July 2013 List Blu-Ray New Releases
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Friday, June 1, 2018
FRIDAY, June 1 Friday, June 1, 2018 8:00 AM Current and Future Regional Presidents Breakfast – Welcoming ALL interested volunteers! To 9:30 AM. Hosted by Beverly Randez ’94, Chair, Committee on Regional Associations; and Mary Newburn ’97, Vice Chair, Committee on Regional Associations. Sponsored by the Alumni Association of Princeton University. Frist Campus Center, Open Atrium A Level (in front of the Food Gallery). Intro to Qi Gong Class — Class With Qi Gong Master To 9:00 AM. Sponsored by the Class of 1975. 1975 Walk (adjacent to Prospect Gardens). 8:45 AM Alumni-Faculty Forum: The Doctor Is In: The State of Health Care in the U.S. To 10:00 AM. Moderator: Heather Howard, Director, State Health and Value Strategies, Woodrow Wilson School, and Lecturer in Public Affairs, Woodrow Wilson School. Panelists: Mark Siegler ’63, Lindy Bergman Distinguished Service Professor of Medicine and Surgery, University of Chicago, and Director, MacLean Center for Clinical Medical Ethics, University of Chicago; Raymond J. Baxter ’68 *72 *76, Health Policy Advisor; Doug Elmendorf ’83, Dean, Harvard Kennedy School; Tamara L. Wexler ’93, Neuroendocrinologist and Reproductive Endocrinologist, NYU, and Managing Director, TWX Consulting, Inc.; Jason L. Schwartz ’03, Assistant Professor of Health Policy and the History of Medicine, Yale University. Sponsored by the Alumni Association of Princeton University. McCosh Hall, Room 50. Alumni-Faculty Forum: A Hard Day’s Night: The Evolution of the Workplace To 10:00 AM. Moderator: Will Dobbie, Assistant Professor of Economics and Public Affairs, Woodrow Wilson School. Panelists: Greg Plimpton ’73, Peace Corps Response Volunteer, Panama; Clayton Platt ’78, Founder, CP Enterprises; Sharon Katz Cooper ’93, Manager of Education and Outreach, International Ocean Discovery Program, Columbia University; Liz Arnold ’98, Associate Director, Tech, Entrepreneurship and Venture, Cornell SC Johnson School of Business. -
The Modigliani Quartet Amaury Coeytaux, Violin Loïc Rio, Violin Laurent Marfaing, Viola François Kieffer, Cello
64th Concert Series 2017-2018 The Modigliani Quartet Amaury Coeytaux, violin Loïc Rio, violin Laurent Marfaing, viola François Kieffer, cello Saturday, November 18, 2017 Ossining High School, Ossining, New York President: Board of Directors: Betsy Shaw Weiner, Croton Klaus Brunnemann, Briarcliff Manor Vice President: Howard Cohen, Cortlandt Manor William Altman, Croton Adam Glenn, Sleepy Hollow Secretary: Raymond Kaplan, Yorktown Susan Harris, Ossining David Kraft, Briarcliff Manor Treasurer: Tom Post, Mt. Kisco Marc Auslander, Millwood Rosella Ranno, Briarcliff Manor Board Associates: Keith Austin, Briarcliff Manor George Drapeau, Armonk Nyla Isele, Croton Who We Are Friends of Music Concerts, Inc. is an award-winning, non-profit, volunteer organization that brings to Westchester audiences world-renowned ensembles and distinguished younger musicians chosen from among the finest artists in today’s diverse world of chamber music. Through our Partnership in Education program in public schools, and free admission to our six-concert season for those 18 years of age and under, we give young people throughout the county enhanced exposure to and appreciation of classical music, building audiences of the future. We need additional helping hands to carry out our mission. Do consider joining the volunteers listed above. Call us at 914-861-5080 or contact us on our website (see below); we can discuss several specific areas in which assistance is needed. Acknowledgements Our concerts are made possible, in part, by an ArtsWestchester Program Support grant made with funds received from Westchester County Government. Additional support is received from many friends of Friends of Music who include subscribers and other ticket holders listed in this program* who give over and above the cost of their attendance, and from the matching grants programs of IBM, Citibank, McKinsey & Co., and others. -
September 2019 Catalogue Issue 41 Prices Valid Until Friday 25 October 2019 Unless Stated Otherwise
September 2019 Catalogue Issue 41 Prices valid until Friday 25 October 2019 unless stated otherwise ‘The lover with the rose in his hand’ from Le Roman de la 0115 982 7500 Rose (French School, c.1480), used as the cover for The Orlando Consort’s new recording of music by Machaut, entitled ‘The single rose’ (Hyperion CDA 68277). [email protected] Your Account Number: {MM:Account Number} {MM:Postcode} {MM:Address5} {MM:Address4} {MM:Address3} {MM:Address2} {MM:Address1} {MM:Name} 1 Welcome! Dear Customer, As summer gives way to autumn (for those of us in the northern hemisphere at least), the record labels start rolling out their big guns in the run-up to the festive season. This year is no exception, with some notable high-profile issues: the complete Tchaikovsky Project from the Czech Philharmonic under Semyon Bychkov, and Richard Strauss tone poems from Chailly in Lucerne (both on Decca); the Beethoven Piano Concertos from Jan Lisiecki, and Mozart Piano Trios from Barenboim (both on DG). The independent labels, too, have some particularly strong releases this month, with Chandos discs including Bartók's Bluebeard’s Castle from Edward Gardner in Bergen, and the keenly awaited second volume of British tone poems under Rumon Gamba. Meanwhile Hyperion bring out another volume (no.79!) of their Romantic Piano Concerto series, more Machaut from the wonderful Orlando Consort (see our cover picture), and Brahms songs from soprano Harriet Burns. Another Hyperion Brahms release features as our 'Disc of the Month': the Violin Sonatas in a superb new recording from star team Alina Ibragimova and Cédric Tiberghien (see below). -
Joyce Yang Piano Blessed With
Joyce Yang Piano Blessed with “poetic and sensitive pianism” (Washington Post) and a “wondrous sense of color” (San Francisco Classical Voice), pianist Joyce Yang captivates audiences with her virtuosity, lyricism, and interpretive sensitivity. As a Van Cliburn International Piano Competition silver medalist and Avery Fisher Career Grant recipient, Yang showcases her colorful musical personality in solo recitals and collaborations with the world’s top orchestras and chamber musicians. Yang came to international attention in 2005 when she won the silver medal at the 12th Van Cliburn International Piano Competition. The youngest contestant at 19 years old, she took home two additional awards: the Steven De Groote Memorial Award for Best Performance of Chamber Music (with the Takàcs Quartet) and the Beverley Taylor Smith Award for Best Performance of a New Work. Since her spectacular debut, she has blossomed into an “astonishing artist” (Neue Zürcher Zeitung). She has performed as soloist with the New York Philharmonic, Chicago Symphony, Los Angeles Philharmonic, Philadelphia Orchestra, the Baltimore, Detroit, Houston, Milwaukee, San Francisco, Sydney, and Toronto symphony orchestras, Deutsches Symphonie-Orchester Berlin, and the BBC Philharmonic (among many others), working with such distinguished conductors as Edo de Waart, Lorin Maazel, James Conlon, Leonard Slatkin, David Robertson, Bramwell Tovey, Peter Oundjian, and Jaap van Zweden. In recital, Yang has taken the stage at New York’s Lincoln Center and Metropolitan Museum; the Kennedy Center in Washington, DC; Chicago’s Symphony Hall; and Zurich’s Tonhalle. Yang kicks off the 2015/16 season with a tour of eight summer festivals (Aspen, Bridgehampton, Grand Tetons, La Jolla, Ravinia, Seattle, Southeastern Piano Festival, and Bravo! Vail) before commencing a steady stream of debuts, return engagements, and notable chamber music concerts. -
Megan Berry Lighting Design/Associate Design/Electrician/Arts Administration | [email protected] | Meberrydesign.Com
Megan Berry lighting design/associate design/electrician/arts administration | [email protected] | meberrydesign.com SELECTED THEATRICAL LIGHTING DESIGN * upcoming ** premiere Fun Home* Dir. R. N. Sandberg Lewis Center for the Arts 2019 Machinal Dir. R. N. Sandberg Lewis Center for the Arts 2019 The Moors Dir. Eliana Cohen-Orth Theatre Intime 2018 The Baltimore Waltz Dir. Nico Krell Princeton Summer Theater 2018 The Children’s Hour Dir. Maeli Goren Princeton Summer Theater 2018 Uncommon Women and Others Dir. Daniel Krane Princeton Summer Theater 2018 Picnic at Hanging Rock** Dir. Nico Krell Berlind Theater 2018 2018 Etched in Skin on a Sunlit Night Dir. Abigail Jean-Baptiste Lewis Center for the Arts 2018 2018 The Flick Dir. Daniel Krane Theatre Intime 2017 2017 A Dream Play Dir. Cat Andre Berlind Theater 2017 2017 Lobby Hero Dir. Mark Nelson Lewis Center for the Arts 2016 2016 Oleanna Dir. Adam Hudnut-Buemler Theatre Intime 2016 2016 Dogfight Dir. Abigail Jean-Baptiste Princeton University Players 2016 2016 When Dawn Breaks** Dir. Nico Krell Theatre Intime 2016 2016 SELECTED DANCE AND CONCERT LIGHTING DESIGN Breakfast Sympoh Dance Company Frist Theater 2018 2018 Land of the Suites Princeton University Ballet Frist Theater 2017 2018 The Way Home Princeton University Rock Ensemble Frist Theater 2017 ATTN: A Collaborative Dance Show Tufts Contemporary Dance Collective Green Street Dance Studio 2016 2017 [untitled] Disiac Dance Company Frist Theater 2016 SELECTED ASSISTANT DESIGN A B-52’s Experience LD: Jane Cox (asst.) Ideal Glass -
West Windsor &Plainsboro
WW-P’S FREE COMMUNITY NEWSPAPER WWPINFO.COM WEST WINDSOR Letters: Plainsboro Fire Truck Referendum 2 & PLAINSBORO HS South Bubble Construction Delayed 14 Village Center Zoning Amended in Plainsboro 17 South Girls’ Tennis County Champs 18 Police Reports 33 Classifieds 35 Trader Joe’s Comes to West Windsor 36 NEWS ISSUE DATE: SEPTEMBER 25, 2009 NEXT ISSUE:OCTOBER 9 Sounding an Anthem for the Environment WW Council Rejects Morgan’s By Cara Latham Nonprofit Foundation Concept atriotism usually comes by Cara Latham Morgan kicked off the meeting hand-in-hand with volun- with a presentation, including re- he West Windsor Township search to support his idea. He said Pteering and service to the Council spent about four that Township Attorney Michael country, but two WW-P student hours during the township’s volunteers are taking patriotism to T Herbert’s concerns about the legal- earliest budget discussion on ity of having a government-spon- a different level in conjunction record to consider ideas for saving with the second-annual Greening sored nonprofit organization were costs in the upcoming 2010 munic- “resolvable.” of West Windsor (GroWW) envi- ipal budget. ronmental fair on Saturday, Octo- “This is all about reducing the Council members spent the burden,” Morgan said. “We can’t ber 3, at the West Windsor Com- most time examining a proposal by munity Farmers’ Market. afford these continuous increases Councilman Charles Morgan for a in taxes,” he said, adding that South senior Jennifer Sharma nonprofit community foundation and junior Sarah Yu are helping to 501(c)(3) organizations “have that he says proven track organize student musicians for a would have performance of the Green National records. -
The Rachel S. Thaler Concert Pianist Series, Angela Hewitt, Pianist
Ithaca College Digital Commons IC All Concert & Recital Programs Concert & Recital Programs 9-28-1999 The Rachel S. Thaler Concert Pianist Series, Angela Hewitt, pianist Angela Hewitt Follow this and additional works at: https://digitalcommons.ithaca.edu/music_programs Part of the Music Commons Recommended Citation Hewitt, Angela, "The Rachel S. Thaler Concert Pianist Series, Angela Hewitt, pianist" (1999). All Concert & Recital Programs. 7773. https://digitalcommons.ithaca.edu/music_programs/7773 This Program is brought to you for free and open access by the Concert & Recital Programs at Digital Commons IC. It has been accepted for inclusion in All Concert & Recital Programs by an authorized administrator of Digital Commons IC. Since her triumph in the 1985 international Bach piano competition in Toronto, and her subse- quent Bach recording for Deutsche Grammophon, Angela Hewitt has been hailed as "one of the outstanding Bach pianists of our time" (Sunday Times [London], 1997). In 1994 she embarked on a 10-year project to record all the major keyboard works by Bach for the Hyperion label. She has performed throughout North America and Europe, as well as in Japan, Australia, China, Mexico, and the former Soviet Union. Born into a musical family, Hewitt began her piano studies at the age of 3, performing in public at 4 and a year later winning her first scholarship. She also studied violin, recorder, singing, and classical ballet. At 9, she gave her first recital at Toronto's Royal Conservatory of Music, where she studied from 1964 to 1973. Hewitt then studied with French pianist Jean-Paul Sevilla at the University of Ottawa, from which she earned her bachelor of music degree at the age of 18. -
Late Fall 2020 Classics & Jazz
Classics & Jazz PAID Permit # 79 PRSRT STD PRSRT Late Fall 2020 U.S. Postage Aberdeen, SD Jazz New Naxos Bundle Deal Releases 3 for $30 see page 54 beginning on page 10 more @ more @ HBDirect.com HBDirect.com see page 22 OJC Bundle Deal P.O. Box 309 P.O. 05677 VT Center, Waterbury Address Service Requested 3 for $30 see page 48 Classical 50% Off beginning on page 24 more @ HBDirect.com 1/800/222-6872 www.hbdirect.com Classical New Releases beginning on page 28 more @ HBDirect.com Love Music. HBDirect Classics & Jazz We are pleased to present the HBDirect Late Fall 2020 Late Fall 2020 Classics & Jazz Catalog, with a broad range of offers we’re sure will be of great interest to our customers. Catalog Index Villa-Lobos: The Symphonies / Karabtchevsky; São Paulo SO [6 CDs] In jazz, we’re excited to present another major label as a Heitor Villa-Lobos has been described as ‘the single most significant 4 Classical - Boxed Sets 3 for $30 bundle deal – Original Jazz Classics – as well as a creative figure in 20th-century Brazilian art music.’ The eleven sale on Double Moon, recent Enlightenment boxed sets and 10 Classical - Naxos 3 for $30 Deal! symphonies - the enigmatic Symphony No. 5 has never been found new jazz releases. On the classical side, HBDirect is proud to 18 Classical - DVD & Blu-ray and may not ever have been written - range from the two earliest, be the industry leader when it comes to the comprehensive conceived in a broadly Central European tradition, to the final symphony 20 Classical - Recommendations presentation of new classical releases. -
Andrea Lucchesini SCHUBERT • LATE PIANO WORKS VOL
Andrea Lucchesini SCHUBERT • LATE PIANO WORKS VOL. II Franz Schubert Late Piano Works • Vol. II Piano Sonata No. 21 in B-flat major, D. 960 I. Molto moderato 21:54 II. Andante sostenuto 10:38 III. Scherzo. Allegro vivace con delicatezza – Trio 4:11 IV. Allegro, ma non troppo 9:05 Three Piano Pieces, D. 946 I. Allegro assai 14:36 II. Allegretto 13:08 III. Allegro 5:16 “The sad «very last» one” – Schubert’s Sonata in B-flat major “A musician visiting Vienna for the first time may well be amused for a while by the convivial hustle and bustle in the streets, and he will often stop in amazement in front of the tower of St Stephen’s Cathedral; but soon he is reminded of the city’s proximity to a churchyard which is more important to him than anything else the city has to offer, where two of the most magnificent of his fellow artists are laid to rest only a few paces from each other. So, like me, many a young musician may soon have wandered out after the first noisy days to the Währinger Kirchhof, to lay a floral offering on those tombs, even if it were a wild rose bush, as I found planted on Beethoven’s grave. Franz Schubert’s resting place was unadorned.” No more than eleven and ten years respectively had passed since the deaths of Beethoven and Schubert when Robert Schumann visited the Währing cemetery in Vienna. But the traveller from Leipzig did not content himself with merely visiting the graves: Schumann also called on Ferdinand Schubert, who looked after a wealth of unpublished manuscripts by his brother Franz. -
June 2019 Catalogue Issue 38 Prices Valid Until Friday 26 July 2019 Unless Stated Otherwise
June 2019 Catalogue Issue 38 Prices valid until Friday 26 July 2019 unless stated otherwise Birmingham Town Hall in an 1830s engraving, 0115 982 7500 similar to that featured on the cover of ‘Mendelssohn in Birmingham vol.5’, released by Chandos this month (CHSA5235). [email protected] Your Account Number: {MM:Account Number} {MM:Postcode} {MM:Address5} {MM:Address4} {MM:Address3} {MM:Address2} {MM:Address1} {MM:Name} 1 Welcome! Dear Customer, Young Norwegian soprano Lise Davidsen has gradually been garnering attention in recent years, perhaps making the leap to a wider awareness following her award of Gramophone’s ‘Young Artist of the Year’ in 2018 and her sublime performance of Strauss’s ‘Morgen’ at the ceremony. Ariadne was her major role last year; 2019 sees her take on the part of Elisabeth in Tannhauser - Zurich and Munich have already had the pleasure and she will be taking it to Bayreuth in July, under the baton of Valery Gergiev in a brand new production. Pleasingly for those of us who won’t manage to catch her live, her debut album on Decca has just been released, featuring two arias from Tannhauser plus orchestral lieder (and one aria) by Richard Strauss. We have been hugely impressed, especially considering her mere 32 years of age, making it a clear choice for Disc of the Month. Please see our website for our full review. Other new releases to highlight for June include a second lieder recital from Decca, performed by none other than Renee Fleming; Hyperion issue the latest in their series of ‘Romantic Violin Concertos’, this volume featuring works by Lassen, Scharwenka and Langgaard; the Vaughan Williams Society offer us his works for viola and piano via the Albion label; the final instalment in the Halle’s superb Ring Cycle (Siegfried) is released on the Halle’s own label; and stunning vocal ensemble Vox Luminis give us a treat in the shape of works by the Bach Family. -
Marco Polo – the Label of Discovery
Marco Polo – The Label of Discovery Doubt was expressed by his contemporaries as to the truth of Marco Polo’s account of his years at the court of the Mongol Emperor of China. For some he was known as a man of a million lies, and one recent scholar has plausibly suggested that the account of his travels was a fiction inspired by a family dispute. There is, though, no doubt about the musical treasures daily uncovered by the Marco Polo record label. To paraphrase Marco Polo himself: All people who wish to know the varied music of men and the peculiarities of the various regions of the world, buy these recordings and listen with open ears. The original concept of the Marco Polo label was to bring to listeners unknown compositions by well-known composers. There was, at the same time, an ambition to bring the East to the West. Since then there have been many changes in public taste and in the availability of recorded music. Composers once little known are now easily available in recordings. Marco Polo, in consequence, has set out on further adventures of discovery and exploration. One early field of exploration lay in the work of later Romantic composers, whose turn has now come again. In addition to pioneering recordings of the operas of Franz Schreker, Der ferne Klang (The Distant Sound), Die Gezeichneten (The Marked Ones) and Die Flammen (The Flames), were three operas by Wagner’s son, Siegfried. Der Bärenhäuter (The Man in the Bear’s Skin), Banadietrich and Schwarzschwanenreich (The Kingdom of the Black Swan) explore a mysterious medieval world of German legend in a musical language more akin to that of his teacher Humperdinck than to that of his father. -
The Development of the Russian Piano Concerto in the Nineteenth Century Jeremy Paul Norris Doctor of Philosophy Department of Mu
The Development of the Russian Piano Concerto in the Nineteenth Century Jeremy Paul Norris Doctor of Philosophy Department of Music 1988 December The Development of the Russian Piano Concerto in the Nineteenth Century Jeremy Paul Norris The Russian piano concerto could not have had more inauspicious beginnings. Unlike the symphonic poem (and, indirectly, the symphony) - genres for which Glinka, the so-called 'Father of Russian Music', provided an invaluable model: 'Well? It's all in "Kamarinskaya", just as the whole oak is in the acorn' to quote Tchaikovsky - the Russian piano concerto had no such indigenous prototype. All that existed to inspire would-be concerto composers were a handful of inferior pot- pourris and variations for piano and orchestra and a negligible concerto by Villoing dating from the 1830s. Rubinstein's five con- certos certainly offered something more substantial, as Tchaikovsky acknowledged in his First Concerto, but by this time the century was approaching its final quarter. This absence of a prototype is reflected in all aspects of Russian concerto composition. Most Russian concertos lean perceptibly on the stylistic features of Western European composers and several can be justly accused of plagiarism. Furthermore, Russian composers faced formidable problems concerning the structural organization of their concertos, a factor which contributed to the inability of several, including Balakirev and Taneyev, to complete their works. Even Tchaikovsky encountered difficulties which he was not always able to overcome. The most successful Russian piano concertos of the nineteenth century, Tchaikovsky's No.1 in B flat minor, Rimsky-Korsakov's Concerto in C sharp minor and Balakirev's Concerto in E flat, returned ii to indigenous sources of inspiration: Russian folk song and Russian orthodox chant.