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Video Basics ---Major Ref
Video Basics ---major ref. From Ch.5 of textbook 2 ■ Introduction ---- video industry ■ Video Imaging ---- video scan, aspect ratio ■ Color and Composite & component systems ■ From Analog To Digital Video ■ Spatial Conversions ---- video formats ■ Temporal Conversions ■ Mixing And Keying @NTUEE 1 DSP/IC Lab Video Environments Satellite DVB-S downstream(max 90 Mbps) DSS Cable Modem Cable Network DVB-C downstream(max 40 Mbps) OpenCable Home Connection DSTB IEEE 1394 / USB Ethernet 10 Mbps….. Terrestrial DVB-T/ ATSC (Plug&Play , high-data-rate) Interaction Channel DTV set DirecPC/ DirecDuo (1-way / 2-way)1. Satellite( fast PSTN/ ISDN 2. Cable Modem ( QPSK, TCP / IP for PSTN/ ISDN modem 3. SDSL / ADSL / VDSL ….. @NTUEE 2 DSP/IC Lab 1 Video Service Environments Service Provision HFC POTS Wireless Cable DVB-S DVB-C (Full Service (xDSL access) (MMDS) DVB-T (high speed BB) (Cable Modem) Network) TCP / IP Hybrid Services DSTB Residential LAN (IR, RF, Wired) @NTUEE 3 DSP/IC Lab F ãñìµ@ûì > r Gï=.1 *<ÎPU½ÿ½CD *¶1nñG *ÐÍV PC ;^éuu *ñ<uïÚí Internet w7Home SpoppingHome Banking…. *PPV 2âSaDO"H2<_G.(VOD)ÛÚí ö^éGï=. *ö7GïA2Uf÷ ß[1nЯrn1<t *>1ʺ=.²ÁÞ+Gï STBw¯Gï=.1Æ *"Gï=.²2òGï STB Þ1äh¼oZÐõ1"2¤ Gï STB aöÞ^éGï=.> * õ1n<tñ)ËàÁréï=éC 4 *Gï>h Úü¶Êº=.AÓ-I FMMedium Wave ¤µÚí1 / R *Gï>Áä÷1 transm ittersÇt1ä÷ *Gï>r1ñ² ô<Gï=.> *Î BBC aGï=.Ú7ÂbÍÈzéúrp¾câ> DTT > *BDB 2£< 30! DTT nÚí *~£U>;HÞr> HDTV/SDTV > *BSkyB ~£ 6 ´[uSr> 200 !nGïá#Úí *TCIComcastÛUÀ MSOb 1997 £¦¬[àGï Cable Úí *Flextech $} BBC >Ë1Gïn(å UKFM) ö´^éGï=.> *1994 £¦Gï DBS I 1996 £¦[JGïá#r> *1997£¦Gï Cable Úír> *1998 £Î DTT r>ʺ=.²ñhk¶ 12ß 15£1´t Ngñ·ëæJUJT702::9 @NTUEE 4 DSP/IC Lab 2 Applications of Digital Video ¸®ñ *Î]]XÇæ *Internetÿñ *ñ'$7Åg e-mailì½WWW.. -
VHS and VHS-C Tapes
A Guide for Digital Conversion VHS and VHS-C Tapes Digital Memory Lab | A Guide for Digital Conversion, VHS Tapes Power On VCR Player 1 On VCR Player, Press the POWER button. Display screen will illuminate. Turn On Time Base Corrector and Select VIDEO Look Inside VCR Player 2 Look inside to make sure there is not a tape in the machine. To Eject: Press the EJECT button on the VCR Player. If there is a tape inside, it will automatically eject the tape. Take it out and give it to a staff member. Digital Memory Lab | A Guide for Digital Conversion, VHS Tapes 2 Insert Tape Into VCR Player 3 Insert tape face up (window on tape should be facing up). You will see an arrow pointing in the guided direction, to insert into the machine. Push tape gently into the machine. The machines mechanism will automatically receive it. VHS-C Format If your format is VHS-C, place your tape into the adapter, prior to inserting into the VCR Player. Launch App - 4 ‘Blackmagic Media Express’ On iMac computer, launch app ‘Blackmagic Media Express’, located at menu bar at bottom of screen. Digital Memory Lab | A Guide for Digital Conversion, VHS Tapes 3 Play Tape on VCR Player and 5 View on ‘Blackmagic Media Express’ Press PLAY on tape machine to test your video and review footage. Once you have reviewed the footage, press STOP and REWIND on tape machine to where you would like to start recording. Viewing Footage: This will be viewed on the iMac screen, from the ‘Blackmagic Media Express’ window, under the Log and Capture tab. -
VHS and VCR (Edited from Wikipedia)
VHS And VCR (Edited from Wikipedia) SUMMARY A videocassette recorder, VCR, or video recorder is an electromechanical device that records analog audio and analog video from broadcast television or other source on a removable, magnetic tape videocassette, and can play back the recording. Use of a VCR to record a television program to play back at a more convenient time is commonly referred to as timeshifting. VCRs can also play back prerecorded tapes. In the 1980s and 1990s, prerecorded videotapes were widely available for purchase and rental, and blank tapes were sold to make recordings. Most domestic VCRs are equipped with a television broadcast receiver (tuner) for TV reception, and a programmable clock (timer) for unattended recording of a television channel from a start time to an end time specified by the user. These features began as simple mechanical counter-based single-event timers, but were later replaced by more flexible multiple-event digital clock timers. In later models the multiple timer events could be programmed through a menu interface displayed on the playback TV screen ("on-screen display" or OSD). This feature allowed several programs to be recorded at different times without further user intervention, and became a major selling point. The Video Home System (VHS) is a standard for consumer-level analog video recording on tape cassettes. Developed by Victor Company of Japan (JVC) in the early 1970s, it was released in Japan in late 1976 and in the United States in early 1977. From the 1950s, magnetic tape video recording became a major contributor to the television industry, via the first commercialized video tape recorders (VTRs). -
Media Transfer Station the Basics
1 Media Transfer Station The Basics: Digitize old media like VHS, Super 8, 8 mm, 35 mm, negatives, vinyl LPs, or cassettes for free. Available Equipment: Elgato Video Capture: Record video from a VCR, DVD, camcorder for a compact VHS-C and transfer the media onto a DVD or a thumb-drive or an external hard-drive. o Bring your original media: VHS tape, DVD or camcorder that plays your VHS-C. o Bring blank DVD(s), thumb-drive or an external hard-drive formatted to be used on Windows PC. o Conversion time = real time (example: 60 min VHS will take at least 60 min to digitize) EPSON Perfection V600 Photo Scanner: Scan 35 mm negative or positive slides, old photos, 35 mm film strips and digitize them to transfer onto a thumb-drive or an external hard-drive o Bring your original films o Bring thumb-drive(s) or an external hard-drive formatted to be used on Windows PCs o Can scan four slides at a time; takes about two minutes / slide. HS Portable Stand Alone Digital Image Copier: Convert 135 slides or negatives (110, 126, and 135 frame sizes) to digital files. Images can be transferred to a PC or Mac via the USB cable or viewed on a TV using the cable. SD card must be either 16 GB or 32 GB. NOT BIGGER THAN 32 GB ON THE MACHINE. o Bring your original slides/negatives o Bring thumb-drive(s) or an external hard-drive formatted to be used on Windows PCs o Takes about 3-5 seconds an image to digitize into JPEG. -
Vhs Digitization Workflow
VHS DIGITIZATION WORKFLOW INTRODUCTION This document provides a workflow for VHS digitization projects, including information about equipment set up, digitization, and metadata creation. This workflow provides a high-level overview. For more detailed information about each of the steps mentioned here, and more on video digitization, view related items connected to this resource on the Sustainable Heritage Network in the “Film and Video” category. ● VHS Digitization Workstation ● VHS Digitization: Best Practices and Training 1. CONFIGURE AND TEST EQUIPMENT Equipment should always be configured and tested before beginning any digitization work. If any equipment needs replacement, repair, cleaning, or other maintenance, see to that before digitizing, as damaged equipment could harm the materials. Specific equipment choices will vary with funds, project needs, equipment availability, and other factors. Hardware ● VHS Cassette Deck (VCR): There are very few manufacturers that produce new VHS cassette decks, and they may need to be special ordered through distributors. Good quality refurbished or second hand decks are viable alternatives, provided they are inspected, cleaned, and serviced prior to use. ○ Clean and inspect your deck for signs of wear or damage. Ensure that it is in good working order before using. ○ It is good practice to have a maintenance log for any equipment, and a record of service. sustainableheritagenetwork.org | [email protected] Center for Digital Scholarship and Curation | cdsc.libraries.wsu.edu Resource Updated 3/23/2018 ● Video Capture Device: Video capture devices connect the video player (in this case, a VHS cassette deck) to the computer and convert the analog signal from the player into a digital format that can be read by and stored on a computer. -
EEG CB1512 Caption Legalizer™& Relocating Bridge
EEG CB1512 Caption Legalizer™& Relocating Bridge Product Manual EEG Enterprises, Inc. 586 Main Street Farmingdale, New York 11735 TEL: (516) 293-7472 FAX: (516) 293-7417 Copyright © EEG Enterprises, Inc. 2011 All rights reserved. CB1512 HD Caption Legalizer™/ Relocating Bridge Frame Card Contents 1 Introduction 2 1.1 Product Description . 2 2 Installation 3 2.1 Back Panel . 3 3 Caption Legalizer™Operation 4 3.1 DashBoard Menus . 4 3.1.1 GPI Configuration . 5 3.1.2 RS–232 Configuration . 7 3.1.3 Second Language Service . 8 3.2 Using Smart Encoder Commands . 9 3.3 Caption Processing Control . 9 4 Additional Features 11 4.1 Non-Volatile Memory . 11 4.2 Serial Port Configuration . 12 4.3 Encoder Status Commands . 13 A Grand Alliance Interface Protocol 15 B Video/Connector Specifications 16 Copyright 2011, EEG Enterprises, Inc. All rights reserved. The contents of this manual may not be transmitted or reproduced in any form without the written permission of EEG. The revision date for this manual is July 7, 2011. Copyright © EEG Enterprises, Inc. 2011 1 CB1512 HD Caption Legalizer™/ Relocating Bridge Frame Card 1 Introduction 1.1 Product Description The CB1512 HD Caption Legalizer™and Relocating Bridge provides a powerful solution for eliminating HD captioning problems in a single modular frame card operating on the openGear platform. The frame card utilizes the user friendly DashBoard software, which is available for Windows, Mac and Linux operating systems and streamlines setup of the CB1512. The CB1512 fixes common upconversion errors and maximizes interoperability by ensuring that all data complies completely with DTV captioning standards. -
Strategic Maneuvering and Mass-Market Dynamics: the Triumph of VHS Over Beta
Strategic Maneuvering and Mass-Market Dynamics: The Triumph of VHS Over Beta Michael A. Cusumano, Yiorgos Mylonadis, and Richard S. Rosenbloom Draft: March 25, 1991 WP# BPS-3266-91 ABSTRACT This article deals with the diffusion and standardization rivalry between two similar but incompatible formats for home VCRs (video- cassette recorders): the Betamax, introduced in 1975 by the Sony Corporation, and the VHS (Video Home System), introduced in 1976 by the Victor Company of Japan (Japan Victor or JVC) and then supported by JVC's parent company, Matsushita Electric, as well as the majority of other distributors in Japan, the United States, and Europe. Despite being first to the home market with a viable product, accounting for the majority of VCR production during 1975-1977, and enjoying steadily increasing sales until 1985, the Beta format fell behind theVHS in market share during 1978 and declined thereafter. By the end of the 1980s, Sony and its partners had ceased producing Beta models. This study analyzes the key events and actions that make up the history of this rivalry while examining the context -- a mass consumer market with a dynamic standardization process subject to "bandwagon" effects that took years to unfold and were largely shaped by the strategic maneuvering of the VHS producers. INTRODUCTION The emergence of a new large-scale industry (or segment of one) poses daunting strategic challenges to innovators and potential entrants alike. Long-term competitive positions may be shaped by the initial moves made by rivals, especially in the development of markets subject to standardization contests and dynamic "bandwagon" effects among users or within channels of distribution. -
Why Blu-Ray Vs. HD-DVD Is Not VHS Vs. Betamax: the Co-Evolution of Standard-Setting Consortia
A Service of Leibniz-Informationszentrum econstor Wirtschaft Leibniz Information Centre Make Your Publications Visible. zbw for Economics Christ, Julian P.; Slowak, André P. Working Paper Why Blu-ray vs. HD-DVD is not VHS vs. Betamax: The co-evolution of standard-setting consortia Schriftenreihe des Promotionsschwerpunkts Globalisierung und Beschäftigung, No. 29/2009 Provided in Cooperation with: PhD program "Globalization and Employment", University of Hohenheim, Carl von Ossietzky University Oldenburg, Evangelisches Studienwerk Suggested Citation: Christ, Julian P.; Slowak, André P. (2009) : Why Blu-ray vs. HD-DVD is not VHS vs. Betamax: The co-evolution of standard-setting consortia, Schriftenreihe des Promotionsschwerpunkts Globalisierung und Beschäftigung, No. 29/2009, Universität Hohenheim, Stuttgart, http://nbn-resolving.de/urn:nbn:de:bsz:100-opus-4434 This Version is available at: http://hdl.handle.net/10419/30377 Standard-Nutzungsbedingungen: Terms of use: Die Dokumente auf EconStor dürfen zu eigenen wissenschaftlichen Documents in EconStor may be saved and copied for your Zwecken und zum Privatgebrauch gespeichert und kopiert werden. personal and scholarly purposes. Sie dürfen die Dokumente nicht für öffentliche oder kommerzielle You are not to copy documents for public or commercial Zwecke vervielfältigen, öffentlich ausstellen, öffentlich zugänglich purposes, to exhibit the documents publicly, to make them machen, vertreiben oder anderweitig nutzen. publicly available on the internet, or to distribute or otherwise use the documents in public. Sofern die Verfasser die Dokumente unter Open-Content-Lizenzen (insbesondere CC-Lizenzen) zur Verfügung gestellt haben sollten, If the documents have been made available under an Open gelten abweichend von diesen Nutzungsbedingungen die in der dort Content Licence (especially Creative Commons Licences), you genannten Lizenz gewährten Nutzungsrechte. -
GR-AXM405 GR-AXM205 EN SN * UN * Printed in Japan 0399FOV a VICTOR COMPANY LIMITED JAPAN, of COMPANY VICTOR COPYRIGHT© 1999 VICTOR COMPANY of JAPAN, LTD
COMPACT VHS CAMCORDER GR-AXM405 ENGLISH GR-AXM205 INSTRUCTIONS LYT0352-001A EN 2 EN Dear Customer, Thank you for purchasing the JVC Compact VHS camcorder. Before use, please read the safety information and precautions contained in the following pages to ensure safe use of this product. Using This Instruction Manual • All major sections and subsections are listed in the Table Of Contents (Z pg. 3). • Notes appear after most subsections. Be sure to read these as well. • Basic and advanced features/operation are separated for easier reference. It is recommended that you . .... refer to the Index (Z pgs. 52 – 54) and familiarize yourself with button locations, etc. before use. .... read thoroughly the Safety Precautions. They contain extremely important information regarding the safe use of this product. You are recommended to carefully read the cautions on pages 55 and 56 before use. SAFETY PRECAUTIONS WARNING: NOTES: TO PREVENT FIRE OR SHOCK cThe rating plate (serial number plate) and safety caution are on the bottom and/or the back of HAZARD, DO NOT EXPOSE the main unit. THIS UNIT TO RAIN OR c The rating plate (serial number plate) of the AC MOISTURE. Power Adapter/Charger is on its bottom. Warning on lithium cell battery (for clock This camcorder is designed to be used with PAL- operation and remote control unit) type colour television signals. It cannot be used The battery used in this device may present a fire for playback with a television of a different or chemical burn hazard if mistreated. Do not standard. However, live recording and LCD recharge, disassemble, heat above 100°C or monitor/viewfinder playback are possible incinerate. -
Nac V301 Airborne S-VHS Video Cassette Recorder
V301 Airborne VCR Featuring: Super VHS Format · Rewind and Playback · Over 2 full hours of recording · High speed search (Forward and Reverse) · Visual Event Marker Comprehensive Built-in Test (BIT) · Electronic Frame Indexing (VISS) Remote Control via Serial and Parallel Interface. · 3 Audio Channels · High luminance FM carrier Frequency (5.4 to 7.0 MHz) · 525, 875, & 1023 Line Scan Rates · Proven track record on major aircraft programs Performance specs Environmental specs The V301's Super VHS Format is not just an improvement to standard VHS… it's a distinctly different format providing significantly higher picture clarity with full 400 lines of horizontal resolution in both color and black & white recording - providing significant improvement in fine picture detail. The Super SVCR- V301 provides higher luminance and chrominance (Y/C) signals to minimize the degradation of image quality from cross color and dot interference. The signal-to-noise ratio in the V301 has been significantly improved by broadening the frequency deviation from 1.0 to 1.6MHz. Raising the carrier frequency also reduces interference with chrominance signal and substantially increases contrast range. It is the answer to a long-standing need for HIGH RESOLUTION airborne video recording, with long record times from a single cassette. You no longer need to settle for marginal results when you need to record critical mission data. The V301 (Military Designation RO-614A) is an advanced Super VHS system designed for high-resolution, direct recording from HUD cameras, infrared sensor and multi-function displays on board a variety of military aircraft. In addition, PCM and MIL-STD-1553 data can be recorded on the V301. -
Operations Manual Tandberg EN8090 MPEG4 HD Encoder
ST.RE.E10233.1 Issue 1 REFERENCE GUIDE EN8000 MPEG-4 Part 10 (H.264/AVC) Encoders Software Version 1.0 (and later) EN8030 Standard Definition Encoder EN8090 High Definition Encoder Preliminary Pages ENGLISH (UK) ITALIANO READ THIS FIRST! LEGGERE QUESTO AVVISO PER PRIMO! If you do not understand the contents of this manual Se non si capisce il contenuto del presente manuale DO NOT OPERATE THIS EQUIPMENT. NON UTILIZZARE L’APPARECCHIATURA. Also, translation into any EC official language of this manual can be È anche disponibile la versione italiana di questo manuale, ma il costo è made available, at your cost. a carico dell’utente. SVENSKA NEDERLANDS LÄS DETTA FÖRST! LEES DIT EERST! Om Ni inte förstår informationen i denna handbok Als u de inhoud van deze handleiding niet begrijpt ARBETA DÅ INTE MED DENNA UTRUSTNING. STEL DEZE APPARATUUR DAN NIET IN WERKING. En översättning till detta språk av denna handbok kan också anskaffas, U kunt tevens, op eigen kosten, een vertaling van deze handleiding på Er bekostnad. krijgen. PORTUGUÊS SUOMI LEIA O TEXTO ABAIXO ANTES DE MAIS NADA! LUE ENNEN KÄYTTÖÄ! Se não compreende o texto deste manual Jos et ymmärrä käsikirjan sisältöä NÃO UTILIZE O EQUIPAMENTO. ÄLÄ KÄYTÄ LAITETTA. O utilizador poderá também obter uma tradução do manual para o Käsikirja voidaan myös suomentaa asiakkaan kustannuksella. português à própria custa. FRANÇAIS DANSK AVANT TOUT, LISEZ CE QUI SUIT! LÆS DETTE FØRST! Si vous ne comprenez pas les instructions contenues dans ce manuel Udstyret må ikke betjenes NE FAITES PAS FONCTIONNER CET APPAREIL. MEDMINDRE DE TIL FULDE FORSTÅR INDHOLDET AF DENNE HÅNDBOG. -
A Guide to MPEG Fundamentals and Protocol Analysis and Protocol to MPEG Fundamentals a Guide
MPEG Tutorial A Guide to MPEG Fundamentals and Protocol Analysis (Including DVB and ATSC) A Guide to MPEG Fundamentals and Protocol Analysis (Including DVB and ATSC) A Guide to MPEG Fundamentals and Protocol Analysis ii www.tektronix.com/video_audio/ A Guide to MPEG Fundamentals and Protocol Analysis A Guide to MPEG Fundamentals and Protocol Analysis Contents Section 1 – Introduction to MPEG · · · · · · · · · · · · · · · · · · · · · · · · · · · · 1 1.1 Convergence · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · 1 1.2 Why Compression is Needed · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · 1 1.3 Applications of Compression · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · 1 1.4 Introduction to Video Compression · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · 2 1.5 Introduction to Audio Compression · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · 4 1.6 MPEG Signals · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · 4 1.7 Need for Monitoring and Analysis · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · 5 1.8 Pitfalls of Compression · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · 6 Section 2 – Compression in Video · · · · · · · · · · · · · · · · · · · · · · · · · · · · 7 2.1 Spatial or Temporal Coding? · · · · · · · · · · · · · · · · · ·