Pushti Sahitya Khajano 2017
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Invaluable Books of Brahmvidya
INVALUABLE BOOKS OF BRAHMVIDYA VACHANAMRUT AND SWAMI NI VAATO 1 Table of Contents PART 1 - BRAHMVIDYA ......................................................................................................... 6 1.1 The capacity of the human-brain to learn several kinds of knowledge ............................................... 6 1.2 The importance of Brahmvidya (Knowledge of atma) .......................................................................... 7 1.3 The Imporance and the necessity of Brahmvidya .................................................................................. 8 PART 2 - VACHANAMRUT…………..…………………………………...………..…………14 2.1 The aspects of Vachanamrut and the subjects explained therein ....................................................... 15 2.1.1 The aspects of Vachanamrut ......................................................................................................... 15 2.1.2 The topics covered in the Vachanamrut are spiritual, not mundane or worldly………………………………………………………………..………………16 2.2 Essence, secrets, and principle of all the scriptures in Vachanamrut ......................................... 18 2.3 Opinions About The Vachanamrut ................................................................................................. 21 2.3.1 The opinions of the Gunatit Gurus .............................................................................................. 21 2.3.2 The opinions of prominent learned personalities ....................................................................... 22 2.4 The -
The Rich Heritage of Dhrupad Sangeet in Pushtimarg On
Copyright © 2006 www.vallabhkankroli.org - All Rights Reserved by Shree Vakpati Foundation - Baroda ||Shree DwaDwarrrrkeshokesho Jayati|| || Shree Vallabhadhish Vijayate || The Rich Heritage Of Dhrupad Sangeet in Pushtimarg on www.vallabhkankroli.org Reference : 8th Year Text Book of Pushtimargiya Patrachaar by Shree Vakpati Foundation - Baroda Inspiration: PPG 108 Shree Vrajeshkumar Maharajshri - Kankroli PPG 108 Shree Vagishkumar Bawashri - Kankroli Copyright © 2006 www.vallabhkankroli.org - All Rights Reserved by Shree Vakpati Foundation - Baroda Contents Meaning of Sangeet ........................................................................................................................... 4 Naad, Shruti and Swar ....................................................................................................................... 4 Definition of Raga.............................................................................................................................. 5 Rules for Defining Ragas................................................................................................................... 6 The Defining Elements in the Raga................................................................................................... 7 Vadi, Samvadi, Anuvadi, Vivadi [ Sonant, Consonant, Assonant, Dissonant] ................................ 8 Aroha, avaroha [Ascending, Descending] ......................................................................................... 8 Twelve Swaras of the Octave ........................................................................................................... -
Know Your Heritage Introductory Essays on Primary Sources of Sikhism
KNOW YOUR HERIGAGE INTRODUCTORY ESSAYS ON PRIMARY SOURCES OF SIKHISM INSTITUTE OF S IKH S TUDIES , C HANDIGARH KNOW YOUR HERITAGE INTRODUCTORY ESSAYS ON PRIMARY SOURCES OF SIKHISM Dr Dharam Singh Prof Kulwant Singh INSTITUTE OF S IKH S TUDIES CHANDIGARH Know Your Heritage – Introductory Essays on Primary Sikh Sources by Prof Dharam Singh & Prof Kulwant Singh ISBN: 81-85815-39-9 All rights are reserved First Edition: 2017 Copies: 1100 Price: Rs. 400/- Published by Institute of Sikh Studies Gurdwara Singh Sabha, Kanthala, Indl Area Phase II Chandigarh -160 002 (India). Printed at Adarsh Publication, Sector 92, Mohali Contents Foreword – Dr Kirpal Singh 7 Introduction 9 Sri Guru Granth Sahib – Dr Dharam Singh 33 Vars and Kabit Swiyyas of Bhai Gurdas – Prof Kulwant Singh 72 Janamsakhis Literature – Prof Kulwant Singh 109 Sri Gur Sobha – Prof Kulwant Singh 138 Gurbilas Literature – Dr Dharam Singh 173 Bansavalinama Dasan Patshahian Ka – Dr Dharam Singh 209 Mehma Prakash – Dr Dharam Singh 233 Sri Gur Panth Parkash – Prof Kulwant Singh 257 Sri Gur Partap Suraj Granth – Prof Kulwant Singh 288 Rehatnamas – Dr Dharam Singh 305 Know your Heritage 6 Know your Heritage FOREWORD Despite the widespread sweep of globalization making the entire world a global village, its different constituent countries and nations continue to retain, follow and promote their respective religious, cultural and civilizational heritage. Each one of them endeavours to preserve their distinctive identity and take pains to imbibe and inculcate its religio- cultural attributes in their younger generations, so that they continue to remain firmly attached to their roots even while assimilating the modern technology’s influence and peripheral lifestyle mannerisms of the new age. -
Baps Swaminarayan Sanstha Bal Satsang Examinations
BAPS SWAMINARAYAN SANSTHA BAL SATSANG EXAMINATIONS SATSANG VIHAR - 1 : PRACTICE PAPER - 3 Time: 2 hrs. ANSWER PAPER - 3 Total Marks : 100 Q.1 Write the lett er of the correct answer in the appropriate box. [50] 1. Gunati tand Swami wished for Satsang to spread to ________in the world? (1) every leaf of every tree (2) every conti nent (3) every house 1. 2. Which shatras were given by Bhagwan Swaminarayan ? (1) Vachanamrut (2) Shikshapatri (3) Both of them 2. 3. What did rishis experience in the jungles, caves or on mountains? (1) devoti on (2) moksha (3) inner peace 3. 4. ‘Akshar vat’ means Shriji Maharaj is ever present on Earth through whom? (1) gunati t guru parampara (2) dharma parampara 4. (3) vansh parampara 5. Who said, “God is the giver of names to all things”? (1) Muktanand Swami (2) Brahmanand Swami (3) Shriji Maharaj 5. 6. What is disservice? (1) improper service (2) service as per our wish 6. (3) to perceive faults in others 7. ‘Gunati tam Gurum prapya…’- When should we sing this shloka? (1) for puja (2) before meals (3) for dhyey mantra and purnahuti 7. 8. How many sadhus did Bhagwan Swaminarayan initi ate as Paramhansas? (1) 500 (2) 1000 (3) 3000 8. 9. Who is the leader of BAPS Sanstha? (1) Shastriji Maharaj (2) Yogiji Maharaj (3) Pramukh Swami Maharaj 9. 10. Which are the main shastras of BAPS Sanstha? (1) Vachanamrut, Swami ni Vato (2) Vachanamrut, Shikshapatri 10. (3) Vachanamrut, Swami ni Vato, Shikshapatri 11. Where was the arti writt en? A. -
Gates of the Lord: the Tradition of Krishna Paintings
FOR IMMEDIATE RELEASE JULY 29, 2015 MEDIA CONTACTS: Amanda Hicks Nina Litoff (312) 443-7297 (312) 443-3363 [email protected] [email protected] GATES OF THE LORD: THE TRADITION OF KRISHNA PAINTINGS AT THE ART INSTITUTE TO OFFER RARE GLIMPSE INTO ONE OF THE WORLD’S MOST INTIMATE AND PRIVATE RELIGIOUS TRADITIONS More than 100 Artworks from India and the United States Come Together in Chicago for a Groundbreaking Exhibition of Unique Indian Visual Culture CHICAGO—The Art Institute is proud to announce the opening of the highly anticipated special exhibition, Gates of the Lord: The Tradition of Krishna Paintings, on September 13, 2015 in Regenstein Hall where it will remain on view to audiences through January 3, 2016. Join the Art Institute of Chicago this fall to experience a stunning installation of more than 100 objects including pichvais—intricately painted cloth hangings—celebrating Shrinathji, a form of the Hindu god Krishna. This first of its kind large-scale exploration at any American museum of the art and aesthetics of the Pushtimarg sect of Hinduism, Gates of the Lord comprises a magnificent assembly of drawings, pichvais, paintings, and historic photographs. Madhuvanti Ghose, the Alsdorf Associate Curator of Indian, Southeast Asian, Himalayan and Islamic Art, highlights the special context for this exhibition saying, “This is a chance to showcase this very special artistic tradition to our audiences in the United States. Nathdwara and its artists are renowned for having preserved painting traditions in an unbroken legacy for more than four centuries. The exhibition provides us with an opportunity to celebrate these living traditional artists who have gone unrecognized for too long.” The extraordinary Lead Sponsorship of Nita and Mukesh Ambani and the Reliance Foundation and the generosity Anita and Prabhakant Sinha made it possible to borrow these artistic treasures from two prestigious and rarely exhibited private collections from India, the Amit Ambalal Collection (Ahmedabad, India) and the TAPI Collection (Surat, India). -
Universal Relevance of Guru Granth Sahib by Col (Dr) Dalvinder Singh Grewal
Universal Relevance of Guru Granth Sahib By Col (Dr) Dalvinder Singh Grewal Awal Allah noor upaaia kudrat ke sab bande Eik noor te sab jag upjeya kaun bhale ko mande. (1349) (From the One and the same Light, the entire universe came into existence. How can there be good or bad among them?) “I have studied the scriptures of great religions, but I do not find elsewhere the same power of appeal to the heart and mind as I find in these volumes (of Sri Guru Granth Sahib ).” - Pearl S. Buck, Noble Laureate “In the coming religious debate, the Sikh religion and its scripture, Guru Granth, will have something special of value to say to the rest of the world.” - Arnold Toynbee, historian “It would rank almost first in the world. Of no other religion can it be said that it has made a nation in so short a time.” - Dorothy Field n 10 December 1948, UNO General Assembly passed Maati eik aneik bhaant kar saaji saajanhaarey resolution No. 217-A on human rights stating, “All O . human beings are born free and equal in dignity and rights. Na kachh poch maatee ke bhaandei na kachh poch kumbhaarei They are endowed with reason and conscience and should act Sabh meh sacha eiko soee tis ka keeya sab kachh hoee towards one another in a spirit of brotherhood.” Hukam pachhanei su eiko jaanei bandaa kahee-e-i soee Allaah alakh na jaaee lakhia gur gurh deena meethaa Sri Guru Granth Sahib, the Supreme Sikh Scripture, already Keh Kabir meri sanka naasee sarab niranjan deethaa (1350) preaches all this vehemently and in much clearer and stronger terms. -
University of Kerala Ba Music Faculty of Fine Arts Choice
UNIVERSITY OF KERALA COURSE STRUCTURE AND SYLLABUS FOR BACHELOR OF ARTS DEGREE IN MUSIC BA MUSIC UNDER FACULTY OF FINE ARTS CHOICE BASED-CREDIT-SYSTEM (CBCS) Outcome Based Teaching, Learning and Evaluation (2021 Admission onwards) 1 Revised Scheme & Syllabus – 2021 First Degree Programme in Music Scheme of the courses Sem Course No. Course title Inst. Hrs Credit Total Total per week hours credits I EN 1111 Language course I (English I) 5 4 25 17 1111 Language course II (Additional 4 3 Language I) 1121 Foundation course I (English) 4 2 MU 1141 Core course I (Theory I) 6 4 Introduction to Indian Music MU 1131 Complementary I 3 2 (Veena) SK 1131.3 Complementary course II 3 2 II EN 1211 Language course III 5 4 25 20 (English III) EN1212 Language course IV 4 3 (English III) 1211 Language course V 4 3 (Additional Language II) MU1241 Core course II (Practical I) 6 4 Abhyasaganam & Sabhaganam MU1231 Complementary III 3 3 (Veena) SK1231.3 Complementary course IV 3 3 III EN 1311 Language course VI 5 4 25 21 (English IV) 1311 Language course VII 5 4 (Additional language III ) MU1321 Foundation course II 4 3 MU1341 Core course III (Theory II) 2 2 Ragam MU1342 Core course IV (Practical II) 3 2 Varnams and Kritis I MU1331 Complementary course V 3 3 (Veena) SK1331.3 Complementary course VI 3 3 IV EN 1411 Language course VIII 5 4 25 21 (English V) 1411 Language course IX 5 4 (Additional language IV) MU1441 Core course V (Theory III) 5 3 Ragam, Talam and Vaggeyakaras 2 MU1442 Core course VI (Practical III) 4 4 Varnams and Kritis II MU1431 Complementary -
Substantial and Substantive Corporeality in the Body Discourses of Bhakti Poets
Perichoresis Volume 18.2 (2020): 73–94 DOI: 10.2478/perc-2020-0012 SUBSTANTIAL AND SUBSTANTIVE CORPOREALITY IN THE BODY DISCOURSES OF BHAKTI POETS YADAV SUMATI* PG Govt. College for Girls, Chandigarh, India ABSTRACT. This paper studies the representation of human corporeal reality in the discours- es of selected Bhakti poets of the late medieval period in India. Considering the historical background of the Bhakti movement and contemporary cultural milieu in which these mystic poets lived, their unique appropriation of the ancient concept of body is reviewed as revolu- tionary. The focus of the study is the Kabir Bijak, Surdas’s Vinay-Patrika, and Tulsidas’s Vinay- Patrika, wherein they look at and beyond the organic corporeality and encounter human body not as a socially, religiously, economically stamped noble body or lowly body; male body or female body, but a human body. This paper explores how, like existential phenomenologists, these poet/singers decode the material reality of human beings and link it to the highest goal of achieving Moksha (liberation from the cycle of birth-death) by making body a vulnerable but essential instrument towards spiritual awakening. The paper also reflects upon how these poets have suggested a middle path of absolute devotion to God while performing all earthly duties, seek spiritual enlightenment and avoid the extremities of asceticism and hedonism. KEYWORDS: corporeality, body, liberation, salvation, bhakti In this Kali Yug the body is full of woe, care, wickedness and diverse pains. Where there is steadfastness, peace and all purity, rise, Kabir, and meet it there. (Kabir) Those powerful rulers who had conquered the whole world, even made Yamraj (the God of death) their captive and tied him up—even they became the food of Kaal (Time), what do you count then? Contemplate and think about the whole matter seriously yourself—what is the truth, what is the reality. -
Vachanamrut Rahasyarth Pradeepika Tika
Vachanamrut Rahasyarth Pradeepika Tika The eternal philosophy of the Supreme Lord Shree Swaminarayan, with its elucidation by Jeevanpran Shree Abji Bapashree Part 3 Gadhada Middle Section Acharya Swamishree Purushottampriyadasji Maharaj © Copyright reserved with publishers ISBN 81-89189-63-0 First Edition 1981 Second Edition (Revised) 2007 eBook Edition 2012, Shree Ghanshyam Maharaj Suvarna Mahotsav, Bhuj Graphics Shree Mukta Graphics Shree Swaminarayan Mandir Maninagar Ahmedabad 380 008 Gujarat India Artist Paresh Haribhai Soni Printing Shivkrupa Offset Printers 27, Amrut Industrial Estate, Opp. Dudheshwar water tank, Ahmedabad 380 004 Gujarat India Tel: +91 79 25623828, 25625698 Mobile: +91 98980 34799 Email: [email protected] All rights reserved. No part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form, or by any means (electronic, mechanical, photocopying, recording or otherwise) without the prior written permission of the publisher. Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages. This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out, or otherwise circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser. [email protected] SwaminarayanGadi.com -
A Brief History and Philosophy of the Sikh Reliqion
) CHAPTER ONB A BRIEF HISTORY AND PHILOSOPHY OF THE SIKH RELIQION 1 INTRODUCnOM Sikhiann is essentially a religion preadhing a particular way of life. I-t lays more emphasis on life and experience rather than on philosophical reasoning. It is therefore better understood as a way of life rather than a philosophy. However there can be no practice without a doctrine.^ftU^am also has its tenets and doctrine laid down in its holy book Sri Guru Granth Sahib which expoxinds the concept r^gaitdlttff the reality, the cosmos, the man and tJieir relatloiuftiip with each other From the very birth Sikhism had to face the political tyranny of the then rulers on the one hazKi, and opposition from tha closed society of upper caste and class Hladyui as it preadied against the Brahraanical ^ Hindu oode of 80<slal class structured discipline and religious rituals and forma- lian on tha other hand. It is due to this r«ason that Sikhiam emerged as a practical religion/ primarily laying stress on the way of life rather than philosophical rMison- ing. Therefore it is necessary that a glimpse of the historical facts regarding the origin, development and 1, Niharranjan Rays HAS, Volune I Vs **Slkhian and Xndiaa Society", pp. 4,5. - 2 - transformation of Sikhlam Is taken# before we study the various aspects of the Sikh philosophy. This chapter dealing with the brief history of Sikhs# Sri Guru Granth Sahib and the philosophy of Sikh religion has been included in the present work so as to give a synoptic view of the Sikh religion and to facilitate under standing of the arguments developed in order to elucidate the conc^ts of man and of world in Sikhiam. -
A Comparative Reading of Taylor and Gandhi on Holistic Identity
The Metaphysics of Diversity and Authenticity: A Comparative Reading of Taylor and Gandhi on Holistic Identity Author: Joshy P. Varghese Persistent link: http://hdl.handle.net/2345/bc-ir:104265 This work is posted on eScholarship@BC, Boston College University Libraries. Boston College Electronic Thesis or Dissertation, 2013 Copyright is held by the author, with all rights reserved, unless otherwise noted. Boston College Graduate School of Arts and Science Department of Philosophy THE METAPHYSICS OF DIVERSITY AND AUTHENTICITY: A COMPARATIVE READING OF TAYLOR AND GANDHI ON HOLISTIC IDENTITY a dissertation by JOSHY P. VARGHESE Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy April, 2013 ©Copy Right by JOSHY P. VARGHESE 2013 ABSTRACT THE METAPHYSICS OF DIVERSITY AND AUTHENTICITY: A COMPARATIVE READING OF TAYLOR AND GANDHI ON HOLISTIC IDENTITY By Joshy P. Varghese Director: Prof. Jeffrey Bloechl The human self and society in general have always been in transition and transformation. Our senses of ourselves and of our society are in dialectical relation with our sense of whether or to what degree we feel part of important dimensions such as religion and politics, which are both an expression of our identity and factors that may sometimes change our identity. In modern western society it seems that identity has shifted from what Charles Taylor calls “embeddedness” in religion to a mode of life where religion is, to a great extent, expected to be a personal matter and even a personal choice. This is not impossible to understand, and historical work shows us that there are important continuities between the modern reason that rejects religion and the religion that it rejects. -
Year 2020 Calendar 44955 Cherry Hill Road • Canton, MI 48188 Telephone: (734) 981-8730 [email protected] •
The Hindu Temple of Canton Year 2020 Calendar 44955 Cherry Hill Road • Canton, MI 48188 Telephone: (734) 981-8730 [email protected] • www.thehindutemple.org FIVE REASONS TO WORSHIP LORD GANASHA 1. By worshipping Ganesha one can overcome obstacles. 2. Ganesha worship improves knowledge and intelligence 3. By worshipping Ganesha one can overcome fear and anxiety 4. With Ganesha worship, one earns the grace of Shiva and Parvathi 5. Ganesha worship brings good tidings January - 2020 JANUARY 2020 SUNDAY MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY 1 2 3 4 New Year’s Day Sai Sandhya @ 7 Lalita Lord Balaji Moola (Temple Open PM Sahasranamam @ Murthy 8AM – 9PM) 7 PM Abhishekam @ 9AM Sundarkand path 4PM- 7 PM 5 6 7 8 9 10 11 Bhajans/Aarti S hiva Abhishekam Hanuman Chalisa ShrinathJi Sai Sandhya @ 7 Purnima Lord Rama 10AM - Noon @ 7 PM @ 7 PM Satsang @ 7 PM PM Satyanarayan Abhishekam @ 9AM Ekadashi Pradosh Puja@ Puja@6:30 PM 6:30 PM 12 13 14 15 16 17 18 Bhajans/Aarti Shiva Abhishekam Hanuman Chalisa ShrinathJi Sai Sandhya @ 7 Lalita Lord Balaji 10AM - Noon @ 7 PM @ 7 PM Satsang @ 7 PM PM Sahasranamam @ Abhishekam @ 9AM Sankshtahara 7 PM Makara Sankranti/ Chaturthi Pongal 19 20 21 22 23 24 25 Ganesh/ Shiva Abhishekam Hanuman Chalisa ShrinathJi Sai Sandhya @ 7 Lalita Lord Balaji Lakshmi Havan @ 7 PM @ 7 PM Satsang @ 7 PM PM Sahasranamam @ Abhishekam @ 9AM Ekadashi Pradosh Puja@ 7 PM 11 AM - Noon Karthikeya 6:30 PM Amavasya Abhishekam @6PM Martin Luther King Day 26 27 28 29 30 31 Bhajans/Aarti Shiva Abhishekam Hanuman Chalisa ShrinathJi Sai Sandhya @ 7 Lalita 10AM - Noon @ 7 PM @ 7 PM Satsang @ 7 PM PM Sahasranamam @ 7 PM FIVE REASONS TO WORSHIP LORD SHIVA 1.