Extracare's Awards Triumph!
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Gender Biased Hiding of Extraordinary Abilities in Girl-Powered Disney Channel Sitcoms from the 2000S
SECRET SUPERSTARS AND OTHERWORLDLY WIZARDS: Gender Biased Hiding of Extraordinary Abilities in Girl-Powered Disney Channel Sitcoms from the 2000s By © 2017 Christina H. Hodel M.A., New York University, 2008 B.A., California State University, Long Beach, 2006 Submitted to the graduate degree program in Film and Media Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Chair: Germaine Halegoua, Ph.D. Joshua Miner, Ph.D. Catherine Preston, Ph.D. Ronald Wilson, Ph.D. Alesha Doan, Ph.D. Date Defended: 18 November 2016 The dissertation committee for Christina H. Hodel certifies that this is the approved version of the following dissertation: SECRET SUPERSTARS AND OTHERWORLDLY WIZARDS: Gender Biased Hiding of Extraordinary Abilities in Girl-Powered Disney Channel Sitcoms from the 2000s Chair: Germaine Halegoua, Ph.D. Date Approved: 25 January 2017 ii ABSTRACT Conformity messaging and subversive practices potentially harmful to healthy models of feminine identity are critical interpretations of the differential depiction of the hiding and usage of tween girl characters’ extraordinary abilities (e.g., super/magical abilities and celebrity powers) in Disney Channel television sitcoms from 2001-2011. Male counterparts in similar programs aired by the same network openly displayed their extraordinariness and were portrayed as having considerable and usually uncontested agency. These alternative depictions of differential hiding and secrecy in sitcoms are far from speculative; these ideas were synthesized from analyses of sitcom episodes, commentary in magazine articles, and web-based discussions of these series. Content analysis, industrial analysis (including interviews with industry personnel), and critical discourse analysis utilizing the multi-faceted lens of feminist theory throughout is used in this study to demonstrate a unique decade in children’s programming about super powered girls. -
Warrior.Com February 2011 Feature Page 11
Theft Leads to Charity, Lane Water Polo, Pg. 20 Pg. 3 IN THE HEAR T Valentine’s Shout Oscar Predictions, Outs, Pg. 16 OF THE Pgs. 6-9 WARRIOR February 2011 Lane Technical College Prep High School Volume 43/Issue 3/Page 1 Snowpocalypseclub meetings were shortened or can- The actual event,‘11 however, had about celled on Tuesday, and on Wednesday 30 attendees, including both high and Thursday they were cancelled en- school and grade school students, and a tirely. CPS alumnus. Lane’s production of Gypsy was set Lovric, who created the group, was back. The show was slowed to a hault at still pleased with the snowball fight. a crucial time: “tech week.” The fun continued for many students “We had to cancel three tech rehears- on Thursday, but many were disconcert- als,” said the director, Mrs. Hanson. ed about school being back in session on “We had to schedule an extra two on Friday. Friday and Saturday this week just to Teachers were assaulted by absent make up for lost time.” notes when the weekend was over, many Other teachers were relieved to have of which were laughed off by teachers a day off, finally. for the unneeded explanations. “It wasn’t even the day off [that was Mr. Wasielewski received an absent good], just the rarity of a CPS snow note from one of his AP US Govern- day,” said physics teacher Ms. Machaj. ment & Politcs students, Jakub Ogara, Machaj said she and other teachers Div. 264, and proceeded to read the agree that it is a safety issue for students note aloud in a mocking tone. -
Heritage of Harmony
Heritage of Harmony ,Edited by Val Hicks ' oaie', for 'qe Preaervaiion and . Inaouragemeni of l ar~er ' qOp t uarie' ' inging in l meriaa Heritage of Harmony Edited by Val Hicks ~ooie'J ,for ibe ~relervaUon and Inoouragemeni Qf ~arber ~bo, tuariei ~inging in imerioa Harmony Hall, Kenosha, Wisconsin Heritage of Harmony Copyright 1988, S.P.E.B.S.Q.S.A" Inc. International Ollice 6315 Third Avenue Kenosha, Wisconsin 53140 First Edition June 1988 All Rights Reserved Publishing Services, New Past Press, Inc., Friendship, Wisconsin 53934. Cover Design, Sandhill Studio, Green Lake, Wisconsin 54941. Printing, Action Printing, Fond du Lac, Wisconsin 54935. PRINTED IN THE UNITED STATES OF AMERICA Library oj Congress Cataloging in Publication Data Heritage oj Harmony. Discography, p. Bibliography, p. Includes Index. 1. Society jor the Preservation and Encouragement oj Barber Shop Quartet Singing in America-History. 1. Hicks, Val, 1933· II. Society jor the Preservation and Encouragement oj Barber Shop Quartet Singing in America. M127.U5S664 1988 784.5 88·17928 ISBN 0·938627·04·X (pbk.) ii Contents Introduction: Heritage of Harmony v Preface: Only in America vi Chapter 1 The Golden Age of Quartets (1890 - 1920) 1 Chapter 2 Jazzin' It Up (1920s - 1930s) 8 Chapter 3 The Dream of 0. C. Cash (1940s) 14 Chapter 4 Here Come the Judges 28 Chapter 5 The Teen Years (1950s) 38 Chapter 6 Coming of Age (1960s) 57 Chapter 7 Growing Sophistication (1970s - 1980s) 69 Chapter 8 The Second Half-Century 80 Editor's Epilogue 87 Historical Material and References 89 District Boundaries Through the Years 90 Logopedics Contributions 91 Membership Growth: Statistics and Graphs 92 Conventions Through the Years 94 International Presidents 102 International Secretaries and Executive Directors 103 Brief Histories of B.A.B.S. -
Elite Karaoke Draft by Artist 2 Pistols Feat
Elite Karaoke Draft by Artist 2 Pistols Feat. Ray J You Know Me (Hed) Planet Earth 2 Pistols Feat. T-Pain & Tay Bartender Dizm Blackout She Got It Other Side 2 Play Feat. Thomas Jules & Renegade Jucxi D 10 Years Careless Whisper Actions & Motives 2 Unlimited Beautiful No Limit Drug Of Choice Twilight Zone Fix Me 20 Fingers Fix Me (Acoustic) Short Dick Man Shoot It Out 21 Demands Through The Iris Give Me A Minute Wasteland 21 Savage Feat. Offset, Metro 10,000 Maniacs Boomin & Travis Scott Because The Night Ghostface Killers Candy Everybody Wants 2Pac Like The Weather Changes More Than This Dear Mama These Are The Days How Do You Want It Trouble Me I Get Around 100 Proof (Aged In Soul) So Many Tears Somebody's Been Sleeping Until The End Of Time 101 Dalmations 2Pac Feat. Dr. Dre Cruella De Vil California Love 10cc 2Pac Feat. Elton John Dreadlock Holiday Ghetto Gospel Good Morning Judge 2Pac Feat. Eminem I'm Not In Love One Day At A Time The Things We Do For Love 2Pac Feat. Eric Williams Things We Do For Love Do For Love 112 2Pac Feat. Notorious B.I.G. Dance With Me Runnin' Peaches & Cream 3 Doors Down Right Here For You Away From The Sun U Already Know Be Like That 112 Feat. Ludacris Behind Those Eyes Hot & Wet Citizen Soldier 112 Feat. Super Cat Dangerous Game Na Na Na Duck & Run 12 Gauge Every Time You Go Dunkie Butt Going Down In Flames 12 Stones Here By Me Arms Of A Stranger Here Without You Far Away It's Not My Time (I Won't Go) Shadows Kryptonite We Are One Landing In London 1910 Fruitgum Co. -
Pop Culture 2016
pop culture 2016 new releases: 2 featured titles: 21 backlist titles: 24 R 2 2016–2017 NEW RELEASES Pop Culture DAZEWORLD: Th e Artwork of Chris Daze Ellis Chris Daze Ellis, Foreword by Sacha Jenkins • A New York graffi ti writer’s illustrated journey from painting trains to exhibiting in international galleries • 250 unpublished photos of ‘70s and ‘80s graffi ti and modern international murals and studio paintings • “His oeuvre evinces rigorous experimentation underwritten by an enduring interest in urbanity.” Th is is the illustrated story of New York artist Chris Daze Ellis’s successful transition from the subways to international studios and galleries. Follow his 30+ year career from his teen years as a graffi ti writer to his current life as a professional painter, mentor, and family man. Th is book, with more than 250 photographs, is a journey that tracks seminal moments in Daze’s life that shaped his art. View his aesthetic evolution, from “Graffi ti High” (New York’s High School of Art and Design) and an “unsanctioned” street art phase to exhibitions with Keith Haring and Jean-Michel Basquiat. Train photos from the 1970s and ’80s, a broad representation of Daze’s studio and mural works, and personal photos guide the reader through an artistic portfolio spanning fi ve decades. Contributions by graffi ti writer Jay “J.SON” Edlin and essayist Claire Schwartz, and a foreword by graffi ti historian and chronicler Sacha Jenkins complete this volume. chris daze ellis began painting the gritt y New York Subways in the mid-1970s while att ending the High School of Art & Design. -
DUANE ALLMAN and AMERICAN MUSIC by Bob Beatty A
“YOU WANNA PLAY IN MY BAND, YOU’D BETTER COME TO PICK”: DUANE ALLMAN AND AMERICAN MUSIC by Bob Beatty A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Public History Department of History Middle Tennessee State University August 2018 Doctoral Committee: Carroll Van West, Ph.D., Chair John Dougan, Ph.D. C. Brendan Martin, Ph.D. Kristine M. McCusker, Ph.D. Dedicated to Suzi and Pat Beatty. Thank you, Mom and Dad, for the unwavering support of all of my various interests and in my pursuit of my life and career goals. I am sorry you aren't here to celebrate this moment with me. ii ACKNOWLEDGMENTS All acknowledgments begin with my family: my wife Candy and daughters Ryan and Tyler, who lived this journey with me. Thanks to each of you for the role you play in my life and my life's work. Thank you to Dr. Carroll Van West, whose careful shepherding of this project and this phase of my graduate career is so appreciated. Thank you also to my dissertation committee, Drs. John Dougan, C. Brendan Martin, and Kristine M. McCusker, whose insights into this process were invaluable. To Troy Wilson, Brandon Munson, and Steve Marshall: a man is blessed to have one friend as good as each of you, my cup overflows that I have three. The same is true of my first best friend, my cousin Brad Beatty. I am forever grateful to my friends in the Allman Brothers Band world who encouraged and inspired me to dig deeper into this band and its meaning: most notably: Andy Beichler; Jules Fothergill; Gary Barrett; -
Songs by Artist
Call (304) 216-1454 Songs by Artist For Events Parties Weddings Title Title Title +44 112 & Super Cat 2 Live Crew When Your Heart Stops Beating Na Na Na Me So Horny 1 Fish Man 12 Gauge We Want Some Pussy One Pound Fish Dunkie Butt 2 Pac 10 Years 12 Stones California Love Original Version Beautiful Arms Of A Stranger Changes Through The Iris Shadows Dear Mama Wasteland Way I Feel, The I Get Around 10, 000 Maniacs We Are One Thugz Mansion Because The Night 177 Until The End Of Time 10,000 Maniacs Wild Side Of Life 2 Pac & Eminem Because The Night 1910 Fruitgum Co. One Day At A Time Candy Everybody Wants 1,2,3 Red Light 2 Pac & Eric Williams Like The Weather 1910 Fruitgum Company Do For Love More Than This Simon Says 2 Pac & Notorious B.I.G. These Are The Days 1975 Runnin' Trouble Me Chocolate Runnin' Dyin' To Live 100 Proof Aged In Soul City 2 Pistols & Ray J Somebody's Been Sleeping Robbers You Know Me 10CC Settle Down 2 Pistols & T Pain Donna Sex She Got It Don't Turn Me Away Sex..... 20 Fingers Dreadlock Holiday 2 Am Club Short Dick Man Feel The Love Too Fucked Up To Call Explicit 21 Demands Food For Thought 2 Chainz Give Me A Minute I'm Not In Love I'm Different 2AM Club Life Is A Minestrone I'm Different Clean Not Your Boyfriend One Two Five 2 Chainz & Chris Brown People In Love 3 Degrees Countdown Rubber Bullets Woman In Love Silly Love 2 Chainz & Drake 3 Doors Down Things We Do For Love No Lie Clean Away From The Sun Things We Do For Love, The 2 Chainz & Drake & Lil' Be Like That We Do For Love Wayne Behind These Eyes Woman In Love