DOCSLIB.ORG

101 Forgotten Pop Hits of the 1980S Pdf Free Download

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
101 Forgotten Pop Hits of the 1980S Pdf Free Download 101 FORGOTTEN POP HITS OF THE 1980S PDF, EPUB, EBOOK Nick Parkhouse | 312 pages | 29 Apr 2010 | AUTHORHOUSE | 9781449098476 | English | Bloomington, United States 101 Forgotten Pop Hits of the 1980s PDF Book Here, however, we whittle down a decade of societal decadence and political decay into the tracks that defined it. The rank was based on a point system I devised several years ago, weighted along with whether a song it 1 on Billboard or Cash Box, weeks at 1, total weeks on the Top and if the song still stands the test of time based on a rank of current airplay, Its none-more-futurist David Mallet-directed promo video, a zeitgeist- capturing classic, featured Bowie in full Pierrot garb with Blitz host Steve Strange at his side. Venom called it black metal. There were still good records to be made but this straddles the eras, anthemic but nasty with enough of a whiff of the underground to keep the early adopters on board. If Spinal Tap went up to 11, the Love Reaction went to at least. His work with the Velvet Underground, as fearlessly transgressive as any outsider art, toughened the nascent genre, matured its lyrical lingua franca from Brill Building baby talk to frank, unexpurgated Hubert Selby Jr grime, while cranking its carefree Green Onions grooves toward searing proto-metal aggression. Being in a confrontational Afro-American hard rock band and doing it for very little money was a hard sell. Robertson allied his rootsy sensibilities to a heavily atmospheric and experimental approach, best served by Broken Arrow and Somewhere Down The Crazy River. Feelgood, with heaps of sneery attitude. It had a big moment in , for sure. Of those 54 singles, 14 were U. These days, the song still sounds as wistful and fresh as it did back then. Not bad for a white synthpop duo. They would never make another record that intense again. For some reason her next album release was delayed and delayed, then her record label made the disastrous decision to try and turn her into a dance diva. But then, for the longest time, it seemed no one had wanted a Meat Loaf- Steinman record full-stop. That guy was Ronnie James Dio. The couple is also very involved in philanthropy and activism, including breast cancer awareness, childhood illness and poverty, and animal rights. Well, my musical criteria have never been genre-driven. You probably sing-screamed it in your car post-breakup, when you were really going through it. Imaginos is quite probably the longest-gestating album of all time. Released seven days into the new decade, here was sharp, intelligent, classy mid-Atlantic pop-rock with one foot forward and the other rooted in Kinks- literate old-wave classicism. That was their big rock record. Carly basically continued to kill it in the s. SpaceCake Posts: Forum Member. But he was so good — and because back then he had two arms — he could do all the stuff that Brian Downey or Ian Paice did. We were not married then, and I wanted to meet her because I had not seen her for a few months. And this was the time when there was no Skype and social networking, so I had to ship the track to her. Every great band has an unsung classic. But my visa application was rejected, and when I came back, I wrote this song, which was more of a letter from me to her. Utopia followed the opposite trajectory to The Beatles: their debut was a complex-prog meisterwerk, but by their sixth album they were purveying three-minute pop nuggets. Singer-songwriter, rapper, and model Neneh Cherry gave hip-hop one of its most interesting hits in The program airs on Saturday from 6 am - 1 pm and. Their career would sidestep into darker territories subsequently, but this was their flushed, pop peak. It's happy, catchy, and absolutely danceable. But when you turned on the radio in , one song sounded fresh and bright and unlike anything else. 101 Forgotten Pop Hits of the 1980s Writer Ronnie James Dio was one of the greatest heavy metal singers that ever lived, and every studio album he made between and became a classic in its own right — first with Rainbow, then Black Sabbath, and finally with the band he created in his own image. We played it on the last tour. Rick was amazing on that record. Venom called it black metal. Please deactivate your ad blocker in order to see our subscription offer. Splutters into life with the wheezing strains of a dusty harmonica before exploding into a full-blown yarn of a dwindling country economy in which times are hard and work is scarce to find. Within In League With Satan was the dark throb that equipped a generation, while Witching Hour contains the first iterations of all kinds of thrash sub-strains. Its none-more-futurist David Mallet-directed promo video, a zeitgeist-capturing classic, featured Bowie in full Pierrot garb with Blitz host Steve Strange at his side. Kinda surprised to see you mention this song as its not her highest charting UK hit , she managed 6 UK top 20 hits and played wembley stadium back in the day opening up for Bros, she also did grease in the UK Shes my all time fave artist. In Big Country, in tandem with fellow guitarist Bruce Watson, Adamson perfected a sound that resembled bagpipes. Both David Gilmour and Nick Mason were reduced to the roles of session men. Joe Satriani was the technical equal of anyone on the shred scene, but tracks like Always With Me, Always With You put melody front-and-centre, while Satch Boogie prized groove over chops. Deadpan, dangerous, embraced by glam and punk movements alike as a reluctant prime mover, his reputation for critic-confounding artistic forward momentum was unparalleled. Britpop: is that pop? Here, the rest of the Floyd are scarcely on the album. More than a pop song, this was a brilliant piece of art-as-social- comment. Fittingly for music of such theatrical grandeur, Hollywood legend Orson Welles narrated the grisly tale of Dark Avenger. The other "Brit hits" of this decade were all brand new. Just one: Su Pollard. Born Marvin Lee Aday in Dallas, Texas in to a schoolteacher mother and alcoholic cop father, Meat Loaf was a nickname given to him by a high-school football coach on account of his bulk. It owes much to the interests and obsessions of their bass player Cliff Burton, for whom it would prove, sadly, part of an abbreviated legacy. Vivid was almost a diary for me. And what a chorus. He also provides backing vocals for Barbra Streisand on her album One Voice. We thought about making it one song with this long instrumental thing at the end, like Free Bird or the piano coda in Layla. Originally offered to a host of artists including Bryan Ferry, The Pretenders and Billy Idol, it fell to Simple Minds to take this track and turn it into Top 40 gold on both sides of the Atlantic. And then the 80s happened. Featuring a fistful of samples, this pivotal rap tune would be the foundation of a number of soul numbers including tracks from Soul II Soul and Enigma. The kick-drum sounds like rhinoceros intercourse. This is a damn good record. The genius of Graham Massey and his Manchester raveheads was to take the standard building blocks of techno and house, before twisting and molding them into something else entirely. He taught me how to really project myself as a singer. Betty Boo. Twenty-eight years on from your debut, have any of the things the band railed against improved? Audiences did not just marvel at the hydraulics -- they were moved by the sentimental story of thief-turned-saint Jean Valjean and the myriad of characters involved in his life. Here the punk poet tackled Vietnam, immigration and gentrification. They were some of the first people that I interviewed, when they were playing the They got us backstage at the Here And Now arena tour in Nottingham and Birmingham, so I got to meet Paul Young and Bananarama. 101 Forgotten Pop Hits of the 1980s Reviews It was from Smash Hits magazine. His fourth solo album, Now And Zen , finally embraced the man he used to be. Leave a Reply Cancel reply Enter your comment here But guitarist Peter Buck recalled that it was his band R. In these behemoths, substance took a backseat to spectacle, and occasional hints of humor were buried in oceans of soap opera sentiment. Costello channelled this frustration into his most brutal, claustrophobic record. Why it's iconic: In , we couldn't get this funky earworm out of our heads. What is Your 80s Theme Song? Written as U2 watched turmoil unfold in the Falklands and the Middle East, tracks like Seconds and the wiry Like A Song … were markedly harsher than the stadium-ready sweep of their later work. In the 80s, no band was bigger than Def Leppard. With his own band, he made a great debut album and then topped it with this superb follow-up. Ashes to Ashes David Bowie. Jennifer Rush. Post- Apocalypse Now! Sign In or Register to comment. Had this debut been released three years later, after Nevermind , his knowing songs about post-adolescent sex and yearning and his Todd Rundgren-produced thumping power pop might have found a bigger audience. Eric Generic , Jan 31, Don't tell me it wasn't a movement.
Load more

Recommended publications
  • Record Store Day 2020 (GSA) - 18.04.2020 | (Stand: 05.03.2020)
    Record Store Day 2020 (GSA) - 18.04.2020 | (Stand: 05.03.2020) Vertrieb Interpret Titel Info Format Inhalt Label Genre Artikelnummer UPC/EAN AT+CH (ja/nein/über wen?) Exclusive Record Store Day version pressed on 7" picture disc! Top song on Billboard's 375Media Ace Of Base The Sign 7" 1 !K7 Pop SI 174427 730003726071 D 1994 Year End Chart. [ENG]Pink heavyweight 180 gram audiophile double vinyl LP. Not previously released on vinyl. 'Nam Myo Ho Ren Ge Kyo' was first released on CD only in 2007 by Ace Fu SPACE AGE 375MEDIA ACID MOTHERS TEMPLE NAM MYO HO REN GE KYO (RSD PINK VINYL) LP 2 PSYDEL 139791 5023693106519 AT: 375 / CH: Irascible Records and now re-mastered by John Rivers at Woodbine Street Studio especially for RECORDINGS vinyl Out of print on vinyl since 1984, FIRST official vinyl reissue since 1984 -Chet Baker (1929 - 1988) was an American jazz trumpeter, actor and vocalist that needs little introduction. This reissue was remastered by Peter Brussee (Herman Brood) and is featuring the original album cover shot by Hans Harzheim (Pharoah Sanders, Coltrane & TIDAL WAVES 375MEDIA BAKER, CHET MR. B LP 1 JAZZ 139267 0752505992549 AT: 375 / CH: Irascible Sun Ra). Also included are the original liner notes from jazz writer Wim Van Eyle and MUSIC two bonus tracks that were not on the original vinyl release. This reissue comes as a deluxe 180g vinyl edition with obi strip_released exclusively for Record Store Day (UK & Europe) 2020. * Record Store Day 2020 Exclusive Release.* Features new artwork* LP pressed on pink vinyl & housed in a gatefold jacket Limited to 500 copies//Last Tango in Paris" is a 1972 film directed by Bernardo Bertolucci, saxplayer Gato Barbieri' did realize the soundtrack.
    [Show full text]
  • John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
    THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums.
    [Show full text]
  • Theatre, Film, Cabaret and Jazz
    FORA BALANCED ,_'f.riiUniversity of Edinburgh, Old College South Bridge, Edinburgh EHB 9YL VIEW Tel : 031-6671011 ext4308 1 April-13 May GET "NULLIS IN VERBUS" EDUARDO PAOLOZZI ~AIIOCilliaowillllhoflillu;lftstivlloiSciencel Todlnology . Wllhlho ~ ollhoHorryMoootfooa!Dn Tues-Fri 10 am-5 pm Admission Free Subsidised by the Scottish Arts Council 20p Thursday 27th April 1989 DAILY KIRSTY A PASSAGE WARK: THROUGH Tomorrow's INDIA Robin Day? e oca OUDCI by Ewan Ferguson nor "humiliated" because of the asking "how on earth did (they strength and "pride of the mass allow themselves) to get pushed EDINBURGH University movements" against the tax, Mr 'into playing a role in the enforce: politics lecturer, John Hallo­ Holloway asked the council to ment of this tax?" way, "warned" Lothian Reg­ "back down" from enforcing his ional Council on Tuesday not fine. Another twist to the story is to enforce his £50 fine for He said that the threats of that it is believed that Mr Hallo­ refusing to register for the poinding (pricing) his personal way will seek AUT support, and Poll Tax, or Community goods and warrant sales had been that of other unions at Edinburgh Charge. chosen as the "first line of action": University, to prevent the local no attempt was made to collect authorities in arresting his wages. Although only one of many ·the debt in any other way. individuals who atte.Wed the EUCAPT representative, This development has occurred · ~ meeting in the Council's Cham­ Dave Donahue, told Student that after the Acting Director of ~bers in Parliament Square, Mr of 1700 poindings in Lothian Reg- · Finance of Lothian Regional Holloway constantly reiterated ion in 1988, only 13 went to war­ during his seven-minute speech Council, David Semple, told the rant sale, because of administra­ national press that Mr Holloway that the Poll Tax will "not work" tive costs.
    [Show full text]
  • Starr-Waterman American Popular Music Chapter 11: the 1970S: Rock Music, Disco, and the Popular Mainstream Key People Allman
    Starr-Waterman American Popular Music Chapter 11: The 1970s: Rock Music, Disco, and the Popular Mainstream Key People Allman Brothers Band: Most important southern rock band of the late 1960s and early 1970s who reconnected the generative power of the blues to the mainstream of rock music. Barry White (1944‒2004): Multitalented African American singer, songwriter, arranger, conductor, and producer who achieved success as an artist in the 1970s with his Love Unlimited Orchestra; perhaps best known for his full, deep voice. Carlos Santana (b. 1947): Mexican-born rock guitarist who combined rock, jazz, and Afro-Latin elements on influential albums like Abraxas. Carole King (b. 1942): Singer-songwriter who recorded influential songs in New York’s Brill Building and later recorded the influential album Tapestry in 1971. Charlie Rich (b. 1932): Country performer known as the “Silver Fox” who won the Country Music Association’s Entertainer of the Year award in 1974 for his song “The Most Beautiful Girl.” Chic: Disco group who recorded the hit “Good Times.” Chicago: Most long-lived and popular jazz rock band of the 1970s, known today for anthemic love songs such as “If You Leave Me Now” (1976), “Hard to Say I’m Sorry” (1982), and “Look Away” (1988). David Bowie (1947‒2016): Glam rock pioneer who recorded the influential album The Rise and Fall of Ziggy Stardust and the Spiders from Mars in 1972. Dolly Parton (b. 1946): Country music star whose flexible soprano voice, songwriting ability, and carefully crafted image as a cheerful sex symbol combined to gain her a loyal following among country fans.
    [Show full text]
  • THE BRILL BUILDING, 1619 Broadway (Aka 1613-23 Broadway, 207-213 West 49Th Street), Manhattan Built 1930-31; Architect, Victor A
    Landmarks Preservation Commission March 23, 2010, Designation List 427 LP-2387 THE BRILL BUILDING, 1619 Broadway (aka 1613-23 Broadway, 207-213 West 49th Street), Manhattan Built 1930-31; architect, Victor A. Bark, Jr. Landmark Site: Borough of Manhattan Tax Map Block 1021, Lot 19 On October 27, 2009 the Landmarks Preservation Commission held a public hearing on the proposed designation of the Brill Building and the proposed designation of the related Landmark site. The hearing had been duly advertised in accordance with provisions of law. Three people spoke in support of designation, including representatives of the owner, New York State Assembly Member Richard N. Gottfried, and the Historic Districts Council. There were no speakers in opposition to designation.1 Summary Since its construction in 1930-31, the 11-story Brill Building has been synonymous with American music – from the last days of Tin Pan Alley to the emergence of rock and roll. Occupying the northwest corner of Broadway and West 49th Street, it was commissioned by real estate developer Abraham Lefcourt who briefly planned to erect the world’s tallest structure on the site, which was leased from the Brill Brothers, owners of a men’s clothing store. When Lefcourt failed to meet the terms of their agreement, the Brills foreclosed on the property and the name of the nearly-complete structure was changed from the Alan E. Lefcourt Building to the, arguably more melodious sounding, Brill Building. Designed in the Art Deco style by architect Victor A. Bark, Jr., the white brick elevations feature handsome terra-cotta reliefs, as well as two niches that prominently display stone and brass portrait busts that most likely portray the developer’s son, Alan, who died as the building was being planned.
    [Show full text]
  • Songs by Title
    Songs by Title Title Artist Title Artist #1 Goldfrapp (Medley) Can't Help Falling Elvis Presley John Legend In Love Nelly (Medley) It's Now Or Never Elvis Presley Pharrell Ft Kanye West (Medley) One Night Elvis Presley Skye Sweetnam (Medley) Rock & Roll Mike Denver Skye Sweetnam Christmas Tinchy Stryder Ft N Dubz (Medley) Such A Night Elvis Presley #1 Crush Garbage (Medley) Surrender Elvis Presley #1 Enemy Chipmunks Ft Daisy Dares (Medley) Suspicion Elvis Presley You (Medley) Teddy Bear Elvis Presley Daisy Dares You & (Olivia) Lost And Turned Whispers Chipmunk Out #1 Spot (TH) Ludacris (You Gotta) Fight For Your Richard Cheese #9 Dream John Lennon Right (To Party) & All That Jazz Catherine Zeta Jones +1 (Workout Mix) Martin Solveig & Sam White & Get Away Esquires 007 (Shanty Town) Desmond Dekker & I Ciara 03 Bonnie & Clyde Jay Z Ft Beyonce & I Am Telling You Im Not Jennifer Hudson Going 1 3 Dog Night & I Love Her Beatles Backstreet Boys & I Love You So Elvis Presley Chorus Line Hirley Bassey Creed Perry Como Faith Hill & If I Had Teddy Pendergrass HearSay & It Stoned Me Van Morrison Mary J Blige Ft U2 & Our Feelings Babyface Metallica & She Said Lucas Prata Tammy Wynette Ft George Jones & She Was Talking Heads Tyrese & So It Goes Billy Joel U2 & Still Reba McEntire U2 Ft Mary J Blige & The Angels Sing Barry Manilow 1 & 1 Robert Miles & The Beat Goes On Whispers 1 000 Times A Day Patty Loveless & The Cradle Will Rock Van Halen 1 2 I Love You Clay Walker & The Crowd Goes Wild Mark Wills 1 2 Step Ciara Ft Missy Elliott & The Grass Wont Pay
    [Show full text]
  • My Bloody Valentine's Loveless David R
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2006 My Bloody Valentine's Loveless David R. Fisher Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC MY BLOODY VALENTINE’S LOVELESS By David R. Fisher A thesis submitted to the College of Music In partial fulfillment of the requirements for the degree of Master of Music Degree Awarded: Spring Semester, 2006 The members of the Committee approve the thesis of David Fisher on March 29, 2006. ______________________________ Charles E. Brewer Professor Directing Thesis ______________________________ Frank Gunderson Committee Member ______________________________ Evan Jones Outside Committee M ember The Office of Graduate Studies has verified and approved the above named committee members. ii TABLE OF CONTENTS List of Tables......................................................................................................................iv Abstract................................................................................................................................v 1. THE ORIGINS OF THE SHOEGAZER.........................................................................1 2. A BIOGRAPHICAL ACCOUNT OF MY BLOODY VALENTINE.………..………17 3. AN ANALYSIS OF MY BLOODY VALENTINE’S LOVELESS...............................28 4. LOVELESS AND ITS LEGACY...................................................................................50 BIBLIOGRAPHY..............................................................................................................63
    [Show full text]
  • Popular Music, Stars and Stardom
    POPULAR MUSIC, STARS AND STARDOM POPULAR MUSIC, STARS AND STARDOM EDITED BY STEPHEN LOY, JULIE RICKWOOD AND SAMANTHA BENNETT Published by ANU Press The Australian National University Acton ACT 2601, Australia Email: [email protected] Available to download for free at press.anu.edu.au A catalogue record for this book is available from the National Library of Australia ISBN (print): 9781760462123 ISBN (online): 9781760462130 WorldCat (print): 1039732304 WorldCat (online): 1039731982 DOI: 10.22459/PMSS.06.2018 This title is published under a Creative Commons Attribution-NonCommercial- NoDerivatives 4.0 International (CC BY-NC-ND 4.0). The full licence terms are available at creativecommons.org/licenses/by-nc-nd/4.0/legalcode Cover design by Fiona Edge and layout by ANU Press This edition © 2018 ANU Press All chapters in this collection have been subjected to a double-blind peer-review process, as well as further reviewing at manuscript stage. Contents Acknowledgements . vii Contributors . ix 1 . Popular Music, Stars and Stardom: Definitions, Discourses, Interpretations . 1 Stephen Loy, Julie Rickwood and Samantha Bennett 2 . Interstellar Songwriting: What Propels a Song Beyond Escape Velocity? . 21 Clive Harrison 3 . A Good Black Music Story? Black American Stars in Australian Musical Entertainment Before ‘Jazz’ . 37 John Whiteoak 4 . ‘You’re Messin’ Up My Mind’: Why Judy Jacques Avoided the Path of the Pop Diva . 55 Robin Ryan 5 . Wendy Saddington: Beyond an ‘Underground Icon’ . 73 Julie Rickwood 6 . Unsung Heroes: Recreating the Ensemble Dynamic of Motown’s Funk Brothers . 95 Vincent Perry 7 . When Divas and Rock Stars Collide: Interpreting Freddie Mercury and Montserrat Caballé’s Barcelona .
    [Show full text]
  • Goodbye Consett
    GOODBYE CONSETT Excerpts from STORIES FROM A SONGWRITERS LIFE by Steve Thompson Cover image: Mark Mylchreest. Proof reading: Jim Harle (who still calls me Stevie). © 2020 Steve Thompson. All rights reserved. FOREWORD INTO THE UNKOWN By Trev Teasdel (Poet, author and historian) We almost thought of giving in Searching for that distant dream” Steve Thompson, Journey’s End. For a working-class man born in Consett, County Durham, UK apprenticed to the steel industry, with expectations only of the inevitable, Steve Thompson has managed to weld together, over 50 years, an amazing career as hit songwriter, musician, rock band leader, record producer, ideas man, raconteur, radio producer, community media mogul, workshop leader and much more. The world is full of unsung heroes, the people behind the scenes who pull the strings, spark ideas, write the material for others to sing and while Steve may be one of them, his songs at least have been well sung by some of the top artists in show business, and he’s worked alongside some of the top producers of the time. This is what this book is about – those songs that will be familiar to you even if you never knew who wrote them, the stories that lie behind them; the highs and lows, told with honesty, clarity and humour. There’s nothing highfalutin about Steve Thompson, he’s pulled himself up by his own bootstraps, achieved his dream, despite setbacks, and through it remains humble (if a little boastful – as you will see!), a staunchly people’s man with a wicked sense of humour (and I do mean wicked!).
    [Show full text]
  • Smash Hits Volume 60
    35p USA $1 75 March I9-April 1 1981 W I including MIND OFATOY RESPECTABLE STREE CAR TROUBLE TOYAH _ TALKING HEADS in colour FREEEZ/LINX BEGGAR &CO , <0$& Of A Toy Mar 19-Apr 1 1981 Vol. 3 No. 6 By Visage on Polydor Records My painted face is chipped and cracked My mind seems to fade too fast ^Pg?TF^U=iS Clutching straws, sinking slow Nothing less, nothing less A puppet's motion 's controlled by a string By a stranger I've never met A nod ofthe head and a pull of the thread on. Play it I Go again. Don't mind me. just work here. I don't know. Soon as a free I can't say no, can't say no flexi-disc comes along, does anyone want to know the poor old intro column? Oh, no. Know what they call me round here? Do you know? The flannel panel! The When a child throws down a toy (when child) humiliation, my dears, would be the finish of a more sensitive column. When I was new you wanted me (down me) Well, I can see you're busy so I won't waste your time. I don't suppose I can drag Now I'm old you no longer see you away from that blessed record long enough to interest you in the Ritchie (now see) me Blackmore Story or part one of our close up on the individual members of The Jam When a child throws down a toy (when toy) (and Mark Ellen worked so hard), never mind our survey of the British funk scene.
    [Show full text]
  • 2021 Hard to Find the HTFR Weekly Wanted List
    © 2021 Hard To Find The HTFR Weekly Wanted List - Prices valid from 28 Sep 2021 to 5 Oct 2021 If you have any of the records in this list for sale, we will pay at minimum the price specified email: [email protected] - Tel: 0121 622 3269 - Visit our website for details on how to sell to us - http://www.htfr.com/secondhand/ MR26666 100Hz EP3 Pacific FIC020 1999 British 12" £4.00 MR75274 16B Trail Of Dreams Stonehouse STR12008 1995 British 12" £2.00 MR18837 2 Funky 2 Brothers And Sisters Logic FUNKY2 1994 British Promo 12" £2.00 MR759025 3rd Core Mindless And Broken WEA International Inc. SAM00291 2000 British 12" £2.00 MR12656 4 Hero Cooking Up Ya Brain Reinforced RIVET1216 1992 British Promo 12" £2.00 MR14089 A Guy Called Gerald 28 Gun Badboy / Paranoia Columbia XPR1684 1992 British Promo 12" £8.00 MR169958 A Sides Punks Strictly Underground STUR74 1996 British 12" £4.00 MR353153 Aaron Carl Down (Resurrected) Wallshaker WMAC30 2009 American Import 12" £2.00 MR759966 Academy Of St. Martin-in-the-F Amadeus (Original Soundtrack Recording) Metronome 8251261ME 1984 Double Album £2.00 MR4926 Acen Close Your Eyes Production House PNT034 1992 British 12" £3.00 MR12863 Acen Trip Ii The Moon Part 3 Production House PNT042RX 1992 British 12" £3.00 MR16291 Age Of Love Age Of Love (Jam & Spoon) React 12REACT9 1992 British 12" £7.00 MR44954 Agent Orange Sounds Flakey To Me Agent Orange AO001 1992 British 12" £8.00 MR764680 Akasha Cinematique Wall Of Sound WALLLP016 1998 Vinyl Album £1.00 MR42023 Alan Braxe & Fred Falke Running Vulture VULT001 2000 French
    [Show full text]
  • Precious but Not Precious UP-RE-CYCLING
    The sounds of ideas forming , Volume 3 Alan Dunn, 22 July 2020 presents precious but not precious UP-RE-CYCLING This is the recycle tip at Clatterbridge. In February 2020, we’re dropping off some stuff when Brigitte shouts “if you get to the plastic section sharpish, someone’s throwing out a pile of records.” I leg it round and within seconds, eyes and brain honed from years in dank backrooms and charity shops, I smell good stuff. I lean inside, grabbing a pile of vinyl and sticking it up my top. There’s compilations with Blondie, Boomtown Rats and Devo and a couple of odd 2001: A Space Odyssey and Close Encounters soundtracks. COVER (VERSIONS) www.alandunn67.co.uk/coverversions.html For those that read the last text, you’ll enjoy the irony in this introduction. This story is about vinyl but not as a precious and passive hands-off medium but about using it to generate and form ideas, abusing it to paginate a digital sketchbook and continuing to be astonished by its magic. We re-enter the story, the story of the sounds of ideas forming, after the COVER (VERSIONS) exhibition in collaboration with Aidan Winterburn that brings together the ideas from July 2018 – December 2019. Staged at Leeds Beckett University, it presents the greatest hits of the first 18 months and some extracts from that first text that Aidan responds to (https://tinyurl.com/y4tza6jq), with me in turn responding back, via some ‘OUR PRICE’ style stickers with quotes/stats. For the exhibition, the mock-up sleeves fabricated by Tom Rodgers look stunning, turning the digital detournements into believable double-sided artefacts.
    [Show full text]