and shelter or movement to the cam the university rulers of the night: a-rat. -
Rock – Paper – Scissors: Pop-Music As Subject of Visual Art Landesmuseum Joanneum 3 Pages Lendkai 1, A–8020 Graz T +43-316/8017-9213, F -9212
Press Information Kunsthaus Graz am [email protected] Rock – Paper – Scissors: Pop-Music as Subject of Visual Art Landesmuseum Joanneum www.kunsthausgraz.at 3 pages Lendkai 1, A–8020 Graz T +43-316/8017-9213, F -9212 Rock – Paper – Scissors Pop-Music as Subject of Visual Art Pop music counts as a low, popular form of art, while visual art ranks among the high arts. That relationship has changed profoundly in the last 50 years. Pop music is a hybrid originally spawned by the parallelism of sound and image found in TV programmes, fanzines and record covers. At its heart is a feeling of direct involvement with people rather than musical values. These can function as sex objects or the embodiment of new lifestyles. For art, this form of expression is as much a subject as a rival event. Rock – Paper – Scissors brings together artists whose methods and formulations use pop music’s body politics, knowledge industry and relationship with the world for their own purposes. The art ’n’ pop music affair all started with artists such as Andy Warhol, Ian Hamilton, Peter Blake, David Lamelas and Dan Graham in the 1960s. Since then, the number of pop music- themed works has risen exponentially. Major turning points in the evolution of art were often paralleled by turning points in the development of pop music. The new simplicity in the return to painting in the early 1980s, for example, had a counterpart in punk rock, while anti-subject techno culture was embraced by the anti-subject, collaborative, project-oriented art of the 1990s, with its feminism and neo-anti-institutional approaches. -
Melissa Joan Hart
radar: sketch comedy show. TLC—who wrote the theme song— performed in two of the first three episodes. The pilot aired nearly seven months before their breakout album, CrazySexyCool, was released, giving 12-year-old viewers a chance to hear a new band before they made it big. The first season of the show also featured live performances by fresh faces, including Brandy, Aaliyah, and Usher, who at the point was still going by his full name, Usher Raymond. “If you look at the 10 years [that All That was on air], it’s a who’s who of music,” says Dan Schneider, the show’s creator. Pete & Pete also made a habit of featuring musicians whom you wouldn’t expect to see on any TV show, let alone one marketed to grade schoolers. David Johansen played a police officer; Debbie Harry, a neighbor; Juliana Hatfield, a lunch lady; Kate Pierson (of the B-52s), a blind millionaire; PRIME TIME and Michael Stipe, an ice cream man. Iggy Pop was a series regular, playing the overprotective father of Nona, Michelle Trachtenberg’s character. In the same episode that featured Luscious Jackson, he took to the stage and sang to his melissa daughter, begging her to dance with him. It was a far cry from joan “I Wanna Be Your Dog,” but I’m convinced that moment was influential enough for me to spend the better part of my hart late teens fanatically collecting his albums. The series’ soundtrack was equally important, with Apples in Stereo and Stephin Merritt of the Magnetic Fields, among others, contributing music to the show. -
GOP Candidates Ignore Delaware Primary
In Section 2 In Sports An Associated Collegiate Press Getting Men's Four-Star All-American Newspaper b-ball drunk bounces Newark back style page BIO page B I Non-profit Org. FREE U.S. Postage Paid FRIDAY Newark, DE Volume 122, Number 36 250 Student Center, University of Delaware, Newark, DE 19716 Permit No. 26 February 23, 1996 GOP candidates ignore Delaware primary In fact. only two candidates of the endorsed Dole in a press conference New Hampshire Gov. Stephen pnmary. The First State's primary, the second in the nation, field, Steve Forbes and Alan Keyes, Wednesday. Dole failed to appear Merrill's attack of Delaware last year State Senate Bill 302, passed in receives lots of local hype, little national attention have set foot in Delaware since for the endorsement but did thank for holding its primary four days July of 1992, stated that Delaware's Tuesday's pnmary tn New Roth and address the crowd present after New Hamphire's is a major presidential primary is to be held on BY LEO SHANE Ill primaries. Hampshire . Together, they via telephone. reason for the candidates' apathy the Saturday following New Natwnal/Srare New.~ Eduor Apparently, the nation's second accounted for only 15 percent of the Dole and Buchanan have focused towards Delaware. Hampshire's primary. Presidential hopefuls Pat primary, held in Delaware, is not New Hampshire primary vote. their anention on this Tuesday's Merrill, along with other New In previous presidential election Buchanan, Sen. Bob Dole (R- Kan.) important enough to be on their Sen. -
The Winonan - 1990S
Winona State University OpenRiver The inonW an - 1990s The inonW an – Student Newspaper 11-6-1996 The inonW an Winona State University Follow this and additional works at: https://openriver.winona.edu/thewinonan1990s Recommended Citation Winona State University, "The inonW an" (1996). The Winonan - 1990s. 167. https://openriver.winona.edu/thewinonan1990s/167 This Newspaper is brought to you for free and open access by the The inonW an – Student Newspaper at OpenRiver. It has been accepted for inclusion in The inonW an - 1990s by an authorized administrator of OpenRiver. For more information, please contact [email protected]. What's Going On? Sexual assault and Did WSU students BoDeans and Goo Warriors of the Week: robbery in Winona, exercise their right to Goo Dolls rock WSU's Sister Act and Pre-registration vote? WSU continues See Page 2 See Page 5 See Page 7 See Pa e 10 The Iw 11A1111U1IVERIIT11)1RAI VI 3 0106 00362 4706 inonan Wednesday, November 6, 1996 Vol. 75 Issue/ '1 Winona State's First Student Paper Established 1922 WSU in the BODEANS AND GOO GOO DOLLS ROCK STUDENTS dark over lighting bill By ARIEL M. BLAHA The parking lot, located between News Reporter Sheehan and the cafeteria, is IRHC' s top concern, according to Hoff. Winona State University students Five other IRHC members were have seen the light—at least they will involved as well as one student senate when the University installs new se- officer. curity lighting totaling $88,000. During the walk-through, Ferden Spring of 1997 is the installation explained the preliminary plan and date for the lighting, which will focus the concerns, then asked if the stu- on areas around Kryzsko Commons dents wanted to add anything. -
Strategic Anomalies: Art & Language in the Art School 1969-1979
Strategic Anomalies: Art & Language in the Art School 1969-1979 Dennis, M. Submitted version deposited in Coventry University’s Institutional Repository Original citation: Dennis, M. () Strategic Anomalies: Art & Language in the Art School 1969-1979. Unpublished MSC by Research Thesis. Coventry: Coventry University Copyright © and Moral Rights are retained by the author. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This item cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder(s). The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. Some materials have been removed from this thesis due to Third Party Copyright. Pages where material has been removed are clearly marked in the electronic version. The unabridged version of the thesis can be viewed at the Lanchester Library, Coventry University. Strategic Anomalies: Art & Language in the Art School 1969-1979 Mark Dennis A thesis submitted in partial fulfilment of the University’s requirements for the Degree of Master of Philosophy/Master of Research September 2016 Library Declaration and Deposit Agreement Title: Forename: Family Name: Mark Dennis Student ID: Faculty: Award: 4744519 Arts & Humanities PhD Thesis Title: Strategic Anomalies: Art & Language in the Art School 1969-1979 Freedom of Information: Freedom of Information Act 2000 (FOIA) ensures access to any information held by Coventry University, including theses, unless an exception or exceptional circumstances apply. In the interest of scholarship, theses of the University are normally made freely available online in the Institutions Repository, immediately on deposit. -
Daily Eastern News: March 28, 2003 Eastern Illinois University
Eastern Illinois University The Keep March 2003 3-28-2003 Daily Eastern News: March 28, 2003 Eastern Illinois University Follow this and additional works at: http://thekeep.eiu.edu/den_2003_mar Recommended Citation Eastern Illinois University, "Daily Eastern News: March 28, 2003" (2003). March. 14. http://thekeep.eiu.edu/den_2003_mar/14 This Article is brought to you for free and open access by the 2003 at The Keep. It has been accepted for inclusion in March by an authorized administrator of The Keep. For more information, please contact [email protected]. "Thll the troth March28,2003 + FRIDAY and don't be afraid. • VO LUME 87 . NUMBER 123 THE DA ILYEASTERN NEWS . COM THE DAILY Four for 400 Eastern baseball team has four chances this weekend to earn head coach Jim EASTERN NEWS <:rlh....,,t n his 400th career Student fees may be hiked • Fees may raise $70 next semester By Avian Carrasquillo STUDENT GOVERNMENT ED ITOR If approved students can expect to pay an extra $70.55 in fees per semester. The Student Senate Thition and Fee Review Committee met Thursday to make its final vote on student fees for next year. Following the committee's approval, the fee proposals must be approved by the Student Senate, vice president for student affairs, the President's Council and Eastern's Board of Trustees. The largest increase of the fees will come in the network fee, which will increase to $48 per semester to fund a 10-year network improvement project. The project, which could break ground as early as this summer would upgrade the campus infra structure for network upgrades, which will Tom Akers, head coach of Eastern's track and field team, watches high jumpers during practice Thursday afternoon. -
Everest Ghost Notes on Vapor Records CDN Release Date: Oct 14, 2008
Everest Ghost Notes on Vapor Records CDN Release Date: Oct 14, 2008 Chapter 1: Everest? You are a band. Everest is a group of Los Angeles music community alumni and friends who decided to create music together. The result is the album Ghost Notes, to be released by Vapor Records on May 6, 2008. Everest was formed by Russell Pollard (vocals, guitar, drums), J. Soda (guitar, keyboards, vocals), Rob Douglas (bass, vocals), and Joel Graves (guitar, keyboards, vocals), with the help of friend and drummer Davey Latter. Kevin Bronson of the Los Angeles Times observed that the band members “sport resumes longer than the intro to ‘Cortez The Killer’” and it’s true – these guys have spent time in bands such as Sebadoh, the Folk Implosion, Earlimart, Mike Stinson, Slydell, John Vanderslice, and the Watson Twins. When discussing the formation of the band with the members, one word seems to come up time and time again – natural. “I’ve never been in a band that felt this natural right away,” says Russell Pollard. Guitarist Joel Graves echoes this: “It was a natural fit. I love them as people, and I love making music with them.” They may have already been friends, but it took future Ghost Notes producer Mike Terry to be the catalyst. As Graves explains, “We had a long conversation and he said, ‘You guys need to stop all these different projects and support each other.’ It took an outside person to tell us the obvious.” “It came at a really good time,” Russell concurs. “We had all been doing our own thing, but not up to the potential it could be.” Chapter 2: Play shows for yourself, not for the crowd. -
2007'S Best Albums in Review
KTRU 91.7 FM SPRING 2008 Houston’s Local Artists: 2007’s Best Albums in Review People often say that there isn’t much good music in Linus Pauling Quartet Bring Back The Guns Houston. They are wrong, and getting wronger by the All Things Are Light Dry Futures minute: 2007 was one of the best years for Houston music Camera Obscura Feow! in recent memory. In no particular order, KTRU runs Linus Pauling Quartet reminds us After changing names and winning down 10 of the year’s most notable releases in this quick that barbarians, aliens, malt liquor, 24- three Houston Press Music Awards guide to a banner year in a burgeoning music scene. hour Mexican food, and motorcycles (Best New Act ‘00, Best Indie Rock all lie at the foundation of rock and roll’s ‘03, Best Indie Rock ‘05), Bring Back Jana Hunter hallowed temple. Don’t call it tongue-in-cheek—every the Guns have finally released a full album, and it was There’s No Home track is backed with dead-serious Jimmy Page-grade easily worth the wait. Their guitar-driven sound is Gnomonsong Marshall-stack ass-kicking. Veterans of Houston’s psych heavy but still quick on its feet, framed by constantly Erstwhile Houstonian Jana Hunter, heyday LP4 mix hard rock imagery with utter electrified shifting time signatures, punctuated with guitar hooks an Arlington native who recently mi- competence, the way unpretentious rock was meant to be. that never end like you’d expect. Vocals are strained, grated to Baltimore, is a key player in overdriven. -
Flows at Radio
VOL. LIX, NO. 29 Newspaper $3.95 Inside: Grammys Move To New York City THE ENTERTAINMENT TRADE MAGAZINE Decca’s Frazier River Flows at Radio o 82791 19360 4 37 VOL. LIX, NO. 29 MARCH 30, 1996 STAFF rcwi«i;aawmga GEORGE ALBERT President and Publisher KEITH ALBERT POP SINGLE THE ENTERTAINMENT TRADE MAGAZINE Exec. V.PJGeneral Manager Always Be My Baby M.R. MARTINEZ Managing Editor Mariah Carey EDITORIAL (Columbia) Los Angeles JOHN GOFF GIL ROBERTSON IV DAINA DARZIN HECTOR RESENDEZ. Latin Edtor URBAN SINGLE Nashville Cover Story WENDY NEWCOMER All Things... The New York Joe The Frazier River Flows J.S. GAER CHART RESEARCH (Island) Angeles Frazier River frontman Danny Frazier had a plan for his group of eclectic Los BRIAN PARMELLY musicians. He’d turn a saloon band into an act that would get signed to a major ZIV TONY RUIZ label. Doesn’t sound terribly original or uncommon, but the Decca recording act RAP SINGLE PETER FIRESTONE went from the River Saloon in Cincinnati, OH to a spot on the Cosh Box Country Nashville \A£>o-Hah! Got You... GAIL FRANCESCHI Singles chart and has been traveling the nation making folks at country radio spin MARKETING/ADVERTISING Busta Rhymes Nashville editor the single “She Got What She Deserves.” Wendy Newcomer Los Angeles (Elektra) talks with Frazier about the odyssey and the group’s prospects. FFiANK HIGGINBOTHAM JOHN RHYS —see page 5 BOB CASSELL Nashville COUNTRY SINGLE TED RANDALL Take A Stroll Near Hollywood And Vine New York You Can Feel Bad NOEL ALBERT Capitol New Media has, well, reinvented the famous intersection of Hollywood CIRCULATION Patty Loveless Arid Vine. -
Sam Lewitt Selected Texts & Press
MIGUEL ABREU GALLERY sam lewitt selected texts & press 88 Eldridge Street / 36 Orchard Street, New York, NY 10002 • 212.995.1774 • fax 646.688.2302 [email protected] • www.miguelabreugallery.com MIGUEL ABREU GALLERY SAM LEWITT Sam Lewitt investigates systems of meaning—archives, mediums of communication, and technologies both cutting-edge and obsolete—as they are manifested materially, framed by institutions, and interpreted by subjects. The notion of the collection (defined by Lewitt as “that which stands elsewhere”) and the parallax of language between production and exchange are structuring paradigms for his practice. His work explores the uncanniness of the exchange relation’s appearance in the archive, a site commonly understood as existing outside of the laws of exchange. What does it mean that a cultural field so pervaded by enhanced communication and information storage systems is simultaneous with the continually enforced semantic poverty of exchange relations? To this end, Lewitt excavates industrial, commercial, and educational materials to uncover the conditions of their production and their relationship to the context in which they emerged. Although he assumes authorship, the artist views his role more as an editor than a source of ideas; the signs he produces function like indices. His recent work, which foregrounds the relationship between subjective choice and standardized systems, reflects a larger concern for the connection between content’s material support and the socially and the historically specific process -
The Life & Near Death Story of Patty Schemel
REVIEWS "Describing the parabolic ups and downs of the career of Hole drummer Patty Schemel, tricked-up docu Hit So Hard features never-before-witnessed tour documentation recorded on Schemel's own Hi-8 camera, including her extended stay at the digs of band frontwoman Courtney Love just before Kurt Cobain's suicide. This recently recovered ace-in-the-Hole footage is supplemented by helmer P. David Ebersole's newly shot interviews, presented in split-screen or apportioned in brief bursts. Pic benefits from the percussionist's plainspokenness, and should attract grunge curiosity-seekers in theatrical and tube play." VARIETY "A raw, unflinching look at Schemel's hard-knock life." WALL STREET JOURNAL "Necessary viewing for any Hole fan. The footage was ample and intimate -- scenes of Schemel passed out in her hotel room after shooting heroin, Love moshing backstage at Lollapalooza with the Offspring's Dexter Holland and, most eerily, Love at home with Kurt Cobain and Frances Bean. It's heartbreaking." SPIN MAGAZINE "Hit So Hard links one milestone of Schemel’s survival to another with a caustic grace lent by the subject herself: Alcoholic at age 12. Out, tormented lesbian at 17. Junkie by her early 20s. On and off the wagon numerous times by her late 20s. A homeless, crack-addicted, music-industry exile by the end of the ’90s. It’s all there in the open, backed up with fascinating, never-before-seen archival footage featuring Love and her husband Kurt Cobain." MOVIELINE "This pull-no-punches portrait of the hell-and-back life of Patty Schemel is no ordinary rockumentary.