DOCSLIB.ORG

SHOOT Digital PDF Version, January 20, 2012

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
SHOOT Digital PDF Version, January 20, 2012 www.shootonline.com Jordan Brady Erich Joiner, BSSP Readies For, Navigate A Wild Reflects On Test Drive For Slamdance MINI Coupe page 3 page 20 THE LEADING PUBLICATION FOR COMMERCIAL, BRANDED CONTENT & ENTERTAINMENT PRODUCTION January 20, 2012 $7.00 DGA Makes “All That Jazz” On Mark On The 2012 Playlist Road To Oscar A SHOOT Staff Report Agency Artisans Share New Year’s Editor’s note: This marks the fourth install- Resolutions, Predictions ment of SHOOT’s “The Road To Oscar” se- ries. This week we look at the awards show 10 DGA Spot Nominees A SHOOT Staff Report season leading up to—and the possible im- Acord, Ariola, Bond, Miller, Murro in run- LOS ANGELES—Peter Allen’s live version of “Everything Old plications these competitions carry for—the ning for Guild’s Best Commercial Director is New Again” can be heard on the soundtrack to Bob Fosse’s Academy Awards. of the Year honor; a close-up look at each. 1979 critically acclaimed film All That Jazz. And in a sense that tune could serve as a continuing anthem for 2012 as technology LOS ANGELES— “I am incredibly honored has breathed new life into media for which premature obituaries to receive this nomination from my peers,” have been written. It’s little wonder that the Consumer Electronics said Michel Hazanavicius about being rec- Show has seen agency and client attendance spike, rivaling indus- ognized by the Directors Guild of America try turnout for Cannes and the like. (DGA) Awards judges for his feature The Continued on page 12 Artist. “This film would not have been pos- sible without the tremendous support of my collaborators, and I will forever be grateful for their trust and support every step of the way. Hollywood is really a place where dreams and visions come true—in color and black-and-white!” 17 Fearless Forecast Indeed Hazanavicius’ black-and-white si- In this Survey sidebar to our Agency round- lent film The Artist has spoken volumes on up, production and post folks share their the awards show circuit. Last week it topped predictions, aspirations for 2012. the Critics’ Choice Awards with four wins, including for Best Picture and Best Direc- tor—the same two honors the film garnered Big Game Prospects: earlier from the New York Film Critics Cir- Super Bowl Ad Preview cle. The Artist also earned a Cannes Festival Advertisers, agencies going long in nom for the Palme d’Or for director/writer search of impactful storytelling Hazanavicius and a Best Actor win for Jean See page 22 Dujardin who portrays George Valentin, a charismatic movie star unhappily confront- ing the new world of talking pictures. However the DGA Award nomination— the first of his career—is arguably the most Continued on page 4 Sundance Preview: Oscar, Spotmaking Connections By Robert Goldrich chard also have spotmaking ties; Walker is repped On the Sundance score, The Tsunami and the PARK CITY, Utah—There could once again be for commercials and branded content by Supply & Cherry Blossom —which was produced by Supply & some Oscar vibrations afoot at the Sundance Film Demand Integrated while director/animator Or- Demand Integrated—last month earned distinction Festival—not centered on speculation but rather a chard’s ad home is Studio AKA, London. as one of eight films selected for the 2012 festival’s comparison of this year’s Sundance lineup with SHOOT earlier covered The Tsunami and the U.S. Documentary Shorts lineup. The Tsunami and current official 2012 Academy Award shortlists. Cherry Blossom in great detail (11/18) upon it be- the Cherry Blossom plays like a poem about the Appearing on both rosters, for example, are the ing named one of eight films to make the Acad- people of Japan and how they are coping with the short films The Tsunami and the Cherry Blossom, emy Awards Documentary Short Subject shortlist. devastating earthquake which hit the country on directed by Lucy Walker, and A Morning Stroll, Three to five of those shorts will be nominated for March 11, 2011, resulting in a horrific tsunami as helmed by Grant Orchard. Both Walker and Or- a 2012 Oscar next Tuesday (1/24). Continued on page 18 Opportunity Unlocked. Direct ew ors ARE YOU ONE OF TOMORROW’S HOT NEW DIRECTORS? T N S O Enter SHOOT’s New Directors Search if you’re ready to break in and O compete in the big leagues. H S THE TENTH ANNUAL e h T NEW DIRECTORS t 2 0 See 1 n SEARCH IS OPEN! Page 15 2 e for details. v To Subscribe, Renew or Change Mailing Address visit: www.SHOOTonline.com/go/subscribe An l E WWW.SHOOTONLINE.COM/GO/SEARCH nua Get SHOOT indy news updates on your smartphone OFFICIAL CALL FOR ENTRIES by texting follow SHOOTonline to 40404 in U.S. OPTIMUS.COM © 2012 Optimus KEEP THEFROM STARTSPARK TO FINISH FULL SPECTRUM PRODUCTION AND POST Perspectives spot.com.mentary By Robert Goldrich The Leading Publication For Commercial, Branded Content & Entertainment Production Vocal, Silent Partners January 20, 2012 Volume 53 • Number 1 Congress and politi- who is meeting whom. mation don’t have to do so in a timely ads if they are of the Super PAC variety. www.SHOOTonline.com cians in general have What is different about today is the manner. (For instance, super PACS ac- Furthermore, with anonymity as an EDITORIAL all-time low public secrecy behind very public support tive in advertising during the Repub- ally, such ads have grown increasingly Publisher & Editorial Director Roberta Griefer approval ratings in what’s become an for candidates of various stripes and lican presidential primaries can hold negative, adding to the aforementioned 203.227.1699 ext. 13 [email protected] age of polarization, divisiveness and for stances on various pressing issues; off on disclosing the identities of their polarization plaguing public discourse. Editor dysfunctional government. Yet before this secrecy is embodied in the super contributors until after those primaries Largely unidentified special interests Robert Goldrich you think this is a contemporary phe- political action committee (PAC) com- are concluded.) now have a new conduit for influencing 323.960.8035 ext. 6681 [email protected] nomenon, consider some wit and wis- mercials backed by unidentified groups, An Associated Press report quoted opinion, distorting issues and in some Contributors Christine Champagne dom from yesteryear. unions, corporations and the like. It’s Trevor Potter, a former Republican cases helping to buy elections. Millie Takaki Mark Twain observed, “It could probably be shown by ADVERTISING “It is secret money--you won’t know until after the primaries have Display Advertisng Inquires facts and figures that there is [email protected] occurred who helped fund them.” --Trevor Potter 203.227.1699 ext. 13 no distinctly native Ameri- can criminal class except Congress.” an outgrowth of that “corporations are Federal Election Commission commis- Yet while this form of unattributed Advertising Production Gerald Giannone And Will Rogers had the legendary people, too” Supreme Court ruling. sioner, as saying, “It is secret money— influence peddling is relatively new, at 203.227.1699 ext. 12 [email protected] line, “America has the best politicians Like people, they have the right to ex- you won’t know until after the prima- the same time there’s nothing all that Classified money can buy.” press viewpoints. But unlike you and ries have occurred who helped fund new under the sun as evidenced by 203.227.1699 ext. 12 [email protected] Back in the days of Twain and Rog- me, they can express them often with- them. Whether they’re doing this for the observations of Twain, Rogers and SHOOTonline Directory Listings 203.227.1699. ext. 11 [email protected] ers, the norm included the stereo- out attribution, under the cloak of ano- the right or wrong reasons, it’s the op- Groucho Marx. OFFICES typical cigar smoke-filled backrooms nymity so as to keep agendas hidden. posite of what the disclosure system was The latter, speaking in the 1933 mov- Main Offi ce where politicians and powerful special And they have the money to make their designed to do.” ie Duck Soup in which he portrayed 256 Post Road East #206 Westport, CT 06880 USA interests secretly made their deals. voices heard loud and clear—the only While this column has been a long- the president of the country Freedonia, 203.227.1699 Fax: 203.227.2787 That still goes on—perhaps sans the to- clarity lacking relates to their identities. time supporter of the health of com- made a simple campaign promise. I’m West bacco—though there are at least some Groups with nonprofit arms do not mercialmaking and the economic ben- paraphrasing but the great Groucho’s 650 N. Bronson Avenue, Suite B140 Los Angeles, CA 90004 USA public disclosure rules which provide have to disclose their donors. And other efits it generates, we for the first time pledge went something like this—there 323.960.8035 Fax: 323.960.8036 limited access to information as to groups required to provide such infor- find ourselves not on the side of more will be no graft unless I get my share. Circulation 203.227.1699 ext 12 [email protected] Editorial Production Manager/Reprints/Article Rights Michael Morgera POV 203.227.1699 ext. 11 [email protected] By Jordan Brady © 2011 DCA Business Media LLC. All rights reserved. No part of this publication may be reproduced, stored in any retrieval system, or transmitted, in any form or by any means, Refl ections on Slamdance electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher.
Load more

Recommended publications
  • Elli Griff Set Decorator
    Elli Griff Set Decorator Credits include: KNIVES OUT 2 Writer/Director: Rian Johnson Detective Comedy Crime Drama Producers: Ram Bergman, Rian Johnson Exec Producer: Tom Karnowski Designer: Rick Heinrichs Featuring: Daniel Craig, Dave Bautista, Kathryn Hayn Production Co: T-Street / Lionsgate / Netflix UNCHARTERED Director: Ruben Fleischer Action Adventure Producers: Ari Arad, Avi Arad, Alex Gartner, Charles Roven Designer: Shepherd Frankel Featuring: Tom Holland, Mark Wahlberg, Antonio Banderas Production Co: Atlas Ent. / Arad Productions Columbia Pictures / Sony Pictures THE DARK TOWER Director: Stephen Hopkins Adventure Fantasy Producers: Akiva Goldsman, Stephen King, Glen Mazzara Designer: Barry Robison Featuring: Michael Rooker, Sam Strike, Jerome Flynn Production Co: Amazon Studios / Sony Pictures Television THE ROOK Directors: Sunu Gonera, Rebecca Johnson Fantasy Thriller Drama Series China Moo-Young, Kari Skogland Exec Producer: Stephen Garrett Designer: Jonathan Lee Featuring: Emma Greenwell, Joely Richardson, Jon Fletcher Production Co: Character 7 / Lionsgate / Starz Originals GHOST IN THE SHELL Director: Rupert Sanders Sci-Fi Action Drama Producers: Ari Arad, Avi Arad, Michael Costigan, Steven Paul Designer: Jan Roelfs Featuring: Scarlett Johansson, Michael Pitt, Juliette Binoche Production Co: Paramount Pictures / DreamWorks / Reliance Ent. Arad Productions / Steven Paul Production / Amblin MISS PEREGRINE’S HOME FOR Director: Tim Burton PECULIAR CHILDREN Producers: Peter Chernin, Jenno Topping Adventure Fantasy Drama Designer: Gavin Bocquet Featuring: Eva Green, Asa Butterfield, Ella Purnell Production Co: Twentieth Century Fox / Chernin Ent. Creative Media Management | 10 Spring Bridge Mews | London | W5 2AB t: +44 (0)20 3795 3777 e: [email protected] w: creativemediamanagement.com Creative Media Management Limited Incorporated in England and Wales No: 3816049 VAT No: 739953576 Registered Office: 61 St Dunstans Road, London, W7 2EY Elli Griff | Set Decorator 2 THE MAN FROM U.N.C.L.E.
    [Show full text]
  • 'Nomadland' Finds a Home with WAFCA Critics
    FOR IMMEDIATE RELEASE The Washington, D.C. Area Film Critics Association Contact: [email protected], Tim Gordon 202-374-3305 On the Web: www.wafca.com Facebook.com/wafca Twitter.com/wafca February 8, 2021 ‘Nomadland’ Finds a Home with WAFCA Critics Washington, D.C. — “Nomadland” triumphed with five wins when The Washington, D.C. Area Film Critics Association (WAFCA) announced their top honorees for 2020 this morning. A slice-of-life from filmmaker Chloé Zhao about a widow who loses her job and sells her belongings to travel the American West, “Nomadland” won Best Film, Best Director, Best Actress for Frances McDormand, Best Adapted Screenplay, and Best Cinematography. WAFCA posthumously awarded Best Actor to the late Chadwick Boseman for his searing turn as a talented trumpeter and songwriter struggling to make a name for himself in 1927 Chicago in George C. Wolfe’s film adaptation of August Wilson’s play “Ma Rainey’s Black Bottom.” Best Supporting Actor was awarded to Leslie Odom, Jr. for his powerful performance as soul musician Sam Cooke in Regina King’s 1964-set “One Night in Miami…” and Best Supporting Actress went to Yuh-Jung Youn, a standout in Lee Isaac Chung’s “Minari.” Best Youth Performance also went to “Minari,” for Alan Kim’s memorable work as the young son of South Korean immigrants relocating from California to rural Arkansas in the 1980s. Best Acting Ensemble accolades were awarded to “One Night in Miami…,” a drama about a fictionalized February 1964 meeting between Malcolm X, Muhammad Ali, Jim Brown, and Sam Cooke, starring Kingsley Ben-Adir, Eli Goree, Aldis Hodge, and Leslie Odom, Jr.
    [Show full text]
  • Prop Master Production Designer Art Director
    STRENGTHS Strong VFX understanding and experience CONTACT Exceptional leadership and organisational skills Cell: +64 27 537 2531 Webpage: https://www.melissaspicerartdept.com/ Detail, budget and deadline orientated Email: [email protected] IMDB: https://www.imdb.com/name/nm2373975/ Collaborative and creative problem solving Location Base: Wellington New Zealand/Aotearoa LinkedIn: https://www.linkedin.com/in/melissa-spicer-86950514/ PRODUCTION DESIGNER PROP MASTER ART DIRECTOR AVATAR SEQUELS PICK UPS' (FF) THE BFG' (FF) SPARTACUS - BLOOD AND SAND' (TV) Prop Master Digital Set Decorator Prop Master July 2021- October 2014 - Sept 2015 January 2009 - May 2009 Production Designer: Ben Procter Production Designer: Rick Carter Production Designer: Iain Aitken 880 Productions NZ Partnership Ltd/Lightstorm Entertainment Big Valley Productions/Amblin Entertainment Pacific Renaissance Spartacus Ltd WELLINGTON PARANORMAL SEASON 4' (TV) WETA DIGITAL VFX SEPARATION CITY' (FF) Production Designer Department Manager (Layout, Compositing) Prop Master April 2021 - June 2021 September 2012 - April 2018 August 2008 - November 2008 Producers: Taika Waititi, Jermain Clement, Paul Yates Multiple feature films and TV Series, including Game of Thrones, Hunger Production Designer: Iain Aitken Wellington Documentary Board Games, Mortal Engines, Avengers Infinity Wars, Guardian of the Galaxy Vol 2 Redhead Films GOING GOING' (FF) THE HOBBIT TRILOGY' (FF) AVATAR' (FF) Production Designer Assistant Prop Master Lead Props Jan 2021 - April 2021 September 2010 -
    [Show full text]
  • Wmc Investigation: 10-Year Analysis of Gender & Oscar
    WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S.
    [Show full text]
  • Morgan Wallen's 'Dangerous' Spends Fourth Week at No. 1 on Billboard
    BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; ENTERTAINMENTBrett Young ‘Catc NEWSh UPDATE’-es Fifth AirplayFEBRUARY 8, 2021 Page 1 of 25 Leader; Travis Denning Makes History INSIDE Morgan Wallen’s ‘Dangerous’ Spends Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music GroupFourth Nashville), debuts at No. Week1 on Billboard’s lion at audience No. impressions, 1 upon 16%). Billboard Top Country• Olivia AlbumsRodrigo’s chart dated April 18. In its first week (ending April 9), it earned‘Drivers 46,000 License’ equivalent album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cordingLeads to Hot Nielsen 100 for Music/MRC 4th Data. 200 Albumsand total Country Airplay ChartNo. 1 as “Catch” (Big Machine Label Group) ascends SouthsideWeek, The marks Weeknd Hunt’s second No. 1 on the 2-1, increasing 13% to 36.6 million impressions. chart &and CJ fourth Hit Top top 10 10. It follows freshman LP BY KEITH CAULFIELD Young’s first of six chart entries, “Sleep With- Montevallo• Super ,Bowl which Synch arrived at the summit in No - out You,” reached No. 2 in December 2016. He vember 2014 and reigned for nine weeks. To date, followed with the multiweek No. 1s “In Case You Report: Sony/ATV Morgan Wallen’s Dangerous: The Double Album holds demand streams of the album’s songs), album sales Montevallo has earned 3.9 million units, with 1.4 Didn’t Know” (two weeks, June 2017), “Like I Loved Walking on Air at No.
    [Show full text]
  • 15Th Annual ADG Awards Nominations
    15th Annual ADG Awards Nominations Congratulations to the entire team for each film and television show honored! The SDSA would like to particularly acknowledge the set decorators’ contribution for these outstanding productions. NOMINEES FOR EXCELLENCE IN PRODUCTION DESIGN FOR A FEATURE FILM IN 2010 PERIOD FILM TRUE GRIT Production Designer: Jess Conchor Set Decorator: Nancy Haigh THE KING'S SPEECH Production Designer: Eve Stewart Set Decorator: Judy Farr SHUTTER ISLAND Production Designer: Dante Ferretti Set Decorator: Francesca Lo Schiavo SDSA ROBIN HOOD Production Designer: Arthur Max Set Decorator: SonJa KLaus GET LOW Production Designer: Geoffrey KirkLand Set Decorator: Frank Galline SDSA FANTASY FILM ALICE IN WONDERLAND Production Designer: Robert Stromberg Set Decorator: Karen O’Hara SDSA Set Decorator: Peter Young HARRY POTTER AND THE DEATHLY HALLOWS PART 1 Production Designer: Stuart Craig Set Decorator: Stephanie McMiLLan INCEPTION Production Designer: Guy Hendrix Dyas Set Decorator: Larry Dias SDSA Set Decorator: Doug Mowat TRON: LEGACY Production Designer: Darren GiLford Set Decorator: Lin MacDonaLd THE CHRONICLES OF NARNIA: THE VOYAGE OF THE DAWN TREADER Production Designer: Barry Robison Set Decorator: Rebecca Cohen CONTEMPORARY FILM BLACK SWAN Production Designer: Therese DePrez Set Decorator: Tora Peterson THE SOCIAL NETWORK Production Designer: DonaLd Graham Burt Set Decorator: Victor J. Zolfo SDSA THE FIGHTER Production Designer: Judy Becker Set Decorator: Gene Serdena THE TOWN Production Designer: Sharon Seymour Set
    [Show full text]
  • Past, Games and Miracles. Intersemiosi E Metamoderno Nelle Opere Di Neil Jordan
    Dottorato di Ricerca in Visual and Media Studies Ciclo XXXII Curriculum in Writing, Translation, Creativity Past, Games and Miracles. Intersemiosi e metamoderno nelle opere di Neil Jordan Maria Elisa Salemi Matricola n. 1011925 Tutor: Prof. Fabio Vittorini Cotutore: Dott. Francesco Laurenti Coordinatore: Prof. Vincenzo Trione ANNO ACCADEMICO 2019/2020 Sommario Introduzione – Le narrazioni di Neil Jordan tra modernismo, postmodernismo e metamodernismo ................................................................................................ 1 Ringraziamenti ................................................................................................. 11 Sezione I ........................................................................................................... 12 Che cos’è la traduzione intersemiotica ............................................................ 12 A partire dal testo: il concetto di autorialità, le opere-mondo, le opere aperte.21 Dall’albero, al labirinto, al rizoma: il pensiero dell’opera aperta ................. 39 Dall’opera aperta all’ipertesto ....................................................................... 54 La traduzione intersemiotica oggi: rimediazione, ipermediazione, immediatezza. .......................................................................................................................... 68 Lettore empirico e lettore modello ................................................................ 77 When worlds collide: gli ambienti di convergenza mediale e gli ecosistemi narrativi
    [Show full text]
  • Scuola Puccini Di Roma
    MEKANE S.R.L.– via Melibeo 80/86 – 00155 Roma tel. +39 06 22 95 253 – +39 06 22 96 118 – fax +39 06 22 91 265 www.mekane.net – e-mail [email protected] Posta certificata: [email protected] Roma, 19 aprile 2017 CURRICULUM MEKANE SRL Principali realizzazioni scenografiche dal 1987 ad oggi: (* = OPERE LIRICHE) 2017 *DON GIOVANNI 60° Festival dei Due Mondi di Spoleto, Cliente: Teatro Coccia Novara Direzione: James Conlon Regia: Giorgio Ferrara Scene: Dante Ferretti e Francesca Lo Schiavo *GAZZA LADRA, Cliente: Teatro alla Scala Milano Direzione: Riccardo Chailly Regia: Gabriele Salvatores Scene: Gian Maurizio Fercioni *TRISTAN & ISEULT, Cliente: Opera National de Lyon Direzione: Hartmut Haenchen Regia: Scene: TESTA IN BRONZO, Cliente: Sorgente Brand srl DIVO NERONE OPERA ROCK, Cliente: Nero Divine Ventures srl Regia: Gino Landi Scene: Dante Ferretti MUSICA RIBELLE, Cliente: Todomodo srl Regia: Emanuele Gamba Scene: Massimo Troncanetti 2016 Maquette RISTORANTE GOURMET NUVOLA, Cliente: Luigi Lavazza spa ideazione: Dante Ferretti *DON CARLO, Cliente: Teatro alla Scala Direzione: Myung-Whun Chung Regia: Peter Stein Scene: Ferdinand Woegerbauer Mostra Siza, Cliente: Accademia Nazionale di San Luca 1 progettazione e realizzazione scenari teatrali cinematografici televisivi C.C.I.A.A. Roma R.E.A. 642206 – Cap. Soc. EURO 10.400,00 I.V. Iscr. Reg. Imprese Roma e C.F. 08053480581 – P.IVA IT 01948361009 GUCCI GLEN LUCHFORD, Cliente: Mascioni Associati International Ltd Regia: Glen Luchford Scene: Max Bellhouse HOUSE PARTY, Cliente: Fascino Pgt srl Regia:
    [Show full text]
  • A N D R E W P a L M
    A n d r e w P a l m e r email: [email protected] web: www.andrew-palmer.com Feature Films as Senior Art Director Pinocchio Director: Robert Zemeckis Walt Disney Pictures Production Designers: Stefan Dechant & Doug Chiang Supervising Art Directors: Ashley Lamont & Doug Meerdink Indiana Jones V (early development) Director: Steven Spielberg Lucasfilm Production Designer: Adam Stockhausen Supervising Art Director: Martin Foley Fast & Furious 9 Director: Justin Lin Universal Pictures Production Designer: Jan Roelfs Supervising Art Director: Ashley Lamont Mamma Mia: Here We Go Again Director: Ol Parker Universal Pictures Production Designers: Alan MacDonald & John Frankish King Arthur: Legend Of The Sword Director: Guy Ritchie Warner Bros Production Designer: Gemma Jackson Supervising Art Director: Denis Schnegg Feature Films as Art Director The King’s Man Director: Matthew Vaughn 20th Century Fox Production Designer: Darren Gilford Supervising Art Director: Doug Meerdink Maleficent: Mistress Of All Evil Director: Joachim Rønning Walt Disney Pictures Production Designer: Patrick Tatopoulos Supervising Art Director: Helen Jarvis Solo Director: Ron Howard Lucasfilm Production Designer: Neil Lamont Supervising Art Director: Al Bullock Justice League Director: Zack Snyder Warner Bros Production Designer: Patrick Tatopoulos Supervising Art Directors: Christian Huband & Helen Jarvis Star Wars The Force Awakens Director: JJ Abrams Lucasfilm Production Designer: Darren Gilford & Rick Carter Supervising Art Director: Neil Lamont Edge Of Tomorrow
    [Show full text]
  • SETDECOR Online
    SSEETTDDEECCOORR OOnnlliinnee www.setdecor.com 1166ttthh AAnnnnuuaall AArrtt DDiirreeccttoorrss GGuuiilldd AAwwaarrddss NNoommiinnaattiioonnss Congratulations to the entire team for each film & television show honored! The SDSA particularly acknowledges the set decorator’s contributions for these outstanding productions and invites you to read our coverage at www.setdecor.com. NOMINEES FOR EXCELLENCE IN PRODUCTION DESIGN FOR A FEATURE FILM IN 2011: PERIOD FILM THE ARTIST Production Designer: Laurence Bennett Set Decorator: ROBERT GOULD HUGO Production Designer: Dante Ferretti Set Decorator: FRANCESCA LO SCHIAVO SDSA THE HELP Production Designer: Mark Ricker Set Decorator: RENA DE ANGELO SDSA ANONYMOUS Production Designer: Sebastian Krawinkel Set Decorator: SIMON-JULIEN BOUCHERIE TINKER TAYLOR SOLDIER SPY Production Designer: Maria Djurkovic Set Decorator: TATIANA MACDONALD (more) 1 of 8 SSEETTDDEECCOORR OOnnlliinnee www.setdecor.com FANTASY FILM HARRY POTTER AND THE DEATHLY HALLOWS PART 2 Production Designer: Stuart Craig Set Decorator: STEPHENIE MCMILLAN CAPTAIN AMERICA: THE FIRST AVENGER Production Designer: Rick Heinrichs Set Decorator: JOHN BUSH THE ADVENTURES OF TINTIN: THE SECRET OF THE UNICORN Art Director: Kim Sinclair ANIMATED…NO SET DEC PIRATES OF THE CARIBBEAN: ON STRANGER TIDES Production Designer: John Myhre Set Decorator: GORDON SIM SDSA COWBOYS & ALIENS Production Designer: Scott Chambliss Set Decorator: KAREN MANTHEY SDSA CONTEMPORARY FILM THE GIRL WITH THE DRAGON TATTOO Production Designer: Donald Graham Burt Set Decorator: K.C. FOX SDSA THE DESCENDANTS Production Designer: Jane Anne Stewart Set Decorator: MATT CALLAHAN (more) 2 of 8 SSEETTDDEECCOORR OOnnlliinnee www.setdecor.com EXTREMELY LOUD & INCREDIBLY CLOSE Production Designer: K.K. Barrett Set Decorator: GEORGE DE TITTA, JR. SDSA DRIVE Production Designer: Beth Mickle Set Decorator: LISA K.
    [Show full text]
  • Triller Network Acquires Verzuz: Exclusive
    BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; BrettENTERTAINMENT Young ‘Catc NEWSh UPDATE’-es Fifth AirplayMARCH 9, 2021 Page 1 of 25 Leader; Travis Denning Makes History INSIDE Triller Network Acquires Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music Group Nashville), debuts at No. 1 on Billboard’s lion audience impressions, up 16%). Top Country• Verzuz Albums Founders chart dated April 18. In its first week (endingVerzuz: April 9), it Exclusive earnedSwizz 46,000 Beatz equivalent & album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cordingTimbaland to Nielsen Talk Music/MRC Data. andBY total GAIL Country MITCHELL Airplay No. 1 as “Catch” (Big Machine Label Group) ascends SouthsideTriller Partnership: marks Hunt’s second No. 1 on the 2-1, increasing 13% to 36.6 million impressions. chart‘This and fourthPuts a top Light 10. It followsVerzuz, freshman the LPpopular livestream music platform creat- in music todayYoung’s than Verzuz,” first of six said chart Bobby entries, Sarnevesht “Sleep With,- MontevalloBack on, which Creatives’ arrived at theed summit by Swizz in No Beatz- and Timbaland, has been acquired executive chairmanout You,” andreached co-owner No. 2 in of December Triller, in 2016. an- He vember 2014 and reigned for nineby weeks. Triller To Network, date, parent company of the Triller app.
    [Show full text]
  • Weissman/Markovitz Communications 4605 LANKERSHIM BLVD
    Weissman/Markovitz Communications 4605 LANKERSHIM BLVD. SUITE 413, NORTH HOLLYWOOD, CA 91602 t 818-760-8995 f 818-760-4847 www.publicity4all.com ART DIRECTORS GUILD ANNOUNCES NOMINATIONS FOR ITS 2011 EXCELLENCE IN PRODUCTION DESIGN AWARDS; CEREMONY TO TAKE PLACE FEBRUARY 4 AT BEVERLY HILTON HOTEL LOS ANGELES, January 3 -- The Art Directors Guild (ADG) today announced nominations in nine categories of Production Design for theatrical motion pictures, television, commercials and music videos competing in the ADG’s 16th Annual Excellence in Production Design Awards for 2011. The nominations were announced by ADG Council President Thomas A. Walsh and Awards co-producers Tom Wilkins and Greg Grande. Deadline for final voting, which is done online, is February 2. The black-tie ceremony announcing winners will take place Saturday, February 4, 2012 at the International Ballroom of the Beverly Hilton Hotel in Beverly Hills with Paula Poundstone serving as host for the third consecutive year. A Lifetime Achievement Award will go to Emmy Award® winning Production Designer Tony Walton. In addition, the ADG will induct the following legendary Production Designers from the past into its Hall of Fame: Robert Boyle, William Darling and Alfred Junge. This year's Art Directors Guild Cinematic Imagery Award will be presented to the principal team behind the Harry Potter films including Producers David Heyman and David Barron; Director David Yates; creator and author J.K. Rowling; Screenwriter Steve Kloves; Production Designer Stuart Craig; Art Director Neil Lamont; and Set Decorator Stephenie McMillan. Filmmaker Cindy Peters will present a special 75th Anniversary film in eight chapters that celebrates inspirational achievements in design.
    [Show full text]