Rotating Swings - a Theme with Variations
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Chessington World of Adventures Guide
Chessington World of Adventures Guide Overview One of three theme parks located in Greater London that are operated by Merlin Entertainments Group, Chessington World of Adventures combines a host of rides and shows with a world-class zoo. Whereas nearby LEGOLAND Windsor is aimed at families with kids aged 2-12, and Thorpe Park caters for teens and young adults, Chessington offers something for just about every age group. In addition to the theme park and zoo, the site is also home to the Holiday Inn Chessington, a safari-themed hotel that overlooks the Wanyama Village & Reserve area. History The origins of Chessington World of Adventures can be traced back to 1931, when a new zoo was established in the grounds of a fourteenth century country mansion by entrepreneur Reginald Goddard. The zoo was eventually acquired by the Pearsons Group in 1978, which subsequently merged with the Madame Tussauds chain to form The Tussauds Group. The newly-formed company embarked on an ambitious £12 million project to build a theme park on the site, and Chessington World of Adventures opened to the public in 1987. Attractions Africa Penguins of Madagascar Live: Operation Cheezy Dibbles User rating: (3 votes) Type: Live show Opening date: Mar 23, 2012 A new Madagascar-themed show set to open in 2015 to celebrate the "Year of the Penguins" Penguins of Madagascar Mission: Treetop Hoppers User rating: (2 votes) Type: Drop tower Height: 20 feet Manufacturer: Zamperla Model: Jumpin' Star Minimum rider height: 35 inches Opening date: 2001 Penguins of Madagascar Mission: Treetop Hoppers is a child-friendly take on the classic drop tower attraction. -
Current Used Rides Autumn 2016 Used Rides
Current Used Rides Autumn 2016 Used Rides Amusement Technical currently has 29 used rides available for sale. All rides will be available for shipment late summer 2016. Rides are in excellent condition and have only been operated indoors. They have been subject to a TUV inspection regime and many have current test certification and historical documentation. Prices on application. Robo Coaster (2 available) Manufacturer Kuka, Germany Year of Manufacture 2009 Number of Subjects 1 Total Number of Seats 2 Rockin Tug (113190) Manufacturer Zamperla Year of Manufacture 07/2008 Total Number of Seats 24 Dimensions 14.4m x 9.15m x 5.26m Rockin Tug (113259) Manufacturer Zamperla Year of Manufacture 09/2008 Total Number of Seats 24 Dimensions 14.4m x 9.15m x 5.26m Rockin Tug (118354) Manufacturer Zamperla Year of Manufacture 04/2008 Total Number of Seats 24 Dimensions 14.4m x 9.15m x 5.26m www.amusementtechnical.com V.27/6/16-Egypt Used Rides Crazy Bus (113261) Manufacturer Zamperla Year of Manufacture 2009 Total Number of Seats 24 children or 16 adults Dimensions 10m x 6m x 7m Crazy Bus (118356) Manufacturer Zamperla Year of Manufacture 04/2009 Total Number of Seats 24 children or 16 adults Dimensions 10m x 6m x 7m Crazy Bus (113208) Manufacturer Zamperla Year of Manufacture 062008 Total Number of Seats 24 or 16 adults Dimensions 10m x 6m x 7m Flying Tigers (113264) Manufacturer Zamperla Year of Manufacture 07/2008 Number of Subjects 6 Total Number of Seats 18 (max 6 adults) Dimensions 8m x 3m including fencing Flying Tigers (82504) Manufacturer -
ACE's Scandinavian Sojourn
ACE’s Scandinavian Sojourn : A Southerner’s Perspective Story by: Richard Bostic, assisted by Ronny Cook When I went on the ACEspana trip back in 2009, it was by far one of the most amazing vacations I have ever experienced. In addition to getting to visit parks in a different culture than we see here, it is also a great opportunity to spend time with fellow enthusiasts and grow friendships while enjoying our common interests. When Scandinavia Sojourn was announced for the summer of 2011, I knew it was a trip I could not miss. Since the 2009 trip was my first trip to Europe I thought that there was no way the over- all experience could be better in Scandinavia. I was wrong. We landed in Helsinki, Finland around 1300 the day before we were required to be at the hotel to meet with the group. Helsinki is an interesting city and fairly new compared to many cities in Europe. Walking around the city you can see the Russian influence in the city’s architecture. In fact, many movies during the cold war would use Helsinki to shoot scenes that are supposed to be set in the Soviet Union. After making our way to the Crowne Plaza Hotel and getting a quick lunch at the hotel restaurant we decided to spend the remaining time that afternoon checking out some of the sites around our hotel. Some of these sites included the Temppeliaukio Church inside of a rock formation, the train station, Routatientori Square and National Theater, and a couple of the city’s art museums. -
Spokane Park Board Riverfront Park Committee Meeting Agenda of Sept
Meeting Notice/Agenda City of Spokane Park Board Riverfront Park Committee 8:05 a.m. Monday, Sept. 10, 2018 Looff Carrousel meeting room, Looff Carrousel 507 N. Howard Street, Spokane WA 99201 Riverfront Park Director Jonathan Moog Committee Members: Ted McGregor – Chair Rick Chase Jennifer Ogden Gerry Sperling Jamie SiJohn A special meeting of the City of Spokane Riverfront Park Committee will be held at 8:05 a.m. Monday, Sept. 10, 2018, Looff Carrousel meeting room, 507 N. Howard Street, Spokane, Washington. The meeting will be conducted in a standing committee format for the Riverfront Park Committee of the City of Spokane Park Board. Because a quorum of the Park Board may be present, the standing committee meeting will be conducted as a committee of the whole board. The meeting will be open to the public, with the possibility of moving into executive session only with the members of the Park Board and appropriate staff. Discussion will be limited to appropriate officials and staff. Public testimony may be taken at the discretion of the committee chair. Agenda Action Items: 1. Bernardo | Wills Architects contract amendment/traffic signal/intersection design ($65,000) – Berry Ellison 2. Garco Construction change order #8/Pavilion and Promenade ($58,805, plus tax) – Berry Ellison Information Items: 1. North Bank rides complex feasibility study – Jonathan Moog 2. Meejin Yoon construction contract and update/Stepwell – Berry Ellison 3. Vietnam Veterans Memorial statue update – Jonathan Moog Standing Report Items: 1. Operations report – Jonathan Moog 2. Riverfront Park redevelopment budget-to-actual update – Danielle Arnold 3. EPA grants update – Teri Stripes Agenda is subject to change AMERICANS WITH DISABILITIES ACT (ADA) INFORMATION: The City of Spokane is committed to providing equal access to its facilities, programs and services for persons with disabilities. -
The Theme Park As "De Sprookjessprokkelaar," the Gatherer and Teller of Stories
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2018 Exploring a Three-Dimensional Narrative Medium: The Theme Park as "De Sprookjessprokkelaar," The Gatherer and Teller of Stories Carissa Baker University of Central Florida, [email protected] Part of the Rhetoric Commons, and the Tourism and Travel Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Doctoral Dissertation (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Baker, Carissa, "Exploring a Three-Dimensional Narrative Medium: The Theme Park as "De Sprookjessprokkelaar," The Gatherer and Teller of Stories" (2018). Electronic Theses and Dissertations, 2004-2019. 5795. https://stars.library.ucf.edu/etd/5795 EXPLORING A THREE-DIMENSIONAL NARRATIVE MEDIUM: THE THEME PARK AS “DE SPROOKJESSPROKKELAAR,” THE GATHERER AND TELLER OF STORIES by CARISSA ANN BAKER B.A. Chapman University, 2006 M.A. University of Central Florida, 2008 A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the College of Arts and Humanities at the University of Central Florida Orlando, FL Spring Term 2018 Major Professor: Rudy McDaniel © 2018 Carissa Ann Baker ii ABSTRACT This dissertation examines the pervasiveness of storytelling in theme parks and establishes the theme park as a distinct narrative medium. It traces the characteristics of theme park storytelling, how it has changed over time, and what makes the medium unique. -
Santa Cruz Beach Boardwalk's Carousel Turns
TM Celebrating Our 15th Year Vol. 15 • Issue 8.2 NOVEMBER 2011 Santa Cruz Beach Boardwalk’s carousel turns 100 STORY: Jeffrey L. Seifert gigantic natatorium that of- [email protected] fered one of the largest heated saltwater pools ever created. SANTA CRUZ, Calif. — Other attractions soon fol- The oldest ride at the Santa lowed including a miniature Cruz Beach Boardwalk passed steam train that same year, a the century mark earlier this Thompson Scenic Railway in summer. 1908 and the Looff Carousel in Charles I.D. Looff, one of 1911. the earliest and most success- ful builders of carousels deliv- Americans fall in love ered the “Merry Go Round” come a popular pastime. with the ‘Carousel’ to the Boardwalk in August of John Leibrandt opened Though dating back to 1911. the first public bathhouse on France in the mid 16th centu- Looff, who immigrated the beach in 1865. The Santa ry, it wasn’t until the late 1800s from Denmark as a young Cruz beach, with its south- and the adaptation of a steam man, began building carousels ern shore on the north side of engine that carousels became in 1875, installing his first at Monterey Bay was protected popular. Mrs. Lucy Vanderveer’s Bath- from the harsh waves typical Americans had become ing Pavilion at Coney Island, of the west coast and offered a enchanted with these new New York City, in 1876. Be- beautiful and serene area with rides in the late 1800s and ear- The historic Santa ing one of the first, many of safe, open-water swimming. -
Whitewater Water Rides
WhiteWater Water Rides WhiteWater was born in 1980 with one clear purpose, to create places where families unite and make joyful lasting memories. We achieve this by standing alongside our customers from concept to completion of award-winning attractions, from slides to water rides and everything in between. We aim to inspire our clients by unleashing our creativity to realize their ambitions; we craft solutions which make each park unique. We are dedicated to making products that operators can count on, because we understand the importance of reliability and efficiency on the bottom line. As market leaders, we put our success down to our attitude, in all our years we’ve never once forgotten why we’re here – to help parks solve problems, create immersive experiences, and delight guests all over the world. We’re here to create places where fun can thrive. Head Office (Vancouver) Asia Pacific Office (Shanghai) Middle East Office (Dubai) Europe Office (Barcelona) +1.60 4.273.10 68 +86 21 32567586 +971 (0) 4 422 9318 +34 932 504 431 [email protected] [email protected] www.whitewaterwest.com www.whitewaterwest.cn 1 WHITEWATER WATER RIDES 2 WhiteWater Water Rides An essential ride for every kind of park, because families love them! Water rides are an industry staple, providing high capacity family entertainment and huge spectator value. A water ride provides a completely different experience from coasters, kiddie rides and dark rides. A water ride from WhiteWater will augment your ride mix with an experience where you can dial up or down on splash and thrills, according to your needs. -
The Immersive Theme Park
THE IMMERSIVE THEME PARK Analyzing the Immersive World of the Magic Kingdom Theme Park JOOST TER BEEK (S4155491) MASTERTHESIS CREATIVE INDUSTRIES Radboud University Nijmegen Supervisor: C.C.J. van Eecke 22 July 2018 Summary The aim of this graduation thesis The Immersive Theme Park: Analyzing the Immersive World of the Magic Kingdom Theme Park is to try and understand how the Magic Kingdom theme park works in an immersive sense, using theories and concepts by Lukas (2013) on the immersive world and Ndalianis (2004) on neo-baroque aesthetics as its theoretical framework. While theme parks are a growing sector in the creative industries landscape (as attendance numbers seem to be growing and growing (TEA, 2016)), research on these parks seems to stay underdeveloped in contrast to the somewhat more accepted forms of art, and almost no attention was given to them during the writer’s Master’s courses, making it seem an interesting choice to delve deeper into this subject. Trying to reveal some of the core reasons of why the Disney theme parks are the most visited theme parks in the world, and especially, what makes them so immersive, a profound analysis of the structure, strategies, and design of the Magic Kingdom theme park using concepts associated with the neo-baroque, the immersive world and the theme park is presented through this thesis, written from the perspective of a creative master student who has visited these theme parks frequently over the past few years, using further literature, research, and critical thinking on the subject by others to underly his arguments. -
Amusement Industry Helps Light the Way for Hope
SPECIAL DIGITAL EDITION: Industry reacts to COVID-19 TM & ©2020 Amusement Today, Inc. pandemic April 2, 2020 | Vol. 24 • Issue 1.1 www.amusementtoday.com Amusement industry helps light the way for hope As the nation — and the world — battles the COVID-19 pandemic, the amusement and attractions industry is doing its best to keep people's spirits up, remind them that better days are ahead and to be the light at the end of the tunnel. Demonstrations of hope by the attractions industry are being seen and enjoyed worldwide. Kentucky Kingdom took out bill boards throughout Lousiville reminding the community that they were in this together with them (above left). Playland's Castaway Cove showed everyone they can always look forward to the future by keeping its Ferris wheel illuminated (above right). Walt Disney World Resort and Universal Orlando Resort illuminated several of the resorts' hotel towers with hearts (Universal's Aventura pictured right). Carnival Cruise ships were seen off the coast of Florida with the message "We will be back" lit up across them (below right). Entertaining guests in their homes, Disneyland's Dapper Dans (below left) performed live via the internet, taking requests and harmonizing from their living rooms. COURTESY KENTUCKY KINGDOM, PLAYLAND'S CASTAWAY COVE, WEAR-TV, DISNEY PARKS; AT/ DAVID FAKE Industry Voices...Pages 2-3 Get the most up-to-date industry news from Theme parks find silver linings...Pages 4-5 Amusement Today, Manufacturer's and suppliers forge on...Pages 6-7 Insurance, finance companies find solutions...Page 8 AmusementToday.com and Industry organizations guide members...Page 9 EXTRA! EXTRA! Your Desktop Edition Family-owned parks display hope...Pages 12-13 INSIDE: Carnivals, midways strive onward...Pages 14-15 daily email newsblast! FECs eager to welcome back families...Page 16 Water parks look to keep flowing...Page 17 2 AMUSEMENT TODAY COVID-19 Special Edition 2020 AMUSEMENT VIEWS AT NOTEBOOK: John W.C. -
Dark Rides and the Evolution of Immersive Media
Journal of Themed Experience and Attractions Studies Volume 1 Issue 1 Article 6 January 2018 Dark rides and the evolution of immersive media Joel Zika Deakin University, [email protected] Part of the Environmental Design Commons, Interactive Arts Commons, and the Theatre and Performance Studies Commons Find similar works at: https://stars.library.ucf.edu/jteas University of Central Florida Libraries http://library.ucf.edu This Article is brought to you for free and open access by STARS. It has been accepted for inclusion in Journal of Themed Experience and Attractions Studies by an authorized editor of STARS. For more information, please contact [email protected]. Recommended Citation Zika, Joel (2018) "Dark rides and the evolution of immersive media," Journal of Themed Experience and Attractions Studies: Vol. 1 : Iss. 1 , Article 6. Available at: https://stars.library.ucf.edu/jteas/vol1/iss1/6 Journal of Themed Experience and Attractions Studies 1.1 (2018) 54–60 Themed Experience and Attractions Academic Symposium 2018 Dark rides and the evolution of immersive media Joel Zika* Deakin University, 221 Burwood Hwy, Burwood VIC, Melbourne, 3125, Australia Abstract The dark ride is a format of immersive media that originated in the amusement parks of the USA in the early 20th century. Whilst their numbers have decreased, classic rides from the 1930s to the 70s, such as the Ghost Train and Haunted House experiences have been referenced is films, games and novels of the digital era. Although the format is well known, it is not well defined. There are no dedicated publications on the topic and its links to other media discourses are sparsely documented. -
AT Golden Ticket 1999.Pdf
Park and ride winners Page 3B AMUSEMENT 1999 Top 25 wooden TODAY roller coasters GOLDEN TICKET Page 6B AWARDS V.I.P. Top 25 steel BEST OF THE BEST! BONUS roller coasters Page 7B SECTION BONUS SECTION AUGUST 1999 1B Winners named in 2nd annual survey Amusement Today’s 1999 Golden Ticket Awards As you may recall, Amusement Today introduced a survey in 1998 to poll the well-traveled park experts and experienced enthusiasts to recog- BEST PARK BEST WOODEN COASTER nize the Best of the Best within the amusement industry. With an even CEDAR POINT larger response this year — and not to SANDUSKY, OHIO mention new parks and a mother lode of new coasters for the 1999 season — the results, as always, prove very interesting. Survey overview The poll group selected to complete the survey certainly could boast some TEXAS GIANT well-traveled experience. A greater SIX FLAGS familiarity with the North American OVER TEXAS coasters is apparent among those cho- sen, but the wood and steel coaster lists each show overseas entries. Anyone who believes a single vote doesn’t count only has to glance at the point BEST WATERPARK BEST STEEL COASTER totals to see the value of each opinion. Using various sources, selected MAGNUM XL-200 afficionados were evenly balanced by CEDAR POINT dividing the United States into four geographical regions, with an equal number of surveys sent to each region. Incidentally, all 50 states had a repre- sentative to receive a survey. An addi- tional amount of surveys were sent outside the United States to represent SCHLITTERBAHN foreign expertise. -
The Official Magazine of American Coaster Enthusiasts Rc! 127
FALL 2013 THE OFFICIAL MAGAZINE OF AMERICAN COASTER ENTHUSIASTS RC! 127 VOLUME XXXV, ISSUE 1 $8 AmericanCoasterEnthusiasts.org ROLLERCOASTER! 127 • FALL 2013 Editor: Tim Baldwin THE BACK SEAT Managing Editor: Jeffrey Seifert uthor Mike Thompson had the enviable task of covering this year’s Photo Editor: Tim Baldwin Coaster Con for this issue. It must have been not only a delight to Associate Editors: Acapture an extraordinary convention in words, but also a source of Bill Linkenheimer III, Elaine Linkenheimer, pride as it is occurred in his very region. However, what a challenge for Jan Rush, Lisa Scheinin him to try to capture a week that seemed to surpass mere words into an ROLLERCOASTER! (ISSN 0896-7261) is published quarterly by American article that conveyed the amazing experience of Coaster Con XXXVI. Coaster Enthusiasts Worldwide, Inc., a non-profit organization, at 1100- I remember a week filled with a level of hospitality taken to a whole H Brandywine Blvd., Zanesville, OH 43701. new level, special perks in terms of activities and tours, and quite Subscription: $32.00 for four issues ($37.00 Canada and Mexico, $47 simply…perfect weather. The fact that each park had its own charm and elsewhere). Periodicals postage paid at Zanesville, OH, and an addition- character made it a magnificent week — one that truly exemplifies what al mailing office. Coaster Con is all about and why many people make it the can’t-miss event of the year. Back issues: RCReride.com and click on back issues. Recent discussion among ROLLERCOASTER! subscriptions are part of the membership benefits for our ROLLERCOASTER! staff American Coaster Enthusiasts.