Oscar Ballot 2017

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Best picture Documentary feature Sound editing o "Arrival" o "Fire at Sea" o "Arrival" o "Fences" o "I Am Not Your Negro" o "Deepwater Horizon" o "Hacksaw Ridge" o "Life, Animated" o "Hacksaw Ridge" o "Hell or High Water" o "O.J.: Made in America" o "La La Land" o "Hidden Figures" o "13th" o "Sully" o "La L a Land" o "Lion" Foreign language film Film editing o "Manchester by the Sea" o "Land of Mine" o "Arrival" o "Moonlight" o "A Man Called Ove" o "Hacksaw Ridge" o "The Salesman" o "Hell or High Water" Best director o "Tanna" o "La La Land" o Denis Villeneuve, "Arrival" o "Toni Erdmann" o "Moonlight" o Mel Gibson, "Hacksaw Ridge" Cinematography Visual effects o Damien Chazelle, "La La o "Arrival" o "Deepwater Horizon" Land" o "La La Land" o "Doctor Strange" o Kenneth Lonergan, "Moonlight" "The Jungle Book" "Manchester by the Sea" o o "Lion" "Kubo and the Two Strings" o Barry Jenkins, "Moonlight" o o o "Silence" o "Rogue One: A Star Wars Story" Lead actor o Casey Affleck, "Manchester Costume design by the Sea" o "Allied" Production design o Andrew Garfield, "Hacksaw o "Fantastic Beasts and o "Arrival" Ridge" Where to Find Them" o "Fantastic Beasts and o Ryan Gosling, "La La Land" o "Florence Foster Jenkins" Where to Find Them" o Viggo Mortensen, "Captain o "Jackie" o "Hail, Caesar!" Fantastic" o "La La Land" o "La La Land" o Denzel Washington, o "Passengers" "Fences" Makeup and hairstyling o "A Man Called Ove" Original screenplay Lead actress o "Star Trek Beyond" o "Hell or High Water" o Isabelle Huppert, "Elle" o "Suicide Squad" o "La La Land" o Ruth Negga, "Loving" o "The Lobster" o Natalie Portman, "Jackie" Original score o "Manchester by the Sea" o Emma Stone, "La La Land" o "Jackie" o "20th Century Women" o Meryl Streep, "Florence o "La La Land" Foster Jenkins" o "Lion" Adapted screenplay o "Arrival" Supporting actor o "Moonlight" o "Fences" o Mahershala Ali, "Moonlight" o "Passengers" o "Hidden Figures" o Jeff Bridges, "Hell or High Water" Original song o "Lion" o Lucas Hedges, "Manchester o "Audition," from "La La o "Moonlight" by the Sea" Land" o Dev Patel, "Lion" o "Can't Stop the Feeling," Documentary short from Trolls" o Michael Shannon, o "Extremis" "Nocturnal Animals" o "City of Stars," from "La La o "4.1 Miles" Land" o "Joe's Violin" Supporting actress o "The Empty Chair," from "Jim: The James Foley Story" o "Watani: My Homeland" o Viola Davis, "Fences" o "How Far I'll Go," from o "The White Helmets" o Naomie Harris, "Moonlight" "Moana" o Nicole Kidman, "Lion" Animated short o Octavia Spencer, "Hidden Sound mixing o "Blind Vaysha" Figures" o "Arrival" o "Borrowed Time" o Michelle Williams, o "Hacksaw Ridge" "Pear Cider and Cigarettes" "Manchester by the Sea" o o "La La Land" o "Pearl" Animated feature o "Rogue One " o "Piper" o "Kubo and the Two Strings" o "13 Hours: The Secret Soldiers of Benghazi" o "Moana" Live-action short "Ennemis Interieurs" o "My Life as a Zucchini" o "La Femme et le TGV" o "The Red Turtle" o o "Silent Nights" o "Zootopia" o "Sing" o "Timecode" .

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Department of English and American Studies English Language And
Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Kateřina Urubková Representation of African American Women in Film Bachelor’s Diploma Thesis Supervisor: Jeffrey Alan Vanderziel, B.A. 2016 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. …………………………………………….. Kateřina Urubková Acknowledgement I would like to thank my supervisor, Mr. Jeffrey Alan Vanderziel, for his guidance during the process of my writing. I would also like to thank my family and friends for support. Table of Contents Introduction 5 The origin and the definition of the stereotype 7 African American actresses and the mammy stereotype 21 Hattie McDaniel 24 Ethel Waters 26 Whoopi Goldberg 28 Octavia Spencer 30 Analysis of the selected films 33 Gone with the Wind 33 Pinky 37 Clara’s Heart 39 The Help 42 Conclusion 46 Bibliography 48 English Résumé 53 Czech Résumé_ 54 Introduction Film has an enormous power, since it reaches wide audiences around the world and people often tend to perceive distorted images on screens as truthful representations, which subsequently maintains prejudice and racism among people. In the past, stereotypes of African Americans were used for influencing views of whites on them and creating notions about them in order to manifest their inferiority. Film employed these stereotypes of African Americans and played an important role in the process of popularization of the stereotypes. As a visual medium, film brings the stereotypes to life, providing them with real shapes and real faces of African American actors and actresses, which contributes to the intensification of the belief that stereotypical portrayals on the big screens are based on truthful representations of real people with real life experience and stories.
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Press Contact Laura Molinari [email protected]
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