DOCSLIB.ORG

KLOS Nov.4Th 2012

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
KLOS Nov.4Th 2012 1 PLAYLIST 11-4-12 1 2 9AM The Beatles – Get Back - Let It Be "Get Back" was the original title to the film and album, which became Let It Be. The whole idea of the album was for the band to 'get back' to their recording roots by playing live and without studio trickery, hence the title. Journalists repeatedly asked Paul if the song had racist meanings, but demo tapes show that the song was originally a satire of people who wanted to keep illegal immigrants out of Britain. Soon Paul had added a few characters and the satire was lost, but the single was enormously successful, selling 2 million copies. 2 3 Musicians: Paul McCartney – lead vocal, bass guitar; John Lennon – harmony vocal, lead guitar; George Harrison – rhythm guitar; Ringo Starr – drums; Billy Preston – electric piano WiNGS - Backwards Traveler – London Town `78 The Beatles - Any Time At All - A Hard Day’s Night (Lennon-McCartney) Lead vocal: John Recorded June 2, 1964, the last day of recording for the “A Hard Day’s Night” album. John Lennon: “An effort at writing ‘It Won't Be Long’ - same ilk. C to A minor, C to A minor with me shouting.” The song was in an unfinished state when Lennon brought it to the band to record on June 2. The group worked out the arrangement throughout the day and night. Up against the wall on a deadline to submit the album, the piano section in the middle eight was left without lyrics. They had run out of time. On April 8, 1988, Lennon's handwritten lyrics for “Any Time At All” were sold for £6,000 at an auction held at Sotheby's in London. On U.S. album: Something New - Capitol LP George – I’d Have You Anytime (Harrison/Dylan) – ATMP sessions `70 3 4 I’d Have You Anytime (get it) as we will fall back to standard time on this Sunday, November 4, 2012, as daylight saving time ended overnight. 9.12 BREAK The Beatles - Fixing A Hole - Sgt. Pepper’s Lonely Hearts Club Band (Lennon-McCartney) Lead vocal: Paul On February 9, 1967, the Beatles recorded “Fixing A Hole” at Regent Sound Studio on Tottenham Court Road in London. The session was booked at Regent by George Martin because Abbey Road was unavailable. It marks the first time the Beatles recorded a British EMI session at a studio other than Abbey Road. No longer on the EMI staff, Martin was free to travel with the Beatles wherever they were recording. But engineer Geoff Emerick and the usual crew of tape operators at Abbey Road were all EMI employees so they couldn’t go along. The Beatles - Baby, You’re A Rich Man - Non-LP track (Lennon-McCartney) Lead vocal: John The Beatles’ fifteenth single release for EMI’s Parlophone label. The Beatles were contractually obligated to deliver four new songs for inclusion in the “Yellow Submarine” animated film project. “Baby, You’re A Rich Man” was the first song recorded especially for that project. Earlier in the year, George Harrison’s initial offering for the “Sgt. Pepper” album, “Only A Northern Song,” had been rejected for that album and was now being earmarked for use in the “Yellow Submarine” animated film. But with the rush-release of “All You Need Is Love” as a single following the “Our World” world television transmission on June 25, 1967, a B-side was needed. George Martin chose “Baby, You’re A Rich Man,” effectively removing it from consideration for the “Yellow Submarine” feature film. “Baby, You’re A Rich Man” was, in fact, two separate songs (John’s “One Of The Beautiful People” and Paul’s “Baby, You’re A Rich Man”) that the composers combined to make into one song. Recording took place at Olympic Studios on May 11, 1967, and the song was completed in 12 takes. It is the first Beatles song to be recorded and mixed for record outside of Abbey Road. Surprisingly, the “All 4 5 You Need is Love”/“Baby, You’re A Rich Man” single is the first instance of George Martin being given credit on the record label as producer on a Parlophone Beatles single. Mick Jagger attended the session and may have participated in the backing vocals at the end of the song. Issued July 7, 1967 in the UK and July 17, 1967 in the U.S. 5.1 The Beatles - I Am The Walrus - Magical Mystery Tour (EP) (Lennon-McCartney) Lead vocal: John The Beatles’ sixteenth single release for EMI’s Parlophone label. John Lennon pushed to have his “I Am The Walrus” as the A-side of the coupling with Paul’s “Hello, Goodbye,” but his song was deemed too unconventional and less commercial than Paul’s catchy tune. The title is inspired by the Walrus and the Carpenter from Lewis Carroll’s “Through The Looking Glass.” Lennon described his lyrics as purposely being Dylan-esque. In his 1980 Playboy interview he explained, “In those days I was writing obscurely, a la Dylan, never saying what you mean, but giving the impression of something.” The “I Am The Walrus” session is notable because it was the first Beatles recording session following the untimely death of their manager, Brian Epstein. Ironically, Epstein had stopped by the last time the Beatles were recording (for “Your Mother Should Know” at Chappell Recording Studios on August 23, 1967). He was found dead on August 27, aged just 32. All four Beatles met at Paul’s St. John’s Wood house on September 1 to discuss how they should proceed. Among other business matters, it was decided that they would press on with the “Magical Mystery Tour” project, temporarily postponing a planned visit to India to study Transcendental Meditation. The basic rhythm track was recorded in a six-hour session beginning at 7:00 p.m. on September 5, 1967. Sixteen takes were attempted, only five of them were complete run-throughs. Starting the next day overdubs were added to create John Lennon’s textured masterpiece. Specifically, additional bass from Paul, more drums from Ringo and John’s memorable lead vocal on Sept. 6, and a 16-piece orchestra under the direction of George Martin, and 16 members of the Mike Sammes Singers, a large group of vocalists who did much session and television work, that brought the “Ho-ho-ho, hee- hee-hee, ha-ha-ha” section to life, in separate sessions on Sept. 27. Issued November 24, 1967 in the UK and November 27, 1967 in the U.S. On U.S. album: Magical Mystery Tour - Capitol LP 5 6 The Beatles - She’s Leaving Home - Sgt. Pepper’s Lonely Hearts Club Band (Lennon-McCartney) Lead vocals: Paul and John Recorded March 17, 1967 in six takes. Written primarily by Paul with lyrical assistance from John, the song is based on a story appearing in the February 27, 1967, edition of the Daily Mail about seventeen-year-old runaway Melanie Coe. Paul begins the story about the girl leaving a note for her parents before slipping out of the house, John provides the parents’ anguished point of view. When Paul called George Martin to ask if he’d create a string arrangement for the song he was told that Martin had already committed to a Cilla Black session and Paul would have to wait. Paul then contacted Mike Leander to score the song. Paul had met Leander at the October 11, 1965, Decca Studios session for Marianne Faithfull’s cover of “Yesterday.” The score called for four violins, two violas, two cellos, a double-bass and a harp. The harp is played by Sheila Bromberg, who became the first woman to play on a Beatles recording. As was the case with “Eleanor Rigby” eleven months earlier, no Beatles played an instrument on “She’s Leaving Home.” Martin made only slight adjustments to Leander’s arrangement when it was recorded on March 17. An interesting side note…Melanie was a dancer on the Ready Steady Go! TV show and met the Fabs Oct. 1963 when she won a mime contest and was awarded prizes by the Beatles! The Beatles - Being For The Benefit Of Mr. Kite! – LOVE / Sgt. Pepper’s Lonely Hearts Club Band (Lennon-McCartney) Lead vocal: John Recorded February 17, 1967. The lyric of “Being For The Benefit Of Mr. Kite!” was derived almost entirely from a vintage poster purchased by John Lennon at an antique store in Sevenoaks, Kent, on January 31, 1967, while the Beatles were there filming the promotional clip for “Strawberry Fields Forever.” The poster advertised the February 14, 1843 performance of Pablo Fanque’s Circus Royal at Town-Meadows, Rochdale, 6 7 Lancashire, and was hung proudly on the living room wall of Lennon’s Weybridge house. Paul: “We pretty much took it down word for word and then just made up some little bits and pieces to glue it together.” The backing track consisted of John on guide vocal, Paul on bass, Ringo on drums, George Harrison on tambourine, and George Martin on harmonium. Because the harmonium is powered by pumping feet, the producer was exhausted after the rehearsals and seven takes. Features Paul on lead guitar. 5 in a row from the LP Beatles `67 Released only in Viet Nam in 1972 9.42 BREAK The Beatles - If I Needed Someone - Rubber Soul (Harrison) Lead vocal: George The fourth original composition by George Harrison to be recorded by The Beatles was heavily inspired by the 12-string guitar sound of The Byrds.
Load more

Recommended publications
  • Canadian Beatles Albums Identification Guide Updated: 22 De 16
    Canadian Beatles Albums Identification Guide Updated: 22 De 16 Type 1 Rainbow Label Capitol Capitol Records of Canada contracted Beatlemania long before their larger and better-known counterpart to the south. Canadian Capitol's superior decision-making brought Beatles records to Canada in early 1963. After experimenting with the release of a few singles, Capitol was eager to release the Beatles' second British album in Canada. Sources differ as to the release date of the LP, but surely by December 2, 1963, Canada's version of With the Beatles became the first North American Beatles album. Capitol-USA and Capitol-Canada were negotiating the consolidation of their releases, but the US release of The Beatles' Second Album had a title and contained songs that were inappropriate for Canadian release. After a third unique Canadian album, album and single releases were unified. From Something New on, releases in the two countries were nearly identical, although Capitol-Canada continued to issue albums in mono only. At the time when Beatlemania With the Beatles came out, most Canadian pop albums were released in the "6000 Series." The label style in 1963 was a rainbow label, similar to the label used in the United States but with print around the rim of the label that read, "Mfd. in Canada by Capitol Records of Canada, Ltd. Registered User. Copyrighted." Those albums which were originally issued on this label style are: Title Catalog Number Beatlemania With the Beatles T-6051 (mono) Twist and Shout T-6054 (mono) Long Tall Sally T-6063 (mono) Something New T-2108 (mono) Beatles' Story TBO-2222 (mono) Beatles '65 T-2228 (mono) Beatles '65 ST-2228 (stereo) Beatles VI (mono) T-2358 Beatles VI (stereo) ST-2358 NOTE: In 1965, shortly before the release of Beatles VI, Capitol-Canada began to release albums in both mono and stereo.
    [Show full text]
  • Course Outline and Syllabus the Fab Four and the Stones: How America Surrendered to the Advance Guard of the British Invasion
    Course Outline and Syllabus The Fab Four and the Stones: How America surrendered to the advance guard of the British Invasion. This six-week course takes a closer look at the music that inspired these bands, their roots-based influences, and their output of inspired work that was created in the 1960’s. Topics include: The early days, 1960-62: London, Liverpool and Hamburg: Importing rhythm and blues and rockabilly from the States…real rock and roll bands—what a concept! Watch out, world! The heady days of 1963: Don’t look now, but these guys just might be more than great cover bands…and they are becoming very popular…Beatlemania takes off. We can write songs; 1964: the rock and roll band as a creative force. John and Paul, their yin and yang-like personal and musical differences fueling their creative tension, discover that two heads are better than one. The Stones, meanwhile, keep cranking out covers, and plot their conquest of America, one riff at a time. The middle periods, 1965-66: For the boys from Liverpool, waves of brilliant albums that will last forever—every cut a memorable, sing-along winner. While for the Londoners, an artistic breakthrough with their first all--original record. Mick and Keith’s tempestuous relationship pushes away band founder Brian Jones; the Stones are established as a force in the music world. Prisoners of their own success, 1967-68: How their popularity drove them to great heights—and lowered them to awful depths. It’s a long way from three chords and a cloud of dust.
    [Show full text]
  • Songs by Artist
    Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S.
    [Show full text]
  • Beatles VI First Appearance in Trade Magazines: June 5, 1965
    Beatles VI First appearance in trade magazines: June 5, 1965. Label 62-01 Mono T-2358 Black rainbow label without subsidiary print. First pressing – The publishing credit for “Words of Love” is assigned to ASCAP. 62-01A (Keystone print) Factories: Scranton, Decca Pinckneyville Possible covers: Drill-hole punch reading “PROMO.” In this punch, the middle of the “M” is flat. Cover without promo stamp and “See label for correct playing order.” Cover showing the correct playing order. 62-01B (Bert-Co print) Factories: Los Angeles Possible covers: Drill-hole punch reading “PROMO.” In this punch, the middle of the “M” is pointed. Cover without promo stamp and “See label for correct playing order.” Stereo ST-2358 Black rainbow label without subsidiary print. First pressing – The publishing credit for “Words of Love” is assigned to ASCAP. 62-01A (Keystone print) Factory: Scranton Matte labels. 62-01B (Bert-Co print) The word “STEREO” is in narrow print with wide horizontal spacing. Factory: Los Angeles First pressings have semi-glossy labels. A few copies exist with narrow spacing on STEREO. The same is true for the Early Beatles, but the copies of Beatles VI are on a flat label. Most likely they were a later print run that had the narrow stereo by mistake. Possible covers: Cover reading “See label for correct playing order.” Cover showing the correct playing order. Label 62-02 Mono T-2358 Black rainbow label without subsidiary print. Second pressing – The publishing credit for “Words of Love” is assigned to BMI. 02A (Keystone print) Scranton, Decca Pinckneyville 02B (Bert-Co print) 02J (Jacksonville) Unusual typeface with small print.
    [Show full text]
  • Nicaragua 45 Beatles
    APPLE 01-0362 - HOLD ME TIGHT / NOT A SECOND TIME ODEON 0-0386 - BIRTHDAY / CRY BABY CRY Apple print on labels ODEON 0-0393 - GET BACK / DON'T LET ME DOWN English titles, Odeon dome on top, Apple print on labels Spanish titles, Odeon dome to right side, Apple print on labels, English title on A-side without translation underneath, 45 R.P.M. print on left side of labels Spanish title on B-side, Odeon dome to right side, Aligned Apple print on labels, 45 R.P.M. print on left side of labels English title on A-side with translation underneath, English title on A-side with translation underneath, Spanish title on B-side, Odeon dome to right side, Odeon dome to right side, Aligned Apple print on labels, Non-aligned Apple print on labels, 45 R.P.M. print on 45 R.P.M. print on left side of labels left side of labels English title on A-side, Spanish title on B-side, (P) 1969 print under Apple print Odeon dome to right side, aligned Apple print on labels, No 45 R.P.M. print on left side of labels Title in narrow font ODEON 01-0393 - GET BACK / DON'T LET ME DOWN Apple print on labels APPLE 01-0393 - GET BACK / DON'T LET ME DOWN ODEON 0-0400 - BALLAD OF JOHN AND YOKO / OLD BROWN SHOE Apple print on labels, credits on left in 3 and 2 lines respectively Apple print on labels, credits on left in 4 lines Yoco misprint Title translated to Viejos Zapatos Oscuros ℗1969 print on right side APPLE 01-0440 - COME TOGETHER / SOMETHING the beatles starting with lowercases The Beatles starting with capitals APPLE 01-0455 - OH! DARLING / MAXWELL'S SILVER HAMMER Silver lettering, the beatles starting with lowercases Black lettering, The Beatles starting with capitals APPLE 01-0469 – LET IT BE / YOU KNOW MY NAME (LOOK UP THE NUMBER) APPLE 01-0474 - YESTERDAY / SHE LOVES YOU Silver lettering Black lettering APPLE 01-0515 - AND I LOVE HER / A HARD DAY'S NIGHT .
    [Show full text]
  • INS Price 1F-$0.65 HC Not Available from EDRS. Basic Song List, While
    DOCUMENT RESUME ED 048 320 T7 499 843 TITLE Music Appreciation for High School. Curriculum Bulletin, 1969-70 Series, No. 4. INSTITUTICN New York City Board of Education, Brooklyn, N.Y. Bureau of Curriculum Development. PUB DATE 69 NOTE 188p. AVAILABLE ERCM Eoard of Education of the City of Pew York, Publications Sales Office, 110 Livingston Street, Brooklyn, N.Y.11201 ($4.00). Make checks payable to Auuitor, Board of Education FURS PRICE INS Price 1F-$0.65 HC Not Available from EDRS. DESCRIPTORS Bands (Music), Choral Music, Educational Objectives, *"tunic Activities, nisical Instruments, *Music Appreciatlon, *Music Education, Music Reading, Music Theory, Opera, Or-Jlestras, Oriental Music, Teaching Procedures, Vocal Music ABSTRACT Organized flexibly- these 17 unit. outlines are arranged to provide articulation with lower levels, utilization of student-preferred material, and coverage of the most essential instructional aspects of music appreciation in an increasing order of complexity. Each unit outline contains (1)aims and objectives, (2) vocabulary, (3) suggested and alternate lesson topics, (4) procedures,(F) summary concepts, (6) references, (7) audiovis.ial mat, al lists., (8) sample lesson plans, and (9) sample worksheets. The ,ntroducticn includes a sample pupil inventory lorm, an auditory discrimination test(of both performers and symphonic wor%s), and a basic song list, while suppleentary materials conclude the syllabus with lists of popular songs, au%iovisual aids, and recordings; an outline of musical rudimEnts; a sample lesson plan for appreciation and understanding of prograff music; and a bibliography. (JMC) OS DEPARTMENT OF HEALTH, EDUCATION a WAR! OFFICE OF EDUCATIO! !HIS DOCUMENT HIS ND REPRODUCED EXACTLY A: WEND IROM THE PERSON CR ORGANIZATtOH CR161111E10 ItPOINTS Of 011W OR OPINIONS STATED DO NOT KCESSIPILY REPREtrif OFFICIII OFFICE OF FIIKVION POSITION OR POOCH.
    [Show full text]
  • Dec. 22, 2015 Snd. Tech. Album Arch
    SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) Affinity-Affinity S=Trident Studio SOHO, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R=1970 (Vertigo) E=Frank Owen, Robin Geoffrey Cable P=John Anthony SOURCE=Ken Scott, Discogs, Original Album Liner Notes Albion Country Band-Battle of The Field S=Sound Techniques Studio Chelsea, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) S=Island Studio, St. Peter’s Square, London (PARTIAL TRACKING) R=1973 (Carthage) E=John Wood P=John Wood SOURCE: Original Album liner notes/Discogs Albion Dance Band-The Prospect Before Us S=Sound Techniques Studio Chelsea, London. (PARTIALLY TRACKED. MIXED: SOUND TECHNIQUES A-RANGE) S=Olympic Studio #1 Studio, Barnes, London (PARTIAL TRACKING) R=Mar.1976 Rel. (Harvest) @ Sound Techniques, Olympic: Tracks 2,5,8,9 and 14 E= Victor Gamm !1 SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) P=Ashley Hutchings and Simon Nicol SOURCE: Original Album liner notes/Discogs Alice Cooper-Muscle of Love S=Sunset Sound Recorders Hollywood, CA. Studio #2. (TRACKED: SOUND TECHNIQUES A-RANGE) S=Record Plant, NYC, A&R Studio NY (OVERDUBS AND MIX) R=1973 (Warner Bros) E=Jack Douglas P=Jack Douglas and Jack Richardson SOURCE: Original Album liner notes, Discogs Alquin-The Mountain Queen S= De Lane Lea Studio Wembley, London (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R= 1973 (Polydor) E= Dick Plant P= Derek Lawrence SOURCE: Original Album Liner Notes, Discogs Al Stewart-Zero She Flies S=Sound Techniques Studio Chelsea, London.
    [Show full text]
  • Ringo Starr Actuarà Per Primera Vegada En Solitari a Barcelona Aquest Dimarts El Bateria De the Beatles Ho Farà En El Marc Del Guitar BCN 2018
    Cultura i Mitjans | Jordi Novell | Actualitzat el 25/06/2018 a les 12:12 Ringo Starr actuarà per primera vegada en solitari a Barcelona aquest dimarts El bateria de The Beatles ho farà en el marc del Guitar BCN 2018 Ringo Starr | Arxiu Ringo Starr El Liverpool de postguerra no devia ser el millor dels mons per a un nen malaltís com Richard 'Ritchie' Starkey. Malalt d'apendicitis i peritonitis, i fins i tot en coma durant dies, als tretze anys Starkey emmalaltia de tuberculosi. Ingressat durant prop d'un any en un hospital, per esperonar la seva capacitat motriu els metges li van improvisar un mall fet amb una bobina de cotó per colpejar els armaris del costat del seu llit. I d'aquí, a la banda de l'hospital? Amb una mica d'ajuda dels amics Possiblement una de les grans habilitats de Richard Starkey és ser al lloc adequat en el moment precís. Només així es pot entendre com una banda de skiffle de Liverpool que malviu a Hamburg tocant rock acceleradíssim en tuguris de mala mort amb un èxit notable decideix substituir el seu bateria titular. John Lennon, Paul McCartney i George Harrison prescideixen del monolític estil de Pete Best -un del centenar de persones denominades 'el cinquè beatle'- per sondejar el bateria de Rory Storm and the Hurricanes. Richard Starkey ja era conegut com Ringo Starr - pels enormes anells que lluïa als dits-, i havia de sentir els crits de "Pete forever! Ringo never!" i algun cop de puny que va forçar que Brian Epstein -denominat el cinqu? au va!- hagués de llogar un guardaespatlles.
    [Show full text]
  • Deutsche Nationalbibliografie 2012 T 04
    Deutsche Nationalbibliografie Reihe T Musiktonträgerverzeichnis Monatliches Verzeichnis Jahrgang: 2012 T 04 Stand: 18. April 2012 Deutsche Nationalbibliothek (Leipzig, Frankfurt am Main) 2012 ISSN 1613-8945 urn:nbn:de:101-ReiheT04_2012-7 2 Hinweise Die Deutsche Nationalbibliografie erfasst eingesandte Pflichtexemplare in Deutschland veröffentlichter Medienwerke, aber auch im Ausland veröffentlichte deutschsprachige Medienwerke, Übersetzungen deutschsprachiger Medienwerke in andere Sprachen und fremdsprachige Medienwerke über Deutschland im Original. Grundlage für die Anzeige ist das Gesetz über die Deutsche Nationalbibliothek (DNBG) vom 22. Juni 2006 (BGBl. I, S. 1338). Monografien und Periodika (Zeitschriften, zeitschriftenartige Reihen und Loseblattausgaben) werden in ihren unterschiedlichen Erscheinungsformen (z.B. Papierausgabe, Mikroform, Diaserie, AV-Medium, elektronische Offline-Publikationen, Arbeitstransparentsammlung oder Tonträger) angezeigt. Alle verzeichneten Titel enthalten einen Link zur Anzeige im Portalkatalog der Deutschen Nationalbibliothek und alle vorhandenen URLs z.B. von Inhaltsverzeichnissen sind als Link hinterlegt. Die Titelanzeigen der Musiktonträger in Reihe T sind, wie sche Katalogisierung von Ausgaben musikalischer Wer- auf der Sachgruppenübersicht angegeben, entsprechend ke (RAK-Musik)“ unter Einbeziehung der „International der Dewey-Dezimalklassifikation (DDC) gegliedert, wo- Standard Bibliographic Description for Printed Music – bei tiefere Ebenen mit bis zu sechs Stellen berücksichtigt ISBD (PM)“ zugrunde.
    [Show full text]
  • Beatles Indian 78'S, Identification Guide
    Indian 78 RPM Single Releases Identification Guide Updated 07 Jn 21 Red Parlophone Label With “Trade Mark” in Center India was one of three countries known to have been pressing 78's when the Beatles came along -- the Philippines and Argentina being the others. Of these three, India pressed them the longest, with 78 RPM singles being available practically throughout the Beatles' career. All of the 78's are scarce to rare, with the later singles being hardest to find. Most collectors are unaware that the 78's came out on at least three different label styles. The first of these styles has simply "Trade Mark" in the center of the label. At the top of the label, in the rim, are the words "This copyright record must not be publicly performed without licence." At the bottom of the label are the words "THE PARLOPHONE CO, LTD." Titles Catalog Number "Please Please Me"/"Ask Me Why" R 4983 "From Me to You"/"Thank You Girl" R 5015 "She Loves You"/"I'll Get You" R 5055 "She Loves You"/"I'll Get You" (with "Sample Record" stamp) R 5055 "I Saw Her Standing There"/"Hold Me Tight" DPE 159 "I Want to Hold Your Hand"/"This Boy" R 5084 "Can't Buy Me Love"/"You Can't Do That" R 5114 "Long Tall Sally"/"I Call Your Name" DPE 164 "Love Me Do"/"PS I Love You" R 4949 "Hard Day's Night"/"Things We Said Today" R 5160 Red Parlophone Label With Parlophone in Center and “Incorporated in England” at Top Beginning in mid-1964, Parlophone of India added information to the center of the label and to its rim.
    [Show full text]
  • Paul Moosberg - Poems
    Poetry Series Paul Moosberg - poems - Publication Date: 2007 Publisher: Poemhunter.com - The World's Poetry Archive Paul Moosberg(6-25-82) Yeah i have a book: Is This What This Is ISBN # 1-58998-449-8 Autistic and confused, like being shined on by darkness? Every last one of my poems are written in the last few months (since Mar-Apr 06) . I just figured up I was autistic then. Asperger’s to be exact. well I took some IQ test.140-160 ish, and my IQ runs circles around my mind. and I am trying to find who and what I am. most the time I wish I could just stop thinking! it is my plague, I can't stop reinventing patterns of interest to entice the intent of my mind. while I can't find out why I do the things I do (I wish I could!) I seem to find different ways of guiding my mind instead of letting it lead me. but some people have also helped me apply graphical filters of sort (they don't completely work, but kinda) for dealing with social situations, emotions, etc. (I shake excessively in social situations? not sure why?) I guess I am just insane, since I can never think of just one thought EVER! like I work on 5-15 poems at any given time. and as I said before, I never wrote poetry but these last few months. and it seems my abilities of guiding my autistic mind can shine through my poetry. while it doesn't shine through most of my life.
    [Show full text]
  • The Beatles Hey Jude Mp3, Flac, Wma
    The Beatles Hey Jude mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Hey Jude Country: US Released: 1968 Style: Rock & Roll, Pop Rock MP3 version RAR size: 1677 mb FLAC version RAR size: 1662 mb WMA version RAR size: 1497 mb Rating: 4.3 Votes: 627 Other Formats: VQF MP2 VOC ASF DTS AC3 AUD Tracklist A1 Can't Buy Me Love 2:19 A2 I Should Have Known Better 2:39 A3 Paperback Writer 2:14 A4 Rain 2:58 A5 Lady Madonna 2:14 A6 Revolution 3:21 B1 Hey Jude 7:06 B2 Old Brown Shoe 3:16 B3 Don't Let Me Down 3:30 B4 Ballad Of John And Yoko 2:55 Companies, etc. Manufactured By – Apple Records, Inc. Distributed By – Capitol Records (Canada) Ltd. Mastered At – Bell Sound Studios Printed By – Modern Graphics Pressed By – The Compo Company Ltd. Credits Mastered By – sf* Producer – George Martin Written-By – Harrison* (tracks: B2), Lennon-McCartney (tracks: A1 to B1, B3, B4) Notes APPLE SW-385 printed on jacket rear and spine. SW-385 printed on labels. Recorded in England - STEREO - Thick cardboard jacket - "[MG] Litho In Canada" on the bottom of the spine. Barcode and Other Identifiers Matrix / Runout: SW1-385 Matrix / Runout: SW2-385 Matrix / Runout (Side A [variation 1]): SO-1-385 Z-40 #11 Bell Sound sƒ Matrix / Runout (Side B [variation 1]): SO-2-385 Z-40 Bell Sound sƒ Matrix / Runout (Side A [variation 2]): SO-1-385 Z-41 #8 Bell Sound sƒ Matrix / Runout (Side B [variation 2]): SO-2-385 Z-40 Bell Sound sƒ Other versions Category Artist Title (Format) Label Category Country Year Apple Hey Jude (The The Records, SO-385, SW-385 Beatles Again)
    [Show full text]