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Art History 1 Art History 1 ARHI 2100. History of Architecture. (4 Credits) ART HISTORY A consideration of the language of design and structure of key architectural monuments from ancient times until the present. Four-credit courses that meet for 150 minutes per week require three additional Courses hours of class preparation per week on the part of the student in lieu of Our Courses an additional hour of formal instruction. Attribute: AHMO. ARHI 1100. Art History Introduction: World Art. (3 Credits) This course is an introduction to the study of art history, approached from ARHI 2221. Japanese Visual Culture: Prehistory to Present. (4 Credits) a global perspective. It reaches back to Cycladic art (c. 3300 to 1100 BCE) An examination of Japanese visual culture from prehistory to and ends with the present. Because most human societies have created contemporary society. Issues and material explored: the development and art, this course looks at works created in Europe, the Americas, Asia, and spread of Buddhism, temple art and architecture, narrative art and prints, Africa. And since art objects can and do move across cultural boundaries, the interaction of art and popular culture, manga, anime, and contacts it also looks at the cross-cultural transmission of artworks. Students with western society. Four-credit courses that meet for 150 minutes per will learn about how peoples across space and time created works of art week require three additional hours of class preparation per week on the and architecture in response to social crisis, as an aid to or container of part of the student in lieu of an additional hour of formal instruction. ritual, and to express norms and ideals of gender. Students will come to Attributes: AHGL, COLI, GLBL, INST, ISAS. understand how and why abstraction and naturalism emerged at different ARHI 2223. Art and Violence in Modern Asia. (4 Credits) times and places. The course is a collaborative endeavor, co-designed by This course considers intersections between art and violence in modern faculty members in Fordham’s program in art history (Professors Beach, Asia. It will focus on propaganda art from Japan, China, South Korea, Ikeda, Isaak, Mundy, Rowe, Ruvoldt, and Teverson), and facilitated by our and North Korea, and examine how violence is advocated through visual curator for visual resources (Katherina Fostano) and a team of teaching language in relation to differing political ideologies, such as imperialism, assistants. Students will be taught a unified curriculum in sections led fascism, communism, and nationalism. by a single professor, but cross-section activities, made possible through Attributes: AHGL, GLBL. digital technology, will allow them to become part of a larger community ARHI 2230. Islamic Art. (4 Credits) of art history students at Fordham. Through this course, therefore, as you This course presents an overview of some of the most important gain a broad and deep understanding of art history, you will also get to episodes of Islamic art and architecture from their origins to the 18th know leading scholars in the field and peers who are enthusiastic about century. We will focus on the monumental mosques, mausolea, and the study of art and will help you see how it intersects with the interests palaces of the great dynasties, as well as the most prized of more and concerns of the current moment. delicate artistic traditions such as calligraphy, manuscript painting, Attributes: FACC, FRFA, GLBL, INST, ISIN. textiles and ceramics. Emphasis will be given equally to visual/ ARHI 1101. Introduction to Art History: Europe. (3 Credits) interpretive analysis and critical thinking, and will entail readings from An introduction to the study of the art of Europe through key paintings, an introductory textbook as well as more in-depth scholarly writings. sculpture architecture, and other arts. Form, style, context, function, and Four-credit courses that meet for 150 minutes per week require three the changing role of the artist in society are explored. additional hours of class preparation per week on the part of the student Attributes: FACC, FRFA, INST, ISEU. in lieu of an additional hour of formal instruction. ARHI 1102. Introduction to Art History: Asia. (3 Credits) Attributes: AHAM, AHGL, GLBL, MEST, MVAM, MVST, REST. An introduction to the study of the art of Asia. This course covers ARHI 2250. Ancient American Art. (4 Credits) architecture, sculpture, and paintings in India, China, and Japan from the Introduction to the art of Mexico, Central America and Peru from ancient to the contemporary period. its beginnings to the time of its contact with Europe. Examination Attributes: AHGL, FACC, FRFA, GLBL, INST, ISAS. of architecture, sculpture, ceramics, and paintings in the context of ARHI 1103. Introduction to Art History: Americas. (3 Credits) such cultures as Olmec, Teotihuacan, Maya, Aztec, Chavin, Mochica, A survey of the art and architectural traditions of the Americans from Tiahuanaco and Inca. Note: Four-credit courses that meet for 150 3000 BCE to the present. This course explores artistic productions in minutes per week require three additional hours of class preparation per both North and South America and considers how architecture and visual week on the part of the student in lieu of an additional hour of formal works have been used to express ideas about American identity and the instruction. place of the Americas in the world. Attributes: ACUP, AHAM, AHGL, AMST, ASAM, GLBL, LAHA, LALS, MVAM, Attributes: ACUP, AHGL, AMST, ASAM, FACC, FRFA, GLBL, INST, ISIN, ISLA, MVST. LAHA, LALS. ARHI 1298. Art History AP. (3 Credits) Students who have taken AP Art History exam and have scored a 4 or 5 can have this score count like a course, fulfilling the Fine Arts core requirement. Attributes: FACC, FRFA. Updated: 09-23-2021 2 Art History ARHI 2257. Modern Latin American Art. (4 Credits) ARHI 2315. Roman Art. (4 Credits) In modern period, Latin American nations, the by-product of European This class is a survey of the art and architecture of Rome from the colonization, developed artistic traditions that grew out of their own Republican and Hellenistic periods through the era of Constantine (5th distinct realities. This course looks at two great shaping forces of modern century BCE- 4th century CE). Though chronological in structure, this Latin American Art: nationalism, which called on visual art to both course will also address overarching issues and themes in art history create a national identity and to reflect it; and modernism, an aesthetic and archaeology, such as the power of images in the ancient world (as movement that insisted on artistic autonomy. In more recent years, the opposed to/similar to today), Roman ways of looking at art and space, political integrity of Latin American nations has been challenged by the role of monuments, makers and patrons in Roman society, and oppressive governments and imperialism, leading artists to seek new connections with the other cultures who inspired and made use of Roman ways of expressing ideas and identity within and beyond the national artists and styles. Overall however, the class is intended to introduce sphere. We will also be seizing the many opportunities that New York students to the ways in which Western Civilization is indebted to Roman offers to see Latin American art first hand at sites that include El Museo culture. NOTE: Four-credit courses that meet for 150 minutes per week del Barrio, Sotheby's, and the Cecilia de Torres Gallery. Four-credit require three additional hours of class preparation per week on the part of courses that meet for 150 minutes per week require three additional the student in lieu of an additional hour of formal instruction. hours of class preparation per week on the part of the student in lieu of Attributes: AHAM, CLAS, OCAH, OCST. an additional hour of formal instruction. ARHI 2320. The Fall of Ancient Rome: A Material Culture Investigation. (4 Attributes: ACUP, ADVD, AHGL, AHMO, AMST, ASAM, GLBL, INST, ISLA, Credits) LAHA, LALS. An interdisciplinary investigation of the period ca. 300—800 AD. The ARHI 2305. Greek Art. (4 Credits) traditional model of Gibbon's "Decline and Fall of the Roman Empire" will This course provides a survey of the major monuments of Greek Art from be considered in the light of modern conceptions of "Late Antiquity" by the Bronze Age through the Hellenistic Period (c. 2500-100 B.C.), focusing scholars such as Peter Brown, who see this as a period of sometimes on their function in Greek myth and ritual mythological depictions in vase dramatic cultural and political transformation, defined by the growth paintings, funerary sculpture, the cult statue, narrative reliefs, temple of the vibrant new kingdoms of Western Europe, and the development architecture and urban sacred landscapes. Note: Four-credit courses that of Christianity and Islam. Using the methodologies of Ancient History, meet for 150 minutes per week require three additional hours of class Archaeology, Art History and Classics, the course will consider these two preparation per week on the part of the student in lieu of an additional approaches through the lens of material culture. How and why did cities, hour of formal instruction. sculpture, religious art, pottery, textiles, military equipment and luxury Attributes: AHAM, CLAS, OCAH, OCST. goods change during this period, and what do they all reveal about how ARHI 2311. Athens and Ancient Greece: Athens and Pericles in the Fifth and why Rome fell—if it did at all?. Century BC "Golden Age". (4 Credits) Attributes: AHAM, CLAS, MVAM, MVST, REST. Long remembered as a political and artistic highpoint in the western ARHI 2341. Medieval Desire and Devotion. (4 Credits) traditions of art, architecture, history, philosophy, politics and theatre, this The medieval world was a complex social network built on relationships course takes a holistic look at the challenges and opportunities of writing that crisscrossed heaven and earth.
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    DOCUMENT Downloaded from http://direct.mit.edu/artm/article-pdf/9/2/119/1846574/artm_a_00267.pdf by guest on 24 September 2021 ART CENTERS AND PERIPHERAL ART [A LECTURE AT THE UNIVERSITY OF HAMBURG, OCTOBER 15, 1982] nicos hadjinicolaou The title of my talk is “Art Centers and Peripheral Art.” The subject to which I have assigned this title touches several aspects of our discipline. I would briefl y like to raise several questions which have led me to the discussion of this topic. 1. Naturally, the most important, most complicated question for us art historians, but I believe also for historians in general—a problem, by the way, which we shall never “solve,” but answer differently depend- ing on our points of view—is the following: how and why does form change?1 Which available tools or means make it possible for art histori- ans to capture these changes? I think that the point I am hinting at here with “art centers and peripheral art” touches on this question: in the relationship of center and periphery, in the effect of an art center, and in the dissemination of its production to the periphery. In inundating and overpowering the art production of the periphery, the history of art is also being made.2 1 This has been, no doubt, the central question at least of German-language art history since the end of the 19th century (Heinrich Wölffl in, August Schmarsow, Alois Riegl). 2 This, too, cannot be emphasized enough. The history of art is created from (among other factors) the (unequal) interrelationship of periphery and center.
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