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Donald Baechler Early Work 1980 to 1984 Opens Tuesday November 24 from 6–8 Pm Exhibition Continues Through December 30, 2015
PRESS RELEASE Donald Baechler Early Work 1980 to 1984 Opens Tuesday November 24 from 6–8 pm Exhibition continues through December 30, 2015 Cheim & Read is pleased to announce an exhibition of Donald Baechler’s early paintings and collages on paper. These works represent the genesis of the artist’s iconic vocabulary of symbols and techniques. The exhibition will be accompanied by a catalogue featuring an essay by David Rimanelli. Between 1980 and 1984, when Baechler was still in his mid-20s, his work was the subject of six solo exhibitions. By the end of the ’80s, his bold, expressive paintings were regarded as some of the most influential of their time—integral to the dialogue between a new generation of New York painters that included Jean-Michel Basquiat, Keith Haring, and Julian Schnabel. The works currently on view at Cheim & Read embody this pivotal moment in Baechler’s career, when he developed a signature iconography and rose to international renown. Three Figures (Wall Street Week) 1980 graphite, spray enamel and oil-based enamel on paper 42 x 42 in Baechler’s work is known for striking compositions that center big, buoyant, thickly outlined forms on layered surfaces, either built up with paint or dense with collage. His subjects are recognizable the world over— flowers, faces, houses, globes, and other familiar objects take center stage. Isolated and magnified on large-scale canvases, they become emblems for universal themes like identity, sexuality, community, and mortality. But they are also uniquely Baechler’s. There is no -
Acu.1203.Cor
18 | The Cooper Union for the Advancement of Science and Art Notes was in Mentors: The Mentoring of Artists , an exhibit honoring the Marriages and artist-mentor relationship, at the Firehouse Center for the Falcon Engagements Foundation in Portland, Maine, August to October 2011 . Derek Dalton Musa (BSE’ 03 ) and Gloria Corinne Cochrane Nippert are Frey Yudkin (A’ 48 ) continues to engaged and planning a 2012 wed - teach and is showing her work at Hewlett Library in March and April ding. Garrett Ricciardi (A’ 03 ) and Lindsay Ross were married in July 2012 . Alex Katz (A’ 49 ) had 2011 solo shows at Gavin Brown’s enter - Constance Ftera (A’53) was in the 2011 . Sara and Michael Kadoch prise and Senior & Shopmaker 4th National Juried Exhibition (BSE’ 05 ) married on June 12 , 2011 at Prince Street Gallery. Gallery. (A’ 49 ) had a in New York. Kristen Breyer (A’ 06 ) Henry Niese and (A’ 08 ) married Laura Miller Margolius (A’42) with solo show of paintings and drawings Jeff Castleman 1960 s as an international network on Saturday, September 3, 2011 , at one of her art pieces in her home in from the mid- 1950 s to present enti - of artists, composers and designers the UC Berkeley Botanical Gardens Bronxville, New York. tled The Painter’s Palette at Gold Leaf Rosyln Fassett (A’56), Cameroon employing a “do-it-yourself” atti - Earth, oil painting, 50 x 40 Redwood Grove in Berkely Studios in Washington, DC, private collections. Irving Lefkowitz tude and focusing on blurring California. Included in their wed - September to November 2011 . -
Biography [PDF]
NICELLE BEAUCHENE GALLERY RICHARD BOSMAN (b. 1944, Madras, India) Lives and works in Esopus, New York EDUCATION 1971 The New York Studio School, New York, NY 1970 Skowhegan School of Painting and Sculpture, Skowhegan, ME 1969 The Byam Shaw School of Painting and Drawing, London, UK SELECTED SOLO EXHIBITIONS 2019 High Anxiety, Nicelle Beauchene Gallery, New York, NY 2018 Doors, Freddy Gallery, Harris, NY Crazy Cats, Elizabeth Harris Gallery, New York, NY 2015 The Antipodes, William Mora Galleries, Melbourne, Australia Raw Cuts, Cross Contemporary Art, Saugerties, NY 2014 Death and The Sea, Owen James Gallery, Brooklyn, NY Paintings of Modern Life, Carroll and Sons, Boston, MA Some Stories, Elizabeth Harris Gallery, New York, NY 2012 Art History: Fact and Fiction, Carroll and Sons, Boston, MA 2011 Art History: Fact and Fiction, Byrdcliffe Guild, Woodstock, NY 2007 Rough Terrain, Elizabeth Harris Gallery, New York, NY 2005 New Paintings, Bernard Toale Gallery, Boston, MA 2004 Richard Bosman, Elizabeth Harris Gallery, New York, NY Richard Bosman, Mark Moore Gallery, Santa Monica, CA 2003 Richard Bosman, Elizabeth Harris Gallery, New York, NY Just Below the Surface: Current and Early Relief Prints, Solo Impression Inc, New York, NY 1996 Prints by Richard Bosman From the Collection of Wilson Nolen, The Century Association, New York, NY Close to the Surface - The Expressionist Prints of Eduard Munch and Richard Bosman, The Columbus Museum, Columbus, GA 1995 Prints by Richard Bosman, Quartet Editions, Chicago, IL 1994 Richard Bosman: Fragments, -
Thaddaeus Ropac to Open in Seoul, South Korea
Thaddaeus Ropac to open in Seoul, South Korea We are delighted to announce that we will open a new gallery location in Seoul, South Korea, with our inaugural exhibition taking place in early Autumn 2021. Our inaugural exhibition will be announced in due course. Thaddaeus Ropac’s new gallery will be located in Seoul’s Hannam-dong district, occupying the first floor of an outstanding architectural landmark: the Fort Hill building. Awarded the Korean National Architecture Award 2011 and Seoul Architecture Award 2011, it was designed by SAI architects, led by the celebrated architect Juhwan Park. The bespoke gallery interior will be designed by acclaimed interior designer Teo Yang Studio to create a unique setting for the presentation and experience of exhibitions by the gallery’s artists. It’s with tremendous excitement that we are establishing the gallery in Seoul and a privilege to participate in and contribute to a city that has such strong and long-established foundations for artistic interchange. Our personal ties to South Korea and with the city of Seoul have grown significantly and it has been an honour to work with major Korean institutions on numerous projects over the years. Having worked with the artist Lee Bul since 2007 and staged a memorable show of Lee Ufan’s work in Paris in 2009, as well as collaborating with the National Museum of Modern and Contemporary Art Korea for a Georg Baselitz exhibition in 2007, we look forward to deepening these relationships. The rich cultural history that is integral to the city is exemplified by the historic art academies, the incredible institutional infrastructure and the tradition of nurturing each generation’s artists, and even over the short period of the past decade we’ve witnessed further exciting evolutions. -
Robert Mapplethorpe
GALERIE THADDAEUS ROPAC ROBERT MAPPLETHORPE ROBERT MAPPLETHORPE CURATED BY HEDI SLIMANE PARIS DEBELLEYME 13 Thursday - 19 Saturday The Thaddaeus Ropac Gallery is pleased to present an important exhibition of works by American photographer Robert Mapplethorpe. Hedi Slimane, the artistic director of Dior Homme, also a photographer in his own right, will curate the show. The concept of the show is to invite a contemporary artist to rediscover a major body of work such as Mapplethorpe's, by reframing the whole, based on his own sensibilities and tastes thus helping us to view the renowned works in a new light. This show follows in the footsteps of a series of exhibits. Previous shows include- « Robert Mapplethorpe: Eye to Eye » organized in 2003 by the American artist Cindy Sherman in New York, as well as the exhibit « Robert Mapplethorpe curated by David Hockney » which took place in London in early 2005. Both Slimane and Mapplethorpe share a passion for photography, and both, by different means, each in his own generation, have defined the mood and aesthetic of the artistic community to which they belong. Hedi Slimane has been given free reign to explore themes that inspire him in Mapplethorpe's work. Last May, in conjunction with the release of his book of photographs of rocks bands, Slimane also edited the layout for the daily paper Libération. We can expect to find, in his selection of works for the show, images that reflect themes in both he and Mapplethorpe's lives where their sensibilities, moods and observations converge. By offering this face-to-face between two creative forces, this event allows us to revisit the work in an intimate, rather than critical manner. -
JEAN-MICHEL BASQUIAT 1960 Born
JEAN-MICHEL BASQUIAT 1960 Born: in Brooklyn, NY 1966 Became a Junior Member of the Brooklyn Museum, Brooklyn, NY 1977 Began spray painting cryptic aphorisms on subway trains and around lower Manhattan and signing them with the name SAMO© (Same Old Shit) 1978 Left home permanently and quit school just one year before graduating form high school 1983 Befriended by Andy Warhol 1988 Died: in New York, NY Selected Exhibitions 2010 Basquiat/Warhol , Bowdoin College Museum of Art, Brunswick, ME Afro Modern: Journeys through the Black Atlantic, Tate Liverpool, Liverpool, UK 2009 A Tribute To Ron Warren, Mary Boone Gallery, New York City, NY Your Gold Teeth III, Marianne Boesky Gallery, New York, NY Sans—titre # 1 oeuvres de la Collection Lambert peintures des années 1970 - 1980, Collection Lambert, Avignon, France Looking at Music: Side 2, MoMA - Museum of Modern Art, New York, NY 2008 Jean-Michel Basquiat works on paper, Van de Weghe Fine Art, New York, NY (solo) Jean-Michel Basquiat. Ahuyentando fantasmas, Fundación Marcelino Botín, Santander, Spain (solo) 2007 Jean-Michel Basquiat, Galleria Davide Di Maggio, Berlin, Germany (solo) S A R A H B E L D E N F I N E A R T SAN JUAN DE LA CUESTA 1 4A 28017 MADRID, SPAIN TEL +34 633 170 463 / [email protected] Jean-Michel Basquiat : Works on Paper , Van de Weghe Fine Art, New York, NY (solo) Basquiat in Cotonou, Fondation Zinsou, Cotonou, Benin (solo) 2006 Basquiat heads, Van de Weghe Fine Art, New York, NY (solo) Basquiat 1960-1988 - Basquiat Retrospective, Shanghai Duolun Museum of -
Postmodernist Poster Boy (And T&C Art Columnist) David Salle Has A
360 O I D TU S Postmodernist poster boy (and T&C art columnist) David Salle has a new show this month. He gives us an exclusive window into his light-filled retreat in East Hampton. By GEMMA SIEFF Photographs by FRANCOIS DISCHINGER NICE CUBE David Salle surveys his workspace in East Hampton, New York. DECEMBER 2013 | 207 THE artIST daVID SALLE IS A SLIGHT, handsome man of 61, with dark hair worn slicked back, accentuating his appearance of quickness and lightness, of being streamlined. His house inT Fort Greene, Brooklyn, used to be a Masonic lodge. It was transformed by the architect Chris- tian Hubert into a still sanctuary studded with just-so objets: spindly chairs by Giò Ponti, works by Mark Grotjahn, George Baselitz, and Amy Sillman. The front door funnels you straight upstairs, since Salle’s studio occupies the whole of the first floor. It’s capacious by any standard, but it’s still in New York City. His creativity blooms farther east, on the East End of Long Island, a place whose fabled light and seascapes have made it a haven for artists since the days of the Tile Club, a secret society formed in 1877 as part of the Aesthetic Movement, whose mem- bers included William Merritt Chase, Stanford White, and Francis Hopkinson Smith. Like the artist himself, Salle’s East Hampton house—or houses, for the property is a series ANGLE OF REPOSE of small buildings, some new, some from the Above: Salle’s Melting Away into Nothingness (2013). Below: The grounds were designed by Edwina von Gal. -
DONALD BAECHLER SCULPTURES and PAINTINGS
DONALD BAECHLER SCULPTURES and PAINTINGS ARTIST RECEPTION: THURSDAY, MARCH 24, 6-8 PM ON VIEW MARCH 24 - APRIL 30, 2011 "A sense of fun is an essential aspect of Donald's work. When you see his flat sculptures, I think it's very easy to smile." -excerpt from a conversation between Charles Stuckey and Donald Baechler McClain Gallery is pleased to present an exhibition of mixed media works by New York-based artist Donald Baechler. Well known for his brightly colored paintings with singular themed subjects from flowers, crowds to ice cream cones painted over heavily textured, multi- element backgrounds, this exhibition focuses on Baechler's exploration of flower motifs and follows their transition from drawings to paintings and their growth into three-dimensional volume as sculptures. The silhouette-like shapes of painted flowers arching out of a vase or a single bloom are complimented by Baechler's flat sculptural forms with mottled, irregular surfaces akin to the richly-collaged grounds of his paintings. An avid collector of images, he explores the potential of images after they are repeatedly used, seen or drawn - and in doing so evokes a universal language of cultural symbology. About Donald Baechler Born in Connecticut in 1956, Baechler lives and works in New York City. He studied art in both New York and Germany. He began exhibiting internationally in the early 1980s. His work can be found in over 40 public museum, university, corporate and municipal collections, including: The Museum of Fine Art, Houston; Museum of Modern Art, New -
DONALD BAECHLER New York, NY 10014
82 Gansevoort Street DONALD BAECHLER New York, NY 10014 p (212) 966 - 6675 Born 1956, Hartford, CT allouchegallery.com Lives and works in New York, NY 1978 - 1979 Staatliche Hochschule fuer Bildende Kuenste, “Staedelschule,” Frankfurt am main, Germany 1977 - 1978 Cooper Union, New York, NY; 1974 - 1977 Maryland Institute College of Art SELECTED SOLO EXHIBITIONS 2019 Recent Works, Boham-Knapper Gallery, Stockhom, Sweden 2018 Donald Baechler: Art in the Park XVI, Baur au Lac Hotel, Zurich, Switzerland 2017 Donald Baechler, Cheim & Read, New York, NY 2016 New Works, Galerie Alex Daniels, Reflex Gallery, Amsterdam, The Netherlands 2016 Early Works 1980-1984, Cheim & Read, New York, NY 2016 Early Works, Lars Boham, Stockholm, Sweden 2015 Donald Baechler, Pace Prints, New York, NY 2015 Recent Works, Sargent’s Daughters, New York, NY 2015 Black and White, Studio d’Arte Raffaelli, Trento, Italy 2015 Donald Baechler: The Planet of Memory, McClain Gallery, Houston, TX 2015 The Crayon Miscellany, curated by Julia Ryan, Omi International Arts Center, Ghent, NY 2014 Donald Baechler: New Paintings and Sculptures, Galerie Forsblom, Helsinki, Finland 2014 Donald Baechler: Sixteen Bad Neighbors, Arts + Leisure, New York, NY 2013 St. Moritz Art Masters, St. Mortiz, Switzerland 2012 Creature From the Blue Lagoon, curated by Bob Nickas, Martos Gallery, Bridgehampton, New York, NY 2012 New York Live Arts 2012 Mural, New York, NY 2012 Donald Baechler: Painting & Sculpture, Fisher Landau Center for Art, Long Island City, NY 2012 Donald Baechler: Paint Traveller, -
Donald Baechler
GALERIE THADDAEUS ROPAC DONALD BAECHLER WORKS ON PAPER PARIS DEBELLEYME 27 Wednesday - 21 Saturday We are pleased to announce an exhibition of recent work by American artist Donald Baechler in our Drawing Space. The show will focus on the artist's most recent collages on paper. Donald Baechler has created, with wit and humour, a metaphorical language of a popular culture which has gained him a wide reputation as a second-generation Pop Artist. "I'm interested in discreet and very mute objects, and I've never really been interested in narrative or psychology or these things which many people read into my paintings and probably into the sculptures.", Baechler remarked recently about his work, which has been exhibited worldwide since the early 1980s. Some twenty years ago, in an effort to re-learn drawing, Baechler set about inventing a naïve vocabulary of lines and forms. It was geared - paraphrasing the work of Jean Dubuffet - to the world of images used by children, naïve artists and the mentally ill. Baechler's works on paper consist of collaged elements that include drawn and printed materials such as reproductions from colouring books, pages torn from children's books and various design patterns. These dense patchworks of imagery allow the artist to obtain an textural surface as background on which he then paints his emblematic central images. Recurring motifs painted on these collages are seemingly ingenuous depictions of everyday objects or human figures, flowers and trees, mostly painted in black outlines. The leading role of the flower theme is similar to that of the beach ball, of the glass, of the various collages on paper where the clearly identifiable everyday shapes appear but with a disconcerting power. -
DONALD BEACHLER Donald Baechler, Artista Americano, Nasce Nel 1956 Ad Hartford, CT
DONALD BEACHLER Donald Baechler, artista americano, nasce nel 1956 ad Hartford, CT. Frequenta la scuola d'arte a New York e a Francoforte. Tornato negli anni 80' negli Stati Uniti entra presto a far parte della giovane ed emergente scena artistica dell'East Village. L'artista raccoglie e archivia ritagli di giornale, pagine di cataloghi, fotografie, cartoline, ritagli di tessuto, souvenir di viaggi e ricordi della sua infanzia che diventano sfondo dei suoi dipinti. Fiori, coni gelato, pallone da calcio, teschi e vecchie mappe sono i soggetti prediletti dall'artista che li reinterpreta creando un immaginario quasi infantile. Dagli anni 90' Donald si dedica anche alla scultura, che diventa una continuazione dei suoi dipinti. Nel 1994 Baechler è stato eletto tra i Dirigenti della Skowhegan School, e negli anni ha insegnato e tenuto corsi presso le Università e gli Istituti d'Arte di tutto il mondo. Baechler ha esposto i suoi lavori in importanti gallerie di tutto il mondo: da Sperone Westwater a Tony Shafrazi, da Lucio Amelio a Pat Hearn.. Le sue opere si trovano, tra l'altro, in numerose collezioni private di importanti fondazioni e musei come al Museum of Modern Art, al Whitney Museum of American Art e al Guggenheim Museum di New York, al Centre Georges Pompidou a Parigi, allo Stedelijk Museum di Amsterdam, all'Albertina in Vienna e al Lenbachhaus a Monaco. Donald Baechler is an American artist and he was born in 1956 in Hartford, CT. He attended art schools in New York and in Frankfurt, Germany. Back to the USA, he quickly became part of the young, up-and-coming East Village art scene. -
FALL 2021 COURSE BULLETIN School of Visual Arts Division of Continuing Education Fall 2021
FALL 2021 COURSE BULLETIN School of Visual Arts Division of Continuing Education Fall 2021 2 The School of Visual Arts has been authorized by the Association, Inc., and as such meets the Education New York State Board of Regents (www.highered.nysed. Standards of the art therapy profession. gov) to confer the degree of Bachelor of Fine Arts on graduates of programs in Advertising; Animation; The School of Visual Arts does not discriminate on the Cartooning; Computer Art, Computer Animation and basis of gender, race, color, creed, disability, age, sexual Visual Effects; Design; Film; Fine Arts; Illustration; orientation, marital status, national origin or other legally Interior Design; Photography and Video; Visual and protected statuses. Critical Studies; and to confer the degree of Master of Arts on graduates of programs in Art Education; The College reserves the right to make changes from Curatorial Practice; Design Research, Writing and time to time affecting policies, fees, curricula and other Criticism; and to confer the degree of Master of Arts in matters announced in this or any other publication. Teaching on graduates of the program in Art Education; Statements in this and other publications do not and to confer the degree of Master of Fine Arts on grad- constitute a contract. uates of programs in Art Practice; Computer Arts; Design; Design for Social Innovation; Fine Arts; Volume XCVIII number 3, August 1, 2021 Illustration as Visual Essay; Interaction Design; Published by the Visual Arts Press, Ltd., © 2021 Photography, Video and Related Media; Products of Design; Social Documentary Film; Visual Narrative; and to confer the degree of Master of Professional Studies credits on graduates of programs in Art Therapy; Branding; Executive creative director: Anthony P.