Section 2 PLEASANTON WEEKLY Livingliving Going Once, Going Twice, SOLD!
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Here Comes Television
September 1997 Vol. 2 No.6 HereHere ComesComes TelevisionTelevision FallFall TVTV PrPrevieweview France’France’ss ExpandingExpanding ChannelsChannels SIGGRAPHSIGGRAPH ReviewReview KorKorea’ea’ss BoomBoom DinnerDinner withwith MTV’MTV’ss AbbyAbby TTerkuhleerkuhle andand CTW’CTW’ss ArleneArlene SherShermanman Table of Contents September 1997 Vol. 2, . No. 6 4 Editor’s Notebook Aah, television, our old friend. What madness the power of a child with a remote control instills in us... 6 Letters: [email protected] TELEVISION 8 A Conversation With:Arlene Sherman and Abby Terkuhle Mo Willems hosts a conversation over dinner with CTW’s Arlene Sherman and MTV’s Abby Terkuhle. What does this unlikely duo have in common? More than you would think! 15 CTW and MTV: Shorts of Influence The impact that CTW and MTV has had on one another, the industry and beyond is the subject of Chris Robinson’s in-depth investigation. 21 Tooning in the Fall Season A new splash of fresh programming is soon to hit the airwaves. In this pivotal year of FCC rulings and vertical integration, let’s see what has been produced. 26 Saturday Morning Bonanza:The New Crop for the Kiddies The incurable, couch potato Martha Day decides what she’s going to watch on Saturday mornings in the U.S. 29 Mushrooms After the Rain: France’s Children’s Channels As a crop of new children’s channels springs up in France, Marie-Agnès Bruneau depicts the new play- ers, in both the satellite and cable arenas, during these tumultuous times. A fierce competition is about to begin... 33 The Korean Animation Explosion Milt Vallas reports on Korea’s growth from humble beginnings to big business. -
LOGAN MARSHALL-GREEN Jewel
Festival de Cannes 2013 Un Certain Regard METROPOLITAN FILMEXPORT présente une production Millennium Films en association avec Rabbit Bandini Productions et Lee Caplin/Picture Corporation un film de James Franco AS I LAY DYING James Franco Tim Blake Nelson Danny McBride Logan Marshall-Green Ahna O’Reilly Jim Parrack Beth Grant Brady Permenter Scénario : James Franco, Matt Rager D’après le livre Tandis que j’agonise de William Faulkner Durée : 1h50 Notre nouveau portail est à votre disposition. Inscrivez-vous à l’espace pro pour récupérer le matériel promotionnel du film sur : www.metrofilms.com Distribution : Relations presse : METROPOLITAN FILMEXPORT MOONFLEET 29, rue Galilée - 75116 Paris Jérôme Jouneaux, Cédric Landemaine & Tél. 01 56 59 23 25 Mounia Wissinger Fax 01 53 57 84 02 10, rue d’Aumale - 75009 Paris Tél. 01 53 20 01 20 info@metropolitan -films.com cedric [email protected] Programmation : Partenariats et promotion : Tél. 01 56 59 23 25 AGENCE MERCREDI Tél. 01 56 59 66 66 1 L’HISTOIRE Après le décès d’Addie Bundren, son mari et ses cinq enfants entament un long périple à travers le Mississippi pour accompagner la dépouille jusqu’à sa dernière demeure. Anse, le père, et leurs enfants Cash, Darl, Jewel, Dewey Dell et le plus jeune, Vardaman, quittent leur ferme sur une charrette où ils ont placé le cercueil. Chacun d’eux, profondément affecté, vit la mort d’Addie à sa façon. Leur voyage jusqu’à Jefferson, la ville natale de la défunte, sera rempli d’épreuves, imposées par la nature ou le destin. Mais pour ce qu’il reste de cette famille, rien ne sera plus dangereux que les tourments et les blessures secrètes que chacun porte au plus profond de lui… 2 NOTES DE PRODUCTION « Il faut deux personnes pour faire un homme, mais il n’en faut qu’une pour mourir. -
Downloaded Is a VH1 Rockdoc About Napster and the Digital Revolution
MAGNOLIA PICTURES AND GREAT POINT MEDIA A TROUPER PRODUCTION IN ASSOCIATION WITH ZIPPER BROS FILMS AND ROXBOURNE MEDIA LIMITED Present ZAPPA A film by Alex Winter USA – 129 minutes THE FIRST ALL-ACCESS DOCUMENTARY ON THE LIFE AND TIMES OF FRANK ZAPPA Official Selection 2020 SXSW – World Premiere 2020 CPH:DOX FINAL PRESS NOTES Distributor Contact: Press Contact NY/Nat’l: Press Contact LA/Nat’l: George Nicholis Tiffany Malloy Sara Tehrani Rebecca Fisher Tiffical Public Relations DDA PR Magnolia Pictures [email protected] [email protected] (212) 924-6701 201.925.1122 [email protected] 49 west 27th street 7th floor new york, ny 10001 tel 212 924 6701 fax 212 924 6742 www.magpictures.com SYNOPSIS With unfettered access to the Zappa Vault, and the archival footage contained within, ZAPPA explores the private life behind the mammoth musical career that never shied away from the political turbulence of its time. Alex Winter's assembly features appearances by Frank's widow Gail Zappa and several of Frank's musical collaborators including Mike Keneally, Ian Underwood, Steve Vai, Pamela Des Barres, Bunk Gardner, David Harrington, Scott Thunes, Ruth Underwood, Ray White and others. 49 west 27th street 7th floor new york, ny 10001 tel 212 924 6701 fax 212 924 6742 www.magpictures.com DIRECTOR’S STATEMENT – ALEX WINTER It seemed striking to me and producer Glen Zipper that there had yet to be a definitive, all-access documentary on the life and times of Frank Zappa. We set out to make that film, to tell a story that is not a music doc, or a conventional biopic, but the dramatic saga of a great American artist and thinker; a film that would set out to convey the scope of Zappa’s prodigious and varied creative output, and the breadth of his extraordinary personal and political life. -
Sign of the Librarian in the Cinema of Horror: an Exploration of Filmic Function Antoinette G
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2010 Sign of the Librarian in the Cinema of Horror: An Exploration of Filmic Function Antoinette G. Graham Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF COMMUNICATION AND INFORMATION SIGN OF THE LIBRARIAN IN THE CINEMA OF HORROR: AN EXPLORATION OF FILMIC FUNCTION By ANTOINETTE G. GRAHAM A Dissertation submitted to the School of Library and Information Studies in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Fall Semester, 2010 Copyright © 2010 Antoinette G. Graham All Rights Reserved The members of the committee approve the dissertation of Antoinette G. Graham defended on October 5, 2010. _____________________________ Gary Burnett Professor Directing Dissertation _____________________________ Valliere Richard Auzenne University Representative _____________________________ Lisa Tripp Committee Member _____________________________ Eliza T. Dresang Committee Member Approved: _____________________________________ Larry Dennis, Dean College of Communication & Information _____________________________________ Corinne Jörgensen, Director School of Library & Information Studies The Graduate School has verified and approved the above-named committee members. ii TABLE OF CONTENTS Abstract ................................................................................................................ -
Bamcinématek Presents Joe Dante at the Movies, 18 Days of 40 Genre-Busting Films, Aug 5—24
BAMcinématek presents Joe Dante at the Movies, 18 days of 40 genre-busting films, Aug 5—24 “One of the undisputed masters of modern genre cinema.” —Tom Huddleston, Time Out London Dante to appear in person at select screenings Aug 5—Aug 7 The Wall Street Journal is the title sponsor for BAMcinématek and BAM Rose Cinemas. Jul 18, 2016/Brooklyn, NY—From Friday, August 5, through Wednesday, August 24, BAMcinématek presents Joe Dante at the Movies, a sprawling collection of Dante’s essential film and television work along with offbeat favorites hand-picked by the director. Additionally, Dante will appear in person at the August 5 screening of Gremlins (1984), August 6 screening of Matinee (1990), and the August 7 free screening of rarely seen The Movie Orgy (1968). Original and unapologetically entertaining, the films of Joe Dante both celebrate and skewer American culture. Dante got his start working for Roger Corman, and an appreciation for unpretentious, low-budget ingenuity runs throughout his films. The series kicks off with the essential box-office sensation Gremlins (1984—Aug 5, 8 & 20), with Zach Galligan and Phoebe Cates. Billy (Galligan) finds out the hard way what happens when you feed a Mogwai after midnight and mini terrors take over his all-American town. Continuing the necessary viewing is the “uninhibited and uproarious monster bash,” (Michael Sragow, New Yorker) Gremlins 2: The New Batch (1990—Aug 6 & 20). Dante’s sequel to his commercial hit plays like a spoof of the original, with occasional bursts of horror and celebrity cameos. In The Howling (1981), a news anchor finds herself the target of a shape-shifting serial killer in Dante’s take on the werewolf genre. -
Office Space Wav Files Download Office Space Wav Files Download
office space wav files download Office space wav files download. To download as a ringtone put the URL below into your cell phone's browser: (Not all cell phones support this feature.) To use as ringtone on your iPhone open the m4r audio file with iTunes and it will automatically be put in the "Ringtones" folder. Then sync your phone. You may need to check the "Sync ringtones" box under the "Ringtones" tab in iTunes for your iPhone. (Unfortunately if the sound clip is over 40 seconds it will not work because iTunes puts a limit on it.) What Are WAV and WAVE Files (and How Do I Open Them)? Brady Gavin has been immersed in technology for 15 years and has written over 150 detailed tutorials and explainers. He's covered everything from Windows 10 registry hacks to Chrome browser tips. Brady has a diploma in Computer Science from Camosun College in Victoria, BC. Read more. A file with the .wav or .wave file extension is a Waveform Audio File Format. It’s a container audio file that stores data in segments. It was created by Microsoft and IBM and has become the standard PC audio file format. Note: WAVE and WAV files (or the .wav and .wave extension) are the same thing. Throughout this article, we’ll be referring to them as WAV files to save a few words. What Is a WAV File? A WAV file is a raw audio format created by Microsoft and IBM. The format uses containers to store audio data, track numbers, sample rate, and bit rate. -
Representations of Masculinity in Contemporary Hollywood Comedies a Thesis Presented to the Facult
In the Company of Modern Men: Representations of Masculinity in Contemporary Hollywood Comedies A thesis presented to the faculty of the College of Fine Arts of Ohio University In partial fulfillment of the requirements for the degree Master of Arts Nicholas D. Bambach August 2016 © 2016 Nicholas D. Bambach. All Rights Reserved. 2 This thesis titled In the Company of Modern Men: Representations of Masculinity in Contemporary Hollywood Comedies by NICHOLAS D. BAMBACH has been approved for the School of Film and the College of Fine Arts by Ofer Eliaz Assistant Professor of Film Elizabeth Sayrs Interim Dean, College of Fine Arts 3 ABSTRACT BAMBACH, NICHOLAS D., M.A., August 2016, Film In the Company of Modern Men: Representations of Masculinity in Contemporary Hollywood Comedies Director of Thesis: Ofer Eliaz This thesis discusses the increasing visibility of masculine identity in contemporary Hollywood comedies. I examine how shifting developments in economic, societal, cultural, and gender relations impacted the perception of cinematic masculinity. The men, more specifically white and heterosexual, in these films position themselves as victims and, as a result, turn to alternative outlets to ease their frustrations and anxieties. In order to broadly survey the genre of the past two decades, I focus on three consistently popular character tropes in Hollywood comedies: slackers, office workers, and bromantic friendships. All the male characters discussed throughout the thesis are plagued by their innermost anxieties and desires that compromise their gendered identities. However, these films resort to a regressive understanding of masculinity and functions within the dominant heteronormative structures. This thesis demonstrates how Hollywood comedies present a contradictory and multifaceted image of modern masculinity. -
Southern California Public Radio- FCC Quarterly Programming Report July 1- September 30,2016 KPCC-KUOR-KJAI-KVLA-K227BX-K210AD S
Southern California Public Radio- FCC Quarterly Programming Report July 1- September 30,2016 KPCC-KUOR-KJAI-KVLA-K227BX-K210AD START TIME DURATION ISSUE TITLE AND NARRATIVE 7/1/2016 Take Two: Border Patrol: Yesterday, for the first time, the US Border patrol released the conclusions of that panel's investigations into four deadly shootings. Libby Denkmann spoke with LA Times national security correspondent, Brian Bennett, 9:07 9:00 Foreign News for more. Take Two: Social Media Accounts: A proposal floated by US Customs and Border Control would ask people to voluntarily tell border agents everything about their social media accounts and screen names. Russell Brandom reporter for The Verge, spoke 9:16 7:00 Foreign News to Libby Denkmann about it. Law & Order/Courts/Polic Take Two: Use of Force: One year ago, the LAPD began training officers to use de-escalation techniques. How are they working 9:23 8:00 e out? Maria Haberfeld, professor of police science at John Jay College of Criminal Justice spoke to A Martinez about it. Take Two: OC Refugee dinner: After 16 hours without food and water, one refugee family will break their Ramadan fast with mostly strangers. They are living in Orange County after years of going through the refugee process to enter the United States. 9:34 4:10 Orange County Nuran Alteir reports. Take Two: Road to Rio: A Martinez speaks with Desiree Linden, who will be running the women's marathon event for the US in 9:38 7:00 Sports this year's Olympics. Take Two: LA's best Hot dog: We here at Take Two were curious to know: what’s are our listeners' favorite LA hot dog? They tweeted and facebooked us with their most adored dogs, and Producers Francine Rios, Lori Galarreta and host Libby Denkmann 9:45 6:10 Arts And Culture hit the town for a Take Two taste test. -
Pay to Play: Video Game Monetization Patents and the Doctrine of Moral Utility
GEORGETOWN LAW TECHNOLOGY REVIEW PAY TO PLAY: VIDEO GAME MONETIZATION PATENTS AND THE DOCTRINE OF MORAL UTILITY Kirk A. Sigmon* CITE AS: 5 GEO. L. TECH. REV. 72 (2021) TABLE OF CONTENTS I. INTRODUCTION ...................................................................................... 72 II. THE GROWING COST OF VIDEO GAMES ................................................. 74 III. CONTROVERSIAL VIDEO GAME PATENTS ON DLC AND MICROTRANSACTIONS ................................................................................... 81 IV. THE CONTROVERSY BEHIND THE PSYCHOLOGY OF DLC AND MICROTRANSACTIONS ................................................................................... 86 V. A BRIEF HISTORY OF PATENTS AND “MORAL UTILITY” ........................ 89 VI. WHY MORAL UTILITY SHOULD NOT BE REVIVED FOR VIDEO GAMES .. 94 VII. CONCLUSION .......................................................................................... 98 I. INTRODUCTION Video games are now more complex and realistic than they ever have been—but making those games is not cheap. Video game development and marketing costs are sky high.1 To help recoup these costs, game developers and publishers have begun inventing increasingly clever ways to encourage users to spend more money on video games—and they are pursuing patents for those inventions. One recently granted patent seeks to drive in-game purchases by making multiplayer matches difficult for a player, encouraging that player to buy an item and, once that item is purchased and used, subtly rewarding the spending by making multiplayer matches easier.2 Another recently granted patent targets players more likely to spend money in-game by presenting them with exclusive spending opportunities, maximizing value * Shareholder, Banner Witcoff. Thanks to Ross A. Dannenberg, Scott M. Kelly, and Carlos Goldie for their invaluable input and assistance with this Article. 1 See infra Part II. 2 See U.S. Patent No. 9,789,406 (filed Oct. 17, 2017) [hereinafter Marr]. -
Feature Films
THEODORE SHAPIRO FEATURE FILMS THE GOOD HOUSE Robert De Niro, Jane Rosenthal, Aaron Ryder, Amblin Partners Berry Welsh, prods. Maya Forbes, Wallace Wolodarsky, dir. TROLLS WORLD TOUR Gina Shay, prods. Dreamworks Animation Walt Dohrn, David P. Smith, dir. BOMBSHELL A.J Dix, Aaron L. Gilbert, Robert Graf, Beth Lionsgate Kono, Charles Randolph, Margaret Riley, Jay Roach, prods. Jay Roach, dir. LAST CHRISTMAS Emma Thompson, David Livingstone, Jessie Universal Pictures Henderson, Erik Baiers, prods. Paul Feig, dir. SPIES IN DISGUISE Michael J. Travers, Peter Chernin, Jenno 20th Century Fox Animation Topping, Bruce Anderson, prods. Troy Quane, dir. A SIMPLE FAVOR Paul Feig, Jessie Henderson, prods. Lionsgate Paul Feig, dir. DESTROYER Fred Berger, Phil Hay, Matt Manfredi, prods. Annapurna Pictures Karyn Kusama, dir. CAPTAIN UNDERPANTS Mireille Soria, Mark Swift, prods. Dreamworks Animation David Soren, dir. SNATCHED Paul Feig, Peter Chernin, Jessie Henderson, 20th Century Fox Jenno Topping, prods. *Co-score with Chris P. Bacon Jonathan Levine, dir. THE POLKA KING Ben Stiller, Jack Black, David Permut, Stuart Electric Dynamite Cornfeld, Shivani Rawat, Monica Levinson, Wallace Wolodarsky, Priyanka Mattoo, Spencer Berman, prods. Maya Forbes, Wallace Wolodarsky, dirs. WHY HIM? Shawn Levy, Ben Stiller, Stuart Cornfeld, 20th Century Fox Dan Levine, prods. John Hamburg, dir. The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 1 THEODORE SHAPIRO COLLATERAL BEAUTY Anthony Bregman, Bard Dorros, Kevin Scott New Line Cinema Frakes, Allan Loeb, prods. David Frankel, dir. OFFICE CHRISTMAS PARTY Scott Stuber, Guymon Casady, Daniel Rappaport, prods. DreamWorks Pictures Josh Gordon, Will Speck, dirs. GHOSTBUSTERS Amy Pascal, Ivan Reitman, prods. Columbia Pictures Paul Feig, dir. CENTRAL INTELLIGENCE Peter Principato, Scott Stuber, Paul Young, prods. -
Michael W. Smith 66Th President of the American College of Trial Lawyers
ISSUE 79 FALL 2015 MICHAEL W. SMITH 66TH PRESIDENT OF THE AMERICAN COLLEGE OF TRIAL LAWYERS Ellen Bain Smith and Mike Smith in Manakin-Sabot, Virginia American College of Trial Lawyers JOURNAL Chancellor-Founder Hon. Emil Gumpert (1895-1982) FEATURES OFFICERS Francis M. Wikstrom President President’s Profile: Michael W. Smith .........................................................3 Michael W. Smith President-Elect Bartholomew J. Dalton Treasurer Memorial Tribute to a Past President: Leon Silverman .................................7 Samuel H. Franklin Secretary Robert L. Byman Immediate Past President Former Chief Judge Receives Leon Silverman Award ................................ 13 BOARD OF REGENTS Rodney Acker Elizabeth N. Mulvey Dallas, Texas Boston, Massachusetts Ritchie E. Berger William J. Murphy Burlington, Vermont Baltimore, Maryland COLLEGE MEETINGS Robert L. Byman James T. Murray, Jr. Chicago, Illinois Milwaukee, Wisconsin Region 12: New England Regional Meeting .............................................. 21 Bartholomew J. Dalton Michael L. O’Donnell Region 13: Third Circuit Regional Meeting ............................................... 25 Wilmington, Delaware Denver, Colorado James M. Danielson C. Rufus Pennington, III Wenatchee, Washington Jacksonville Beach, Florida Samuel H. Franklin William H. Sandweg III Birmingham, Alabama Phoenix, Arizona FELLOWS IN ACTION William T. Hangley Stephen G. Schwarz Philadelphia, Pennsylvania Rochester, New York Pennsylvania Fellows Examine 1911 Lynching Case ................................. -
A Critical Analysis of the Black President in Film and Television
“WELL, IT IS BECAUSE HE’S BLACK”: A CRITICAL ANALYSIS OF THE BLACK PRESIDENT IN FILM AND TELEVISION Phillip Lamarr Cunningham A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2011 Committee: Dr. Angela M. Nelson, Advisor Dr. Ashutosh Sohoni Graduate Faculty Representative Dr. Michael Butterworth Dr. Susana Peña Dr. Maisha Wester © 2011 Phillip Lamarr Cunningham All Rights Reserved iii ABSTRACT Angela Nelson, Ph.D., Advisor With the election of the United States’ first black president Barack Obama, scholars have begun to examine the myriad of ways Obama has been represented in popular culture. However, before Obama’s election, a black American president had already appeared in popular culture, especially in comedic and sci-fi/disaster films and television series. Thus far, scholars have tread lightly on fictional black presidents in popular culture; however, those who have tend to suggest that these presidents—and the apparent unimportance of their race in these films—are evidence of the post-racial nature of these texts. However, this dissertation argues the contrary. This study’s contention is that, though the black president appears in films and televisions series in which his presidency is presented as evidence of a post-racial America, he actually fails to transcend race. Instead, these black cinematic presidents reaffirm race’s primacy in American culture through consistent portrayals and continued involvement in comedies and disasters. In order to support these assertions, this study first constructs a critical history of the fears of a black presidency, tracing those fears from this nation’s formative years to the present.