Sir Hugh Lane: Additional Papers
Total Page:16
File Type:pdf, Size:1020Kb

Load more
Recommended publications
-
Kerlin Gallery
Kerlin Gallery Elizabeth Magill pink mineral, 2020 oil on canvas 12 x 15.9 in / 12.8 x 16.7 x 2 in framed AVAILABLE $12,500.00 In 2020 Elizabeth Magill spent five months of lockdown on the coast of Ireland, swapping her east London studio for one nestled in the rural landscape which has long featured in her work. The result is a series of paintings, collectively titled 'Her Nature' that explore our physical and psychological relationship to the land. Each painting has its own, very different mood, its own story or mystery such as 'pink mineral,' with its fantastical 'red sky at night,' its title a reference to Rose Quartz, one of many earthly treasures or 'smoulder,' the contained, potential energy of a sleeping volcano. Magill has said of these new works: 'These particular paintings came out of this unusual time. They were my response to nature but are also a kind of lament to the strange times we are living in... perhaps too they are my attempt to suggest a beauty; a beauty created by distance and maybe the passing of time and an acknowledgment to things we can’t fully fathom'. About the Artist: Elizabeth Magill b.1959, Canada. Lives and works in London and County Antrim, Northern Ireland Elizabeth Magill’s recent solo show ‘Headland’ toured to Limerick City Gallery of Art, Limerick, (2017); Ulster Museum, Belfast, (2018); Royal Hibernian Academy, Dublin (2018) and New Art Gallery, Walsall, UK, (2019). Other solo exhibitions include The Hugh Lane, Ireland, (2016); Towner Gallery & Museum, Eastbourne, UK, (2011); Ikon Gallery, Birmingham, travelling to Milton Keynes Gallery, Milton Keynes; BALTIC, Gateshead and Glynn Vivian Gallery, Swansea, (all 2005). -
Sir Hugh Lane and Mrs. Ruth Shine Papers
Leabharlann Naisiúnta na hÉireann National Library of Ireland Collection List No. 58 SIR HUGH LANE AND MRS. RUTH SHINE PAPERS (Mss 35,822-35,828) ACC. No. 5073 1 CONTENTS History and Organization of the Collection 3 1. LETTERS FROM LANE 4 2. LETTERS TO LANE 5-20 3. LETTERS TO RUTH SHINE 21-22 4. OTHER LETTERS 23-24 5. LANE’S DEATH AND ESTATE 25-26 6. ADDITIONAL PRINTED ITEMS 27-28 7. MISCELLANEOUS 29-30 Index 31-37 2 History and Organization of the Collection After the death of Sir Hugh (Percy) Lane on the Lusitania in 1915 his papers passed on to his sister Mrs. Ruth Shine (Later Mrs. A. R. Heaven). Material mostly relating to his death and his controversial will were added by Shine. On her death in 1959 the papers came into the custody of her executors, Mrs. G. de B. West (a cousin) and Mrs. Thistlethwaite, daughter of Harold Lane, brother of Sir Hugh Lane and Ruth Shine. The material was acquired by the National Library between 1960 and 2000 and the various accessions have been catalogued at various times: 1. Accession 2155: donated by Mrs. West in August 1960. 2. Accession 2293: purchased in July 1962. 3. Accession 2298: donated by Col. D.S.E. West, August 1962. 1-3 above are listed as Mss. 9975, 10,907-10,908, 10,929, 13,071-13,072 in Manuscript Sources for the History of Irish Civilization vol. 3, p. 15. 4. Accession 4136: NLI Collection List 10; Mss. 27,736-27,793; donated by Mrs. -
Born in Seoul, Korea, 1946 Lives and Work in Milano, Italy Education MFA
CHUNG EUN-MO Born in Seoul, Korea, 1946 Lives and work in Milano, Italy Education MFA Graduate School of Art and Architecture - Pratt Institute, New York Selected Solo Exhibitions 2020 Bonomo Gallery, Roma 2018 Villa Flor, S-Chanf, CH 2017 1+1+1 Bijoy Jain, George Sowden, Chung Eun Mo, ASSAB ONE, Milano 2016 Fuori Salone with Karimoku Furniture, Milano 2012 Paintings, 46/B, Milano 2011 20 Carpets-Chung Eun Mo/Nathalie Du Pasquier, Post Design, Milano 2010 Opere – Pittura, Murale, Tavoli e Piastre in Ceramica, Fabbrica delle Arti, Napoli 2007 Fenderesky Gallery, Belfast 2006 Space RED, Milano Galleria Miralli, Viterbo 2005 Palazzo di Primavera, Terni Model Arts and Niland Gallery, Sligo 2004 Galway Arts Centre, Galway Kerlin Gallery, Dublin 2003 Gallery IHN, Seoul Galleria Studio G7, Bologna 2002 Gallery IHN, Seoul Art Fair, Seoul Fenderesky Gallery, Belfast 2001 Gallery IHN, Seoul Kerlin Gallery, Dublin 2000 Primo Piano, Roma 1999 Kerlin Gallery, Dublin 1997 Kerlin Gallery, Dublin Galleria Studio G7, Bologna 1996 Primo Piano, Roma Fenderesky Gallery, Belfast 1994 Galleria Studio G7, Bologna Irish Museum of Modern Art, Dublin Wassermann Galerie, Munich Kerlin Gallery, Dublin 1992 Städtische Galerie im Lenbachhaus, Munich 1991 Fenderesky Gallery, Belfast 1990 Primo Piano, Roma Gangurinn / The Corridor, Reykjavik 1982 Pyramid Gallery, Rochester, New York 1981 Soho Center for Visual Arts, New York 1980 Pratt Institute, Brooklyn, New York Selected Group Exhibitions 2020 Monica De Cardenas, Zuoz AIRMAIL 2, Assab One, Milano Drawings, Fenderesky -
The Challenges of French Impressionism in Great Britain
Crossing the Channel: The Challenges of French Impressionism in Great Britain By Catherine Cheney Senior Honors Thesis Department of Art History University of North Carolina at Chapel Hill April 8, 2016 Approved: 1 Introduction: French Impressionism in England As Impressionism spread throughout Europe in the late nineteenth century, the movement took hold in the British art community and helped to change the fundamental ways in which people viewed and collected art. Impressionism made its debut in London in 1870 when Claude Monet, Camille Pissarro, and Paul Durand-Ruel sought safe haven in London during the Franco- Prussian war. The two artists created works of London landscapes done in the new Impressionist style. Paul Durand-Ruel, a commercial dealer, marketed the Impressionist works of these two artists and of the other Impressionist artists that he brought over from Paris. The movement was officially organized for the First Impressionist Exhibition in 1874 in Paris, but the initial introduction in London laid the groundwork for promoting this new style throughout the international art world. This thesis will explore, first, the cultural transformations of London that allowed for the introduction of Impressionism as a new style in England; second, the now- famous Thames series that Monet created in the 1890s and notable exhibitions held in London during the time; and finally, the impact Impressionism had on private collectors and adding Impressionist works to the national collections. With the exception of Edouard Manet, who met with success at the Salon in Paris over the years and did not exhibit with the Impressionists, the modern artists were not received well. -
Marcel Vidal Stuck on Dawn
Kerlin Gallery Marcel Vidal Stuck on dawn Banana VI 2021 oil on linen 160 x 120 x 2.5 cm / 63 x 47.2 x 1 in MV04221 Price: € 8,500 ex vat (if applicable) Banana VII 2021 oil on linen 160 x 120 x 2.5 cm / 63 x 47.2 x 1 in MV04321 Price: € 8,500 ex vat (if applicable) Banana VIII 2021 oil on linen 160 x 120 x 2.5 cm / 63 x 47.2 x 1 in MV04421 Price: € 8,500 ex vat (if applicable) Banana IX 2021 oil on linen 160 x 120 x 2.5 cm / 63 x 47.2 x 1 in MV04521 Price: € 8,500 ex vat (if applicable) Walker I 2021 oil on linen 200 x 150 x 2.5 cm / 78.7 x 59.1 x 1 in MV04621 Price: € 10,500 ex vat (if applicable) Walker II 2021 oil on linen 200 x 150 x 2.5 cm / 78.7 x 59.1 x 1 in MV04721 Price: € 10,500 ex vat (if applicable) Walker III 2021 oil on linen 200 x 150 x 2.5 cm / 78.7 x 59.1 x 1 in MV04821 Price: € 10,500 ex vat (if applicable) Green 2020 oil on linen 140 x 105 cm / 55.1 x 41.3 in MV03820 Price: € 7,500 ex vat (if applicable) Grey, Yellow 2020 oil on linen 140 x 105 cm / 55.1 x 41.3 in MV03720 Price: € 7,500 ex vat (if applicable) Blue, Grey 2020 oil on linen 140 x 105 cm / 55.1 x 41.3 in MV03920 Price: € 7,500 ex vat (if applicable) MARCEL VIDAL Stuck on dawn 17 July - August Celebrated for his diverse practice and immersive sculptural installations, Stuck on dawn 'brings together three series of work in Marcel Vidal's first exhibition dedicated exclusively to painting. -
Dorothy Cross Dorothy Cross B
Kerlin Gallery Dorothy Cross Dorothy Cross b. 1956, Cork, Ireland Like many of Dorothy Cross’ sculptures, Family (2005) and Right Ball and Left Ball (2007) sees the artist work with found objects, transforming them with characteristic wit and sophistication. Right Ball and Left Ball (2007) presents a pair of deflated footballs, no longer of use, their past buoyancy now anchored in bronze. Emerging from each is a cast of the artist’s hands, index finger extended upwards in a pointed gesture suggesting optimism or aspiration. In Family (2005) we see the artist’s undeniable craft and humour come together. Three spider crabs were found, dead for some time but still together. The intricacies of their form and the oddness of their sideways maneuvres forever cast in bronze. The ‘father’ adorned with an improbable appendage also pointing upwards and away. --- Working in sculpture, film and photography, Dorothy Cross examines the relationship between living beings and the natural world. Living in Connemara, a rural area on Ireland’s west coast, the artist sees the body and nature as sites of constant change, creation and destruction, new and old. This flux emerges as strange and unexpected encounters. Many of Cross’ works incorporate items found on the shore, including animals that die of natural causes. During the 1990s, the artist produced a series of works using cow udders, which drew on the animals' rich store of symbolic associations across cultures to investigate the construction of sexuality Dorothy Cross Right Ball and Left Ball 2007 cast bronze, unique 34 x 20 x 19 cm / 13.4 x 7.9 x 7.5 in 37 x 19 x 17 cm / 14.6 x 7.5 x 6.7 in DC20407A Dorothy Cross Family 2005 cast bronze edition of 2/4 dimensions variable element 1: 38 x 19 x 20 cm / 15 x 7.5 x 7.9 in element 2: 25 x 24 x 13 cm / 9.8 x 9.4 x 5.1 in element 3: 16 x 15 x 13 cm / 6.3 x 5.9 x 5.1 in DC17405-2/4 Dorothy Cross b. -
NEWS RELEASE for Immediate Release for Further Information New York : David O’Sullivan: Tel: (212) 867 6268 Dublin : Roddy Feely: Tel: (01) 667 4040
A Business Organization NEWS RELEASE For Immediate Release For Further Information New York : David O’Sullivan: Tel: (212) 867 6268 Dublin : Roddy Feely: Tel: (01) 667 4040 The Ireland-U.S. Council ’s 2019 Award For Outstanding Portraiture To Be Presented To Belfast Artist Gareth Reid Prudential Financial’s Sponsorship Supports This Important Arts Program May 20, 2019, New York, NY: Belfast artist Gareth Reid is the winner of this year’s Award for Outstanding Portraiture , sponsored by the Ireland-U.S. Council in conjunction with the Irish Arts Review and in association with the Royal Hibernian Academy (RHA) . The Award is presented in Ireland to an artist whose submission is judged to be of outstanding merit. The Award is an important part of the Council’s program to support the arts and arts education in Ireland. The winning painting is a portrait entitled “Girl in a Red Room” and was chosen from all exhibits at the Royal Hibernian Academy’s 189th Annual Exhibition, opening in Dublin today. At the prize-giving ceremony at the RHA yesterday, Mr. Reid was presented with the Ireland- U.S. Council ’s €5,000 award bursary. A formal presentation of the Awards Ceremony citation will be made by Council Ireland Chapter President Dr. Michael Somers at the Council’s Midsummer Gala Dinner on Friday, June 28, 2019 at a dinner in Dublin Castle. Born in Belfast, Gareth Reid studied at the University of Ulster , the Glasgow School of Art and the Florence Academy of Art in Italy. He now lives and works in Glasgow. -
Gallery Discover Enjoy English at a Glance
Our Gallery Discover Enjoy English At a glance... More… Your Visit Th e National Gallery Visit Explore & Learn Friends membership Admission to the permanent Get more out of your visit by Members enjoy free entry of Ireland houses the collection is free. Admission taking part in a workshop, to exhibitions, access to the national collection charges for some temporary attending a lecture, joining a Members’ room, special exhibitions may apply. tour, and more. previews, lectures, talks and of fine art. T + 353 1 6633505 tours. Join at the Friends’ desk or: Opening Hours E [email protected] T + 353 1 6619877 37 39 MON – SAT: 9.15am – 5.30pm E [email protected] THU: 9.15am – 8.30pm Support SUN: 11.00am – 5.30pm Donations welcome. The Website CLOSED: Good Friday generosity of our visitors, Check out our website at 24 – 26 December benefactors and Corporate nationalgallery.ie for more Partners helps us care for the information. Opening hours are subject collection and sustains public 20 17 20 23 15 to change. Entry ceases programming. For information Frederic William Burton Meeting on the Richard Moynan Military Manoeuvres Harry Clarke The Song of the Mad Prince 15 minutes before Gallery on donations and partnerships: Gallery Turret Stairs. Viewing hours: Thursdays closing times. We advise visitors T + 353 1 6633565 5.30-6.30pm & Sundays 2-3pm to confirm collection displays E [email protected] in advance as some artwork may not be on display. Research Map Visiting with Children Explore Irish Art Art Library: The Art Library Shop holds one of Ireland’s most Located in the Millennium comprehensive bibliographic 30 38 47 R3 44 Free children’s audio guides available at Shaw Room Wing, the shop offers a fantastic and archival collections relating Information Desks Room 22, Dargan Wing, Level 1 choice of prints, gifts and to the history of art. -
West of Ireland Paintings at the National Gallery of Ireland from 1800 to 2000
West of Ireland Paintings at the National Gallery of Ireland from 1800 to 2000 I The West of Ireland National Gallery of Ireland / Gailearaí Náisiúnta na hÉireann West of Ireland Paintings at the National Gallery of Ireland from 1800 to 2000 Marie Bourke With contributions by Donal Maguire And Sarah Edmondson II Contents 5 Foreword, Sean Rainbird, Director, National Gallery of Ireland 23 The West as a Significant Place for Irish Artists Contributions by Donal Maguire (DM), Administrator, Centre for the Study of Irish Art 6 Depicting the West of Ireland in the Nineteenth and Twentieth Centuries, Dr Marie Bourke, Keeper, Head of Education 24 James Arthur O’Connor (1792–1841), The Mill, Ballinrobe, c.1818 25 George Petrie (1790–1866), Pilgrims at Saint Brigid’s Well, Liscannor, Co. Clare, c.1829–30 6 Introduction: The Lure of the West 26 Frederic William Burton (1816–1900), In Joyce Country (Connemara, Co. Galway), c.1840 6 George Petrie (1790–1866), Dún Aonghasa, Inishmore, Aran Islands, c.1827 27 Frederic William Burton (1816–1900), The Aran Fisherman’s Drowned Child, 1841 8 Timeline: Key Dates in Irish History and Culture, 1800–1999 28 Augustus Burke (c.1838–1891), A Connemara Girl 10 Curiosity about Ireland: Guide books, Travel Memoirs 29 Bartholomew Colles Watkins (1833–1891), A View of the Killaries, from Leenane 10 James Arthur O’Connor (1792–1841), A View of Lough Mask 30 Aloysius O’Kelly (1853–1936), Mass in a Connemara Cabin, c.1883 11 Frederic William Burton (1816–1900), Paddy Conneely (d.1850), a Galway Piper 31 Walter Frederick Osborne (1859–1903), A Galway Cottage, c.1893 32 Jack B. -
WILLIAM SCOTT (B.1913 Greenock, Scotland)
WILLIAM SCOTT (b.1913 Greenock, Scotland) EDUCATION Belfast College of Art Royal Academy Schools (1935) SELECT SOLO EXHIBITIONS 2019 Paintings and Drawings: Fifties Through Eighties, Anita Rogers Gallery, New York, NY 2016 Verey Gallery, Eton College, Form – Colour – Space, Windsor, UK 2016 Fermanagh County Museum, William Scott: The Early Years, Enniskillen, Northern Ireland 2015 Fermanagh District Council Town Hall, William Scott Paintings at Enniskillen’s Town Hall, Enniskillen, Northern Ireland 2014 Pallant House gallery, Three pears and a Pan, 1955, Chichester, UK 2013 The Gordon Gallery, the Altnagelvin Mural, Derry, Northern Ireland 2013 The Ulster Museum, William Scott: Centenary Exhibition, Belfast, Northern Ireland 2013 The Hepworth Wakefield, William Scott, Wakefield, UK 2013 McCaffrey Fine Art, William Scott: Domestic Forms, New York, NY 2013 Victoria Art Gallery, William Scott: Simplicity and Subject, Bath, UK 2013 Denenberg Fine Arts, William Scott Works on Paper 1953-1986, Los Angeles, CA 2013 Karsten Schubert, William Scott 1950s Nude Drawings, London, UK 2013 Jerwood Gallery, William Scott: Divided Figure, Hastings, UK 2013 Enniskillen Castle Museum, Full-Circle: William Scott Centenary Exhibition, Enniskillen, Northern Ireland 2013 Tate St Ives, William Scott, and touring: Hepworth Wakefield; Ulster Museum, Belfast, Northern Ireland 2012 McCaffrey Fine Art at Frieze Masters, William Scott, London, UK 2010 McCaffrey Fine Art, William Scott, New York, NY 2009 F.E. McWilliam Gallery and Studio, William Scott in Ireland. Paintings, Drawings Gouaches and Lithographs 1938–1979, Banbridge, Northern Ireland 2006 Fermanagh County Museum, Celebrating William Scott: Paintings from Fermanagh County Museum, Enniskillen, Northern Ireland 2005 Denise Bibro Fine Art, William Scott Works on Paper, New York, NY 2005 Lorenzelli Arte, William Scott La voce dei colori, Milan, Italy 2005 Archeus Fine Art, William Scott. -
Charles Harper
Charles Harper Born 1943 Valencia Island, Co Kerry, Ireland. 1982 Elected to Aosdana 1997 Elected Associate Member of the Royal Hibernian Academy 2003 Elected Full Member of the Royal Hibernian Academy Studied 1958-9 Studied Film Making at Fisherkoesen Film Studios, Bonn, Germany 1961-7 National College of Art, Dublin, Limerick School of Art, 1965-6 Awarded Study/Scholarship at the Dublin Graphic Studio. 1967-8 Studied Principles of Teaching, NCAD, Dublin. Selected Solo Exhibitions 1966 Thomond Gallery, Limerick 1967 Molesworth Gallery, Dublin 1968 Brown Thomas Gallery, Dublin 1970 Gerald Davis Gallery, Dublin 1971 Gerald Davis Gallery, Dublin 1974 Emmet Gallery, Dublin: United Arts Club, Dublin: Grafikuset Futura AC, Stockholm, Sweden 1975 The Tom Caldwell Gallery, Dublin 1976 The Kevin Gallery, Limerick: Tom Caldwell Gallery, Belfast 1978 The Funge Arts Centre, Gorey, Co Wexford: The Tom Caldwell Gallery Dublin: The Stone Art Gallery, Co. Galway 1979 The Tom Caldwell Gallery, Dublin: The Triskel Arts Centre, Cork 1980 Allied Irish Banks, Limerick: Butler Gallery, Kilkenny: The Kenny Gallery, Galway 1981 The Tara Gallery, Zurich, Switzerland: The Tom Caldwell Gallery, Dublin 1982 The Triskel Arts Centre, Cork 1983 Belltable Arts Centre, Limerick: The Tom Caldwell Gallery, Dublin 1986 The Grafton Gallery, Dublin 1987 Foynes Library Gallery, Co. Limerick: Newcastlewest Library, Co Limerick: United Arts Club, Dublin: Bank of Ireland, (Citizens II), Dublin: Carroll Gallery, Longford 1988 The Doolan Moore Gallery, Athlone: Garter Lane Arts Centre, Waterford 1989 United Arts Club, Dublin 1990 Carroll Gallery, Longford: Riverrun Gallery, Four Views, Limerick Riverrun Gallery, Four Views, Dublin: Carroll Gallery, Longford: Claremorris Residency Exhibition, Co Mayo 1992 Vanguard Gallery, Macroom Co Cork: Carroll Gallery, Longford 1993 Rigas Gallery Riga, Latvia: Hallward Gallery, Dublin: United Arts Club, Dublin 1995 Hallward Gallery, Dublin 1996 The Vanguard Gallery, Macroom, Co Cork: Dolmon Gallery, Limerick. -
MAGGIE MADDEN Born 1976, Galway, Ireland Lives and Works In
mother’s tankstation 41-43 Watling Street, Usher’s Island, Dublin, D08 NP48, Ireland Morley House, 26 Holborn Viaduct, 4th floor, London EC1A 2AT, United Kingdom +353 (1) 6717654 +44 (0) 7412581803 [email protected] [email protected] www.motherstankstation.com www.motherstankstation.com MAGGIE MADDEN Born 1976, Galway, Ireland Lives and works in Dublin EDUCATION 2006 MFA Painting, National College of Art and Design, Dublin 1998 BA Painting, Limerick School of Art and Design, Limerick SOLO EXHIBITIONS 2016 somewhere in the middle, Limerick City Gallery of Art, Limerick hardly audible, mother’s tankstation, Dublin 2015 Field, RUA RED, Gallery 1, Dublin 2014 Far and Wide, The Dock, Leitrim 2012 Site Line, The LAB, Dublin 2010 Fading not Ending, Roscommon Arts Centre, Roscommon GROUP EXHIBITIONS 2017 The Way Things Go: An Homage, Butler Gallery, Kilkenny, Ireland This is Not Architecture, Highlanes Gallery, County Louth, Ireland Augmented Geology, KARST, Plymouth Virtú, Hunt Museum, Limerick 2015 Futures Anthology, Royal Hibernian Academy, Dublin Tulca Festival of Visual Art, Galway Royal Ulster Academy Annual Exhibition, Belfast 2014 Persona, ArtBox Projects, Dublin 184th Annual Exhibition, Royal Hibernian Academy, Dublin Re-Framing the Domestic in Irish Art, Highlanes Gallery, Drogheda 2013 Pallas Periodical Review, Pallas Projects, Dublin FUTURES 13, Royal Hibernian Academy, Dublin Royal Ulster Academy 132nd Annual Exhibition, Ulster Museum, Belfast Sluice Art Fair, with Jim Ricks Projects, London Claremorris Open, Co. Mayo What has been shall always never be again, Ormston House, Limerick Nailing Jelly to the Wall, MonsterTruck at Catalyst Arts, Belfast Artists on Architecture, Áras an Chontae, Tullamore, Co.Offaly 2012 Claremorris Open, Claremorris, Co.