SPIDERWEBS As Recorded by No Doubt (From the 1995 Album "Tragic Kingdom")

Total Page:16

File Type:pdf, Size:1020Kb

SPIDERWEBS As Recorded by No Doubt (From the 1995 Album SPIDERWEBS As recorded by No Doubt (from the 1995 Album "Tragic Kingdom") Transcribed by Ivan ([email protected]) Words by Gwen Stefani and Tony Kanal Music by Gwen Stefani and Tony Kanal F F G5G5 EE5 5 G5G5 x x 8fr. xoo x x ` ` xx 6fr. xoo A Intro Moderately fast rock P = 144 N.C. B`/D F/C c Gcm/B` gV V V V V V 1 4 j V k } } V k j V k } } V k } k V k } } V k I 4 } } V } } V } gV } } V u u Gtr I (drums) 6 x x 6 5 x x 5 x 3 x x 3 T 6 x x 6 6 x x 6 x 3 x x 3 A 7 x x 7 5 x x 5 x 3 x x 3 B E` B`/D Fc/A Gm/B` gV V V gV V 5 V } } V V } } V } } V V } } V V } } V } } V V j gV k } } V V } } V k } } V k j V k } } V V } } gV k } } V V I u } } } } } } } } } } } } 6 x x 6 6 x x 6 x x 6 1 x x 1 1 x x 3 x x 3 3 T 8 x x 8 8 x x 6 x x 6 1 x x 1 1 x x 3 x x 3 3 A 8 x x 8 8 x x 7 x x 7 2 x x 2 2 x x 3 x x 3 3 B B` F 9 gV V f V V V V k k k k c t k k I gV f V V t t V t t gV V f V V V V gV f V gV V V V gV V gV V V V A.H. P.M. P.M. P.M.A.H. P.M.A.H. P.M. |||||||| P.M.A.H.P.M. P.M.A.H. T 8 8 7 7 5 5 [10] A 1 1 0 0 8 7 8 [8] [8] [8] [8] B 3 3 1 0 8 6 6 6 6 6 6 6 6 6 6 sl. D F F D B` 1995,1996 WB Music Corp. Printed using TabView by Simone Tellini - http://www.tellini.org/mac/tabview/ SPIDERWEBS - No Doubt Page 2 of 9 B Verses 1 & 2 B` F B` 13 k k c t k k k k c t k k I t V V t t V t t gV V gV V V V gV V gV V V V A.H. A.H. P.M.A.H. P.M. |||||||| P.M. P.M. P.M.A.H. P.M.A.H. P.M. |||||||| P.M.A.H.P.M. P.M.A.H. T [10] [10] A [8] 8 [8] [8] [8] [8] B 8 8 6 6 6 6 6 6 6 6 6 6 6 6 B` A D F F D B` F B` 17 k k c t k k I t V t c t gV V gV V V V V A.H. P.M.A.H. P.M. |||||||| P.M.A.H.P.M. A.H. T [10] A [8] [8] [8] B 8 6 6 6 6 6 1 3 B` A D D sl. H C Pre-Chorus 1 & 2 E`5 F5 B` 21 gV V V V V V V V V V V V V V V V V V V V V V V V gV V V V V V V } } V V V V V V V } } gV V V V V V V } } I V V V V V V V V V V V f } } V V V V V V V } } V V V V V V V } } gV f } } } } V V V V V V V f } } T 3 8 8 8 8 8 8 8 x x 10 10 10 10 10 10 10 x x 7 7 7 7 7 7 7 x x A 3 5 5 8 8 8 8 8 8 8 x x 10 10 10 10 10 10 10 x x 8 8 8 8 8 8 8 x x B 1 3 3 5 6 6 6 6 6 6 6 x x 8 8 8 8 8 8 8 x x 8 8 8 8 8 8 8 x x 6 6 6 6 6 6 6 x x sl. 1995,1996 WB Music Corp. Printed using TabView by Simone Tellini - http://www.tellini.org/mac/tabview/ SPIDERWEBS - No Doubt Page 3 of 9 D Chorus Gm E` F TB` 8va U 25 V V V V V V V V V V U gV V V gV V V V V V V V V U I V V V V V V V V V V V V V V V V V U V V V V V V V V V gV f V t t t t t t A.H. 3 T 3 3 3 8 8 8 8 8 8 8 8 8 10 3 3 3 8 8 8 8 8 8 8 8 8 10 A 5 5 5 5 5 5 5 5 8 8 8 8 8 8 8 8 8 10 B 5 5 5 5 5 5 5 5 6 6 6 6 6 6 6 6 6 8 1 [1] [1] [1] [1] [1] [1] 0 3 3 3 3 3 3 3 3 0 D D B` B` F F U I U Gtr II T 10 10 A 10 B sl. I U Gtr III T A 3 B 3 sl. F G B` 8va 8va 8va 8va 29 I gV V f V V V V V V V V V V gV f V gV f V t t t t t t t t t t t t t t t t A.H. A.H. A.H. A.H. T A 1 1 0 0 B 3 3 1 0 1 [1] [1] [1] [1] [1] [1] 0 1 [1] [1] [1] [1] [1] [1] 1 3 3 [3] 3 [3] [3] [3] 0 A F E` C A A G D G G D D B` B` F F 1995,1996 WB Music Corp. Printed using TabView by Simone Tellini - http://www.tellini.org/mac/tabview/ SPIDERWEBS - No Doubt Page 4 of 9 1. F G 8va 8va 8va 33 k V k t I gV V f V V V V V V V V V V gV f V gV V V V t t t t t t t t t t A.H. A.H. A.H. P.M. P.M. P.M.A.H. T A 1 1 0 0 8 [8] B 3 3 1 0 1 [1] [1] [1] [1] [1] [1] 1 3 3 [3] 3 [3] [3] [3] 0 6 6 6 6 A F E` C A A G D G G D 2., 3. F B` 37 k k c t k k k k c t I t V t t t V gV V gV V V V gV V gV V f V V V V gV f V A.H. A.H. P.M.A.H. P.M. |||||||| P.M.A.H.P.M. P.M.A.H. P.M.A.H. P.M. |||||||| T [10] [10] A [8] [8] [8] [8] 1 1 0 0 B 8 8 3 3 1 0 6 6 6 6 6 6 6 6 F F D B` B` A B` F Gm Gtr II_c k _c k _c k _c k c c c c c c c c 41 V k V k V k V k c k c k c k c k k k k k gV V V V gV V V V I V V V V V V V V V V V V gV V f V V V V V V V V V V V V V V V V gV f V T 3 3 3 3 3 3 3 3 3 3 3 3 A 3 3 3 3 3 3 3 3 5 5 5 5 1 1 0 0 B 1 1 1 1 3 3 3 3 5 5 5 5 3 3 1 0 1 1 1 1 3 3 3 3 to Coda B` F5 Gm c c c c c c c c 45 V k V k V k V k c k c k c k c k k k k k gV V V V gV V V V I V V V V V V V V V V V V gV V f V V V V V V V V V V V V V V V V gV f V T 3 3 3 3 3 3 3 3 3 3 3 3 A 3 3 3 3 3 3 3 3 5 5 5 5 1 1 0 0 B 1 1 1 1 3 3 3 3 5 5 5 5 3 3 1 0 1 1 1 1 3 3 3 3 1995,1996 WB Music Corp. Printed using TabView by Simone Tellini - http://www.tellini.org/mac/tabview/ SPIDERWEBS - No Doubt Page 5 of 9 E Guitar Solo G5 E`5 Gtr III^ ^ ^ ^ V V V V V W V W V V 49 k V V V V V I V u u u 1 1/2 FullM M O T 10 12 10 12 12 12 12 12 12 12 12 10 10 12 A 10 12 B H P sl.
Recommended publications
  • Thinking on 4:44 [DWR, 7.7.17]
    Thinking on 4:44 [DWR, 7.7.17] There is little room for debate in pointing to JAY Z ’s new album as important. The tight, ten-track release – with a bonus three cuts on CD and vinyl – presents as watershed because of popular attending to the vulnerability put center, and because of JAY Z’s deep Black identities that anchor the long play. Bluntly, mainstream isn’t used to the complexity of adult men of color outlining mistakes, assuming responsibility, and maintaining fidelity to their Culture in ways that remain unapologetic while also apologizing to those they’ve hurt. This humanness is publicly relegated to a special-whiteness. So then, when a Black man occupies this human touch he becomes a novelty, ironically objectified with his break from typical objectification and reduction to stereotype. No doubt, JAY is a special one. He is a master artist, a clever businessman and has effectively worked the angles to become iconic without being a clown. The strength of 4:44 is not in the trappings, rather it’s in the letting go. The sub-sixty- minute narrative wins as a statement of psychological balance. It is a release of the shame assumed in trying to fit to that special-whiteness, in performance to the respectability gaze that has us tapping to a rhythm that is not our own. Producer No I.D. pivots from Nina Simone to Donny Hathaway to Stevie Wonder and other thick soul samples as a blueprint for freedom fighting, allowing JAY Z the space to take deep breaths and to be.
    [Show full text]
  • Flagstaff Men's Fashion Unless the New Car You Lust After Is a BMW 7-Series
    THE Page 2 Steady as a rock for No Doubt Alu mjn »<jjh just could not wait Etcetera Writer Jl s rj | any longer to release their most However soon the ska boom hit and abandoned popular experimental album radio, No Doubt, and especially Gwen Stefani, we're not so crazy yet. easily forgotten. Stefani, recognized for her pink hair and 'cause that's Rolling Stone eccentric fashion sense, guided No Doubt to the top of the all our influ­ Magazine says charts with songs like "Don't Speak" and ")ust a GirJ" in ences. I about the album: 1996. Gwen also guided the likes of songwriter Moby and mean, we "The music on Rock rapper Eve to the top of the charts with the help of her dis­ grew up lis­ Steady is simple tinguishable vocals on "South Side" and "Let Me Blow Va tening to and propulsive, Mind.1' No Doubt has released their fifth album, Rock English ska which... forces the Steady, which proves to be a collection of eclectic, danceable and then reg­ songs to improve." tunes. - . gae and all And the songs defi­ Return of Saturn, released in 2(X)0, was an effort in which that stuff. nitely improve, with No Doubt wanted to prove that they were a band of talent­ And then the strong efforts of ed, maturi1 musicians. "A Simple Kind of Life," Gwen's we're from the entire band— attempt to deal with the crisis of turning 30, was, no doubt, Orange both the well a masterpiece written by Stefani.
    [Show full text]
  • Leave No Doubt a CREDO for CHASING YOUR DREAMS NHL.Com by Mike Babcock with Rick Larsen
    Leave No Doubt A CREDO FOR CHASING YOUR DREAMS NHL.com By Mike Babcock with Rick Larsen INSIDE THIS ISSUE: Summary In Brief Summary In Brief 1 About the Author 1 Are you ready to commit to your dreams? Leadership Lessons 2-4 Do you believe your time has come? Are Key Questions 4 you reaching your potential? Are you ready Critical Evaluation 4 to be better than good enough? These are The Credo 5 just some of the questions you will be reflecting on as you read through Mike Connections to 5 Leadership Babcock’s book “Leave No Doubt: A Credo for Chasing Your Dreams. Babcock with help from Rick Larsen has created a book that addresses many aspects of life and leadership. Words from Mike This book will motivate any leader whether you “Overnight success looks like overnight to the people who are a coach, CEO, principal or captain of team. don’t know. It hasn’t hap- Through the lens of the Vancouver 2010 Men’s pened without obstacles or adversity. I’ve had my share Olympic hockey finals, Babcock uses practical of speed bumps. Truth is no examples and stories to examine fundamental matter what you’ve accom- topics that apply to leadership and success plished, the speed bumps never stop coming. And that’s such as adversity, effective leadership, and ok, that’s life. It makes things creating solid foundations . interesting. It makes things exciting. Ultimately it can make things great.” (p.108) About the Author Mike Babcock has won at every level of hockey.
    [Show full text]
  • Cool Cozy, Sexy
    PATTON OSWALT • SHARON JONES • SWOON • AWKWARD BLACK GIRL’s issa rae FOR DE WOMEN C WITH THE /JAN 2014 SOMETHING SEXIEST TO GET CELEB FANFIC OFF THEIR p. 87 CHESTS GIRL ON 51 “It’s NO-FAIL A FIRE LL RI PARAMORE’s T E TO T GIFT R UCK Hayley IDEAS A LL NI Williams STarTinG AT ght!” UNDER $5! Rookie Mag’s Throw a TAVI Cookie GEVINSON Party! BUST.COM DEC/JAN 2014 - VOLUME 84 Cozy, Sexy, DISPLAY UNTIL JAN 27 HAVE THE BEST HOLIDAYS EVER Cool BUST.COM 38 . DEC/JAN 2014 . BUST Pretty IN Punk DRESS: NICOLE MILLER BODYSUIT: OYE Fierce and feminist, Hayley Williams—the frontwoman of the pop-punk band Paramore— is a rock star for an enlightened generation. Here, she opens up about band drama, selling sex, and her secret dreams BY MOLLY SIMMS PHOTOGRAPHED BY EMILY SHUR STYLED BY JAK MAKEUP BY GREGORY ARLT HAIR BY BRIAN O’CONNOR 39 Y SOME MEASURES, Hayley Williams, the lead singer of the pop-punk band Paramore, seems like a fairly regular 25-year-old. She crafts her ass off, shops at thrift stores, and loves to experiment with hair dye. In fact, despite her hordes of Twitter followers (around 3.5 million at last count), the numerous Web sites devoted to her opinions and outfits, and the way-too-obsessive media analy- sis of her comings-and-goings, Williams is shockingly normal. So normal that, while talking to her, you almost forget that while your average Tuesday-night plans revolve around watching House Hunters, hers might consist of playing a sold-out show at Lon- don’s Wembley Arena.
    [Show full text]
  • Student Pepper-Sprayed in Altercation with Police Cat Sacrifices Itself For
    Volume CXV, edition 1 Since 1949 January 23. 2008 Student pepper-sprayed in altercation with police by Joseph Rios Once pulled over, the of- searched the students, the other find a half empty bottle of vodka. wet, he said. ficer said he smelled marijuana, searched the inside of Ibarra’s Ford Ibarra (24), Aguirre (21) claim “Then he threw me on the Editor In Chief spokesperson for the District District Police pepper Mustang. that the bottle had been there for ground,” Vazquez said. “He had all Police Lieutenant Richard Gaines sprayed and cited Fresno City The officer asked Vazquez days. Vazquez (20), said he only of his weight on me and I was on said. College student Michael Vazquez if he had any knives. Vazquez learned of the bottle after the police my stomach.” Upon noticing this, the after he refused to sit on a wet produced his pocketknife keychain search. Gaines said one of the pas- officer asked the three students curb in the McKinley parking lot and the officer allowed him to When one of the officers sengers (Vazquez) refused com- to step out of the car so he could Tuesday morning. keep it. asked Vazquez to sit on the curb, he mands from the officer and be- investigate further. Officers initially spotted “I was being cooperative,” squatted down. The officer asked came combative. This led to the Daniel Ibarra (the driver), the vehicle because one passenger Vazquez said. him to sit all of the way down and altercation. Carlos Aguirre, and Vazquez ex- appeared to be violating the seat Officers found no drugs or to cross his legs.
    [Show full text]
  • SUNDAY MORNING As Recorded by No Doubt (From the 1995 Album "Tragic Kingdom")
    SUNDAY MORNING As recorded by No Doubt (from the 1995 Album "Tragic Kingdom") Transcribed by Phenom Words by Gwen Stefani, Tony Kanal & Eric Stefani Music by Gwen Stefani, Tony Kanal & Eric Stefani A A CCmm E E FFmm B B xo o x bb 4fr. o oo bb x 2fr. A Intro Moderately P = 80 N.C. E Cbm E Cbm E Cbm E Cbm 8va 8va g 1 g g 4 j k W W W V k I g 4 V V u u Gtr I ||||||||||||||||||||||||||||||| T 17 17 17 17 A 16 16 B E Cbm E Cbm E Cbm E Cbm 8va g V V W W 6 g g V I g 16 16 16 16 T 17 A B g gg V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V I g V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V Gtr II 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 T 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 A 4 4 4 4 6 6 6 6 4 4 4 4 6 6 6 6 4 4 4 4 6 6 6 6 4 4 4 4 6 6 6 6 B B Verse I E Cbm E Cbm E Cbm E Cbm g } } V } V } } V } V } } V } V } } V } V } } V } V } } V } V } } V } V } } V } V 10 g g } } V } V } } V } V } } V } V } } V } V } } V } V } } V } V } } V } V } } V } V I g } } V } V } } V } V } } V } V } } V } V } } V } V } } V } V } } V } V } } V } V Gtr II x x 4 x 4 x x 4 x 4 x x 4 x 4 x x 4 x 4 x x 4 x 4 x x 4 x 4 x x 4 x 4 x x 4 x 4 T x x 5 x 5 x x 5 x 5 x x 5 x 5 x x 5 x 5 x x 5 x 5 x x 5 x 5 x x 5 x 5 x x 5 x 5 A x x 4 x 4 x x 6 x 6 x x 4 x 4 x x 6 x 6 x x 4 x 4 x x 6 x 6 x x 4 x 4 x x 6 x 6 B Printed using TabView by Simone Tellini - http://www.tellini.org/mac/tabview/ SUNDAY MORNING - No Doubt Page 2 of 8 A Cbm E g 14 g g I g V V V V V V V V V V V V V V V V V V V V V V V V V V Gtr I
    [Show full text]
  • Total Reggae Special Request
    Total Reggae Special Request Worshipping and wider Robert remerge unsymmetrically and invocating his proxies tacitly and worse. Paolo write-offs his exemplifier emigrating industrially or glacially after Andy cheers and liquidate widely, unintended and movable. Fraught Linoel press, his billionaire fringes steam-roller reputably. If this is responsible for the username is incredible, the date hereof, you tell us what your favorite of mammoth weed mountain recommended friend Promos with an option either does not allowed to request. As co-host and DJ on Riddim Base their daily cap on the pioneer reggae. Face VALUEWEA GUNTHER HEEFS SPECIAL REQUEST polydor SINGLES. Listen for Total Reggae Special importance by Various Artists on Apple Music Stream songs including Dust a Sound of No Threat with more. Your location couldn't be used for people search by that your device sends location to Google when simultaneous search. The time Night Hype December 30 2020 KPFA. By nitty gritty, or desertcart makes reasonable efforts to haunt him and verify your own image. We also unreleased outtakes and custom playlists appear on the settings app on. Total Reggae Special Request by Various Artists Beagle Barrington Levy. Special honor To The Manhattans Phillip Frazer Cree. Choose which no longer work. VARIOUS ARTISTS TOTAL REGGAE SPECIAL REQUEST CD. Decade of reggae music you request: special request by sharing a requested song, music or phone. Has been six years since levy albums receive increasingly exciting new horizons is de pagina gaf de derde tel van lee scratch perry en muzikant. Regarding the facility, please release our gradings. Only on reggae jammin plus others by the total reggae is special request.
    [Show full text]
  • Leila El Bashir Serious Listeners of Music Often Talk About Their Favorite Songs and Bands in Terms of Their Favorite Genres, Ho
    THE DEATH OF PUNK: REINCARNATION OF A DEAD GENRE Leila El Bashir Serious listeners of music often talk about their favorite songs and bands in terms of their favorite genres, however, most listeners do not have a clear conception of what it means for a piece of music to be categorized in a specific genre. Genre is a form of classification that most people correlate strictly with musical style, that is, the way a song sounds. People do not realize that genres today are becoming more like artificial categories defined by the music industry and popular culture to commodify and commercialize music. This popular culture can be summed up to what Theodor Adorno and Max Horkheimer, in The Culture Industry: Enlightenment as Mass Deception, terms the culture industry. They suggest that culture and its products, such as music, are being commodified and that culture as a common denominator already contains in its embryo that schematisation and process of cataloguing and classification which bring culture within the sphere of administration (7). In this way, genres can be viewed as a branch of the culture industry, being a form of classification that can be managed by culture administration. Therefore, one can see how culture and genre interact. Furthermore, David Brackett in his article, Musical meaning: genres, categories, and crossover, suggests how genres are more than musical style: Genres bring with them connotations about music and identity which may encode specific affective qualities such as conformity, rebelliousness, commercialism, selling out, art for arts sake; and may encode a whole variety of social characteristics (66).
    [Show full text]
  • John Malin “Leave No Doubt” Scholarship
    John Malin “Leave No Doubt” Scholarship A native of Chicago, Illinois, John Malin moved to Wisconsin where he attended the University of Wisconsin-Oshkosh to earn his teaching degree. John began teaching at Kimberly High School where he specialized in health, physical education, CPR, and sports medicine for the next 40 years. John (Coach Malin) was the man responsible for keeping Kimberly athletics competitive. Before schools had professional trainers, Coach Malin spent many countless hours rehabbing student athletes. He was also involved with coaching softball, powerlifting and he thoroughly enjoyed being the voice of the Kimberly Football Family for over 30 years. John led by example, giving 100% in everything he did and expected the same from others. John’s hobbies included cutting wood, lifting weights, fishing and hunting. John’s love of the outdoors was most enjoyed on his 30 acres in Iola. This scholarship was established in John’s memory by his family and friends to benefit a student who is making a difference in another person’s life. Eligibility: Graduating seniors from Kimberly High School who plan to attend an accredited college, university, or technical school. Nominations from teaching and coaching staff will be based on the following student characteristics: • Serves others • Displays courage and perseverance in overcoming obstacles and dealing with adversity • Possesses a love that shines humbly and makes the work a better place Award Amount: One $1,000 non-renewable scholarship award, payable after successful completion of the first semester of post-secondary schooling. Selection: From the pool nominations, recipients are selected each spring by members of the Kimberly High School Athletic Department, along with a member of John’s family.
    [Show full text]
  • Gwen Stefani Is Still Showing Us How It’S Done—Woman, Wife, Mother, Designer—All 100 Percent Tabloid-Free
    THE ALL-STAR FIFTEEN YEARS AFTER FIRST TOPPING THE CHARTS, NO DOUBT HAS A NEW ALBUM COMING, AND GWEN STEFANI IS STILL SHOWING US HOW IT’S DONE—WOMAN, WIFE, MOTHER, DESIGNER—ALL 100 PERCENT TABLOID-FREE. A ROCK ICON ON AND OFF STAGE, STEFANI TALKS MUSIC AND FASHION AND MAKING THE SLEEVE TO WEAR YOUR HEART ON. BY CANDICE RAINEY PHOTOGRAPHED BY dusan reljin S T Y L E D B Y andrea lieberman E L L E 284 www.elle.com EL0511_WLGwen_MND.indd 284 3/24/11 12:33 PM Beauty Secret: For a vintage-inspired cat- eye, pair liquid liner with doll-like lashes. Try Lineur Intense Liquid Eyeliner and Voluminous Mascara, both in black, by L’Oréal Paris. Left: Knitted jet-stone- beaded top over white-pearl- embroidered tank top and black fringe skirt, Gaultier Paris. Right: Sleeveless silk jumpsuit, Alessandra Rich, $2,200, visit net-a-porter.com. Necklace, Mawi, $645. For details, see Shopping Guide. www.elle.com 285 E L L E EL0511_WLGwen_MND.indd 285 3/24/11 12:33 PM E L L E 286 www.elle.com EL0511_WLGwen_MND.indd 286 3/24/11 12:33 PM Above left and right: Stretch crepe cape dress, L.A.M.B., $425, call 917-463-3553. Brass- plated pendant necklace with cubic zirconia, Noir Jewelry, $230. Leather pumps, Christian Louboutin, $595. Lower left and right: Stretch wool dress with leather trim, Givenchy by Riccardo Tisci, $4,010, at Hirshleifer’s, Manhasset, NY. Leather pumps, Christian Louboutin, $595. For details, see Shopping Guide. HAIR BY DANILO AT THE WALL GROUP; MAKEUP BY CHARLOTTE WILLER AT ART DEPARTMENT; MANICURE BY ELLE AT THE WALL GROUP; PROPS STYLED BY STOCKTON HALL AT 1+1 MGMT; FASHION ASSISTANT: JOAN REIDY www.elle.com 287 E L L E EL0511_WLGwen_MND.indd 287 3/24/11 12:33 PM Chrissie Hynde once said, “If you’re an ugly duckling—and most of us are, in rock bands—you’re not trying to look good.
    [Show full text]
  • She's So Unusual
    “She’s So Unusual”--Cyndi Lauper (1983) Added to the National Registry: 2018 Essay by Dale Sherman (guest post)* Album cover Original label Back of album When Cyndi Lauper was signed to Portrait Records to do a solo album in Fall 1982, the plans by those at the label for the recording sessions were not that unusual: place the spunky unknown in front of a microphone to sing songs producer Rick Chertoff had collected and be satisfied with a hit single or two. Little did they realize that Cyndi was not some waif-like innocent, unfamiliar with the big, bad world of the music business. Instead, through her determination to make sure her personality and creativity came through in the music, “She’s So Unusual” (released October 1983), would result in four U.S. top ten singles (and a fifth that made the top forty), multiple awards from the recording and video industries, and ultimately produce a legacy of material that has been remixed, reinvented, and interpreted by many fellow artists over the years. Born June 22, 1953 in Brooklyn, Cyndi had already been a professional singer for nearly ten years before beginning work on “She’s So Unusual,” and was quite wise to the inevitable ups and downs that come with making it in the music business. Cyndi’s early years in cover bands meant only long hours with little creative output, and eventually having to spend a long year with a voice coach to regain her four-octave vocal range after damaging her vocal cords by using improper voice technique.
    [Show full text]
  • NAMM,MTV and the Value of Foot Soldiers
    EDITORIAL shoulders of the local merchants. The industry's foot soldiers. If. as anticipated. the MTV promo NAMM,MTV deli vers a steady stream of traffic to local stores. and the local stores fai I to make use of the MTV AMM supplied point-of-purchase materials. And The Value then the entire exercise will be a complete waste of time. The message here is pretty straightforward. 'AMM is doing something that could be beneficial Of Foot Soldiers for the industry at large however. unless local rocter & Gamble is generally regarded as the merchants participate. many of whom continually Pworld's avviest consumer marketing finn. The lament the lack of national industry promotion. the makcr of Crest toothpaste. Jvory soap. and scorcs of effort wi II flop. other well known brands pioneered modem I n the past. we have criticized most industry advertising. all but invented market research. and promotion efforts because they were either probably knows more about how to influence impractical. unaffordable. self-serving to a few consumer buying habits than any other enterprise parties. or some combination of all three. The on the planet. So. it comes somewhat as a surprise industry can't afford network television: collective that in a recent speech. Procter & Gamble's retail promotions rarely work because competitive chairman attributes much of the company"s global retailers are reluctant to join forces and risk blurring success to its team of 5.000 crack field salesmen. their identity within their market: and These aren't the guys who draft witty slogans, pore manufacturers usually dislike their competitors with over demographic research, or design irresistible such intensity that they can't resist trying to trip up packaging: these are the ones who visit SlOres and the other guy.
    [Show full text]