The University of Akron IdeaExchange@UAkron Selected Papers of the Ohio Valley Shakespeare Literary Magazines Conference November 2014 Frustrated Feminisms: Hippolyta on Screen Nicholas Tobin Roth Cornell University,
[email protected] Please take a moment to share how this work helps you through this survey. Your feedback will be important as we plan further development of our repository. Follow this and additional works at: http://ideaexchange.uakron.edu/spovsc Part of the Feminist, Gender, and Sexuality Studies Commons, and the Literature in English, British Isles Commons Recommended Citation Roth, Nicholas Tobin (2009) "Frustrated Feminisms: Hippolyta on Screen," Selected Papers of the Ohio Valley Shakespeare Conference: Vol. 3 , Article 3. Available at: http://ideaexchange.uakron.edu/spovsc/vol3/iss2009/3 This Article is brought to you for free and open access by Literary Magazines at IdeaExchange@UAkron, the institutional repository of The nivU ersity of Akron in Akron, Ohio, USA. It has been accepted for inclusion in Selected Papers of the Ohio Valley Shakespeare Conference by an authorized administrator of IdeaExchange@UAkron. For more information, please contact
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[email protected]. Frustrated Feminisms: Hippolyta on Screen Nicholas Tobin Roth Frustrated Feminisms: Hippolyta on Screeni By Nicholas Tobin Roth Of all Shakespeare’s comedies, A Midsummer Night’s Dream has generated by far the most film versions. In this article I focus on three major recent productions: Elijah Moshinsky’s telefilm for the BBC (1981) and two feature films directed by Adrian Noble (1996) and Michael Hoffman (1999) respectively.ii A good deal of critical attention has already been paid to these films, and the focus of this paper is to comparatively close-read one local issue across each of them: their various representations of the character Hippolyta.