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Ebertfest Announces Final Slate of Films and Special Guests for 2016 Festival
EBERTFEST ANNOUNCES FINAL SLATE OF FILMS AND SPECIAL GUESTS FOR 2016 FESTIVAL 18th Annual Roger Ebert’s Film Festival to take place April 13-17, 2016 in Champaign, IL CHAMPAIGN, ILL – March 23, 2016 – The 18th Annual Roger Ebert’s Film Festival hosted by Chaz Ebert, also known as ‘Ebertfest,’ announced today the final slate of films in this year’s festival. Additionally, film critics Leonard Maltin, Michael Phillips, Matt Zoller Seitz, Nell Minow, Shawn Edwards, Richard Neupert, Nick Allen, Chuck Koplinski, Eric Pierson, Brian Tallerico, and Matt Fagerholm, as well as The Alloy Orchestra, Sony Classics co-president Michael Barker, filmmaker Christine Swanson, and production executive Stephen Feder, will be joining director Guillermo del Toro, critic Gil Robertson, actress Nancy Allen, composer Renee Baker & The Chicago Modern Orchestra Project, filmmaker Paul Cox, crew veteran Angela Allen and director Michael Polish as special guests set to attend. And watch for other last-minute surprise guests. These films will accompany previously announced CRIMSON PEAK, BLOW OUT, BODY & SOUL, FORCE OF DESTINY, NORTHFORK and THE THIRD MAN. DISTURBING THE PEACE (2016) Directed by Stephen Apkon, 82 mins, DCP Director/Producer Stephen Apkon, Director/Cinematographer Andrew Young, film subjects Chen Alon (Israeli) and Sulaiman Khatib (Palestinian) and story consultant Marcina Hale will be in attendance Disturbing the Peace is a brand new documentary that follows a group of former enemy combatants - Israeli soldiers from the most elite units, and Palestinian fighters, many of whom served years in prison - who have come together to challenge the status quo and say “enough". The film traces their transformational journeys from soldiers committed to armed battle to non-violent peace activists. -
Val Kilmer Sylvie Gendron
Document generated on 09/27/2021 1:21 a.m. Séquences La revue de cinéma Val Kilmer Sylvie Gendron L’État du cinéma en salles au Québec Number 179, July–August 1995 URI: https://id.erudit.org/iderudit/49647ac See table of contents Publisher(s) La revue Séquences Inc. ISSN 0037-2412 (print) 1923-5100 (digital) Explore this journal Cite this article Gendron, S. (1995). Val Kilmer. Séquences, (179), 34–38. Tous droits réservés © La revue Séquences Inc., 1995 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ Gros plan cinéaste présente les faits tels qu'ils se déroulent. Nous sommes devant un huis clos familial, un microcosme composé d'êtres humains différents les uns des autres, des individus cherchant constamment à défendre leurs droits, à préserver leurs rêves, leurs illusions et leurs espoirs déchus. Mais la résignation est là, cons Les xm,, de tante, immobile. En présentant les conséquences de certains régimes politiques sur le noyau familial, Masharawi fait le procès de l'intolérance et de l'inac ceptable phénomène que constitue n'importe quelle occupation. Si le film n'est pas considéré comme une Printemps 1991. Assise dans la salle bondée du Kinopanorama à production israélienne, il est juste de souligner qu'il Paris, je vois et j'entends Jim Morrison chanter Break On Through reflète une réalité vernaculaire, propre aux deux (To The Other Side). -
Broadcasting Taste: a History of Film Talk, International Criticism, and English-Canadian Media a Thesis in the Department of Co
Broadcasting Taste: A History of Film Talk, International Criticism, and English-Canadian Media A Thesis In the Department of Communication Studies Presented in Partial Fulfillment of the Requirements For the Degree of Doctor of Philosophy (Communication Studies) at Concordia University Montreal, Quebec, Canada December 2016 © Zoë Constantinides, 2016 CONCORDIA UNIVERSITY SCHOOL OF GRADUATE STUDIES This is to certify that the thesis prepared By: Zoë Constantinides Entitled: Broadcasting Taste: A History of Film Talk, International Criticism, and English- Canadian Media and submitted in partial fulfillment of the requirements for the degree of PhD in Communication Studies complies with the regulations of the University and meets the accepted standards with respect to originality and quality. Signed by the final examining committee: __________________________________________ Beverly Best Chair __________________________________________ Peter Urquhart External Examiner __________________________________________ Haidee Wasson External to Program __________________________________________ Monika Kin Gagnon Examiner __________________________________________ William Buxton Examiner __________________________________________ Charles R. Acland Thesis Supervisor Approved by __________________________________________ Yasmin Jiwani Graduate Program Director __________________________________________ André Roy Dean of Faculty Abstract Broadcasting Taste: A History of Film Talk, International Criticism, and English- Canadian Media Zoë Constantinides, -
VAL KILMER (B. December 31, 1959) Val Kilmer Graduated from Juilliard
VAL KILMER (b. December 31, 1959) Val Kilmer graduated from Juilliard, where, at 17, he was the youngest Actor ever accepted to the Drama Division. He burst onto the Hollywood scene as rock star Nick Rivers in the Zucker-Abrahams-Zucker comedy Top Secret!, then starred in the cult classic Real Genius. He rocketed to international stardom playing Iceman in Top Gun, Jim Morrison in The Doors, Doc Holliday in Tombstone and the Caped Crusader in Batman Forever. Other memorable films include Shane Black's comedy Kiss Kiss Bang Bang, George Lucas and Ron Howard's fantasy film Willow, and Michael Mann's crime thriller Heat. An extended Filmography may be viewed here: http://www.imdb.com/name/nm0000174/?ref_=fn_al_nm_1 An accomplished stage Actor, he made his Broadway debut in Slab Boys with Sean Penn and Kevin Bacon. He has appeared in numerous theater productions including Joseph Papp’s Henry IV: Part One, As You Like It with Patti LuPone, and ‘Tis Pity She’s A Whore. He also starred in the title role in Hamlet for the Colorado Theater Festival, and in Andrew Rattenbury’s stage adaptation of The Postman Always Rings Twice on London’s West End. Along the way, Val received a Grammy nomination and an honorary doctorate in English from William Woods University. He recently wrote, produced, directed and starred in Citizen Twain a one-man play about Mark Twain and is now touring Cinema Twain, a film version of the play. He has spent the last decade writing a film about Mark Twain and Mary Baker Eddy which he plans to direct. -
Roger Ebert's
The College of Media at Illinois presents Roger19thAnnual Ebert’s Film Festival2017 April 19-23, 2017 The Virginia Theatre Chaz Ebert: Co-Founder and Producer 203 W. Park, Champaign, IL Nate Kohn: Festival Director 2017 Roger Ebert’s Film Festival The University of Illinois at Urbana–Champaign The College of Media at Illinois Presents... Roger Ebert’s Film Festival 2017 April 19–23, 2017 Chaz Ebert, Co-Founder, Producer, and Host Nate Kohn, Festival Director Casey Ludwig, Assistant Director More information about the festival can be found at www.ebertfest.com Mission Founded by the late Roger Ebert, University of Illinois Journalism graduate and a Pulitzer Prize- winning film critic, Roger Ebert’s Film Festival takes place in Urbana-Champaign each April for a week, hosted by Chaz Ebert. The festival presents 12 films representing a cross-section of important cinematic works overlooked by audiences, critics and distributors. The films are screened in the 1,500-seat Virginia Theatre, a restored movie palace built in the 1920s. A portion of the festival’s income goes toward on-going renovations at the theatre. The festival brings together the films’ producers, writers, actors and directors to help showcase their work. A film- maker or scholar introduces each film, and each screening is followed by a substantive on-stage Q&A discussion among filmmakers, critics and the audience. In addition to the screenings, the festival hosts a number of academic panel discussions featuring filmmaker guests, scholars and students. The mission of Roger Ebert’s Film Festival is to praise films, genres and formats that have been overlooked. -
CANDY L. WALKEN Hair Design/Stylist IATSE 706
CANDY L. WALKEN Hair Design/Stylist IATSE 706 FILM UNTITLED DAVID CHASE PROJECT Department Head, Los Angeles Aka TWYLIGHT ZONES Director: David Chase THE BACK-UP PLAN Department Head Director: Alan Poul Cast: Alex O’Loughlin, Melissa McCarthy, Michaela Watkins NAILED Department Head Director: David O. Russell Cast: Jessica Biel, Jake Gyllenhaal, Catherine Keener, James Marsden THE MAIDEN HEIST Department Head Director: Peter Hewitt Cast: Christopher Walken, Marcia Gay Harden, William H. Macy THE HOUSE BUNNY Hair Designer/Department Head Personal Hair Stylist to Anna Faris Director: Fred Wolf Cast: Emma Stone, Kat Dennings, Katharine McPhee, Rumer Willis DISTURBIA Department Head Director: D.J. Caruso Cast: Shia LaBeouf, Carrie-Anne Moss, David Morse, Aaron Yoo FREEDOM WRITERS Department Head Director: Richard La Gravenese Cast: Imelda Staunton, Scott Glenn, Robert Wisdom MUST LOVE DOGS Personal Hair Stylist to Diane Lane Director: Gary David Goldberg A LOT LIKE LOVE Department Head Director: Nigel Cole Cast: Ashton Kutcher, Amanda Peet CELLULAR Personal Hair Stylist to Kim Basinger Director: David R. Ellis ELVIS HAS LEFT THE BUILDING Personal Hair Stylist to Kim Basinger Director: Joel Zwick UNDER THE TUSCAN SUN Personal Hair Stylist to Diane Lane Director: Audrey Wells THE MILTON AGENCY Candy L. Walken 6715 Hollywood Blvd #206, Los Angeles, CA 90028 Hair Telephone: 323.466.4441 Facsimile: 323.460.4442 IATSE 706 [email protected] www.miltonagency.com Page 1 of 3 SUSPECT ZERO Department Head Director: Elias Merhige Cast: Aaron -
Metoo: Why Twitter Doesn't Do Enough
Chapman University Chapman University Digital Commons Student Scholar Symposium Abstracts and Posters Center for Undergraduate Excellence Fall 12-2-2020 #MeToo: Why Twitter Doesn't Do Enough Tara Mann [email protected] Follow this and additional works at: https://digitalcommons.chapman.edu/cusrd_abstracts Part of the Gender and Sexuality Commons, Race and Ethnicity Commons, Rhetoric Commons, and the Women's Studies Commons Recommended Citation Mann, Tara, "#MeToo: Why Twitter Doesn't Do Enough" (2020). Student Scholar Symposium Abstracts and Posters. 408. https://digitalcommons.chapman.edu/cusrd_abstracts/408 This Poster is brought to you for free and open access by the Center for Undergraduate Excellence at Chapman University Digital Commons. It has been accepted for inclusion in Student Scholar Symposium Abstracts and Posters by an authorized administrator of Chapman University Digital Commons. For more information, please contact [email protected]. #MeToo: Why Twitter Doesn’t Do Enough Tara Mann ENG 446 Feminist Rhetorics, Professor Ian Barnard Chapman University Department of English How #MeToo Began Conclusion In 2017 Alyssa Milano tweeted the hashtag Even with all of the attention given to #MeToo to give a voice to victims and survivors Me Too, things have not improved as of sexual harassment after accusations were much as they need to. Despite the made against Hollywood producer Harvey truth available to everyone about how Weinstein. Share the Load (mrschachter). “We have to stop saying the #metoo movement deep the issue is and what happens started in 2017. Saying that IS Black femme erasure.” Oct 2, 2020, 10:17 am. Tweet. to the perpetrators versus the victims, Milano’s involvement—involvement by a privileged there is still the fear of retaliation if white woman—made the Me Too movement what it is you speak up. -
Can Women Break the Glass Ceiling?: an Analysis of #Metoo Hashtagged Posts on Twitter
Can Women Break the Glass Ceiling?: An Analysis of #MeToo Hashtagged Posts on Twitter Naeemul Hassan Manash Kumar Mandal Mansurul Bhuiyan University of Mississippi Khulna University of Engineering and IBM Research, Almaden nhassan@olemiss:edu Technology mansurul:bhuiyan@ibm:com manashmndl@gmail:com Aparna Moitra Syed Ishtiaque Ahmed University of Delhi University of Toronto aparna:moitra@gmail:com ishtiaque@cs:toronto:edu ABSTRACT social activist Tarana Burke launched a grass-root level campaign In October 2017, there happened the uprising of an unprecedented for “empowering through empathy" for the women of color within 3 online movement on social media by women across the world who their community . Milano’s call for sharing harassment experiences started publicly sharing their untold stories of being sexually ha- with #MeToo hashtag that followed her own allegation against rassed along with the hashtag #MeToo (or some variants of it). Harvey Weinstein, an American film producer, for sexually abusing 4 Those stories did not only strike the silence that had long hid the her took the original movement to a whole new level and millions perpetrators, but also allowed women to discharge some of their of women around the world started participating. Before this, a 5 bottled-up grievances, and revealed many important information few other hashtags were also used for similar purposes , including surrounding sexual harassment. In this paper, we present our anal- #MyHarveyWeinstein, #YouOkSis, #WhatWereYouWearing, and ysis of about one million such tweets collected between October #SurvivorPrivilege. However none of them could create such a 15 and October 31, 2017 that reveals some interesting patterns and massive movement on social media. -
Sun Valley Film Festival Announces Its Awards For
Oct-14 Nov-14 Dec-14 Jan-15 Feb-15 Mar-15 Website Unique Visitors 2607 4029 4611 7549 5327 6313 Website Total Visits 3944 5566 6568 9160 7892 9292 Website Pages 11961 12480 14516 20891 18380 21002 Website Statistics Q2 25000 20000 15000 10000 5000 0 Oct-14 Nov-14 Dec-14 Jan-15 Feb-15 Mar-15 Website Unique Visitors Website Total Visits Website Pages DATE: March 31, 2015 TO: HAILEY CHAMBER OF COMMERCE INVOICE: PR/COMMUNICATIONS SERVICES FOR 2015 SUN VALLEY FILM FESTIVAL November 2014 – March 2015 AMOUNT: $2500.00 Payable net 30 days DETAIL OF SERVICES: STRATEGIC PUBLIC RELATIONS EFFORTS: 1. Media Outreach Actively pursue targeted pitches to key local, regional and national consumer, travel, arts, ski media . Local & regional media/online sites – arrange for media interviews with SVFF staff as feasible . National & Regional consumer travel, arts, ski media (print, online, TV, radio, bloggers, etc) . Develop PR strategic plan and schedule with SVFF marketing director . Press release outreach/distribution to regional/national media outlets (Note: Film & Entertainment consumer/trade media outreach to be handled by BWR PR) SVFF Announcement Party – Boise – Feb 15 . Represent SVFF at the event, work with media on coverage prior, during, post-event 3. Media Assistance Assist with key targeted media invited to attend and cover the SVFF . Identify target list with SVFF/BWR, extend invites, secure ITC funds for media travel & lodging costs, secure in-kind lodging for media with SV Resort, coordinate other arrangements as needed Press Credentialing/Press Materials & Assistance . Set up online press credential application form, review applications, confirm credentials/details . -
June 2018 WILL-TV TM Patterns Membership Hotline: 800-898-1065 June 2018 Volume XLV, Number 12 WILL AM-FM-TV: 217-333-7300 Campbell Hall 300 N
FRIENDS OF WILL MEMBERSHIP MAGAZINE patterns june 2018 WILL-TV TM patterns Membership Hotline: 800-898-1065 june 2018 Volume XLV, Number 12 WILL AM-FM-TV: 217-333-7300 Campbell Hall 300 N. Goodwin Ave., Urbana, IL 61801-2316 Mailing List Exchange Donor records are proprietary and confidential. WILL does not sell, rent or trade its donor lists. Patterns Friends of WILL Membership Magazine Editor/Art Designer: Sarah Whittington Printed by Premier Print Group. Printed with SOY INK on RECYCLED, TM Trademark American Soybean Assoc. RECYCLABLE paper. Radio 90.9 FM: A mix of classical music and NPR information programs, including local news. (Also heard at 106.5 in Danville and with live streaming on will.illinois.edu.) See pages 4-5. Recently Sinclair Broadcasting Group, the na- 101.1 FM and 90.9 FM HD2: Locally produced tion’s largest owner of television stations, had music programs and classical music from C24. (101.1 its local news station anchors recite the same is available in the Champaign-Urbana area.) See page 6. script on-air. This move is not unusual from Sin- 580 AM: News and information, NPR, BBC, news, clair, as it often requires all its stations to play agriculture, talk shows. (Also heard on 90.9 FM HD3 with live streaming on will.illinois.edu.) See page 7. video segments known as “must-runs.” With sta- tions all across the country, Sinclair’s requisite Television stories take away the opportunity for those local WILL-HD journalists to explore the real needs and news All your favorite PBS and local programming, in high definition when available. -
SHAY CUNLIFFE Costume Designer
(4/19/21) SHAY CUNLIFFE Costume Designer FILM & TELEVISION DIRECTOR COMPANIES CAST “PEACEMAKER” James Gunn HBO Max John Cena (Series) The Safran Company Lochlyn Munro Warner Bros TV Robert Patrick “WESTWORLD” Jonathan Nolan HBO Evan Rachel Wood (Season 3) Amanda Marsalis, et al. Bad Robot Aaron Paul Winner: Costume Designers Guild (CDG) Award Thandie Newton Nomination: Emmy Award for Outstanding Fantasy/Sci-Fi Costumes “GONE BABY GONE” Phillip Noyce 20th Century Fox TV Peyton List (Pilot) Miramax Joseph Morgan “BOOK CLUB” Bill Holderman June Pictures Diane Keaton Jane Fonda Candice Bergen Mary Steenburgen “50 SHADES FREED” James Foley Universal Pictures Dakota Johnson Jamie Dornan “50 SHADES DARKER” James Foley Universal Pictures Dakota Johnson Jamie Dornan “A DOG’S PURPOSE” Lasse Hallström Amblin Entertainment Dennis Quaid Walden Media Britt Robertson Pariah “THE SECRET IN THEIR EYES” Billy Ray Gran Via Productions Nicole Kidman IM Global Julia Roberts Chiwetel Ejiofor “GET HARD” Etan Cohen Warner Brothers Will Ferrell Gary Sanchez Kevin Hart Alison Brie “SELF/LESS” Tarsem Singh Ram Bergman Prods. Ryan Reynolds Endgame Ent. Ben Kingsley “THE FIFTH ESTATE” Bill Condon DreamWorks Benedict Cumberbatch Participant Media Laura Linney “WE’RE THE MILLERS” Rawson Thurber New Line Cinema Jennifer Aniston Ed Helms Jason Sudeikis “THE BOURNE LEGACY” Tony Gilroy Universal Pictures Jeremy Renner Rachel Weisz Edward Norton “BIG MIRACLE” Ken Kwapis Universal Pictures Drew Barrymore Working Title Films John Krasinski Anonymous Content Kristen Bell “MONTE -
The Justice in Policing Act of 2020 in the U.S
June 23, 2020 Honorable Nancy Pelosi Speaker of the House 1236 Longworth House Office Building Washington, DC 20515 Honorable Kevin McCarthy Republican Leader 2468 Rayburn House Office Building Washington, DC 20515 Dear Speaker Pelosi and Leader McCarthy: Since the killing of George Floyd just one month ago, our country has seen protests grow, attitudes shift, and calls for change intensify. We in the music and entertainment communities believe that Black lives matter and have long decried the injustices endured by generations of Black citizens. We are more determined than ever to push for federal, state, and local law enforcement programs that truly serve their communities. Accordingly, we are grateful for movement of the Justice in Policing Act of 2020 in the U.S. House of Representatives and urge its quick passage. The Justice in Policing Act is not about marginal change; it takes bold steps that will make a real, positive difference for law enforcement and the communities they serve. We celebrate the long- overdue rejection of qualified immunity, emphasizing that law enforcement officers themselves are not above the law – that bad cops must be held accountable and victims must have recourse. We applaud the provisions to ban chokeholds and no-knock warrants, to establish a national police misconduct registry, to collect data and improve investigations into police misconduct, to promote de-escalation practices, to establish comprehensive training programs, and to update and enhance standards and practices. This legislation will not only promote justice; it will establish a culture of responsibility, fairness, and respect deserving of the badge. Our communities and nation look to you to take a stand in this extraordinary moment and we respectfully ask that you vote YES on the Justice in Policing Act of 2020.