Saint Isaac Jogues Parish
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
February 23, 2016 (XXXII:5) Mel Brooks, the PRODUCERS (1967, 88 Min)
February 23, 2016 (XXXII:5) Mel Brooks, THE PRODUCERS (1967, 88 min) Directed by Mel Brooks Written by Mel Brooks Produced by Sidney Glazier Music John Morris Cinematography Joseph F. Coffey Film Editing Ralph Rosenblum Zero Mostel…Max Bialystock Gene Wilder…Leo Bloom Dick Shawn…L.S.D. - Lorenzo St. DuBois Kenneth Mars…Franz Liebkind Lee Meredith…Ulla Christopher Hewett…Roger De Bris Andréas Voutsinas…Carmen Ghia Estelle Winwood…'Hold Me Touch Me' Renée Taylor…Eva Braun David Patch…Goebbels William Hickey…The Drunk Martin…Göring Musical, Original Music Score and Book (musical); and 3 Shimen Ruskin…The Landlord Grammys- Best Spoken Comedy Album for "The 2000 Year Old Frank Campanella…The Bartender Man In The Year 2000" (1998, with Carl Reiner) and two for Josip Elic…Violinist The Producers (2001): Best Musical Show Album (as Madelyn Cates…Concierge (as Madlyn Cates) composer/lyricist) and Best Long Form Music Video (as artist). John Zoller…Drama Critic Brooks has many funny trademarks in his films, for instance his Brutus Peck…Hot Dog Vendor films often contain references to the film's sequel, which never Mel Brooks…Singer in 'Springtime for Hitler' (voice) come to pass. Good examples of this are History of the World: (uncredited) Part I (1981), Spaceballs (1987) and Robin Hood: Men in Tights Bill Macy…Jury Foreman (uncredited) (1993). Additionally, Brooks always features one scene in his movies in which the main character is seated and staring blankly, MEL BROOKS (b. Melvin James Kaminsky on June 28, 1926 wondering what went wrong, while friends console him. In fun in Brooklyn, New York) served in WWII, and afterwards got a trivia, The Producers (1967) was the inspiration for the title of job playing the drums at nightclubs in the Catskills. -
Bruce Walker Musical Theater Recording Collection
Bruce Walker Musical Theater Recording Collection Bruce Walker Musical Theater Recording Collection Recordings are on vinyl unless marked otherwise marked (* = Cassette or # = Compact Disc) KEY OC - Original Cast TV - Television Soundtrack OBC - Original Broadway Cast ST - Film Soundtrack OLC - Original London Cast SC - Studio Cast RC - Revival Cast ## 2 (OC) 3 GUYS NAKED FROM THE WAIST DOWN (OC) 4 TO THE BAR 13 DAUGHTERS 20'S AND ALL THAT JAZZ, THE 40 YEARS ON (OC) 42ND STREET (OC) 70, GIRLS, 70 (OC) 81 PROOF 110 IN THE SHADE (OC) 1776 (OC) A A5678 - A MUSICAL FABLE ABSENT-MINDED DRAGON, THE ACE OF CLUBS (SEE NOEL COWARD) ACROSS AMERICA ACT, THE (OC) ADVENTURES OF BARON MUNCHHAUSEN, THE ADVENTURES OF COLORED MAN ADVENTURES OF MARCO POLO (TV) AFTER THE BALL (OLC) AIDA AIN'T MISBEHAVIN' (OC) AIN'T SUPPOSED TO DIE A NATURAL DEATH ALADD/THE DRAGON (BAG-A-TALE) Bruce Walker Musical Theater Recording Collection ALADDIN (OLC) ALADDIN (OC Wilson) ALI BABBA & THE FORTY THIEVES ALICE IN WONDERLAND (JANE POWELL) ALICE IN WONDERLAND (ANN STEPHENS) ALIVE AND WELL (EARL ROBINSON) ALLADIN AND HIS WONDERFUL LAMP ALL ABOUT LIFE ALL AMERICAN (OC) ALL FACES WEST (10") THE ALL NIGHT STRUT! ALICE THROUGH THE LOOKING GLASS (TV) ALL IN LOVE (OC) ALLEGRO (0C) THE AMAZING SPIDER-MAN AMBASSADOR AMERICAN HEROES AN AMERICAN POEM AMERICANS OR LAST TANGO IN HUAHUATENANGO .....................(SF MIME TROUPE) (See FACTWINO) AMY THE ANASTASIA AFFAIRE (CD) AND SO TO BED (SEE VIVIAN ELLIS) AND THE WORLD GOES 'ROUND (CD) AND THEN WE WROTE... (FLANDERS & SWANN) AMERICAN -
Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability. -
Biographical Description for the Historymakers® Video Oral History with Eartha Kitt
Biographical Description for The HistoryMakers® Video Oral History with Eartha Kitt PERSON Kitt, Eartha Alternative Names: Eartha Kitt; Life Dates: January 17, 1927-December 25, 2008 Place of Birth: North, South Carolina, USA Work: Scarsdale, New York Occupations: Actress; Singer Biographical Note Eartha Kitt was an international star who gave new meaning to the word versatile. She distinguished herself in film, theater, cabaret, music, and on television. Kitt was one of only a handful of performers to be nominated for a Tony (three times), a Grammy (twice), and an Emmy Award (twice). She enthralled New York nightclub audiences during her extended stays at the Café Carlyle. These intimate performances have been captured in, Eartha Kitt, Live at The Carlyle. at The Carlyle. Eartha Mae Kitt was born on January 17, 1927. She was ostracized at an early age because of her mixed- race heritage. At eight years old, Kitt was given away by her mother and sent from the South Carolina cotton fields to live with an aunt in Harlem. In New York, her distinct individuality and flair for show business manifested itself, and on a friend's dare, the shy teen auditioned for the famed Katherine Dunham Dance Troupe. She won a spot as a featured dancer and vocalist, and before the age of twenty, toured worldwide with the company. During a performance in Paris, Kitt was spotted by a nightclub owner and booked as a featured singer at his club. Her unique persona earned her fans and fame quickly, including Orson Welles. Welles was so taken with her talent that he cast her as “Helen of Troy” in his fabled production of Dr. -
November 2020 Newsletter
VOLUME 42, NUMBER 2 Formerly New York Sheet Music Society www.APSSinc.org NOVEMBER 2020 musicals of the ‘50s about New York What’s a Party Without Arthur? City. The Music of Arthur Siegel Only days before the opening of By Jerry Osterberg Lovely Me, another musical, If the Shoe On the evening of Arthur Siegel’s Lavine’s sheet music. Besides being a Fits, opened and closed within two birth, New Year’s Eve 1923, Eddie musical director and vocal coach, Lavine weeks. The music was by David Raksin, Cantor was enjoying the latest in a string is a prolific sheet music archivist. Having then enjoying acclaim for his score of the of hits: “No, No, Nora.” Growing up in seen Siegel’s own music files many film noir Laura. The lyrics were by June Asbury Park, New Jersey, a long times, he offered to purchase the entire Carroll, who was the sister of producer established and highly successful collection from the estate, which he did Leonard Sillman. The fortuitous pairing Summer community, it’s entirely likely with the assistance of Brian Gari, a of Siegel and Carroll was instrumental in that Siegel’s performing and songwriting grandson of Eddie Cantor, after speaking the next stage of Siegel’s career. Sillman during his high school years were with the composer’s brother Eddie. had produced a radio program a decade inspired by the exciting environment and After providing interesting earlier called New Faces, and now a cosmic connection to Cantor. background about Siegel’s career, Lavine decided to resurrect the concept. -
Ages with the Parody Master: the Life and Films of Mel Brooks
AGES WITH THE PARODY MASTER: THE LIFE AND FILMS OF MEL BROOKS David Lightfoot Dr. Wes Gehring Telecommunications 363 – Film Genres March 6, 2002 Lightfoot - 2 AGES WITH THE PARODY MASTER: THE LIFE AND FILMS OF MEL BROOKS Introduction: Mel Brooks became the grand master of movie parody though his life and works on TV and film. I. Mel’s Life A. Life as a child 1. Born on June 28, 1926 in Brooklyn, NY. 2. Family was Russian Jewish. B. Life in the Military 1. Served as a combat engineer in the U.S. Army. 2. Took part in the deactivation of land mines after the Battle of the Bulge. II. Work in Television A. “Your Show of Shows” 1. Brooks worked as a writer along with such greats as Neil Simon, Woody Allen, and Carl Reiner. 2. Brooks won a Writing Emmy for “The Sid Caesar, Imogene Coca, Carl Reiner, Howard Morris Special.” B. “2000 Year Old Man” 1. Routine done in the 1960’s with Brooks and Carl Reiner. 2. Graduated into a hit record and numerous TV appearances. 3. Brooks received three Grammys for the 2000 Year Old Man role. 4. Record now on compact disc sold through rhino.com C. “Get Smart” 1. Teamed up with Buck Henry to develop the sitcom. 2. Satirical spy sitcom starring Don Adams. 3. Ran from 1965-1970 on NBC and CBS. 4. Background on the show. Lightfoot - 3 III. Work in Movies A. Directing 1. First major film made in 1968 was “The Producers.” a. Starred Gene Wilder and Zero Mostel. -
Latin American Music in Musical Theatre
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Student Research, Creative Activity, and Performance - School of Music Music, School of 4-2012 A Little Rumba Numba: Latin American Music in Musical Theatre John David Cockerill University of Nebraska - Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/musicstudent Part of the Music Commons Cockerill, John David, "A Little Rumba Numba: Latin American Music in Musical Theatre" (2012). Student Research, Creative Activity, and Performance - School of Music. 50. https://digitalcommons.unl.edu/musicstudent/50 This Article is brought to you for free and open access by the Music, School of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Student Research, Creative Activity, and Performance - School of Music by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. A LITTLE RUMBA NUMBA: LATIN AMERICAN MUSIC IN MUSICAL THEATRE by John David Cockerill A THESIS Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Master of Music Major: Music Under the Supervision of Professor Peter M. Lefferts Lincoln, Nebraska April, 2012 A LITTLE RUMBA NUMBA: LATIN AMERICAN MUSIC IN MUSICAL THEATRE John David Cockerill, M.M. University of Nebraska, 2012 Adviser: Peter M. Lefferts Despite the prevalent use of Latin American musical styles in American musical theatre, little research has been done on the subject. Quite often the fact that a musical number even has a Latin beat goes unrecognized. This paper examines the various genres of Latin American music that have had an impact in the United States and in musical shows both on and off Broadway. -
Guide to the Donald J. Stubblebine Collection of Theater and Motion Picture Music and Ephemera
Guide to the Donald J. Stubblebine Collection of Theater and Motion Picture Music and Ephemera NMAH.AC.1211 Franklin A. Robinson, Jr. 2019 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 2 Scope and Contents........................................................................................................ 2 Biographical / Historical.................................................................................................... 1 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 4 Series 1: Stage Musicals and Vaudeville, 1866-2007, undated............................... 4 Series 2: Motion Pictures, 1912-2007, undated................................................... 327 Series 3: Television, 1933-2003, undated............................................................ 783 Series 4: Big Bands and Radio, 1925-1998, -
The Music Between
THE MUSIC BETWEEN By EDWARD L. MERRITT, Jr. optimistically among the early -1952 offerings. It is a Lyric Stage pleasure to report that its effort (more specifically, that The of its "pop" artist -and -repertory chief, Hugo Winter - halter) was rewarded. It came up with one tolerably In the past two years, the only Broadway musical con- amusing set, Paint Your Wagon, one very good one, sidered worth recording by Decca, originator of the original- Wish You Were Here, and one absolute top -notch job, cast show -album idea, has been The King and I, graced New Faces of 1952, easily the best show -album since by the late beloved Gertrude Lawrence. Columbia, which Guys and Dolls. Later, we may expect more, disk -wise, shares primacy in the field with Decca, did a perfunctory of the 1952-53 season. Simon Rady, Decca's sage show - job on A Tree Grows in Brooklyn and devoted itself, apart album chief, admits to being excited about the prospects, from this, to show -albums "reconstructed" from past which is a very good omen indeed. Last time Rady re- stage performances by vice president Goddard Lieber - ported excitement was when a pair of gentlemen named son, a past- master at this unusual art. Capitol, to make Rogers and Hammerstein checked in with a musical set clear that it was in business, put out Top Banana. Only in the wide open spaces. Something about a place named RCA Victor, for some reason, seems to have gone scouting Oklahoma. Wish You Were Here New Faces of 1952 Brown. -
Broadside Publication Guidelines—Pg
Vol. 34, No. 3 TLA’s 70th Anniversary Year Spring 2007 manager, John Corbin. Corbin’s assignments with the innovative but short-lived New Theatre in New York from 1910 to 1912 were virtually identical to those performed by dramaturgs in American companies Effective July 1, 2007, we welcome David Nochimson today, suggesting that the profession has a longer ([email protected]) (718-396-0758) as history in this country than is often supposed. TLA Secretary. We extend a warm thank you to Nancy Friedland ([email protected]) for her services as The first panel of the day, “Saving Face: Reconstructing Secretary which will continue through the end of June. Berlin and Hart’s Face the Music at Encores!,” dealt with research for the 2007 production of this 1932 PERFORMANCE RECLAMATION Broadway show by New York City Center Encores!, a company dedicated to the recovery of the scores of SYMPOSIUM bygone Broadway musical comedies. Encores! presents these works in concert performances, but On Friday, February 16, 2007 the Theatre Library recreates as closely as possible the sound and style of Association presented the second of its current series the originals. Because these productions were often of symposia, “Performance Reclamation: Research, considered by their creators to be disposable Discovery, and Interpretation.” Held at New York entertainments, original production material was not University’s Kimmel Center for University Life, hosted systematically preserved, and attempting to discover by NYU’s Fales Library and Special Collections, and what actually went on in performance can present a with generous support from the Gladys Krieble Delmas tremendous challenge. -
The Production of an Amateur Musical Revue
This dissertation has been 64—6939 microfilmed exactly as received NOVAK, Elaine Adams, 1922- THE PRODUCTION OF AN AMATEUR MUSICAL REVUE. The Ohio State University, Ph.D.,1963 Speech—Theater University Microfilms, Inc., Ann Arbor, Michigan THE PRODUCTION OP AN AMATEUR MUSICAL REVUE DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Elaine Adams Novak, A. B., A. M. ****** The Ohio State University 1963 Approved by jTffi Adviser ' Department of Speech CONTENTS Page LIST OP T A B L E S ..................................... Ill LIST OP ILLUSTRATIONS............................. Iv Chapter I. INTRODUCTION .................................. 1 The Purpose Definitions of Terms Organization of Remainder of Dissertation II. THE PROFESSIONAL MUSICAL REVUE IN NEW YORK .. 10 Survey of the Professional Musical Revue in New York Organization for a Professional Musical Revue Procedure for Producing a Professional Musical Revue III. THE LOCALLY-PRODUCED AMATEUR MUSICAL REVUE .. 66 The Gay Capers Organization for the Gay Capers Procedure for Producing the Gay Capers IV. THE PACKAGED AMATEUR MUSICAL REVUE ............ 124 The Jerome H. Cargill Producing Organization Organization for a Cargill Revue Procedure for Producing a Cargill Revue V. A SUGGESTED ORGANIZATION AND PROCEDURE FOR THE LOCAL PRODUCTION OP AN AMATEUR MUSICAL REVUE . 131 Organization Procedure Summary BIBLIOGRAPHY ..................................... 209 AUTOBIOGRAPHY ..................................... 216 il LIST OP TABLES Table Page 1. Income and Expenses for the Gay Capers of I960, 1961, and 1962 ....................... 73 2. Budget for the Gay Capers of * 6 0 ............. 94 lil / LIST OF ILLUSTRATIONS Figure Page 1. Organization for the Gay Oarers ................ 77 2. Rehearsal Schedule for the Gay Capers.............113 3. -
The Law: It's Your Business
SEPTEMBER 2017 VOL. 89 | NO. 7 JournalNEW YORK STATE BAR ASSOCIATION The Law: It’s Your Business The Law Practice Management Issue Edited by Marian C. Rice Starting in October, all issues of the Journal will feature a section on practice management and the business of law – topics of relevance to all attorneys in our quickly changing legal landscape. NEW YORK STATE BAR ASSOCIATION QUALIFIED. CONSISTENT. TRUSTED. LAWYER REFERRAL As the world evolves, so does the New York State Bar Association Lawyer Referral and Information Service. In the age of online marketplaces, the legal profession is experiencing a moment of opportunity. By deeply embedding these tools in our program, we have laid the foundation for seamless connection between our LRIS members and the public. Better yet, the NYSBA LRIS meets the ABA Standards for Lawyer Referral. You can trust the growth of your practice to a top-notch referral service. NEW, QUALITY REFERRALS COST EFFECTIVE Our trained, experienced staff With one low yearly cost to join our screens these calls and passes on panels, our goal is for every attorney the vetted legal matters to our to receive referrals that allow them panel members. to earn back the cost of joining the panel and then some. TRUSTED WEB & MOBILE BASED Meets ABA Standards for Our platform offers a range of Lawyer Referral benefits to members, including online access to your referrals and disposition reporting. FOR MORE INFORMATION www.nysba.org/JoinLR | [email protected] | 800.342.3661 BESTSELLERS FROM THE NYSBA BOOKSTORE September 2017 Attorney Escrow Accounts – Rules, Foundation Evidence, Questions Probate and Administration of New York Regulations and Related Topics, 4th Ed.