DOCSLIB.ORG

Paul Simon & Art Garfunkel

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

1. A Hazy Shade Of Winter (Paul Simon & Art Garfun- 2. America (Paul Simon & Art Garfunkel) kel) Dmi C C Cmaj7 Ami C F Time time time see what's become of me 1. „Let us be lovers we'll marry our fortunes together Bb Ami C Cmaj7 Ami(Ami7) while I looked around for my possibilities I've got some real estate here in my bag.ÿ C Dmi 7 7 7 9 I was so hard to please but look around Emi A Emi A b So we bought a pack of cigarettes and Mrs. Wagner's pies C B A7 Dmi leaves are brown and the sky is a hazy shade of winter. Emi7 D C G C Cmaj7 Ami Ami7 F C and walked off to look for America. Hear the Salvation Army Band Bb 2. „Kathyÿ I said as we boarded a Greyhound in Pittsburgh down by the riverside it's bound to be a better ride „Michigan seems like a dream to me now Ami G than what you've got planned it took me four days to hitchhike from Saginaw C Dmi maj7 carry your cup in your hand and look around D G D C C I've come to look for America.ÿ C Bb A7 Dmi leaves are brown now and the sky is a hazy shade of winter. b b B maj7 B C C R: Laughing on the bus playing games with the faces Hang onto your hopes my friend b b B maj7 C B she said the man in the gabardine suit was a spy that's an easy thing to say maj7 but if your hopes should pass away F F C Ami C Dmi I said:„Be careful his bowtie is really a cam’ra.ÿ simply pretend that you can build them again look around, 3. C7 Bb7 „Toss me a cigarette I think there's one in my raincoat.ÿ the grass is high the fields are ripe „We smoked the last one an hour ago.ÿ 7 A Dmi Gmi7 A9 Emi7 A9 it's the springtime of my life. So I looked at the scenery she read her magazine b B F D C G C Cmaj7 Ami7 C F Seasons change with the scenery and the moon rose over an open field. F maj7 C9 weaving time in a tapestry F F maj7 Emi7 Dmi A7 Dmi 4. „Kathy I'm lostÿ I said though I knew she was sleeping won't you stop and remember me F C C „I’m empty and aching and I don't know why.ÿ at any convenient time b G B Counting the cars on the New Jersey Turnpike funny how my mem'ry skips D G D Cmaj7 C while looking over manuscripts they've all come to look for America A mi maj7 maj7 of unpublished rhyme. D G D C C D G D C C C Dmi all come to look for America all come to look for America ... Drinking my vodka and lime I look around C7 Bb7 A7 Dmi leaves are brown now and the sky is a hazy shade of winter C Bb7 look around leaves are brown A7 Dmi there's a patch of snow on the ground C Bb7 look around leaves are brown A7 Dmi there's a patch of snow on the ground C Bb7 look around leaves are brown A7 Dmi there's a patch of snow on the ground ... 1 3. At the Zoo (Paul Simon & Art Garfunkel) 4. Bye Bye Love (Paul Simon & Art Garfunkel / Felice & Boudleaux Bryant) Amaj7 A7 Someone told me it's all happening at the Zoo A E A E 7 7 D D G D A R: Bye bye love bye bye happiness I do believe it I do believe it's true A E H7 E G D7 G H7 Emi7 H7 Emi G D7 G H7 Emi7 H7 Emi hello loneliness I think I'm gonna cry hm hm hm hm A E A E Hmi7 G Emi bye bye love bye bye sweet caress it's a light and tumble journey A E H7 E Hmi7 G Hmi7 Emi hello emptiness I feel like I could die from the East Side to the park H7 E Hmi7 G Hmi Emi Hmi7 D D7 bye bye my love goodbye. just a fine and fancy ramble to the Zoo G H7 Emi7 E H7 E but you can take the crosstown bus 1. There goes my baby with someone new Hmi7 G H7 Emi H7 E if it's raining or it's cold she sure looks happy I sure am blue Hmi7 G H7 Emi Hmi7 A6 Emi A6 Emi A H7 and the animals will love it if you do if you do oo oo she was my baby till he stepped in Amaj7 A7 E somethin' tells me it's all happening at the Zoo goodbye to romance that might have been. 7 7 D D G D Gmi Hmi R: I do believe it I do believe it's true 7 7 7 7 7 7 7 7 G D G H Emi H Emi G D G H Emi H Emi 2. I'm through with romance I'm through with love hm hm hm hm I'm through with counting the stars above D7 G H7 Emi the monkeys stand for honesty and here's the reason that I'm so free Hmi7 G H7 Emi11 my loving baby is through with me. giraffes are insincere R: Emi Hmi7 G H7 Emi Hmi7 D D7 and the elephants are kindly but they're dumb G H7 Emi orangutans are skeptical Hmi7 G H7 Emi of changes in their cages Hmi7 G H7 Emi Hmi7 G Emi Hmi7 and the zookeeper is very fond of rum G H7 Emi Hmi7 zebras are reactionaries G H7 Emi Hmi7 antelopes are missionaries G H7 Emi Hmi7 5. Bookends (Paul Simon & Art Garfunkel) pigeons plot in secrecy 7 G H7 Emi G Emi D and hamsters turn on frequently what a gas! Time it was and what a time it was it was 7 Emi Emi D You gotta come and see a time of innocence a time of confidences Emi7 D G H7 Emi G H7 Emi G H7 Emi long ago it must be I have a photograph at the Zoo at the Zoo at the Zoo 7 7 7 G H7 Emi G H7 Emi G H7 Emi Emi D Emi D Emi D at the Zoo at the Zoo at the Zoo ... preserve your memories they're all that's left you ... 2 6. Bridge Over Troubled Water (Paul Simon & Art Gar- 7. Cecilia (Paul Simon & Art Garfunkel) funkel) F Bb F D G D 1. Cilia you're breaking my heart 1. When you're weary feeling small Bb F C G C G D G you're shaking my confidence daily when tears are in your eyes Bb F Bb F D G D G D oh Cecilia I'm down on my knees I will dry them all Bb F C 9 D A Hmi A A D C# I'm begging you please to come home. I'm on your side oh when times get rough 2.=1. D7 D9 G E A b and friends just can't be found F B F R: D7 D9 G F dim D H7 Making love in the afternoon with Cecilia G# A b like a bridge over troubled water B F C F G F #7 Hmi up in my bedroom making love b I will lay me down B F D I got up to wash my face D7 D9 G dim H7 G# A F C F like a bridge over troubled water when I come back to bed someone's taken my place. G A9 A7 D G D G D G I will lay me down. 3.=1. b 2. When you're down and out when you're on the street F B C F *: Come on home poh poh poh ... When evening falls so hard I will comfort you 4. Jubilation she loves me again I'll take your part oh when darkness comes I fall on the floor and I'm laughing and pain is all around jubilation she loves me again like a bridge over troubled water I fall on the floor and I'm laughing oh oh oh ... I will lay me down 7 9 F dim D D D G G# A Hmi like a bridge over troubled water Hmi # G F # F Hmi I will lay me down. D R: Sail on silver girl sail on by 8. El Condor Pasa (Paul Simon & Art Garfunkel) G C G D G your time has come to shine Emi G D G D G 1. I'd rather be a sparrow than a snail all your dreams are on their way Emi D yes I would if I could I surely would D A Hmi A D A see how they shine oh if you need a friend G 7 9 I'd rather be a hammer than a nail D D G E A Emi I'm sailing right behind yes I would if I only could I surely would. F D D7 D9 G dim Hmi G# A C like a bridge over troubled water R: Away I'd rather sail away # G Hmi F Hmi G I will ease your mind like a swan that's here and gone 7 9 F dim D D D G G# A Hmi C like a bridge over troubled water a man gets tied up to the ground G F #7 Hmi G Emi I will ease your mind.
Recommended publications
  • Efficacy and Meaning in Ancient and Modern Political Satire: Aristophanes, Lenny Bruce, and Jon Stewart." Social Research 79.1 (Spring 2012): 1-32

    Efficacy and Meaning in Ancient and Modern Political Satire: Aristophanes, Lenny Bruce, and Jon Stewart." Social Research 79.1 (Spring 2012): 1-32

    University of Pennsylvania ScholarlyCommons Departmental Papers (Classical Studies) Classical Studies at Penn 2012 Efficacy and Meaning in Ancient and Modernolitical P Satire: Aristophanes, Lenny Bruce, and Jon Stewart Ralph M. Rosen University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/classics_papers Part of the Classics Commons Recommended Citation Rosen, R. M. (2012). Efficacy and Meaning in Ancient and Modernolitical P Satire: Aristophanes, Lenny Bruce, and Jon Stewart. Retrieved from https://repository.upenn.edu/classics_papers/33 Rosen, Ralph M. "Efficacy and Meaning in Ancient and Modern Political Satire: Aristophanes, Lenny Bruce, and Jon Stewart." Social Research 79.1 (Spring 2012): 1-32. http://muse.jhu.edu/journals/social_research/summary/v079/ 79.1.rosen.html Copyright © 2012 The Johns Hopkins University Press. This article first appeared in Social Research: An International Quarterly, Volume 79, Issue 1, Spring, 2012, pages 1-32. Reprinted with permission by The Johns Hopkins University Press. This paper is posted at ScholarlyCommons. https://repository.upenn.edu/classics_papers/33 For more information, please contact [email protected]. Efficacy and Meaning in Ancient and Modernolitical P Satire: Aristophanes, Lenny Bruce, and Jon Stewart Keywords Satire, Aristophanes, Lenny Bruce, Jon Stewart Disciplines Arts and Humanities | Classics Comments Rosen, Ralph M. "Efficacy and Meaning in Ancient and Modern Political Satire: Aristophanes, Lenny Bruce, and Jon Stewart." Social Research 79.1 (Spring 2012): 1-32. http://muse.jhu.edu/journals/ social_research/summary/v079/79.1.rosen.html Copyright © 2012 The Johns Hopkins University Press. This article first appeared in Social Research: An International Quarterly, Volume 79, Issue 1, Spring, 2012, pages 1-32.
  • Piano • Vocal • Guitar • Folk Instruments • Electronic Keyboard • Instrumental • Drum ADDENDUM Table of Contents

    Piano • Vocal • Guitar • Folk Instruments • Electronic Keyboard • Instrumental • Drum ADDENDUM Table of Contents

    MUsic Piano • Vocal • Guitar • Folk Instruments • Electronic Keyboard • Instrumental • Drum ADDENDUM table of contents Sheet Music ....................................................................................................... 3 Jazz Instruction ....................................................................................... 48 Fake Books........................................................................................................ 4 A New Tune a Day Series ......................................................................... 48 Personality Folios .............................................................................................. 5 Orchestra Musician’s CD-ROM Library .................................................... 50 Songwriter Collections ..................................................................................... 16 Music Minus One .................................................................................... 50 Mixed Folios .................................................................................................... 17 Strings..................................................................................................... 52 Best Ever Series ...................................................................................... 22 Violin Play-Along ..................................................................................... 52 Big Books of Music ................................................................................. 22 Woodwinds ............................................................................................
  • Lenny Bruce Arrived in London in 1962 with a Reputation: the Man Who Revolutionised Stand-Up

    Lenny Bruce Arrived in London in 1962 with a Reputation: the Man Who Revolutionised Stand-Up

    NIFE 'rrO ,,1,::l!1,'w n fi+I m"* Effi;- l.-i; lw}atr-|tr 'lti.,lx{t ' -- : . '.' :'. : .' . ^- ': ' .. ,: -rt,' '."' .. tll :^ :i:ji ""-"-, ::-- -':- LENNY BRUCE ARRIVED IN LONDON IN 1962 WITH A REPUTATION: THE MAN WHO REVOLUTIONISED STAND-UP. Instead ofthe preparedjokes on predictable subjects then prevalent, his routines were made up offree-associating stories and skits that took on the subjects ofreligion, race, sex, drugs, politics ar-rd patriotism in confrontational style. It had won him hero worship amongliberal intellectuals, Holly.wood celebrities and hip insiders. It had also earned him titles such as "the sickest ofthe sick", "the man from outer taste" and "America's number one vomic", and landed him in trouble - justbefore arrivingin London he had been put on trial in San Francisco on charges ofobscenity. Britainwas not exactlyready for him. Peter Cook, Dudley Moore, Alan Bennett and Jonatharr Miller had certainly caused a stir withBeyondthe Frlnge, a satirical show that for the firsttime tackled such sacred cows as the Prime Minister, Shakespeare and the Queen. Its success had led Cook to set up The Establishmen! a smal1 club on the first floorofaformerSohostripjoint,whichwaswhereBr-ucewastoperforminlg62.Btt ) JULY 2006 ESOUIRE 5] At,HI'3 t t Ol rn,J!, .tu5 Booed offt Apdl 1963, Brue the countqr as awhole was in grip still the ofpost-war Conservative austerity; is retused entry to Britain the Sixties had notyet started swinging. Cook and his cohorts were thrilled becaus it would "not b€ in tfte public interest". Beror, and awed by Br-uce's fearless and freewheelingbrand of sharp-tongued, with his wife, Honey, and foul-mouthed comedy.
  • Comedy and the Constitution: the Legacy of Lenny Bruce

    Comedy and the Constitution: the Legacy of Lenny Bruce

    H-Law Comedy and the Constitution: The Legacy of Lenny Bruce Discussion published by Charity Adams on Wednesday, March 16, 2016 Type: Call for Papers Date: October 27, 2016 to October 28, 2016 Location: Massachusetts, United States Subject Fields: American History / Studies, Jewish History / Studies, Graduate Studies, Communication The American Studies Program and the Robert D. Farber University Archives and Special Collections Department at Brandeis University are pleased to announce a conference scheduled for October 27-28, 2016, to evaluate the legacy of comedian Lenny Bruce. His corrosive and transgressive satire as well as his boldness in pushing the envelope of the laws of obscenity have made him an iconic figure in American culture. In March 2014, the Special Collections Department at Brandeis University acquired Bruce’s papers from his daughter, Kitty Bruce, who is scheduled to attend the conference on campus. “Comedy and the Constitution” will coincide with the formal opening of this collection of archival material associated with the most influential American comedian of the post–World War II era. We invite interested participants to submit proposals for individual papers or pre-constituted panels. For each paper, email (as separate attachments) a 150-200-word abstract, along with a brief biographical note, to [email protected]. The deadline for proposals is April 11, 2016. Topics may include but need not be limited to: the nature of obscenity; aspects of Bruce’s work (LPs, nightclubs, television, autobiography); First Amendment rights; Jewish humor; Cold War culture; the transformations of the 1960s; and Bruce’s comedic predecessors, contemporaries, and descendants. Contact Info: Charity Adams, Brandeis University Email: [email protected] Telephone: (781) 736-3030 Contact Email: [email protected] URL: http://www.brandeis.edu/programs/american-studies/Bruce2016.html Citation: Charity Adams.
  • Lenny Bruce Without Tears Author(S): Neil Schaeffer Source: College English, Vol

    Lenny Bruce Without Tears Author(S): Neil Schaeffer Source: College English, Vol

    Lenny Bruce without Tears Author(s): Neil Schaeffer Source: College English, Vol. 37, No. 6 (Feb., 1976), pp. 562-577 Published by: National Council of Teachers of English Stable URL: http://www.jstor.org/stable/376149 Accessed: 14/01/2009 15:33 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=ncte. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit organization founded in 1995 to build trusted digital archives for scholarship. We work with the scholarly community to preserve their work and the materials they rely upon, and to build a common research platform that promotes the discovery and use of these resources. For more information about JSTOR, please contact [email protected]. National Council of Teachers of English is collaborating with JSTOR to digitize, preserve and extend access to College English. http://www.jstor.org NEIL SCHAEFFER Lenny Bruce without Tears CAN YOU SHOUT"Fuck!" in a crowded nightclub? Maybe it would be all right if you were an etymologist, though professors ought not shout.
  • This Is No Laughing Matter: How Should Comedians Be Able to Protect Their Jokes?

    This Is No Laughing Matter: How Should Comedians Be Able to Protect Their Jokes?

    Hastings Communications and Entertainment Law Journal Volume 42 Number 2 Summer 2020 Article 3 Summer 2020 This is No laughing Matter: How Should Comedians Be Able to Protect Their Jokes? Sarah Gamblin Follow this and additional works at: https://repository.uchastings.edu/hastings_comm_ent_law_journal Part of the Communications Law Commons, Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Sarah Gamblin, This is No laughing Matter: How Should Comedians Be Able to Protect Their Jokes?, 42 HASTINGS COMM. & ENT. L.J. 141 (2020). Available at: https://repository.uchastings.edu/hastings_comm_ent_law_journal/vol42/iss2/3 This Article is brought to you for free and open access by the Law Journals at UC Hastings Scholarship Repository. It has been accepted for inclusion in Hastings Communications and Entertainment Law Journal by an authorized editor of UC Hastings Scholarship Repository. For more information, please contact [email protected]. 2 - GAMBLIN_CMT_V42-2 (DO NOT DELETE) 4/8/2020 11:18 AM This is No laughing Matter: How Should Comedians Be Able to Protect Their Jokes? by SARAH GAMBLIN1 The only honest art form is laughter, comedy. You can’t fake it . try to fake three laughs in an hour—ha ha ha ha ha—they’ll take you away, man. You can’t.2 – Lenny Bruce Abstract This note will discuss the current state of protection for jokes and comedy. As it is now, the only protection comics have is self-help, meaning comedians take punishing thefts into their own hands. This note will dive into the reasons why the current legislature and courts refuse to recognize jokes as copyrightable.
  • Lenny Bruce Further Study

    Lenny Bruce Further Study

    LENNY BRUCE FURTHER STUDY Description: Performing from the late 40’s up to his death in 1966, Lenny has left behind a collection of work that goes beyond what we could cover in the available class time. A deeper look at Lenny Bruce can be seen in his albums, movies, books and TV appearances, as well as in the documentary tributes and biopics on him. The following are some links and resources for further study. Note: The material in the Amazon.com links listed here, in many cases, can also be obtained from your local library or other sources. Materials: Lenny Bruce Albums If you only listen to one Lenny Bruce album, “Bits I Got Busted For” or the “Carnegie Hall” are recommended. Of course, all are recommended, they all have value and enrich the Lenny experience. Click on the blue links below to see the Amazon.com writeups of each album. Most of these albums are also available at your local library. Year Title Label Format Notes 2 tracks feature Henry Jacobs & Interviews of Our LP / LP 1969 / CD Woody Leifer, liner notes by 1958 Times 1991 / download Horace Sprott III & Sleepy John Estes LP / LP / 8-track 1984 The Sick Humor of 1959 / CD 1991, 2012 & Lenny Bruce Fantasy 2017 / download 2010 Records I Am Not a Nut, Elect LP / CD 1991 / Liner notes by Ralph J. Gleason 1960 Me! (Togetherness) download LP / CD 1991, 2013 & 1961 American 2016 / download Lenny Bruce Is Out Lenny Self-published live recordings 1964 LP / download 2004 Again Bruce from 1958–1963 Please submit any questions to: [email protected] Lenny Bruce Is Out
  • Stand-Up Comedy in Theory, Or, Abjection in America John Limon 6030 Limon / STAND up COMEDY / Sheet 1 of 160

    Stand-Up Comedy in Theory, Or, Abjection in America John Limon 6030 Limon / STAND up COMEDY / Sheet 1 of 160

    Stand-up Comedy in Theory, or, Abjection in America John Limon Tseng 2000.4.3 18:27 6030 Limon / STAND UP COMEDY / sheet 1 of 160 Stand-up Comedy in Theory, or, Abjection in America 6030 Limon / STAND UP COMEDY / sheet 2 of 160 New Americanists A series edited by Donald E. Pease Tseng 2000.4.3 18:27 Tseng 2000.4.3 18:27 6030 Limon / STAND UP COMEDY / sheet 3 of 160 John Limon Duke University Press Stand-up Comedy in Theory, or, Abjection in America Durham and London 2000 6030 Limon / STAND UP COMEDY / sheet 4 of 160 The chapter ‘‘Analytic of the Ridiculous’’ is based on an essay that first appeared in Raritan: A Quarterly Review 14, no. 3 (winter 1997). The chapter ‘‘Journey to the End of the Night’’ is based on an essay that first appeared in Jx: A Journal in Culture and Criticism 1, no. 1 (autumn 1996). The chapter ‘‘Nectarines’’ is based on an essay that first appeared in the Yale Journal of Criticism 10, no. 1 (spring 1997). © 2000 Duke University Press All rights reserved Printed in the United States of America on acid-free paper ! Typeset in Melior by Tseng Information Systems, Inc. Library of Congress Cataloging-in-Publication Data appear on the last printed page of this book. Tseng 2000.4.3 18:27 6030 Limon / STAND UP COMEDY / sheet 5 of 160 Contents Introduction. Approximations, Apologies, Acknowledgments 1 1. Inrage: A Lenny Bruce Joke and the Topography of Stand-Up 11 2. Nectarines: Carl Reiner and Mel Brooks 28 3.
  • Giraffid – Volume 8, Issue 1, 2014

    Giraffid – Volume 8, Issue 1, 2014

    Giraffid Newsletter of the IUCN SSC Giraffe & Okapi Specialist Group Note from the Co-Chairs Volume 8(1), September 2014 Giraffe conservation efforts have never been as internationally prominent as Inside this issue: they are today – exciting times! The Giraffe Conservation Foundation’s launch of World Giraffe Day – 21 June 2014 resulted in the biggest single event for giraffe The first-ever World Giraffe Day 2 conservation in history, bringing together a network of like-minded enthusiasts GiraffeSpotter.org – A citizen science online platform for giraffe observations 5 from around the world to raise awareness and funds. This first annual event can only get bigger and better, and a great step towards a ‘One Plan’ approach for Rothschild’s refuge 6 giraffe. A historic overview of giraffe distribution in Namibia 8 In this issue of Giraffid Paul Rose and Julian further explore the steps taken Going to new length: A ‘One Plan towards building a more collaborative approach between the in situ and ex situ Approach’ for giraffe 13 communities, based initially on critical research and now undertaking targeted Enrichment methods used for Giraffa efforts to save giraffe. From studbook analysis to historical distributions of camelopardalis and Gazella dama mhorr giraffe, and oxpeckers to flamingos, this issue is filled with interesting tales and at East Midland Zoological Society 15 stories, not to forget David Brown’s piece on lion vs. giraffe! Clawing their way to the top: Lion vs. Over the past six months the IUCN SSC Giraffe & Okapi Specialist Group have giraffe! 19 worked hard to undertake the first-ever IUCN Red List assessments of all giraffe New project: Giraffe within the Free State Nature Reserve 20 (sub)species.
  • Adventuring with Books: a Booklist for Pre-K-Grade 6. the NCTE Booklist

    Adventuring with Books: a Booklist for Pre-K-Grade 6. the NCTE Booklist

    DOCUMENT RESUME ED 311 453 CS 212 097 AUTHOR Jett-Simpson, Mary, Ed. TITLE Adventuring with Books: A Booklist for Pre-K-Grade 6. Ninth Edition. The NCTE Booklist Series. INSTITUTION National Council of Teachers of English, Urbana, Ill. REPORT NO ISBN-0-8141-0078-3 PUB DATE 89 NOTE 570p.; Prepared by the Committee on the Elementary School Booklist of the National Council of Teachers of English. For earlier edition, see ED 264 588. AVAILABLE FROMNational Council of Teachers of English, 1111 Kenyon Rd., Urbana, IL 61801 (Stock No. 00783-3020; $12.95 member, $16.50 nonmember). PUB TYPE Books (010) -- Reference Materials - Bibliographies (131) EDRS PRICE MF02/PC23 Plus Postage. DESCRIPTORS Annotated Bibliographies; Art; Athletics; Biographies; *Books; *Childress Literature; Elementary Education; Fantasy; Fiction; Nonfiction; Poetry; Preschool Education; *Reading Materials; Recreational Reading; Sciences; Social Studies IDENTIFIERS Historical Fiction; *Trade Books ABSTRACT Intended to provide teachers with a list of recently published books recommended for children, this annotated booklist cites titles of children's trade books selected for their literary and artistic quality. The annotations in the booklist include a critical statement about each book as well as a brief description of the content, and--where appropriate--information about quality and composition of illustrations. Some 1,800 titles are included in this publication; they were selected from approximately 8,000 children's books published in the United States between 1985 and 1989 and are divided into the following categories: (1) books for babies and toddlers, (2) basic concept books, (3) wordless picture books, (4) language and reading, (5) poetry. (6) classics, (7) traditional literature, (8) fantasy,(9) science fiction, (10) contemporary realistic fiction, (11) historical fiction, (12) biography, (13) social studies, (14) science and mathematics, (15) fine arts, (16) crafts and hobbies, (17) sports and games, and (18) holidays.
  • University News, March 21 Students of Boise State University

    University News, March 21 Students of Boise State University

    Boise State University ScholarWorks Student Newspapers (UP 4.15) University Documents 3-21-1989 University News, March 21 Students of Boise State University Although this file was scanned from the highest-quality microfilm held by Boise State University, it reveals the limitations of the source microfilm. It is possible to perform a text search of much of this material; however, there are sections where the source microfilm was too faint or unreadable to allow for text scanning. For assistance with this collection of student newspapers, please contact Special Collections and Archives at [email protected]. Faculty awarded' research grants by Paul Bouffard and present professional papers. "I ,ting the National Science Foundation The University News think that students will benefit from interested," Research assistants and research at Boise State," he said. "It . subjects would benefit from the grant Five BSU faculty members have helps the reputation of BSU to have and BSUwould ultimately benefit been awarded over $100,000 in people involved in professional from the publication of his results, research grants from the State Board research projects." he said. of Education. The. money is to be Linda Petlichkoff, assistant pro- Alfred Dufty, professor of biology, used for new and ongoing projects in fessor of physical education, said she said he will use his grant to buy a variety of research areas. will usc her grant for follow-up on equipment used to study song. Jim Baker,' ~director of BSU's work related to her doctoraldisser- development in the brown-headed Research Center, said the five were tation, Petlichkoff said she will hire cowbird.
  • ORDER FORM FULL Pdfcd

    ORDER FORM FULL Pdfcd

    JAZZ ARTIST TITLE LABEL RETAIL BILK, ACKER STRANGER ON THE SHORE-BEST OF GNP CRESCENDO RM59.00 CAINE, ELLIOTT - SEXTET HIPPIE CHICKS ON ACID (LIVE AT ALVA WONDERCAP RM63.00 DJ BONEBRAKE TRIO THE OTHER OUTSIDE WONDERCAP RM63.00 GRADY, KRAIG BEYOND THE WINDOWS PERHAPS AMONG TH TRANSPARENCY RM48.00 HARLEY, RUFUS BAGPIPES OF THE WORLD TRANSPARENCY RM61.00 HARLEY, RUFUS RE-CREATION OF THE GODS TRANSPARENCY RM61.00 JONES, NORAH COME AWAY WITH ME (BONUS DISC) BLUE NOTE RM132.00 LEONARDSON, ERIC & STEVE BARSOTTI RAREBIT TRANSPARENCY RM48.00 LOS ANGELES FREE MUSIC SOCIETY THE BLORP ESETTE GAZETTE VOL.1 (FAL TRANSPARENCY RM61.00 LOS ANGELES FREE MUSIC SOCIETY THE BLORP ESETTE GAZETTE VOL.2 (WIN TRANSPARENCY RM61.00 MINGUS, CHARLES THE LEAVES JAZZ CAT RM67.00 MONK, THELONIOUS SOULVILLE JAZZ CAT RM67.00 MORGAN, LEE AFTER THE LIGHTS JAZZ CAT RM67.00 OMER, PIERRE - SWING REVUE SWING CREMONA VOODOO RHYTHM RM78.00 PATCHEN, KENNETH READS HIS POETRY WITH JAZZ TWO-BEAT BEATNK RM61.00 PUSSYWARMERS, THE THE CHRONICLES OF... VOODOO RHYTHM RM78.00 ROACH, MAX & CLIFFORD BROWN IN CONCERT GNP CRESCENDO RM59.00 ROYAL CROWN REVUE KINGS OF GANGSTER BOP BYO RM53.00 SUN RA DANCE OF THE LIVING IMAGE (L.R. 4) TRANSPARENCY RM61.00 SUN RA LIVE AT THE ELECTRIC CIRCUS/NEWPORT TRANSPARENCY RM62.00 SUN RA THE CREATOR OF THE UNIVERSE TRANSPARENCY RM61.00 SUN RA THE ROAD TO DESTINY (LOST REEL 6) TRANSPARENCY RM55.00 SUN RA THE SHADOWS TOOK SHAPE (LOST REEL 3 TRANSPARENCY RM61.00 SUN RA THE UNIVERSE SENT ME (LOST REEL 5) TRANSPARENCY RM55.00 SUN RA UNTITLED RECORDINGS TRANSPARENCY