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Art & Architecture 2014

press.princeton.edu New One of Financial Times Best Art Books of 2013 Picasso and Truth a From Cubism to Guernica T. J. Clark “No art historian in our time has had a greater impact both within the field and beyond it than T. J. Clark. Everything Also by T. J. Clark he writes matters in the most Revised Edition fundamental way. His latest With a new preface by book, Picasso and Truth, is the author no exception—superbly The of observed, beautifully argued, Modern Life a tour de force of looking, Paris in the Art of Manet and thinking, and writing.” His Followers —Michael Fried, author of The “[This] book bubbles with new Moment of Caravaggio ideas and old ideas freshly turned; Was Picasso the artist of the it is intriguing, suggestive and twentieth century? In Picasso well written.” and Truth, T. J. Clark uses his —Eugen Weber, Times Literary inimitable skills as art historian Supplement and writer to answer this ques- 1999. 396 pages. 32 color plates. 118 tion and reshape our understanding of Picasso’s achievement. Supported halftones. 6 ½ x 9. by more than 200 images, Clark’s new approach to the central figure of Pa: 978-0-691-00903-2 $37.50 | £26.95 Not for sale in the Commonwealth modern art focuses on Picasso after the First World War: his galumphing nudes of the early 1920s, the incandescent Guitar and Mandolin on a Table from 1924, Three Dancers done a year later, the hair-raising Painter and Model from 1927, the monsters and voracious bathers that follow, and finally—summing up but also saying farewell to the age of Cubism—the great mural Guernica. Based on Clark’s A. W. Mellon Lectures in the Fine Arts, delivered at the National Gallery of Art, Picasso and Truth argues that the way to take Picasso’s true measure as an artist is to leave behind biography—the stale stories of lovers and hangers-on and suntans at the beach that presently constitute the “Picasso literature”—and try to follow the steps of his pictorial argument. As always with Clark, specific works of art hold center stage. But finding words for them involves thinking constantly about modern culture in general. Here the book takes Nietzsche as guide. Is Picasso the artist Nietzsche was hoping for—the one come to cure us of our commitment to Truth? Certainly, as the dark central years of the twentieth century encroached, Picasso began to lose confidence in Cubism’s comprehensiveness and optimism. Picasso and Truth charts this shift in vivid detail, making it possible for us to see Picasso turn away from eyesight, felt proximity, and the ground of shared experience—the warmth and safety that Clark calls “room-space”—to stake everything on a glittering, baffling, unbelievable here and now. The A. W. Mellon Lectures in the Fine Arts, 2009 Bollingen Series XXXV: 58 Cover artwork: Detail of The Adoration of the Published in association with the National Gallery of Art, Washington Magi painted by Sandro Botticelli, c.1478/1482. Tempera and oil on panel. Andrew W. Mellon 2013. 344 pages. 109 color illus. 100 halftones. 7 x 10. Collection. From Take a Closer Look by Daniel Cl: 978-0-691-15741-2 $45.00 | £29.95 Arasse, page 4.

THE A.W. MELLON LECTURES IN THE FINE ARTS New Paperback With a new foreword by Winner of the 2010 PROSE Award for Excellence in and Criticism, Second Edition Judith Herrin Association of American Publishers With a new foreword by Imago Dei a One of Choice’s Outstanding Academic John Gray The Byzantine Apologia for Titles for 2011 The Roots of Icons The Moment Romanticism a Jaroslav Pelikan of Caravaggio a Isaiah Berlin The A. W. Mellon Lectures in the Fine Arts Michael Fried Edited by Henry Hardy Bollingen Series XXXV:36 The A. W. Mellon Lectures in the Fine Arts, 2002 Published in association with the National Bollingen Series XXXV: 51 “A supremely intelligent and Gallery of Art, Washington Published in association with the National Gallery of Art, Washington illuminating little book . . . Berlin’s 2011. 224 pages. 50 halftones. 7 ½ x 10. Pa: 978-0-691-14125-1 $35.00 | £24.95 2010. 320 pages. 194 color illus. 9 halftones. writing shines like a beacon.” 8 x 11. —Rupert Christiansen, Spectator Cl: 978-0-691-14701-7 $49.50 | £34.95 A. W. Mellon Lectures in the Fine Arts Winner of the Eugene M. Kayden National Bollingen Series XXXV:45 Book Award, University of Colorado, Boulder Published in association with the National Gallery of Art, Washington After the End of Art a 2013. 248 pages. 6 halftones. 5 ½ x 8 ½. Contemporary Art and the Pale Pa: 978-0-691-15620-0 $12.95 | £8.95 of History Not for sale in the Commonwealth (except Canada) and European Union Arthur C. Danto The A.W. Mellon Lectures in the Fine Arts Bollingen Series XXXV: 44 1998. 262 pages. 18 halftones. 6 x 9. Pa: 978-0-691-00299-6 $30.95 | £21.95

One of Choice’s Outstanding Academic Titles for 2011 Millennium Edition Last Looks, Last Books a With a new preface by Stevens, Plath, Lowell, Bishop, the author Merrill Art and Illusion a Helen Vendler A Study in the Psychology of The A. W. Mellon Lectures in the Fine Arts, 2007 Pictorial Representation Bollingen Series XXXV: 56 Winner of the 2006 Award for Best E. H. Gombrich Published in association with the National Professional/Scholarly Book in Arts and Art Gallery of Art, Washington The A.W. Mellon Lectures in the Fine Arts History, Association of American Publishers Bollingen Series XXXV, Volume 5 With a preface by 2010. 168 pages. 5 ½ x 8 ½. Cl: 978-0-691-14534-1 $19.95 | £13.95 2001. 512 pages. 18 color plates. 301 halftones. Adam Gopnik and 6 x 9. a foreword by Earl A. Powell III Pa: 978-0-691-07000-1 $42.00 | £28.95 Not for sale in the Commonwealth (except Pictures of Nothing a Canada) The Nude a Abstract Art since Pollock A Study in Ideal Form Kirk Varnedoe Kenneth Clark The A. W. Mellon Lectures in the Fine Arts, 2003 Bollingen Series XXXV: 48 The A. W. Mellon Lectures in the Fine Arts, 1953 National Gallery of Art, Washington Bollingen Series XXXV: 2 2006. 320 pages. 132 color plates. 129 halftones. 1972. 480 pages. 298 illus. 7 x 10. For more books in the series, please visit 9 x 9 ½. Pa: 978-0-691-01788-4 $42.00 | £28.95 press.princeton.edu/catalogs/series/ Cl: 978-0-691-12678-4 $49.95 | £34.95 Not for sale in the Commonwealth (except Canada) bsawm.html

THE A.W. MELLON LECTURES IN THE FINE ARTS 1 New Paperback Fit Winner of the 2012 PROSE Award, Architecture and Urban Planning, With a new introduction by An Architect’s Manifesto Association of American Publishers the author Robert Geddes Mathematical Excursions The Aesthetics “In this elegant little book, mixing to the World’s Great of Architecture aphorism and example, Robert Buildings Roger Scruton Geddes argues for the importance Alexander J. Hahn “Impressive in its intellectual depth of ‘making it fit’ and shows us “Readers who enjoy connecting and range, and imbued throughout the many ways of doing this. His mathematics to real-world applica- with wisdom and humanity, this manifesto is both provocation and tions will find this book intriguing.” brilliant book is the most important enlightenment.” —Michael Huber, author of contribution to its subject since the —Michael Walzer, Institute for Mythematics writings of Ruskin. There is simply Advanced Study 2012. 348 pages. 16 color illus. 111 halftones. no modern equal to Professor Scru- 2012. 144 pages. 10 color illus. 4 x 8. 233 line illus. 2 tables. 8 ½ x 9 ½. ton’s unique and comprehensive Pa: 978-0-691-15575-3 $19.95 | £13.95 Cl: 978-0-691-14520-4 $49.50 | £34.95 architectural treatise.” —David Watkin, professor emeri- tus of the history of architecture, University of Cambridge 2013. 320 pages. 90 halftones. 1 musical example. 6 x 9. Pa: 978-0-691-15833-4 $35.00 | £24.95

With a new introduction by Winner of the 1996 Award for Best Neil Levine Professional/Scholarly Book in Architecture and Urban Planning, Association of Modern Architecture American Publishers Being the Kahn Lectures for One of Choice’s Outstanding Academic 1930 Titles for 1996 Frank Lloyd Wright The Architecture of 2008. 208 pages. 7 halftones. 8 x 10 ½. Frank Lloyd Wright Architecture Cl: 978-0-691-12937-2 $29.95 | £19.95 Neil Levine Elements, Materials, Form 1998. 544 pages. 24 color plates. 392 halftones. Francesca Prina 9 x 11. Pa: 978-0-691-02745-6 $59.95 | £41.95 Princeton Field Guides to Art A History of Building 2009. 384 pages. 5 ½ x 8. Types a Pa: 978-0-691-14150-3 $29.95 | £19.95 Nikolaus Pevsner The Tao of Architecture The A. W. Mellon Lectures in the Fine Arts, 1970 Bollingen Series XXXV: 19 Amos Ih Tiao Chang 1981. 88 pages. 6 x 9. 1979. 352 pages. 748 halftones. 9 x 11. Pa: 978-0-691-00330-6 $15.95 | £10.95 Pa: 978-0-691-01829-4 $49.95 | £34.95 Not for sale in the Commonwealth (except Canada)

2 ARCHITECTURE POINT: ESSAYS ON ARCHITECTURE Sarah Whiting, series editor POINT offers a new cadence to architecture’s contemporary conversation. Situated between the pithy polemic and the heavily footnoted tome, POINT publishes extended essays. Each essay in this series hones a single point while situating it within a broader discursive landscape, and thereby simultaneously focusing and fueling architectural criticism. These short books, written by leading critics, theorists, historians, and practitioners, engage the major issues concerning architecture and design today. The agility of POINT’s format permits the series to take the pulse of the field, address and further develop current issues, and turn these issues outward to an informed, interested public.

After Art David Joselit “Standing at the intersection of media studies, architectural criticism, and art history, David Joselit’s After Art confronts the question of contemporary art in an age of proliferating networks. Joselit tracks the literal and epistemic ‘states of form’ of recent visual culture and offers a powerful new model for thinking about art’s circulation and currency.” —Pamela M. Lee, Stanford University “David Joselit’s concisely argued After Art might well have been entitled After Aura as he elegantly replies to Walter Benjamin’s sense of art’s loss of power with the introduction of technological reproduction. Instead, Joselit makes a persuasive case for the reinvigoration of the power of the image in contemporary artistic and architectural production as a result of the distributive capacity of communication networks.” —Anthony Vidler, The Cooper Union

1 2012. 136 pages. 39 color illus. 1 halftone. 6 x 7 ⁄2. Cl: 978-0-691-15044-4 $19.95 | £13.95

Kissing Architecture Sylvia Lavin “In the most sober assessment I can offer, I find Sylvia Lavin’s Kissing Architecture to rank among the most original writings in contemporary art discourse I have ever read. Utterly disarming, it is wondrous, brilliant, innocent, naughty, trite, hilarious, fresh, weightless, and profound. Simply put, I am mad for it.” —Jeffrey M. Kipnis, Ohio State University “Kissing Architecture is a work of wit and intelligence sprinkled with just a micro- gram of L.A. antiestablishment venom, and enough bite to make you almost afraid to put it down lest you miss something urgently worth knowing about. Lavin is poised to become one of the most important writers on architecture since the 1970s, and this book is surely a significant step toward that inevitability.” —K. Michael Hays, author of Architecture’s Desire

1 2011. 136 pages. 33 color illus. 5 halftones. 6 x 7 ⁄2. Cl: 978-0-691-14923-3 $19.95 | £13.95

Forthcoming in the Series Lateness Peter Eisenman With Michael Wang

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2 ARCHITECTURE PRESS.PRINCETON.EDU POINT: ESSAYS ON ARCHITECTURE 3 New Take a Closer Look Daniel Arasse Translated by Alyson Waters “In six short essays, Arasse shows what it is to enter into the complexity of a work, inspect the nooks and crannies, and reject conven- tional wisdom.” —Phillippe Dagen, Le Monde

“The casual nature of [Arasse’s] language can- New not mask his tremendous erudition, all while The Origins of Monsters emphasizing his ease in navigating within the Image and Cognition in pieces and his familiarity with the Zeitgeist.” the First Age of Mechanical —Armelle Godeluck, Lire Reproduction 2013. 176 pages. 43 color illus. 7 x 8 ½. David Wengrow Cl: 978-0-691-15154-0 $35.00 | £24.95 “Using the entry point of ‘monsters,’ this gracefully written, learned, New and provocative book draws from Art and the Second World War archaeology, history, art history, Monica Bohm-Duchen cognitive psychology, and other disciplines, and ranges through the “A major contribution. Until now, there Egyptian, Mesopotamian, classical have been virtually no scholarly books that Greek, central Asian, Iranian, and have dealt with Second World War art in a Chinese regions in order to demon- global context. Bohm-Duchen has written strate the interconnectedness of a wide-ranging, solid, intelligent survey the ancient world. The scope of that will interest many people. Specialists research and the force of analysis will especially appreciate the identification, are breathtaking. A great read.” classification, and discussion of large num- —Norman Yoffee, University of bers of otherwise little-discussed artists and Nevada, Las Vegas and University artworks.” of New Mexico —Brian Foss, author of War Paint: Art, War, State, and Identity in Britain, 1939–1945 “This book is a real pleasure and 2014. 288 pages. 150 color illus. 50 halftones. 8 ½ x 10. succeeds magnificently in its Cl: 978-0-691-14561-7 $49.50 breadth of scholarship, dazzling For sale only in the U.S. and Canada insight, leaps of scholarly imagi- nation, bold pathways of original New ideas, and elegant prose. Covering The Philosopher, the Priest, and the Painter a huge amount of provocative A Portrait of Descartes ground, it will interest readers in Steven Nadler archaeology, anthropology, Near Eastern studies and Egyptology, art “This lucid and readable book serves as a history, and psychology.” biography, an exposition of philosophy, and a —John Robb, University of rich tapestry of Dutch history and culture.” Cambridge —Larry Silver, University of Pennsylvania The Rostovtzeff Lectures “The Philosopher, the Priest, and the Painter is 2013. 184 pages. 10 halftones. 23 line illus. an excellent introduction for general readers 1 map. 7 x 10. to Descartes and his thought. Nadler brings Cl: 978-0-691-15904-1 $39.50 | £27.95 the story and ideas to life.” —Daniel Garber,

1 1 2013. 256 pages. 10 color illus. 21 halftones. 5 ⁄2 x 8 ⁄2. Cl: 978-0-691-15730-6 $27.95 | £19.95

4 VISUAL CULTURE New Beautiful Geometry Eli Maor & Eugen Jost “Reading Beautiful Geometry is like touring a personal art collection, except the masterpieces here are elegantly presented theorems and constructions by ancient and modern mathematicians. Eli Maor teaches the thought process of a geometry connoisseur as he highlights New Paperback important details in each of these gems, and Eugen Jost illustrates these ideas Art of the Deal Contemporary Art in a Global with colorful and creative artworks..” Financial Market —George Hart, mathematical sculptor Noah Horowitz 2014. 208 pages. 60 color illus. 38 halftones. 9 x 9 ½. Cl: 978-0-691-15099-4 $27.95 | £19.95 “Calmly, trenchantly, Horowitz examines the intricate relationship between the contemporary art New market and the value of its objects. One of Financial Times Best History Books of 2013 This book will prove indispensable Prague, Capital of the Twentieth Century to anyone who wants to know how A Surrealist History the art market works and what Derek Sayer tomorrow’s art economy might “A triumph! Sayer’s indispensable work is at once look like.” magisterial and puckish, authoritative and subver- —Alexander Alberro, Barnard sive, intellectually dense and brilliantly accessible.” College, Columbia University —Michael Beckerman, 2013. 384 pages. 40 halftones. 3 tables. 6 x 9. Pa: 978-0-691-15788-7 $24.95 | £16.95 “This is a fascinating and brilliantly written Cl: 978-0-691-14832-8 $55.00 | £37.95 narrative that combines elements of literary guide, biography, cultural history, and essay. Writing with warm engagement, and drawing on his detailed knowledge of Czech literature, art, architecture, music, and other fields, Derek Sayer provides a rich picture of a dynamic cultural landscape.” —Jindřich Toman, University of Michigan 2013. 624 pages. 54 halftones. 8 line illus. 6 x 9. Cl: 978-0-691-04380-7 $35.00 | £24.95

Forthcoming Paperback

An Anthropology of Images One of Choice’s Outstanding Academic Picture, Medium, Body Titles for 2009 Hans Belting Patronizing the Arts Translated by Thomas Dunlap Marjorie Garber “Highly original and provocative, An Anthropol- “Patronizing the Arts is a brilliantly ogy of Images is integral to today’s contentious nuanced assessment of why uni- debates about the nature, history, and domain of versities must become art patrons.” images. The book’s insights ripple far across the —Peggy Phelan, author of field of art history.” Unmarked: The Politics of Performance —Michael Leja, University of Pennsylvania 2008. 272 pages. 1 halftone. 6 x 9. 2011. 216 pages. 61 halftones. 6 x 9. Cl: 978-0-691-12480-3 $24.95 | £16.95 Pa: 978-0-691-16096-2 $27.95 | £19.95 Cl: 978-0-691-14500-6 $39.95 | £27.95

PRESS.PRINCETON.EDU VISUAL CULTURE 5 Forthcoming Paperback—Third Edition With a new preface by the author The Italian Culture and Society in Italy Peter Burke “A superb introduction to Renaissance culture and society.” —Renaissance Quarterly “Burke handles both breadth and depth of a most creative and complex period with balance, sensi- Forthcoming Paperback bility, and solid supportive arguments. . . . This is an Co-Winner of the 2011 James Russell indispensable study for historians, sociologists, and Lowell Prize, Modern Language Association Winner of the Fourteenth Annual Susanne anyone interested in one of the most remarkable M. Glasscock Humanities Book Prize for periods of European history.” Interdisciplinary Scholarship, Melbern G. — Glasscock Center for Humanities Research, Choice Texas A&M University 2014. 336 pages. 35 halftones. 6 x 9. Co-Winner of the 2012 Melville J. Herskovits Pa: 978-0-691-16240-9 $29.95 Award, African Studies Association For sale only in the and its dependencies, the Philippines, Canada, Central and South One of Choice’s Outstanding Academic America, and the Caribbean Titles for 2012 Slavery and the Culture of Taste Simon Gikandi “This impressive, and in places startling, book is sure to redirect the tide of contemporary 18th-century studies; it exemplifies critical inquiry into the ‘global 18th century’ at its best.” —Choice Whose Culture? With a new afterword by the May 2014. 392 pages. 73 halftones. 6 x 9. Pa: 978-0-691-16097-9 $29.95 | £19.95 The Promise of Museums and author Cl: 978-0-691-14066-7 $45.00 | £30.95 the Debate over Antiquities Who Owns Antiquity? Edited by James Cuno Museums and the Battle over Our Ancient Heritage “[T]his volume is destined to become an indispensable guide. James Cuno Each contributor makes salient “A condemnation of cultural points in favour of their museo- property laws that restrict the in- logical argument.” ternational trade in antiquities, the —Tom Mullaney, Art Newspaper book doubles as a celebration of 2012. 232 pages. 38 halftones. 6 x 9. the world’s great border-crossing Pa: 978-0-691-15443-5 $17.95 | £12.50 encyclopedic museums.” Cl: 978-0-691-13333-1 $42.00 | £28.95 —Jori Finkel, New York Times 2010. 288 pages. 6 halftones. 6 x 9. Winner of the 2007 Award for Best Pa: 978-0-691-14810-6 $18.95 | £12.95 Whose Muse? Professional/Scholarly Book in Philosophy, Art Museums and the Public Trust Association of American Publishers Edited by James Cuno Only a Promise of With essays by James Cuno, Philippe de Montebello, Glenn D. Happiness Lowry, Neil MacGregor, John Walsh & James N. Wood The Place of Beauty in a World of Art “These essays are rare treasures in the debate about contemporary museums. Each piece is rich in deep personal insight.” Alexander Nehamas —Josie Appleton, Times Literary Supplement 2010. 208 pages. 13 color plates. 79 halftones. 8 x 10. Published in association with Art Museums Pa: 978-0-691-14865-6 $24.95 | £16.95 2006. 208 pages. 31 halftones. 6 x 9. Pa: 978-0-691-12781-1 $25.95 | £17.95

6 VISUAL CULTURE Winner of the 2012 Susanne K. Langer Runner-Up, 2009 Best Books of the Year Winner of the 2009 Bronze Medal in Fine Award for Outstanding Scholarship in the List, Atlantic Art, Independent Publisher Ecology of Symbolic Form, Media Ecology One of Choice’s Outstanding Academic One of Choice’s Outstanding Academic Association Titles for 2009 Titles for 2009 A General Theory of Northern Arts Black Visual Culture The Breakthrough of The History of a Color Whitney Davis Scandinavian Literature and Michel Pastoureau Art, from Ibsen to Bergman “[O]ne of the most ambitious and 2008. 216 pages. 106 color plates. 9 x 9. Arnold Weinstein Cl: 978-0-691-13930-2 $35.00 | £24.95 potentially foundational books on art history in recent decades. . . . As “Weinstein’s is a brilliantly told conceptual reorganization of art story of how an underpopulated history’s fundamental terms of en- region developed from repressive gagement with objects, the book backwater to cutting-edge artistic is exemplary, and it is difficult to fulcrum.” imagine a reader who is engaged —Atlantic with the discipline for whom this 2010. 544 pages. 76 halftones. 6 x 9. Pa: 978-0-691-14824-3 $29.95 | £19.95 book is optional reading.” Cl: 978-0-691-12544-2 $59.95 | £41.95 —Jim Elkins, CAA Reviews 2011. 400 pages. 45 halftones. 35 line illus. 7 x 10. Cl: 978-0-691-14765-9 $59.95 | £41.95

Of Special Interest The Unfeathered Bird Katrina van Grouw There is more to a bird than simply feathers. And just because birds evolved from a single flying Collecting the New ancestor doesn’t mean they are Museums and Contemporary structurally all the same. With 385 Art stunning drawings depicting 200 species, The Unfeathered Bird is With a new preface by the Edited by Bruce Altshuler a richly illustrated book on bird author “In this volume of thoughtful anatomy that offers refreshingly The Warhol Economy essays, curators, conservators, original insights into what goes on How Fashion, Art, and Music scholars, and others in the muse- Drive beneath the feathered surface. A um world address how institutions landmark in popular bird books, Elizabeth Currid should collect, exhibit, and care for The Unfeathered Bird is a must for 2008. 280 pages. 26 halftones. 22 line illus. the new art.” 5 tables. 7 x 9. anyone who appreciates birds or Pa: 978-0-691-13874-9 $25.95 | £17.95 —Ann Landi, ArtNews bird art. 2007. 208 pages. 38 halftones. 6 x 9. 2013. 304 pages. 385 duotones/color illus. Pa: 978-0-691-13373-7 $23.95 | £16.95 10 x 12. Cl: 978-0-691-15134-2 $49.95 | £34.95

PRESS.PRINCETON.EDU VISUAL CULTURE 7 ESSAYS IN THE ARTS This series aims to provide an outlet for provocative essays in the various disciplines of the creative arts. The essays are critical rather than purely factual in approach, drawing in substance upon the fields of esthetics, the visual arts, music, literature, drama, the cinema, New New and other theatrical arts. Con- Inventing Falsehood, The Melancholy Art tributions may develop an idea Making Truth Michael Ann Holly in any of the single fields, but Vico and Neapolitan Painting “Erudite and illuminating, The Mel- preference is given to studies Malcolm Bull ancholy Art contributes to a lively seeking to build bridges across “Bull is a scholar with a gift for contemporary debate about the these disciplines. traversing traditional disciplinary ‘presence’ of past arts in our lives boundaries, and his book acknowl- and about the appropriate dis- edges, as has rarely been done tance that scholars can or should before, the wide philosophical try to attain in relation to it.” dimensions of artistic practice in —Whitney Davis, University of the ‘long seventeenth century.’ California, Berkeley Given its originality of focus, this Drawing on psychoanalysis, synthesis helps reconceptualize philosophy, and the intellectual the period in a new way.” history of the history of art, The —Tom Nichols, University of Melancholy Art explores the unique Glasgow connections between melancholy “Malcolm Bull is an extraordinary and the art historian’s craft. writer—lucid, far reaching, and 2013. 224 pages. 41 halftones. 6 x 9. Wartime Kiss entirely original. His book explains Cl: 978-0-691-13934-0 $24.95 | £16.95 Visions of the Moment in the how painting does not merely 1940s provide the subject for philosoph- Alexander Nemerov ical debate when we interpret, “As art historian Nemerov reminds but also, quite by itself, manifests us in this exceptional set of reflec- a form of philosophical thinking. tions on photography and history, In what way do the fantasies rep- photographs bring a lost moment resented in art manifest a truthful and person directly into our view, way of thinking? This book offers so that what was and what is the answer.” coalesce in eerie combination. . . . —David Carrier, coauthor of Wild Art Nemerov’s radiant meditations 2014. 160 pages. 39 halftones. 6 x 9. Cl: 978-0-691-13884-8 $24.95 | £16.95 cast a penetrating glance into the Mute Poetry, moments captured in the photos Speaking Pictures and the larger stories they reflect.” Images and Ideas in Leonard Barkan —Publishers Weekly Seventeenth-Century 2012. 184 pages. 46 halftones. 6 x 9. “This is vintage Barkan—a seduc- Cl: 978-0-691-14578-5 $22.95 | £15.95 Spanish Painting tive book, written with eloquence Jonathan Brown and insight, and giving much 1979. 201 pages. pleasure and intellectual profit.” Pa: 978-0-691-00315-3 $49.95 | £34.95 —Marvin Trachtenberg, Institute of Fine Arts, New York University 2012. 208 pages. 40 halftones. 6 x 9. Cl: 978-0-691-14183-1 $22.95 | £15.95 Connect with us on Google+ @ Princeton University Press

8 ESSAYS IN THE ARTS The Paris Letters of With a new preface by the Honorable Mention, 2006 Museum Publications Design Competition, Books Thomas Eakins author Category, American Association of Edited by William Innes American Moderns Museums Homer Bohemian New York and the With a foreword by Lynn Creation of a New Century Gumpert “[A] fascinating record of triumphs Christine Stansell The Downtown Book and struggles.“ The New York Art Scene “Stansell’s book is a triumph.” —Kathleen A. Foster, author of 1974–1984 —Eunice Lipton, The Nation Thomas Eakins Rediscovered Edited by Marvin J. Taylor 2009. 384 pages. 33 halftones. 35 line illus. 2009. 440 pages. 37 halftones. 6 x 9. Essays by Bernard Gendron, 6 x 9. Pa: 978-0-691-14283-8 $30.95 | £21.95 Cl: 978-0-691-13808-4 $35.00 | £24.95 RoseLee Goldberg, Carlo McCormick, Robert Siegle, Sargent and Italy Marvin J. Taylor, Brian Wallis & Winner of the 2009 Book Prize, Modernist Edited by Bruce Robertson Matthew Yokobosky Studies Association Essays by Jane Dini, Ilene Susan Published in association with the Grey Art Gallery Winner of the 2009 Peter C. Rollins Award, and the Fales Library of English and American Northeast Popular Culture/American Fort, Stephanie L. Herdrich, Literature, New York University Culture Association R.W.B. Lewis & Richard Ormond 2006. 208 pages. 58 color plates. 98 halftones. New York Nocturne Published in association with the Los Angeles 8 x 8. The City After Dark in County Museum of Art Cl: 978-0-691-12286-1 $39.95 | £27.95 Literature, Painting, and 2008. 208 pages. 85 color plates. 50 halftones. Photography, 1850–1950 9 x 12. Pa: 978-0-691-13944-9 $46.95 | £32.95 One of Choice’s Outstanding Academic William Chapman Sharpe Titles for 2009 2008. 448 pages. 24 color plates. 117 halftones. 7 x 10. Joseph Cornell Cl: 978-0-691-13324-9 $45.00 | £30.95 and Astronomy A Case for the Stars Kirsten Hoving Rackstraw Downes 2008. 336 pages. 60 color illus. 81 halftones. Sanford Schwartz, Robert 8 x 10. Cl: 978-0-691-13498-7 $57.50 | £39.95 Storr & Rackstraw Downes 2005. 200 pages. 100 color plates. 50 halftones. 11 x 10. Cl: 978-0-691-12047-8 $70.00 | £48.95 Winner of the 2005 Book Award in Fine Art, Independent Publisher Georgia O’Keeffe and One of Choice’s Outstanding Academic New Mexico John Singer Sargent Titles for 2005 A Sense of Place Edited by Elaine Kilmurray & Finalist, 2005 Nonfiction Kiriyama Prize, Pacific Rim Voices Barbara Buhler Lynes, Lesley Richard Ormond The Life of Isamu Noguchi Poling-Kempes & Frederick Published in association with the Tate, London Journey without Borders Turner 1998. 288 pages. 160 color plates. 80 halftones. 9 x 12. Masayo Duus Copublished with the Georgia O’Keeffe Museum, Cl: 978-0-691-00434-1 $80.00 Translated by Peter Duus Santa Fe For sale only in the U.S., Canada, and the 2004. 144 pages. 66 color plates. 10 halftones. 2006. 440 pages. 36 halftones. 6 x 9. Philippines 10 ½ x 9. Pa: 978-0-691-12782-8 $35.00 | £24.95 Cl: 978-0-691-11659-4 $49.95 | £34.95

PRESS.PRINCETON.EDU AMERICAN 9 Tenth Anniversary Edition Galapagos The Dawn of the Color A Shoemaker’s Story Islands Born of Fire Photograph Being Chiefly about French Tui De Roy Albert Kahn’s Archives of the Canadian Immigrants, 2010. 168 pages. 245 color illus. 1 map. 12 x 9. Planet Enterprising Photographers, Cl: 978-0-691-14637-9 $29.95 David Okuefuna Rascal Yankees, and Chinese For sale only in the U.S. and Canada Cobblers in a Nineteenth- “Albert Kahn’s collection of early Century Factory Town New Edition color photographs is recognized as Anthony W. Lee Picture Perfect one of the world’s most important.” Life in the Age of the Photo Op —Art New England “Generously illustrated with many extraordinary photographs, A Shoe- Kiku Adatto 2008. 336 pages. 370 color illus. 9 x 9. 2008. 304 pages. 6 x 9. Cl: 978-0-691-13907-4 $49.50 maker’s Story brings 1870s America Pa: 978-0-691-12440-7 $26.95 | £18.95 For sale only in the U.S. and Canada to vivid life.” —Spartacus Educational 2008. 312 pages. 1 color illus. 136 halftones. 7 x 9. Cl: 978-0-691-13325-6 $52.50 | £36.95

Winner of the 2008 Alfred H. Barr, Jr. Award, Walker Evans College Art Association Maria Morris Hambourg, Jeff Winner of the 2008 Bronze Medal in Photography, Independent Publisher L. Rosenheim, Douglas Eklund Shortlisted for the 2008 Kraszna-Krausz & Mia Fineman Book Award for Best Photography Book, Jacques Henri Lartigue Kraszna-Krausz Foundation “A masterly catalog. . . . The rich The Invention of an Artist The Art of the American reproductions show the range of Kevin Moore Snapshot, 1888–1978 Evans’s work, while the essays pro- vide context for his achievements.” 2004. 272 pages. 70 duotones. 40 halftones. Sarah Greenough 9 x 9. & Diane Waggoner —Rosemary Ranck, New York Times Cl: 978-0-691-12002-7 $65.00 | £44.95 With Sarah Kennel & Book Review Matthew S. Witkovsky Published in association with The Metropolitan Museum of Art, New York Victor Regnault and the “This offbeat history is beautifully 2004. 336 pages. 141 duotones. 53 color plates. Advance of Photography illustrated with snapshot-sized re- 171 halftones. 10 x 11 ½. The Art of Avoiding Errors productions, smartly edited by Sarah Pa: 978-0-691-11965-6 $42.00 | £28.95 Laurie Dahlberg Greenough and fellow curators.” 2005. 208 pages. 80 duotones. 20 halftones. —American Photo 11 x 10. Published in association with the National Cl: 978-0-691-11879-6 $92.50 | £64.00 Gallery of Art, Washington 2007. 288 pages. 200 halftones. 50 color illus. 8 ½ x 11 ½. Cl: 978-0-691-13368-3 $55.00 | £37.95

10 PHOTOGRAPHY Forthcoming Paperback Co-Winner of the 2010 Howard R. Winner of the 1999 Robert W. Hamilton Marraro Prize, Modern Language Author Award, University of Texas The First Pop Age Association Cooperative Society Painting and Subjectivity Inventing Futurism Duchamp in Context in the Art of Hamilton, The Art and Politics of Science and Technology in the Lichtenstein, Warhol, Richter, Artificial Optimism Large Glass and Related Works and Ruscha Christine Poggi Linda Dalrymple Henderson Hal Foster “Christine Poggi’s Inventing Futur- 2005. 500 pages. 5 color plates. 190 halftones. “Foster’s book offers the most ism cuts a sharp cross-disciplinary 8 ½ x 11. Pa: 978-0-691-12386-8 $59.95 | £41.95 sustained demonstration to date swath through the founding of the once contested belief that, avant-garde of the twentieth cen- far from merely reproducing their tury. With meticulous scholarship, source materials, Pop interpretive depth, and attention reinvent them.” to nuance, it brilliantly upends the —Anne Wagner, London Review once-standard clichés regarding a of Books Futurism reducible to the acritical “Foster is an erudite analyst . . . and worship of modernity.” an illuminating guide.” —Jeffrey T. Schnapp, Stanford —Elaine Showalter, Literary Review University March 2014. 352 pages. 77 color illus. 2009. 416 pages. 24 color illus. 131 halftones. 80 halftones. 5 ½ x 8. 7 x 10. Pa: 978-0-691-16098-6 $19.95 | £13.95 Cl: 978-0-691-13370-6 $52.50 | £36.95 Cl: 978-0-691-15138-0 $29.95 | £19.95 Why a Painting Is Like a Pizza A Guide to Understanding and Enjoying Modern Art Nancy G. Heller “Why a Painting Is Like a Pizza is informative and highly entertain- ing. By exploring the context within which art is made and exhibited, and by probing the criteria for evaluating it, Heller has constructed a useful framework for looking at Winner of the 2008 Charles C. Eldredge art meaningfully.” Prize, Smithsonian American Art Museum Clement Greenberg —Susan S. Badder, Curator of Pre-Modernism A Critic’s Collection Education, Corcoran Gallery of Art, Art-World Change and Karen Wilkin & Bruce Washington, D.C. American Culture from the Guenther 2002. 192 pages. 49 color plates. 40 halftones. Civil War to the Armory Show Published in Association with the Portland Art 6 x 9. J. M. Mancini Museum, Portland, Oregon Pa: 978-0-691-09052-8 $22.95 | £15.95 2001. 180 pages. 220 color plates. 1 halftone. 2005. 256 pages. 75 halftones. 8 x 10. 10 x 12. Cl: 978-0-691-11813-0 $70.00 | £48.95 Cl: 978-0-691-09049-8 $70.00 | £48.95

PRESS.PRINCETON.EDU MODERN 11 Finalist, 2012 Charles Rufus Morey Book Art of the Everyday Award, College Art Association A Life on Paper One of Choice’s Outstanding Academic Dutch Painting and the Leonard Barkan Titles for 2011 Realist Novel Ruth Bernard Yeazell “Personable in tone, astute in Ambitious Form Giambologna, Ammanati, and observation, Mr. Barkan’s book is “A charming, even masterful foot- Danti in Florence that rare thing, a historical study as note in the history of taste. . . . Michael W. Cole absorbing as a novel.” Thoroughly researched, highly —Holland Cotter, New York Times “In this stimulating offering, Cole readable, and lavishly illustrated.” 2010. 384 pages. 165 color illus. 40 halftones. investigates sculptural enterprise —James Gardner, New York Sun 3 line illus. 8 x 10. in Florence during the second 2009. 296 pages. 17 color plates. 55 halftones. Cl: 978-0-691-14766-6 $49.50 | £34.95 half of the 16th century. Focusing 6 x 9. Pa: 978-0-691-14323-1 $27.95 | £19.95 on Giambologna, Bartolomeo Ammanati, and Vincenzo Danti, this book is no mere survey of trends or compilation of biographies. It concerns what being a sculptor meant in this dynamic time and place and the nature of the plastic arts themselves.” —Choice 2011. 376 pages. 167 halftones. 8 x 10. Cl: 978-0-691-14744-4 $55.00 | £37.95

Now Available in Paperback One of Choice’s Outstanding Academic Marketing Maximilian Titles for 2009 The Visual Ideology of a Holy With a foreword by Michael Roman Emperor Spence Larry Silver The Patron’s Payoff Conspicuous Commissions in “Marketing Maximilian is an Italian Renaissance Art excellent study of the first ruler to Jonathan K. Nelson & exploit print for verbal and visual Richard J. Zeckhauser propaganda.” 2008. 256 pages. 51 halftones. 7 x 10. —Kevin Sharpe, Times Literary Pa: 978-0-691-16194-5 $22.95 | £15.95 Supplement Cl: 978-0-691-12541-1 $49.95 | £34.95 With a new introduction by 2008. 320 pages. 100 halftones. 8 x 10. Jeffrey Chipps Smith Cl: 978-0-691-13019-4 $65.00 | £44.95 The Life and Art of Albrecht Dürer Erwin Panofsky Princeton Classic Editions 2005. 520 pages. 326 halftones. 8 line illus. 7 x 10. Pa: 978-0-691-12276-2 $46.95 | £32.95

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12 RENAISSANCE & BAROQUE With an introduction by A New York Times Notable Book of 2007 Winner of the 2011 Ananda Kentish Eamon Duffy Winner of the 2009 James R. Wiseman Book Coomaraswamy Book Prize, South Asia Award, Archaeological Institute of America Council, Association for Asian Studies The Golden Legend Winner of the 2007 Award for Best One of Choice’s Outstanding Academic Readings on the Saints Professional/Scholarly Book in Classics and Titles for 2009 Ancient History, Association of American Objects of Translation Jacobus de Voragine Publishers Translated by William Granger Material Culture and Medieval Portrait of a Priestess “Hindu-Muslim” Encounter Ryan Women and Ritual in Ancient Finbarr B. Flood “Art historians depend on it. Medi- Greece evalists should know it inside-out. Joan Breton Connelly “This brilliant book . . . is an overview of the art, especially . . . [F]or the rest of us it remains “[T]he first full-length work to take architecture and architectural a treasure-house of European the Greek priestess specifically as decoration, of what is now northern culture, crammed full of the things its subject. . . . Portrait of a Priestess India, Pakistan, and Afghanistan which everyone, once upon a time, is a remarkable triumph[,] . . . a from the eighth to the thirteenth used to know.” sharp, variegated, sympathetic, centuries—from the arrival of Islam —Noel Malcolm, Sunday Telegraph and wonderfully readable study.” to the eve of the Mongol conquests. 2012. 816 pages. 6 x 9. —, New York Review of Pa: 978-0-691-15407-7 $39.50 | £27.95 It is also a trenchant essay of Books interpretation.” 2009. 464 pages. 27 color illus. 109 halftones. 8 x 10. —Choice Pa: 978-0-691-14384-2 $39.95 | £27.95 2009. 384 pages. 178 halftones. 8 x 10. Cl: 978-0-691-12594-7 $52.50 | £36.95

Honorable Mention, 2012 PROSE Award, Archeology and Anthropology, Association of American Publishers How Ancient Europeans Saw the World Vision, Patterns, and the Shaping of the Mind in Prehistoric Times Peter S. Wells “How Ancient Europeans Saw the World is an Pontius Pilate, intriguing book that attempts to revisualize Anti-Semitism, and the swords and brooches, tombs and public spaces, Passion in borrowing cues from marketing research and art Colum Hourihane history to reconstruct how things appeared to the 2009. 488 pages. 8 color illus. 187 halftones. people who made and used them. It deserves a 8 x 10. wide readership.” Cl: 978-0-691-13956-2 $62.95 | £43.95 —David W. Anthony, author of The Horse, the Wheel, and Language: How Bronze-Age Riders from the Eurasian Steppes Shaped the Modern World Revised and Expanded Edition 2012. 304 pages. 40 halftones. 6 line illus. 3 maps. 6 x 9. The Clash of Gods Cl: 978-0-691-14338-5 $35.00 | £24.95 A Reinterpretation of Early Christian Art Thomas F. Mathews 1999. 256 pages. 16 color plates. 129 halftones. 7 x 10. Pa: 978-0-691-00939-1 $45.00 | £30.95 Connect with us on Twitter @ PrincetonUPress

MEDIEVAL ANCIENT & ISLAMIC 13 THE ILLUMINATED BOOKS OF WILLIAM BLAKE Fellow Men David Bindman, General Editor Fantin-Latour and the Problem of the Group in Nineteenth- Jerusalem: The Emanation Milton, A Poem Century French Painting of the Giant Albion Volume 5 Bridget Alsdorf Volume 1 Edited by Robert N. Essick & “Not only does [Bridget Alsdorf] Edited by Morton D. Paley Joseph Viscomi make superb use of Fantin-Latour’s 1997. 302 pages. 107 color plates. 8 x 12. 1998. 286 pages. 56 color plates. 15 b&w Pa: 978-0-691-02907-8 $55.00 | £37.95 illus. 9 x 12. correspondence and the writings Pa: 978-0-691-00148-7 $55.00 | £37.95 of numerous art critics of his Songs of Innocence and The Urizen Books time, she also directs toward the of Experience Volume 6 paintings an analytical intelligence Volume 2 shaped in part by recent develop- Edited by David Worrall Edited with an introduction ments in gender theory (especially 1998. 232 pages. 48 color plates. 11 b&w and commentaries by illus. 9 x 12. Sedgwick’s work on homosocial Andrew Lincoln Cl: 978-0-691-04416-3 $135.00 | £93.00 bonding), with impressive results.” Not for sale in Japan 1994. 212 pages. 54 color plates. 8 x 11. —Michael Fried, Johns Hopkins Pa: 978-0-691-03790-5 $45.00 | £30.95 University 2012. 392 pages. 40 color illus. 122 halftones. 7 x 10. Cl: 978-0-691-15367-4 $45.00 | £30.95

The Art of Bloomsbury The Art of the Roger Fry, Vanessa Bell, and Pre-Raphaelites Duncan Grant Elizabeth Prettejohn Richard Shone “Prettejohn has not only brought With essays by James Beechey & Gauguin Richard Morphet together so many of this time Maker of Myth period’s masterpieces, but has also Edited by Belinda Thomson “A magnificent new book. . . . [A] provided the history and means With contributions by powerful combination of words with which to realize the full Tamar Garb, Charles Forsdick, and images.” impact of these paintings.” Vincent Gille, Linda Goddard —John Murray, Bloomsbury Review —Felice Ballester, Bloomsbury & Philippe Dagen Published in association with the Tate, London Review 2010. 256 pages. 250 color illus. 9 ½ x 11. 2002. 288 pages. 200 color plates. 70 halftones. Published in association with the Tate, London Cl: 978-0-691-14886-1 $55.00 9 x 12. For sale only in the U.S. and Canada Pa: 978-0-691-09514-1 $45.00 | £30.95 2000. 304 pages. 220 color plates. 20 halftones. 9 x 12. Cl: 978-0-691-07057-5 $70.00 For sale only in the U.S., Canada, and the Philippines 14 BRITISH FRENCH The Plum in the Golden Vase or, Chin P’ing Mei Translated by David Tod Roy “Clearly David Roy is the greatest scholar- translator in the field of premodern vernacular Chinese fiction. . . . The puns and various other kinds of word plays that abound in the Chin P’ing Mei are so difficult to translate that I can’t help ‘slapping the table in amazement’ each time I see evidence of Roy’s masterful rendition One of Huffington Post’s Best Art Books of them.” of 2012 One of Big Think’s Best Art Books of 2012 —Shuhui Yang, Chinese Literature: Essays, Articles, One of the Village Voice’s Favorite Books and Reviews of 2012 Princeton Library of Asian Translations Weiwei-isms Ai Weiwei One of Choice’s Outstanding Academic The Climax Titles for 1994 Edited by Larry Warsh Volume Four The Gathering 2011. 1032 pages. 40 line illus. 6 x 9. “Ai Weiwei is unquestionably one Volume One Cl: 978-0-691-15043-7 $39.95 | £27.95 of the most important artists of our 1997. 714 pages. 40 illus. 6 x 9. time. His practice encompasses the Pa: 978-0-691-01614-6 $39.95 | £27.95 New The Dissolution production of objects, the circula- The Rivals Volume Five tion of information, and politics in a manner that is absolutely unique. Volume Two 2013. 624 pages. 40 line illus. 6 x 9. 2006. 720 pages. 40 halftones. 6 x 9. Cl: 978-0-691-15771-9 $39.95 | £27.95 This worthy compilation of short Pa: 978-0-691-12619-7 $39.95 | £27.95 quotations will introduce a broad audience to his thought and activ- The Aphrodisiac ism, and makes clear the scope and Volume Three span of this truly global artist.” 2011. 800 pages. 40 line illus. 6 x 9. Pa: 978-0-691-15018-5 $39.95 | £27.95 —David Joselit, author of After Art Cl: 978-0-691-12534-3 $82.50 | £57.50 2012. 152 pages. 2 halftones. 4 x 5. Cl: 978-0-691-15766-5 $12.95 | £8.95

Shanghai Edition The Mustard Seed Garden A Story of Ruins Manual of Painting a Presence and Absence in Chinese Art and Visual Culture A Facsimile of the 1887–1888 One of Choice’s Outstanding Academic Translated from the Chinese Wu Hung Titles for 2001 Honorable Mention, 2002 George and edited by Mai-mai Sze “A Story of Ruins is an original and Wittenborn Memorial Book Award, Art Bollingen Series XLIX: XLIX welcome contribution not only to Libraries Society of North America 1978. 648 pages. 8 ½ x 8 ½. the study of art in China but art Ancient Sichuan Pa: 978-0-691-01819-5 $45.00 | £30.95 generally.” Treasures from a Lost —Martin Powers, University of Civilization Michigan Edited by Robert Bagley 2012. 296 pages. 250 color illus. 7 ½ x 10. Published in association with the Seattle Art Cl: 978-0-691-15502-9 $60.00 Museum For sale only in the U.S., its dependencies, and 2001. 360 pages. 248 color photos. Canada 23 halftones. 237 line illus. 10 x 12. Cl: 978-0-691-08851-8 $92.50 | £64.00 PRESS.PRINCETON.EDU ASIAN 15 NATIONAL GALLERY OF ART National Gallery of Art experts and scholars from around the world contribute to the thirty-volume Systematic Catalogue, which ultimately will document more than five thousand paintings, sculptures, and decorative arts in the National Gallery of Art collections. Comprehensive essays about each work are presented, along with full-col- or or duotone reproductions. Several volumes feature a range of comparative figures and technical illustrations to aid understanding of the latest conservation research. Where appropriate, concordances of old and new titles, attributions, and accession numbers are included; in addition, each catalogue contains extensive notes, references, a full bibliography, and an index. Eighteen volumes of the Systematic Catalogue have been published. Backlist and future titles in this series are now being distributed by Princeton University Press.

Edgar Degas Sculpture British Paintings of the French Paintings of the Suzanne Glover Lindsay, Daphne S. Sixteenth through Nineteenth Century, Part I Barbour & Shelley G. Sturman Nineteenth Centuries Before Impressionism With Barbara H. Berrie, Suzanne Quillen John Hayes Lorenz Eitner Lomax & Michael Palmer 1992. 408 pages. 29 color illus. 224 b&w illus. 2000. 416 pages. 67 color illus. 175 b&w illus. 5 1 5 1 9 ⁄8 x 11 ⁄4. 2011. 408 pages. 221 color illus. 209 halftones. 9 ⁄8 x 11 ⁄4. 1 9 ½ x 11 ⁄4. Cl: 978-0-521-41066-3 $82.50 | £57.50 Cl: 978-0-894-68227-8 $120.00 | £82.50 Cl: 978-0-691-14897-7 $105.00 | £72.00 Western Decorative Arts, Italian Paintings of the French Paintings of the Part I Seventeenth and Fifteenth through the Medieval, Renaissance, and Historicizing Eighteenth Centuries Eighteenth Century Styles Including Metalwork, Enamels, Diane De Grazia & Eric Garberson Philip Conisbee and Ceramics With Edgar Peters Bowron, Peter M. Richard Rand, contributing editor, with Rudolf Distelberger, Alison Luchs, Lukehart & Mitchell Merling Joseph Baillio, Gail Feigenbaum, Frances Philippe Verdier & Timothy H. Wilson 1996. 392 pages. 54 color illus. 79 b&w illus. 5 1 Gage, John Oliver Hand, Benedict Leca With contributions by Daphne S. 9 ⁄8 x 11 ⁄4. & Pauline Maguire Robison Barbour, Shelley G. Sturman & Pamela Cl: 978-0-894-68216-2 $70.00 | £48.95 2010. 552 pages. 118 color illus. 214 b&w B. Vandiver Renaissance Medals 5 1 illus. 9 ⁄8 x 11 ⁄4. 1993. 334 pages. 64 color illus. 249 b&w illus. Volume One: Italy Cl: 978-0-691-14535-8 $110.00 | £75.00 5 1 9 ⁄8 x 11 ⁄4. John Graham Pollard American Naive Paintings Cl: 978-0-521-47068-1 $75.00 | £52.00 With the assistance of Eleonora Deborah Chotner Early Netherlandish Painting Luciano & Maria Pollard With contributions by Julie Aronson, John Oliver Hand & Martha Wolff 2007. 2 vols. 1120 pages. 66 color illus. 5 1 Sarah D. Cash & Laurie Weitzenkorn 1745 duotones. 9 ⁄8 x 11 ⁄4. 1986. 272 pages. 16 color illus. 153 b&w illus. Cl: 978-0-894-68266-7 $110.00 | £75.00 1992. 668 pages. 150 color illus. 171 b&w 5 1 9 ⁄8 x 11 ⁄4. 5 1 illus. 9 ⁄8 x 11 ⁄4. Cl: 978-0-521-34016-8 $26.95 | £18.95 Renaissance Medals Cl: 978-0-521-44301-2 $95.00 | £65.00 European Sculpture of the Volume Two: France, Germany, the American Paintings of the , and England Nineteenth Century John Graham Pollard Nineteenth Century, Part I Ruth Butler & Suzanne Glover Lindsay Franklin Kelly With the assistance of Eleonora With Alison Luchs, Douglas Lewis, With Nicolai Cikovsky, Jr., Deborah Luciano & Maria Pollard Cynthia J. Mills & Jeffrey Weidman Chotner & John Davis 2007. 2 vols. 1120 pages. 66 color illus. 2000. 526 pages. 150 color illus. 195 b&w 5 1 1996. 468 pages. 89 color illus. 128 b&w illus. 1745 duotones. 9 ⁄8 x 11 ⁄4. 5 1 8 4 5 1 illus. 9 ⁄ x 11 ⁄ . Cl: 978-0-894-68337-4 $110.00 | £75.00 9 ⁄8 x 11 ⁄4. Cl: 978-0-894-68253-7 $110.00 | £75.00 Cl: 978-0-894-68215-5 $87.50 | £61.00 Spanish Paintings of the American Paintings of the Flemish Paintings of the Fifteenth through Nineteenth Century, Part II Seventeenth Century Nineteenth Centuries Arthur K. Wheelock, Jr. Robert W. Torchia Jonathan Brown & Richard G. Mann With Deborah Chotner & Ellen G. Miles 2005. 290 pages. 56 color illus. 176 b&w illus. 1990. 168 pages. 26 color illus. 45 b&w illus. 5 1 5 1 1998. 364 pages. 72 color illus. 135 b&w illus. 9 ⁄8 x 11 ⁄4. 9 ⁄8 x 11 ⁄4. 5 1 Cl: 978-0-521-40107-4 $26.95 | £18.95 9 ⁄8 x 11 ⁄4. Cl: 978-0-894-68348-0 $82.50 | £57.50 Cl: 978-0-894-68254-4 $105.00 | £72.00 Distributed for the National Gallery of Art, Washington

16 NATIONAL GALLERY OF ART, SYSTEMATIC CATALOGUES New Forthcoming The Family Model in Chinese Art and Culture Art as History Edited by Jerome Silbergeld & Dora C. Y. Ching Essays on Chinese Painting History The family model has been central to patterns Wen C. Fong of social organization and cultural articulation throughout Chinese history, influencing all This richly illustrated book provides facets of the content and style of Chinese art. an anthology and summation With contributors drawn from the disciplines of the work of one of the world’s of art history, anthropology, psychiatry, history, leading historians of Chinese and literature, this volume explores the Chinese painting and calligraphy. Wen Fong concept of family and its impact upon artistic helped create the field of East Asian production. In essays ranging from the depiction art history during a distinguished of children to adult portraiture, through literary five-decade career at Princeton constructions of gender and the psychodynamics of cinema, these University and the Metropolitan authors consider the historical foundations of the family—both real and Museum of Art. Few if any other ideal—in ancient China, discuss the perpetuation of this model in later writers in English have such a broad Chinese history and modern times, and analyze how family paradigms knowledge of the history and informed and intersected with art and literature. practice of calligraphy and Chinese 2013. 568 pages. 196 halftones. 38 line illus. 10 tables. 1 map. 8 ½ x 10 ½. painting. In this collection of some Cl: 978-0-691-15859-4 $75.00 | £52.00 of his most recent essays, Fong gives a sweeping tour through the history of Chinese painting and New calligraphy as he offers new and Art and Archaeology of the Erligang Civilization revised views on a broad range of Edited by Kyle Steinke with Dora C. Y. Ching important subjects. Named after an archaeological site dis- The topics addressed include “art covered in 1951 in Zhengzhou, China, the as history,” in which each art object Erligang civilization arose in the Yellow preserves a moment in art’s own River valley around the middle of the significant history; the museum second millennium BCE. Shortly there- as a place of serious study and after, its distinctive elite material culture education; the close historical rela- spread to a large part of China’s Central tionship between calligraphy and Plain, in the south reaching as far as the painting and their primacy among banks of the Yangzi River. The Erligang Chinese fine arts; the parallel culture is best known for the remains of development of representational an immense walled city at Zhengzhou, a painting and sculpture in early smaller site at Panlongcheng in Hubei, and a large-scale bronze industry painting history; the greater signifi- of remarkable artistic and technological sophistication. cance of brushwork, seen abstractly This richly illustrated book is the first in a western language devoted to as a means of personal expression the Erligang culture. It brings together scholars from a variety of disci- by the artist, in later painting plines, including art history and archaeology, to explore what is known history; the paradigmatic impor- about the culture and its spectacular bronze industry. The opening tance of the master-to-follower chapters introduce the history of the discovery of the culture and its lineage—of genealogy as a social most important archaeological sites. Subsequent essays address a variety force—in shaping the continuity of important methodological issues related to the study of Erligang, and directing the subtle changes in including how to define the culture, the usefulness of cross-cultural Chinese painting history; the role of comparative study, and the difficulty of reconciling traditional Chinese collectors; and the critical necessity historiography with archaeological discoveries. The book closes by ex- of authenticated works for estab- amining the role the Erligang civilization played in the emergence of the lishing an accurate art history. first bronze-using societies in south China and the importance of bronze August 2014. 464 pages. 150 color illus. 150 halftones. 8 x 10. studies in the training of Chinese art historians. Cl: 978-0-691-16249-2 $95.00 | £65.00 2014. 240 pages. 140 color illus. 85 halftones. 36 line illus. 19 maps. 10 x 12. Pa: 978-0-691-15994-2 $49.95 | £34.95 Cl: 978-0-691-15993-5 $95.00 | £65.00

16 NATIONAL GALLERY OF ART, SYSTEMATIC CATALOGUES DEPARTMENT OF ART & ARCHAEOLOGY, PRINCETON UNIVERSITY 17 New Morgantina Studies, Medieval and Volume VI Renaissance Manuscripts The Hellenistic and Roman in the Princeton Fine Pottery University Library Shelley C. Stone Edited by Don C. Skemer Excavation of the ancient city Some twenty years in the making, of Morgantina in southeastern this catalogue identifies virtually all Sicily since 1955 has recovered an the manuscripts’ texts on an ency- extraordinary quantity and variety of pottery, both locally made and Crossing the Sea clopedic range of subjects. Medieval imported. This volume presents the Essays on East Asian Art in and Renaissance Manuscripts in the fine-ware pottery dating between Honor of Professor Yoshiaki Princeton University Library has a Shimizu fully integrated approach that gives the second half of the fourth century BCE, when Morgantina Edited by Gregory P. A. equal emphasis to text and image Levine, Andrew M. Watsky & and their historical context, offering was a thriving inland center closely Gennifer Weisenfeld insights into countless aspects of tied to the Hellenistic east through intellectual and artistic life. Syracuse, and the first half of the Ranging in topic from premodern first century CE, when Morgantina Buddhist, narrative, and ink painting 2013. 2 vols. 1224 pages. 393 color illus. 9 x 12. Cl: 978-0-691-15750-4 $250.00 | £175.00 had been reduced to a dwindling in Japan and East Asia to modern Roman provincial town that would and contemporary Japanese soon be abandoned. Bearing gloss painting, prints, and popular visual and often paint or relief, these fine images, these essays present inno- ceramics were mostly tableware, and vative research that draws attention together they provide a well-defined to remarkable works of Japanese art picture of the evolving material and their fascinating historical con- culture of an important urban site texts and modern interpretations. over several centuries. And since 2013. 336 pages. 117 color illus. 13 halftones. 1 virtually all these vessels come from 8 ⁄2 x 11. Cl: 978-0-691-15653-8 $75.00 | £52.00 dated deposits, this volume provides wide-ranging contributions to the Commemorative chronology of Hellenistic and early in Roman pottery. China 2012. 680 pages. 144 color illus. 693 halftones. 1 1000 line illus. 8 ⁄2 x 11. Anne de Coursey Clapp Cl: 978-0-691-15672-9 $175.00 | £120.00 When is a landscape more than a landscape? This is a richly illustrat- ed study of an important genre of Ming-dynasty Chinese painting in which landscapes are actually disguised portraits that celebrate an individual and his achieve- Bridges to Heaven ments, ambitions, and tastes in Essays on East Asian Art in an open effort to win recognition, Honor of Professor Wen C. Fong support, and social status. In this Edited by Jerome Silbergeld, unique study, Anne de Coursey Greek Manuscripts at Dora C. Y. Ching, Judith G. Clapp presents a broad view of Smith & Alfreda Murck these commemorative landscape Princeton, Sixth to The diversity, depth, and originality paintings, including antecedents in Nineteenth Century of these essays make this work a the Song and Yuan dynasties. A Descriptive Catalogue monumental contribution to the 2012. 144 pages. 60 color illus. 7 x 10. Sofia Kotzabassi & Nancy study of the arts of East Asia. Pa: 978-0-691-15476-3 $29.95 | £19.95 Patterson Ševčenko, with the collaboration of Don C. Skemer 2011. 2 vols. 960 pages. 550 halftones. 1 1 9 ⁄2 x 12 ⁄2. 2010. 544 pages. 250 color illus. 29 halftones. Cl: 978-0-691-15298-1 $175.00 | £120.00 9 x 12. Cl: 978-0-691-14387-3 $215.00 | £150.00 18 DEPARTMENT OF ART & ARCHAEOLOGY, PRINCETON UNIVERSITY INDEX OF CHRISTIAN ART RESOURCES Edited by Colum Hourihane King David in the Index of Christian Art Index of Christian Art Resources 2 2002. 408 pages. 100 halftones. 6 ½ x 10. Pa: 978-0-691-09547-9 $59.95 | £41.95 Cl: 978-0-691-09546-2 $120.00 | £82.50 Nomads and Networks Virtue and Vice The Ancient Art and Culture The Personifications in the Meaning in Motion of Kazakhstan The Semantics of Movement Index of Christian Art Edited by Sören Stark & in Medieval Art Index of Christian Art Resources 1 Karen S. Rubinson Edited by Nino Zchomelidse & 2000. 464 pages. 64 halftones. 6 ½ x 10. With Zainolla Samashev & Giovanni Freni Pa: 978-0-691-05037-9 $65.00 | £44.95 Cl: 978-0-691-05036-2 $130.00 | £90.00 Jennifer Y. Chi

1 The essays in this volume engage 2012. 200 pages. 268 color illus. 8 ⁄2 x 12. in an interdisciplinary discussion Cl: 978-0-691-15480-0 $49.95 | £34.95 of the significance of movement for the making and perception of INDEX OF CHRISTIAN medieval art. ART BOOKS 2011. 288 pages. 155 color illus. 17 halftones. 3 line illus. 9 x 10 ½. Edited by Colum Hourihane Cl: 978-0-691-15193-9 $49.95 | £34.95 Insights and Interpretations Studies in Celebration of the Eighty-fifth Anniversary of the Index of Christian Art Index of Christian Art Occasional Papers 5 Edge of Empires 2002. 256 pages. 8 ½ x 11. Pagans, Jews, and Christians at Pa: 978-0-691-09991-0 $52.50 | £36.95 Cl: 978-0-691-09990-3 $97.50 | £68.00 Roman Dura-Europos Edited by Jennifer Y. Chi & Image and Belief Sebastian Heath Studies in Celebration of the 2011. 120 pages. 75 color illus. 6 x 9. Eightieth Anniversary of the Pa: 978-0-691-15468-8 $29.95 | £19.95 Index of Christian Art Magnificent Buildings, Index of Christian Art Occasional Papers 3 Splendid Gardens 1999. 342 pages. 4 color plates. 175 halftones. 8 ½ x 11. David R. Coffin Pa: 978-0-691-01003-8 $52.50 | £36.95 Edited by Vanessa Bezemer Sellers Magnificent Buildings, Splendid Gardens returns to print some of the most important works of David Coffin, a leading authority on who, Nubia Ancient Kingdoms of Africa as one of the first scholars to apply the tools of art history to the study Geoff Emberling of gardens, became a founder 2011. 64 pages. 8 ½ x 9 ½. Pa: 978-0-615-48102-9 $15.95 | £10.95 of the discipline of garden and landscape studies. 2008. 320 pages. 182 halftones. 9 x 11. THE INSTITUTE Pa: 978-0-691-13677-6 $46.95 | £32.95 FOR THE STUDY Cl: 978-0-691-13664-6 $95.00 | £65.00 OF THE ANCIENT WORLD AT NEW YORK 18 DEPARTMENT OF ART & ARCHAEOLOGY, PRINCETON UNIVERSITY UNIVERSITY 19 Volume XII: European Sculpture and Volume II: Fifteenth- to Eighteenth-Century European Metalwork Paintings Frits Scholten France, Central Europe, The Netherlands, Spain, and Great Britain This volume catalogs the more Charles Sterling, Maryan W. Ainsworth, than two hundred remarkable Charles Talbot, Martha Wolff, Egbert Haverkamp-Begemann, and varied pieces of European Jonathan Brown & John Hayes sculpture and metalwork—dating 1999. 256 pages. 60 color plates. 97 duotones. 8 ½ x 11. from the Middle Ages through Cl: 978-0-691-00698-7 $135.00 | £93.00 the twentieth century—amassed Volume III: Nineteenth- and by Robert Lehman, one of the Twentieth-Century Paintings foremost art collectors of his Richard R. Brettell, Paul Hayes Tucker & generation. Highlights of the Natalie H. Lee collection’s exemplary aquamanilia, 2010. 496 pages. 130 color illus. 300 halftones. 8 ½ x 11. Cl: 978-0-691-14536-5 $135.00 | £93.00 bronze sculptures, medals, and plaquettes include a medieval aquamanile, the finest of its type, depicting the theme of Volume IV: Illuminations foolish love in the fable of Phyllis and Aristotle, as well as Sandra Hindman, Mirella Levi D’Ancona, a commanding figure of Mars in the guise of a musketeer Pia Palladino & Maria Francesca Saffiotti loading his weapon, dating to the seventeenth century. Each 1998. 256 pages. 33 color plates. 217 duotones. 8 ½ x 11. Cl: 978-0-691-05971-6 $150.00 | £103.00 work in this catalog is illustrated, in many cases with new color photography, and elucidated by in-depth scholarly discussion. Volume VII: Fifteenth- to 2012. 288 pages. 244 color illus. 110 duotones. 8 ½ x 11. Eighteenth-Century European Cl: 978-0-691-15489-3 $75.00 | £52.00 Drawings Central Europe, The Netherlands, France, England Egbert Haverkamp-Begemann, Volume XV: Decorative Arts Mary Tavener Holmes, Fritz Koreny, Donald Posner & Duncan Robinson Wolfram Koeppe, Clare Le Corbeiller, William Rieder, 1999. 488 pages. 76 color plates. 312 duotones. 8 ½ x 11. Charles Truman, Suzanne G. Valenstein, Clare Vincent Cl: 978-0-691-04872-7 $157.50 | £110.00 & Others

Volume IX: Nineteenth- and This volume catalogs more than Twentieth-Century four hundred decorative objects in European Drawings the Robert Lehman Collection at Richard R. Brettell, Françoise Forster-Hahn, Duncan Robinson & Janis A. Tomlinson The Metropolitan Museum of Art, including painted enamels, snuff- 2003. 480 pages. 122 color plates. 324 halftones. 8 ½ x 11. Cl: 978-0-691-11415-6 $135.00 | £93.00 boxes, porcelain, pottery, ceramics, jewelry, furniture, cast metal, and Volume XI: Glass textiles from throughout Europe Dwight P. Lanmon & David B. Whitehouse and Asia, with the majority dating 1994. 358 pages. 97 color plates. 388 duotones. 8 ½ x 11. Cl: 978-0-691-03405-8 $210.00 | £145.00 from the late seventh century to the twentieth century. Highlights Volume XIII: Frames include a a superb seventeenth-century oval-shaped watch Timothy Newbery decorated with enamels by the master Susanne de Court of 2007. 480 pages. 125 color plates. 350 duotones. 435 line illus. 8 ½ x 11. Limoges; a dazzling domed cup supported by a carved alabas- Cl: 978-0-691-13483-3 $135.00 | £93.00 ter figure of a bearded Turk, replete with jewels and precious stones, crafted in early eighteenth-century Germany; and a Volume XIV: European Textiles Christa C. Mayer Thurman French secretaire from the 1780s set with painted enamels 2001. 320 pages. 149 color plates. 222 duotones. 8 ½ x 11. from the famed Sèvres Manufactory. Provenance information, Cl: 978-0-691-09032-0 $150.00 | £103.00 exhibition histories, and references are provided, and selected comparative illustrations are incorporated. The volume also includes a bibliography and an index. 2012. 400 pages. 354 halftones. 8 ½ x 11. Cl: 978-0-691-15490-9 $95.00 | £65.00

Published in association with The Metropolitan Museum, of Art, Egbert Haverkamp-Begemann, Coordinator

20 THE ROBERT LEHMAN COLLECTION AT THE METROPOLITAN MUSEUM OF ART ANNOUNCING THE PRINCETON LEGACY LIBRARY The Princeton Legacy Library uses the latest technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books in durable paperbacks. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. For titles in the library visit: press.princeton.edu/princeton-legacy-library/

UK UK Qty. ISBN Author: Title Page Price Price Qty. 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