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28Th Annual FINE ARTS FESTIVAL
41st Annual FINE ARTS FESTIVAL Presented by the Arts Council of Moore County The Arts Council of Moore County (ACMC) created the Fine Arts Festival (FAF) in 1980 to provide incentive for local artists to improve their technique and a place to showcase and sell their artwork. Since then, the festival has grown into a major art exhibit featuring artwork by artists from all over the country. The artwork is also judged in seven categories and over $2,800 in cash prizes and ribbons are awarded. Sponsored by Doris & Pete Gulley Gulley’s Garden Center FINE ARTS FESTIVAL GUIDELINES EXHIBITION DATES: August 6–27, 2021 JUDGE: MOLLY BOARATI is the ART SALES & PRICING: ACMC prefers Assistant Curator at the Nasher all art be for sale. An additional $15 EXHIBIT LOCATION: Museum of Art; Master’s degree fee will be charged for any entry Campbell House Galleries from Boston University with a focus that is not for sale. To help in 482 E. Connecticut Avenue on Italian Renaissance art. pricing, art priced under $700 has a Southern Pines, NC better chance of selling. Prices may AWARDS: The following prizes are ELIGIBILITY & CATEGORIES: Any artist not change once the exhibit awarded at the judge’s discretion: (16+ years old) is invited to enter art opens. ACMC retains a 35% only in the following seven Sara Wilson Hodgkins commission on all sales. “Best in Show” ........................... $500 categories: Oil; Acrylic; Watercolor; ART REMOVAL: Art must remain on Drawing/Pastel; Photography; 1st Place (each category) ....... $125 exhibit through Aug. 26. The dates Mixed Media/Printmaking; 3-D. -
A National Study of Outdoor Arts Festivals
Livefrom Your Neighborhood VOLUME A National Study of Outdoor O Arts Festivals NE: SUMMARY R EPORT National Endowment for the Arts Research Report #51 Livefrom Your Neighborhood A National Study of Outdoor Arts Festivals VOLUME ONE: SUMMARY REPORT National Endowment for the Arts Research Report #51 Research Report #51 August 2010 National Endowment for the Arts 1100 Pennsylvania Avenue, NW Washington, DC 20506-0001 Telephone: 202-682-5400 Prepared for the Office of Research & Analysis by Bohne Silber, Silber & Associates and Carole Rosenstein, PhD, George Mason University Produced by the Office of Research & Analysis Sunil Iyengar, Director Sarah Sullivan, Senior Program Analyst Other NEA staff contributors: Mario Garcia Durham, Tom Bradshaw, Bonnie Nichols, Nona Milstead, Kelli Rogowski, Patricia Shaffer, and Ellen Grantham Editorial and publication assistance by Don Ball Designed by Beth Schlenoff Design The National Endowment for the Arts would like to thank the Association of Performing Arts Presenters for providing valuable advice and feedback throughout the course of the study. Thanks are also due to the following individuals who composed an informal working group for the study: Michael Alexander, Philip Horn, Steve Schmader, Robb Woulfe, Stephanie Hughley, Huong Vu, Ted Russell, Helen Sause, Claudia Norman, David Rivel, Jennifer Lena, and Angela Han. Finally, the NEA would like to thank the organizations that helped to generate the list of festival organizers surveyed for the national study and/or that helped to distribute the survey to festival organizers. See page 67 for details. Front Cover Photo: Latin sensation Julieta Venegas reaches out to a packed crowd at SummerStage in Central Park, New York City, NY. -
Television Academy Awards
2021 Primetime Emmy® Awards Ballot Outstanding Music Composition For A Series (Original Dramatic Score) The Alienist: Angel Of Darkness Belly Of The Beast After the horrific murder of a Lying-In Hospital employee, the team are now hot on the heels of the murderer. Sara enlists the help of Joanna to tail their prime suspect. Sara, Kreizler and Moore try and put the pieces together. Bobby Krlic, Composer All Creatures Great And Small (MASTERPIECE) Episode 1 James Herriot interviews for a job with harried Yorkshire veterinarian Siegfried Farnon. His first day is full of surprises. Alexandra Harwood, Composer American Dad! 300 It’s the 300th episode of American Dad! The Smiths reminisce about the funniest thing that has ever happened to them in order to complete the application for a TV gameshow. Walter Murphy, Composer American Dad! The Last Ride Of The Dodge City Rambler The Smiths take the Dodge City Rambler train to visit Francine’s Aunt Karen in Dodge City, Kansas. Joel McNeely, Composer American Gods Conscience Of The King Despite his past following him to Lakeside, Shadow makes himself at home and builds relationships with the town’s residents. Laura and Salim continue to hunt for Wednesday, who attempts one final gambit to win over Demeter. Andrew Lockington, Composer Archer Best Friends Archer is head over heels for his new valet, Aleister. Will Archer do Aleister’s recommended rehabilitation exercises or just eat himself to death? JG Thirwell, Composer Away Go As the mission launches, Emma finds her mettle as commander tested by an onboard accident, a divided crew and a family emergency back on Earth. -
Download Carlow Arts Festival Artistic Director + CEO Job Pack
ARTISTIC DIRECTOR/CEO CANDIDATE INFORMATION PACK, MAY 2021 CONTENTS - Introduction - About Carlow Arts Festival - Organisational Structure - Job Description - Person Specification - Conditions of Employment - Appointment Process + How to Apply INTRODUCTION Dear Candidate, Thank you for your interest in the position of Artistic Director/CEO of Carlow Arts Festival (CAF). At Carlow Arts Festival we believe that the Arts are for everyone. This has been at the heart of our vision since the Festival was founded 42 years ago. The Festival aims to be extraordinary, and for a short period each summer, we engage with spaces, places and the people of Carlow through art, performance and spectacle. Over the past five years we've seen a period of growth and consolidation, creating a strong and sustainable position for the festival, including in the unexpected times all of us in the arts field find ourselves. We have become known locally and internationally for how we couple together audacious artists and their vision in a way that is truly accessible for all. The Artistic Director/CEO is a crucial role at the head of our organisation and in advocating for the importance of the Arts with and for the people of Carlow and beyond. We are looking for an ambitious and imaginative leader who will come to Carlow to build on everything achieved by our outgoing director Jo Mangan, and who will develop their own distinctive vision for the festival. We’re looking for someone who believes in the role of transformative art, diverse perspectives and inclusion, seeks out virtuosic artists to resonate, inspire and collaborate with the Carlow and national community, and who has strong organisational and entrepreneurial skills. -
CV 6084 Rue Waverly, Montréal, QC H2T2Y3 Canada Tel: 438-884 5387 [email protected]
Adam Basanta - CV 6084 rue Waverly, Montréal, QC H2T2Y3 Canada Tel: 438-884 5387 [email protected] www.adambasanta.com Selected Solo Exhibitions 2018 • ***Upcoming*** Title TBA. Klangraum Krems, Krems, Austria. • ***Upcoming*** All we’d ever need is one another. Ellephant Gallery, Montreal QC, Canada. • Variations on a Theme. Galerie Bon Accueil, Rennes, France. 2017 • Variations on a Theme. FOFA Gallery. Montreal, QC Canada. • Five Lines, Crossing. Galerija SC. Zagreb, Croatia. 2016 • A Room Listening to Itself. Gallery 1C03, Winnipeg MB Canada. • Inversion as literary device. Galeria Skolska28. Prague, CZ. • Systems of Listening, Systems for Listening. Nutting Gallery. West Liberty University, WV. • Principle of Distance. Museum of Transitory Art. Ljubliana, Slovenia. • Louder than a beating heart. Galeria Swinton and Grant. Madrid, Spain. 2015 • A Room Listening to Itself. Open Space Gallery. Victoria BC. • The sound of empty space. Carroll/Fletcher Gallery. London UK. • Louder than a beating heart. Titanik Galerie. Turku Finland. • A room listening to itself. Centre for Contemporary Arts - Santa Fe. NM, USA. • The sound of empty space. Galerie B-312, Montreal QC. 2012 • Room Dynamics. Artscape Wychwood Barns, Toronto, ON, Canada. October 26-Dec 15, 2012. • Room Dynamics. The Bridge Gallery, Charlotsville, VA, USA. September 21-30 2012. Selected Group Exhibitions 2018 • ***Upcoming*** Robot Love. Van Abbemuseum, Eindhoven, • ***Upcoming*** Exposition rétrospective 10 ans. Eastern Bloc, Montreal QC Canada. • ***Upcoming*** Data Dating. Galerie Charlotte, • ***Upcoming*** … move or be moved by something rather than oneself. Critical Distance, Toronto ON Canada. • ***Upcoming*** Festival Interstice. Caen, France. • Sonic Arts Series. HAVN. Hamilton, ON, Canada. • 36ème Rendez-vous Québec Cinéma. Cinematheque Quebecois, Montreal QC Canada. -
25Th Anniversary
25th Anniversary Montblanc de la Culture 25th Anniversary Montblanc de la Culture Arts Patronage Award Arts Patronage Montblanc de la Culture 25th Anniversary Arts Patronage Award 1992 25th Anniversary Montblanc de la Culture Arts Patronage Award 2016 Anniversary 2016 CONTENT MONTBLANC DE LA CULTURE ARTS PATRONAGE AWARD 25th Anniversary — Preface 04 / 05 The Montblanc de la Culture Arts Patronage Award 06 / 09 Red Carpet Moments 10 / 11 25 YEARS OF PATRONAGE Patron of Arts — 2016 Peggy Guggenheim 12 / 23 2015 Luciano Pavarotti 24 / 33 2014 Henry E. Steinway 34 / 43 2013 Ludovico Sforza – Duke of Milan 44 / 53 2012 Joseph II 54 / 63 2011 Gaius Maecenas 64 / 73 2010 Elizabeth I 74 / 83 2009 Max von Oppenheim 84 / 93 2 2008 François I 94 / 103 3 2007 Alexander von Humboldt 104 / 113 2006 Sir Henry Tate 114 / 123 2005 Pope Julius II 124 / 133 2004 J. Pierpont Morgan 134 / 143 2003 Nicolaus Copernicus 144 / 153 2002 Andrew Carnegie 154 / 163 2001 Marquise de Pompadour 164 / 173 2000 Karl der Grosse, Hommage à Charlemagne 174 / 183 1999 Friedrich II the Great 184 / 193 1998 Alexander the Great 194 / 203 1997 Peter I the Great and Catherine II the Great 204 / 217 1996 Semiramis 218 / 227 1995 The Prince Regent 228 / 235 1994 Louis XIV 236 / 243 1993 Octavian 244 / 251 1992 Lorenzo de Medici 252 / 259 IMPRINT — Imprint 260 / 264 Content Anniversary Preface 2016 This year marks the 25th anniversary of the Montblanc Cultural Foundation: an occasion to acknowledge considerable achievements, while recognising the challenges that lie ahead. Since its inception in 1992, through its various yet interrelated programmes, the Foundation continues to appreciate the significant role that art can play in instigating key shifts, and at times, ruptures, in our perception of and engagement with the cultural, social and political conditions of our times. -
Wmc Investigation: 10-Year Analysis of Gender & Oscar
WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S. -
Visit Imdb.Com for Up-To-The-Minute Academy Award Updates, and View
NOMINEES FOR THE 84th ANNUAL ACADEMY AWARDS Best Motion Picture of the Year Best Animated Feature Film Best Achievement in Sound Mixing The Artist (2011): Thomas Langmann of the Year The Girl with the Dragon Tattoo (2011): David Parker, The Descendants (2011): Jim Burke, Alexander Payne, A Cat in Paris (2010): Alain Gagnol, Jean-Loup Felicioli Michael Semanick, Ren Klyce, Bo Persson Jim Taylor Chico & Rita (2010): Fernando Trueba, Javier Mariscal Hugo (2011/II): Tom Fleischman, John Midgley Extremely Loud and Incredibly Close (2011): Scott Rudin Kung Fu Panda 2 (2011): Jennifer Yuh Moneyball (2011): Deb Adair, Ron Bochar, The Help (2011): Brunson Green, Chris Columbus, Puss in Boots (2011): Chris Miller David Giammarco, Ed Novick Michael Barnathan Rango (2011): Gore Verbinski Transformers: Dark of the Moon (2011): Greg P. Russell, Hugo (2011/II): Graham King, Martin Scorsese Gary Summers, Jeffrey J. Haboush, Peter J. Devlin Midnight in Paris (2011): Letty Aronson, Best Foreign Language Film War Horse (2011): Gary Rydstrom, Andy Nelson, Tom Stephen Tenenbaum of the Year Johnson, Stuart Wilson Moneyball (2011): Michael De Luca, Rachael Horovitz, Bullhead (2011): Michael R. Roskam(Belgium) Best Achievement in Sound Editing Brad Pitt Footnote (2011): Joseph Cedar(Israel) The Tree of Life (2011): Nominees to be determined In Darkness (2011): Agnieszka Holland(Poland) Drive (2011): Lon Bender, Victor Ray Ennis War Horse (2011): Steven Spielberg, Kathleen Kennedy Monsieur Lazhar (2011): Philippe Falardeau(Canada) The Girl with the Dragon Tattoo -
KINGS-ARTIST-RUN-Fundraiser-Catalogue-2018
KINGS ARTIST-RUN 26 – 28 Oct 2018 FUNDRAISER KINGS Gallery Fundraiser 2018 Catalogue published by KINGS Artist-Run KINGS Artist-Run Level 1/171 King Street Melbourne 3000 Artists Ali McCann, Andrew Atchison, Annabelle Kingston, Brie Trenerry, Briony Galligan, Camila Galaz, Dalton Stewart, Glenn Walls, Guy Grabowsky, Hannah Raisin, Jake Preval, Josephine Mead, Julian Day, Katie Sfetkidis, Lou Hubbard, Lynette Smith, Nina Gilbert, Olga Bennett, Oliver Hull, Paul Handley, Paula Hunt, Ro Noonan, Ross Coulter, Samuel Szwarcbord, Sanja Pahoki, Sean Peoples, Siri Hayes, Siying Zhou, We would like to thank all of the artists Sophie Neate, Tony Garifalakis, Tracey Lamb, Uri Auerbach, Zainab Hikmet for their generous donations which will Curatorial Committee support the KINGS Artist-Run 2019 Jeremy Eaton William Heathcote exhibition program Megan Kennedy Georgia Mill Jessica Row 2018 KINGS Committee Jeremy Eaton, William Heathcote, Megan Kennedy, Georgia Mill, Tara O’Conal, Ashley Perry, Jessica Row and Katie Ryan Photographic documentation by Chris Bowes For all purchases and artwork enquiries email Jeremy at [email protected] Gallery volunteer Tiffany Blaise Acknowledgement of Country We would like to acknowledge the Wurundjeri and Boonwurrung people who are the Traditional Custodians of the Land on which our space is situated. We pay respect to the Elders of the Kulin Nation, past, present and future. ALI McCANN ANDREW ATCHISON ANNABELLE KINGSTON Untitled 10 (An Introduction to Ideal #3, 2013 Liminal Aesthetics), 2017 595 x 905 x 20mm 320 x 480 mm Melamine, MDF, Paint Digital C-Type print $400 Waterfall (on tour with mum), 2018 $650 450 x 300 mm Acrylic on board Ali McCann is a Melbourne-based Andrew Atchison is an artist, writer and $200 artist. -
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Volume 45 Issue No. 17 January 21, 2013 www.fsu.ca/interrobang/ 2 NEWS Volume 45 Issue No. 17 January 21, 2013 www.fsu.ca/interrobang/ L @hannahxb 78(-$1 Passed a teenager holding a sign on ,XVNMb7XXWN[ the side of the road that said HONK IF YOU LOVE SOMEONE. Cute. Better *WM[N`<NJ[UN\ believe I honked #ldnont 3030 @RamblesOfALady )5((#)RUZHOO+DOO Why is there no chooclate fountain at this school? #Fanshawe, I got a :('-$1 craving! /<>9XTN[7RPQ] @LdnTechJobs 3030 RT @S2BNetworkingGraduating? )RUZHOO+DOO Discover opportunities avail- DW%L]%RRWKDWWKHGRRU able in#LdnOnt after graduation. /R[\];^W/RUV #S2B2013 | March 6, 2013 | @LdnCC +[XTNW,R]b @379_Deanne VKRZWLPHV So Justin Trudeau is coming to IRUVWXGHQWV #ldnont in Feb. Should I start making IRUJXHVWV my “Liberals: bringing sexy back” t- shirts? Would that be frowned upon? @ecoLIVINGLondon Don’t want the YELLOW PAGES de- livered this year? You have until Sept CREDIT: ERIKA FAUST 30th to opt out of the next issue - Information Security Management students Sumit Anand (centre) and Jatinder pal Singh discuss Conestoga’s Computer Applications Development program with liaison officer Jason Humphrey. Students had the opportunity to <Na=Xb+RWPX http://delivery.ypg.com/ - #LDNont learn more about the graduate programs offered by Fanshawe College and schools across Canada – as well as some 30$0 schools around the world – at the Graduate Studies Fair in F hallway on January 17. @FanshaweLibrary )5((#2XW%DFN6KDFN What’s a media:scape table? You can connect up to 6 computers 10 Things I Know About You... 7+856-$1 at once, share your screens and /<>,U^K\-Jb work together. -
The 2020 Vancouver Queer Arts Festival Art Party! Wonderfully Wicked, Digitally (Mostly) Decadent…
July 16-26 queerartsfestival.com 2020 This Crazy Show The 2020 Vancouver Queer Arts Festival Art Party! Wonderfully Wicked, Digitally (mostly) Decadent… FOR IMMEDIATE RELEASE Vancouver, BC / June 25, 2020 | The 12th annual Queer Arts Festival (QAF) Wicked begins July 16th with artparty! our annual festival opening and tour celebrating QAF and showcasing our curated visual arts exhibit that runs throughout the festival (July 16th – July 26th). Art Party! | Cinq-à-Sept Festival Opening | Thu Jul 16, 5 - 7PM PST QAF’s opening: Luxuriate in a cinq-à-sept afternoon delight to come together with our 2020 visual art curator Jonny Sopotiuk for a Wicked Visual Art tour with guest artists, and a gallery of intimate friends old and new. This Event is ASL Interpreted. • Artist Panel Discussion chaired by Jonny Sopotiuk with participating artists Tom Hsu, Internationally renown artist/activist Avram Finkelstein, Elektra KB, and guests. • Following our official welcome, guest visual art curator Jonny Sopotiuk gives a virtual tour of the Curated Visual Art Exhibition joined by guest artists. The visual arts components of this year’s festival, Wicked includes the Curated Visual Arts Exhibition and Pride in Art Community Exhibition running Thursday July 16th through Sunday, July 26th. Wicked brings together a multigenerational group of artists living and producing work across Canada and the United States as they explore the body, community, and architecture of homonormativity. In 2020 we’re learning to live through a new form of containment during a global health pandemic. Our long fight for recognition and the foundations of community infrastructures that we created to sustain us are being fundamentally questioned. -
Frodo Is Grea…Who Is That?!?: The
FRODO IS GREA…WHO IS THAT?!?: THE PRODUCTION AND CONSUMPTION OF AN ONLINE CELEBRITY PARODY A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN ANTHROPOLOGY UNIVERSITY OF CANTERBURY 2007 Yadana J. Saw Abstract My thesis analyses the phenomenon of Figwit, a non-speaking elf extra who appeared for only three-seconds in the first instalment of Peter Jackson’s 2001 Lord of the Rings movie trilogy. Figwit was initially generated as an online parody by female fans of the movie and as a foil to the ‘swooning, drooling girly’ fandom that was being directed towards the movie’s star actors. However, Figwit evolved into a bona fide, albeit minor, celebrity both on and offline as he attracted attention from worldwide media, a small speaking role in the final movie and genuine adulatory fandom as manifested in the production of Figwit merchandise. In my thesis I argue that Figwit’s creation and consequential community formation reflects a dynamic online-offline dialogic in which pre-existing offline and habitus- generated social practices and distinctions, ideal reflexive individuality and celebrity/fandom were dynamically reproduced within online technological frameworks. I also argue that online activity and interactivity is generated by users to strategically express and engage intensified reflexive individuality, affirming sociability and hyper-social distinctions. In this regard I have also argued that these various potentials and imaginaries were significantly enabled by digital architectures and genres of online communication and interactivity. In particular, I discuss the internet’s capacity for searchability, traceability, and rhetorical framing processes that facilitate continuous re-editing authorship possibilities, which are not necessarily replicable in face-to-face interactions.