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The Cambridge Singers Christmas Album directed by JOHN RUTTER AROLS AND CHRISTMAS MUSIC have always formed a part of the CCambridge Singers’ recorded repertoire, and this album picks out some of my The Cambridge Singers personal favourites. Most of the 23 items are taken from the two albums Christmas with the Cambridge Singers and Christmas Day in the Morning, and there are four previously unreleased tracks which were squeezed out of those two albums and which I am happy Christmas Album to have found space for here. There are three strands to the programme: traditional carols; choruses and motets; and composers’ carols. In fact these categories are not as separate as they might appear. Composers have always loved to take traditional melodies and incorporate them into their own compositions, sometimes considerably elaborating them in the process: think of all those L’homme armé masses or of Bach’s chorale treatments. The art of the arranger, widely thought of as a twentieth-century invention, is as old as composition itself. When we listen to a ‘traditional’ carol sung by a choir, we are in fact generally hear- ing the work of an identifiable composer who has arranged, in his own style, a melody by an unidentifiable or obscure composer from an earlier era. The earliest examples on this album are Victoria’s O magnum mysterium (1572), a four-voiced motet where the melodic outlines are based on a Gregorian chant, and Scheidt’s In dulci jubilo (1620), which takes one of the best-loved of all Christmas carols and turns it into a resplendent double-choir motet with two antiphonal trumpet parts. -
Orchestra Hall Orchestra Hall
season 46 2014 - 2015 PRESENTSPRESENTS ATAT ORCHESTRAORCHESTRA HALL HALL Every kid deserves a brush with inspiration. ©2012 Target Brands, Inc. Target and the Bullseye Design are Target Inc. Brands, Target ©2012 722966 Inc. Brands, Target registered trademarks of That’s why Target is on track to give Learn about the difference this support is making for $1 BILLION FOR EDUCATION kids nationwide. by the end of 2015. Target.com/Education S, O 26, 2014 4 2014-2015 46TH ANNIVERSARY SEASON 2014-2015 SEASON SPONSORS MADE IN MINNESOTA Sunday, October 26, 2014 at 4 pm Orchestra Hall, Minneapolis 1111 Nicollet Mall Minneapolis, MN Pre-Concert Conversation with Classical Minnesota Public Radio Host John Birge and Minnesota composers Libby Larsen, Jocelyn Hagen and Dessa at 3 pm. VocalEssence Chorus & Ensemble Singers Dessa Andy Thompson, arranger & co-composer Chamber orchestra Philip Brunelle, conductor Dale Warland, conductor This activity is made possible by the voters of Tesfa Wondemagegnehu, conductor Minnesota through a Minnesota State Arts Board Operating Support grant, thanks to a legislative appropriation from the arts and cultural heritage fund, and a grant from the Wells Fargo Foundation Minnesota. SPECIAL THANKS FOR THE SUPPORT OF THIS CONCERT Bush Foundation McKnight Foundation Minnesota State Arts Board The John and Ruth Huss Fund of The Saint Paul Foundation Kay and Mike McCarthy David K. Whitney VOCALESSENCE PLEASE NOTE 1900 Nicollet Avenue • This concert may be recorded for broadcast — please help us keep the performance space Minneapolis, Minnesota 55403 quiet. Take a moment now to check that all cell phones, paging devices, wristwatch alarms and 612-547-1451 the like are turned off before the concert begins. -
A Comparative Analysis of the Six Duets for Violin and Viola by Michael Haydn and Wolfgang Amadeus Mozart
A COMPARATIVE ANALYSIS OF THE SIX DUETS FOR VIOLIN AND VIOLA BY MICHAEL HAYDN AND WOLFGANG AMADEUS MOZART by Euna Na Submitted to the faculty of the Jacobs School of Music in partial fulfillment of the requirements for the degree, Doctor of Music Indiana University May 2021 Accepted by the faculty of the Indiana University Jacobs School of Music, in partial fulfillment of the requirements for the degree Doctor of Music Doctoral Committee ______________________________________ Frank Samarotto, Research Director ______________________________________ Mark Kaplan, Chair ______________________________________ Emilio Colón ______________________________________ Kevork Mardirossian April 30, 2021 ii I dedicate this dissertation to the memory of my mentor Professor Ik-Hwan Bae, a devoted musician and educator. iii Table of Contents Table of Contents ............................................................................................................................ iv List of Examples .............................................................................................................................. v List of Tables .................................................................................................................................. vii Introduction ...................................................................................................................................... 1 Chapter 1: The Unaccompanied Instrumental Duet... ................................................................... 3 A General Overview -
VIVA VERDI a Small Tribute to a Great Man, Composer, Italian
VIVA VERDI A small tribute to a great man, composer, Italian. Giuseppe Verdi • What do you know about Giuseppe Verdi? What does modern Western society offer everyday about him and his works? Plenty more than you would think. • Commercials with his most famous arias, such as “La donna e` nobile”, from Rigoletto, are invading the air time of television… • Movies and cartoons have also plenty of his arias… What about stamps from all over the world carrying his image? • There are hundreds of them…. and coins and medals… …and banknotes? Well, those only in Italy, that I know of…. Statues of him are all over the world… ….and we have Verdi Squares and Verdi Streets And let’s not forget the many theaters with his name… His operas even became comic books… • Well, he was a famous composer… but it’s that the only reason? Let’s look into that… Giuseppe Fortunino Francesco Verdi Born Joseph Fortunin François Verdi on October 10, 1813 in a village near Busseto, in Emilia Romagna, at the time part of the First French Empire. He was therefore born French! Giuseppe Verdi He was refused admission by the Conservatory of Milan because he did not have enough talent… …that Conservatory now carries his name. In Busseto, Verdi met Antonio Barezzi, a local merchant and music lover, who became his patron, financed some of his studies and helped him throughout the dark years… Thanks to Barezzi, Verdi went to Milano to take private lessons. He then returned to his town, where he became the town music master. -
Yhtenäistetty Arvo Pärt
Suomen musiikkikirjastoyhdistyksen julkaisusarja 112 Yhtenäistetty Arvo Pärt Teosten yhtenäistettyjen nimekkeiden ohjeluettelo Heikki Poroila Suomen musiikkikirjastoyhdistys Helsinki 2012 Julkaisija Suomen musiikkikirjastoyhdistys Taitto Heikki Poroila © Heikki Poroila 2012 Toinen korjattu ja täydennetty laitos, verkkoversio 2.0 (syyskuu 2012). Suomen kirjastosäätiö on tukenut tämän verkkoversion toteuttamista. 01.4 Poroila, Heikki Yhtenäistetty Arvo Pärt : teosten yhtenäistettyjen nimekkeiden ohjeluettelo. – Toinen korjattu ja täydennetty laitos, verkkoversio 2.0 (syyskuu 2012). – Helsinki : Suomen musiikkikirjastoyhdistys, 2012. – 23 s. : kuv. – (Suomen musiikkikirjastoyhdistyksen julkaisusarja, ISSN 0784-0322 ; 112). – ISBN 952-5363-11-2 (PDF). ISBN 952-5363-11-2 Yhtenäistetty Arvo Pärt 2 Esipuhe 2012 Vuonna 1935 Viron Paidessa syntynyt ARVO PÄRT on levytetyimpiä nykysäveltäjiä koko maailmas- sa. Saksassa vuodesta 1980 asuneen säveltäjän tuotanto on kuitenkin ollut varsin huonosti tutkittu ja dokumentoitu. Laajimmatkin internetissä olevat listaukset jättävät yleensä huomiotta Virossa synty- neet lastenlaulut, elokuvamusiikin ja eräät muut satunnaisemmat teokset. Valtaosa teosluetteloista jättävät mainitsematta myös ne lukuisat teokset, jotka Pärt itse on vetänyt pois käytöstä. Tähän luet- teloon ne on otettu mukaan löydettyjen tietojen mukaisesti täydellisyyden vuoksi, vaikkei useim- mista niistä ole tarjolla julkaisuja. Tämä ohjeluettelo perustuukin suhteellisen laajaan salapoliisityöhön, jolla olen pyrkinyt jäljit- tämään paitsi itse -
30 the Anniversary Concert, 27 April, 2003, Sundin Music Hall, Hamline
table of contents 2002-03 Concert Season 4 The Dale Warland Singers 6 Dale Warland, Founder and Music Director 8 Artistic Staff 9 From the President 10 Special Guests, Aaron Jay Kernis and Tom Crann 11 30th Anniversary Concert 12 Program Notes 14 History of the Dale Warland Singers 22 30th Anniversary Awards 26 Alumni Singers 29 Former Board Members and Staff 31 The Singers 32 Honor Roll 36 Acknowledgements 39 Sponsors 40 Please note: No cameras or recording devices of any kind may be used during performances. Please turn off any electronic beeping devices (watches, pagers, etc.) or leave them with an usher prior to the performance. Please hold your applause until each section is completed. 3 2002-03 concert season Choral Ventures ™ Tuesday, May 13, 2003, 7:00 pm Sundin Music Hall Hamline University, St. Paul On May 13th, the Dale Wariand Singers presents the 16th annual Reading Session for the finalists of the 2003 Choral Ventures ,. program. This free concert is a unique opportunity for all interested in the process of composing. Four new works will be rehearsed by the Singers, then the floor is open for audience questions and comments. This year's semi-finalists, chosen from 149 applicants in 36 states are Luis Jorge Gonzalez, Jay Huber, Martha Sullivan, and Frances White. Don't miss out on the opportunity to let your voice be heard! FREE ADMISSION! Sponsored by Jerome Foundation 2003-2004 Season of Music Sponsored by Target, Mervyn's and Marshall Fields' with support from the Target Foundation An American Thanksgiving 11/01/03, 8:00 p.m., Nativity of Our Lord Catholic Church, St. -
Verdi Falstaff
Table of Opera 101: Getting Ready for the Opera 4 A Brief History of Western Opera 6 Philadelphia’s Academy of Music 8 Broad Street: Avenue of the Arts Con9tOperae Etiquette 101 nts 10 Why I Like Opera by Taylor Baggs Relating Opera to History: The Culture Connection 11 Giuseppe Verdi: Hero of Italy 12 Verdi Timeline 13 Make Your Own Timeline 14 Game: Falstaff Crossword Puzzle 16 Bard of Stratford – William Shakespeare 18 All the World’s a Stage: The Globe Theatre Falstaff: Libretto and Production Information 20 Falstaff Synopsis 22 Meet the Artists 23 Introducing Soprano Christine Goerke 24 Falstaff LIBRETTO Behind the Scenes: Careers in the Arts 65 Game: Connect the Opera Terms 66 So You Want to Sing Like an Opera Singer! 68 The Highs and Lows of the Operatic Voice 70 Life in the Opera Chorus: Julie-Ann Whitely 71 The Subtle Art of Costume Design Lessons 72 Conflicts and Loves in Falstaff 73 Review of Philadelphia’s First Falstaff 74 2006-2007 Season Subscriptions Glossary 75 State Standards 79 State Standards Met 80 A Brief History of 4 Western Opera Theatrical performances that use music, song Music was changing, too. and dance to tell a story can be found in many Composers abandoned the ornate cultures. Opera is just one example of music drama. Baroque style of music and began Claudio Monteverdi In its 400-year history opera has been shaped by the to write less complicated music 1567-1643 times in which it was created and tells us much that expressed the character’s thoughts and feelings about those who participated in the art form as writers, more believably. -
Wagner and Bayreuth Mendelssohn-Bartholdy and Berlin Brahms and Detmold
MUSIC DOCUMENTARY 30 MIN. VERSIONS Wagner and Bayreuth Arabic, English, French, German, Portuguese, Spanish (01 x 30 min.) No city in the world is so closely identified with a composer as Bayreuth is with Richard Wag- ner. Towards the end of the 19th century Richard Wagner had a Festival Theatre built here and RIGHTS revived the Ancient Greek idea of annual festivals. Nowadays, these festivals are attended by Worldwide, VOD, Mobile around 60,000 people. ORDER NUMBER 66 3238 VERSIONS Mendelssohn-Bartholdy and Berlin Arabic, English, French, German, Portuguese, Spanish (01 x 30 min.) Felix Mendelssohn, one of the most important composers of the 19th century, was influenced decisively by Berlin, which gave shape to the form and development of his music. The televi- RIGHTS sion documentary traces Mendelssohn’s life in the Berlin of the 19th century, as well as show- Worldwide, VOD, Mobile ing the city today. ORDER NUMBER 66 3305 VERSIONS Brahms and Detmold Arabic, English, French, German, Portuguese, Spanish (01 x 30 min.) Around the middle of the 19th century Detmold, a small town in the west of Germany, was a centre of the sort of cultural activity that would normally be expected only of a large city. An RIGHTS artistically-minded local prince saw to it that famous artists came to Detmold and performed in Worldwide, VOD, Mobile the theatre or at his court. For several years the town was the home of composer Johannes Brahms. Here, as Court Musician, he composed some of his most beautiful vocal and instru- ORDER NUMBER ment works. 66 3237 dw-transtel.com Classics | DW Transtel. -
Boston Symphony Orchestra Concert Programs, Season 27,1907-1908, Trip
CARNEGIE HALL - - NEW YORK Twenty-second Season in New York DR. KARL MUCK, Conductor fnigrammra of % FIRST CONCERT THURSDAY EVENING, NOVEMBER 7 AT 8.15 PRECISELY AND THK FIRST MATINEE SATURDAY AFTERNOON, NOVEMBER 9 AT 2.30 PRECISELY WITH HISTORICAL AND DESCRIP- TIVE NOTES BY PHILIP HALE PUBLISHED BY C. A. ELLIS, MANAGER : Piano. Used and indorsed by Reisenauer, Neitzel, Burmeister, Gabrilowitsch, Nordica, Campanari, Bispham, and many other noted artists, will be used by TERESA CARRENO during her tour of the United States this season. The Everett piano has been played recently under the baton of the following famous conductors Theodore Thomas Franz Kneisel Dr. Karl Muck Fritz Scheel Walter Damrosch Frank Damrosch Frederick Stock F. Van Der Stucken Wassily Safonoff Emil Oberhoffer Wilhelm Gericke Emil Paur Felix Weingartner REPRESENTED BY THE JOHN CHURCH COMPANY . 37 West 32d Street, New York Boston Symphony Orchestra PERSONNEL TWENTY-SEVENTH SEASON, 1907-1908 Dr. KARL MUCK, Conductor First Violins. Wendling, Carl, Roth, O. Hoffmann, J. Krafft, W. Concert-master. Kuntz, D. Fiedler, E. Theodorowicz, J. Czerwonky, R. Mahn, F. Eichheim, H. Bak, A. Mullaly, J. Strube, G. Rissland, K. Ribarsch, A. Traupe, W. < Second Violins. • Barleben, K. Akeroyd, J. Fiedler, B. Berger, H. Fiumara, P. Currier, F. Rennert, B. Eichler, J. Tischer-Zeitz, H Kuntz, A. Swornsbourne, W. Goldstein, S. Kurth, R. Goldstein, H. Violas. Ferir, E. Heindl, H. Zahn, F. Kolster, A. Krauss, H. Scheurer, K. Hoyer, H. Kluge, M. Sauer, G. Gietzen, A. t Violoncellos. Warnke, H. Nagel, R. Barth, C. Loefner, E. Heberlein, H. Keller, J. Kautzenbach, A. Nast, L. -
National Gallery Ofart
[object] Page 1of8 . ) National Gallery ofArt ttlin Pre Kir Release Date: March 20, 2003 MOST COMPREHENSIVE SHOW EVER OF ART BY ROMARE Press Release BEARDEN PREMIERES AT NATIONAL GALLERY OF ART, Checklist (pdf 386kb) SEPTEMBER 14, 2003 ·JANUARY 4, 2004; NATIONAL TOUR INCLUDES FIVE U.S. CITIES Image List Related Activities Washington, DC--The Art of Romare Bearden, the most AT&T Sponsor comprehensive retrospective ever assembled of the large and diverse Statement (pdf 416kb) body of work by one of America's preeminent 20th-century artists, will be presented by the National Gallery of Art in its East Building, For Press Inquiries Only: September 14, 2003 - January 4, 2004. Approximately 130 works- Deborah Ziska paintings; drawings and watercolors; monotypes and edition prints; (202) 842-6353 collages of diverse materials, including fabrics; photographs; wood [email protected] sculpture; and designs for record albums, costumes and stage sets, and book illustrations--will explore the complexity and scope of the artist's Sarah Holley, Publicist evolution and will feature many rarely exhibited and/or never before (202) 842-6359 reproduced works from private collections. [email protected] Organized by the National Gallery of Art, the exhibition will also be seen with slight variation at the San Francisco Museum of Modern Art, February 7 - May 16, 2004; the Dallas Museum of Art, June 20 - September 12, 2004; The Whitney Museum of American Art, New York, October 14, 2004 - January 9, 2005; and the High Museum of Art, Atlanta, January 29, 2005 - April 24, 2005. "Romare Bearden's art is richly layered, both figuratively and metaphorically, and speaks to people on multiple levels. -
Finding Aid to the Historymakers ® Video Oral History with Arthur Mitchell
Finding Aid to The HistoryMakers ® Video Oral History with Arthur Mitchell Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: Mitchell, Arthur, 1934-2018 Title: The HistoryMakers® Video Oral History Interview with Arthur Mitchell, Dates: October 5, 2016 Bulk Dates: 2016 Physical 9 uncompressed MOV digital video files (4:21:20). Description: Abstract: Dancer, choreographer, and artistic director Arthur Mitchell (1934 - 2018 ) was a principal dancer for the New York City Ballet for fifteen years. In 1969, he co-founded the Dance Theatre of Harlem, the first African American classical ballet company and school. Mitchell was interviewed by The HistoryMakers® on October 5, 2016, in New York, New York. This collection is comprised of the original video footage of the interview. Identification: A2016_034 Language: The interview and records are in English. Biographical Note by The HistoryMakers® Dancer, choreographer and artistic director Arthur Mitchell was born on March 27, 1934 in Harlem, New York to Arthur Mitchell, Sr. and Willie Hearns Mitchell. He attended the High School of Performing Arts in Manhattan. In addition to academics, Mitchell was a member of the New Dance Group, the Choreographers Workshop, Donald McKayle and Company, and High School of Performing Arts’ Repertory Dance Company. After graduating from high school in 1952, Mitchell received scholarships to attend the Dunham School and the School of American received scholarships to attend the Dunham School and the School of American Ballet. In 1954, Mitchell danced on Broadway in House of Flowers with Geoffrey Holder, Louis Johnson, Donald McKayle, Alvin Ailey and Pearl Bailey. -
Magnificat: Vocal Score Free
FREE MAGNIFICAT: VOCAL SCORE PDF John Rutter | 88 pages | 01 Aug 1991 | Oxford University Press | 9780193380370 | English, Latin | Oxford, United Kingdom Vocal Score for Rutter Magnificat : Choraline For soprano or mezzo-soprano Magnificat: Vocal Score, SATB chorus and either full orchestra or chamber orchestra. Minimum recommended string forces for the chamber ensemble are 2. This edition is a publication of Oxford University Press. Full scores, vocal scores, and instrumental parts are available on hire through Oxford University Press. Home Music scores and recordings. John Rutter Magnificat. Add to wishlist. Feedback Be the first to give feedback on this product. Proceed to purchase. Additional product information. He first came to notice as a composer during his student years; much of his early work consisted of church music and other choral pieces including Christmas carols. From —79 he was Director of Music at his alma mater, Clare College, and directed the college chapel choir in various recordings and broadcasts. Since he has divided his time between composition and conducting. Today his compositions, including such concert-length works as RequiemMagnificat Magnificat: Vocal Score, Mass of the ChildrenThe Gift of Lifeand Visions are performed around the world. His music has featured in a number of British royal Magnificat: Vocal Score, including the two most recent royal weddings. In he formed his Magnificat: Vocal Score choir the Cambridge Singers, with whom he has made numerous Magnificat: Vocal Score, and he appears regularly in several countries as guest conductor and choral ambassador. Personal details. You have to be logged in to write a feedback. Magnificat: Vocal Score questions about this work There are no questions and answers available so far or you were unable to find an answer to your specific question about this work? Then click here and send your specific questions to our Customer Services! Related products.