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Japanese Economic Growth During the Edo Period*
Japanese Economic Growth during the Edo Period* Toshiaki TAMAKI Abstract During the Edo period, Japanese production of silver declined drastically. Japan could not export silver in order to import cotton, sugar, raw silk and tea from China. Japan was forced to carry out import-substitution. Because Japan adopted seclusion policy and did not produce big ships, it used small ships for coastal trade, which contributed to the growth of national economy. Japanese economic growth during the Edo period was indeed Smithian, but it formed the base of economic development in Meiji period. Key words: Kaimin, maritime, silver economic growth, Sakoku 1.Introduction Owing to the strong influence of Marxism, and Japan’s defeat in World War II, Japanese historians dismissed the Edo period (1603–1867) as a stagnating period. Japan, during this period, was regarded as a country that lagged behind Europe because of its underdeveloped social and economic systems. It had been closed to the outside world for over two hundred years, as a result of its Sakoku (seclusion) policy, and could not, therefore, progress as rapidly as Europe and the United States. This image of Japan during the Edo period began to change in the 1980s, and this period is now viewed as an age of economic growth, even if Japan’s growth rates were not as rapid as those of Europe. Economic growth during the Edo period is now even considered to be the foundation for the economic growth that occurred after the Meiji period. In this paper, I will develop three arguments that demonstrate the veracity of the above viewpoint. -
Westernization in Japan: America’S Arrival
International Journal of Management and Applied Science, ISSN: 2394-7926 Volume-3, Issue-8, Aug.-2017 http://iraj.in WESTERNIZATION IN JAPAN: AMERICA’S ARRIVAL TANRIO SOPHIA VIRGINIA English Literature Department BINUS UNIVERSITY Indonesia E-mail: [email protected] Abstract- As America arrived with westernization during late Edo period also known as Bakumatsu period, Japan unwelcomed it. The arrival of America in Japan had initiated the ‘wind of change’ to new era towards Japan culture albeit its contribution to Japan proffers other values at all cost. The study aims to emphasize the importance of history in globalization era by learning Japan's process in accepting western culture. By learning historical occurrences, cultural conflicts can be avoided or minimized in global setting. The importance of awareness has accentuated an understanding of forbearance in cultural diversity perspectives and the significance of diplomatic relation for peace. Systematic literature review is applied as the method to analyze the advent of America, forming of treaty, Sakoku Policy, Diplomatic relationship, and Jesuit- Franciscans conflict. The treaty formed between Japan and America served as the bridge for Japan to enter westernization. Keywords- Westernization, Japan, America, Sakoku Policy, Jesuit-Franciscans Conflict, Treaty, Culture, Edo Period. I. INTRODUCTION Analysing from the advent of America leads to Japan’s Sakoku Policy which took roots from a Bakumatsu period or also known as Edo period, dispute caused by westerners when Japan was an specifically in the year of 1854 in Capital of Kyoto, open country. This paper provides educational values Japan, was when the conflict between Pro-Shogunate from historical occurrences. -
Being in the Noh: an Introduction to Japanese Noh Plays —
Being in the Noh: An Introduction to Japanese Noh Plays — http://edsitement.neh.gov/view_lesson_plan.asp?id=628 Conventions of the Noh Play A. The Five Types of Noh Plays: 1. The god play (Kami)—congratulatory piece praising the gods in a quiet, dignified tone. 2. The warrior play (Shura)—a slain warrior comes back as a ghost and relives his suffering 3. The woman play (Katsura)—an elegant, stylish woman is the protagonist 4. The mad woman (or madness) play/realistic play 5. The supernatural (or demon) play (Kiri)—a battle between a demon or other supernatural figure and a hero in which the demon is usually subdued. B. The Order of Performance 1. Okina-Sanbaso—a ritual piece 2. The god play (Noh) 3. A Kyogen play 4. The warrior play (Noh) 5. A Kyogen play 6. The woman play (Noh) 7. A Kyogen play 8. The mad play (Noh) 9. A Kyogen play 10. The demon play C. The Characters of a Noh Play 1. Shite (pronounced sh'tay)—the main character, the “doer” of the play Maejite—(pronounced may-j’tay) the shite appears in the first part of the play as an ordinary person Nochijite—(pronounced no-chee-j’tay) the shite disappears and then returns in the second part of the play in his true form as the ghost of famous person of long ago. 2. Tsure—(pronounced tsoo-ray) the companion of the shite 3. Waki—a secondary or “sideline” character, often a traveling priest, whose questioning of the main character is important in developing the story line 4. -
War Sum up Music
BAM 2013 Next Wave Festival #WarSumUp Brooklyn Academy of Music Alan H. Fishman, Chairman of the Board William I. Campbell, Vice Chairman of the Board Adam E. Max, Vice Chairman of the Board Karen Brooks Hopkins, President Joseph V. Melillo, Executive Producer War Sum Up Music. Manga. Machine. Hotel Pro Forma Vocals by Latvian Radio Choir BAM Howard Gilman Opera House Nov 1 & 2 at 7:30pm Approximate running time: one hour & 20 minutes; no intermission Directed by Kirsten Dehlholm BAM 2013 Next Wave Festival sponsor Music by The Irrepressibles, Santa Ratniece with Gilbert Nouno Concept by Willie Flindt and Kirsten Dehlholm Musical direction by Kaspars Putnins Costumes by Henrik Vibskov Leadership support for War Sum Up provided by The Barbaro Osher Pro Suecia Foundation Lighting design by Jesper Kongshaug Libretto from classic Noh theater edited by Willie Flindt Leadership support for opera at BAM Manga drawings by Hikaru Hayashi provided by: The Andrew W. Mellon Foundation Performed in Japanese with English titles The Peter Jay Sharp Foundation Stavros Niarchos Foundation Premiere: September 2, 2011, Latvian National Additional support for opera at BAM provided Opera, Riga by The Francena T. Harrison Foundation Trust Major support for music at BAM provided by The Virginia B. Toulmin Foundation Photo: Gunars Janaitis War Sum Up Latvian Radio Choir Soprano Ieva Ezeriete, Inga Martinsone, Iveta Romanca¯ne Alto Li¯ga Paegle, Dace Strautmane, Inga Žilinska Tenor Aigars Reinis, Ka¯rlis Ru¯tenta¯ls, Egils Ja¯kobsons Bass Gundars Dzil¸ums, Ja¯nis Kokins, Ja¯nis Strazdin¸š “Gamemaster” Ieva Ezeriete “Soldier” Aigars Reinis “Warrior” Gundars Dzilums “Spy” Liga Paegle Set design Kirsten Dehlholm, Willie Flindt, Jesper Kongshaug Video technique Kasper Stouenborg Video design Sine Kristiansen Manga drawings Hikaru Hayashi Black and white photos Zoriah Miller, Dallas Sells, Timothy Fadek, Kirtan Patel, Mário Porral, Richard Bunce Director’s assistant Jon R. -
Noh Theater and Religion in Medieval Japan
Copyright 2016 Dunja Jelesijevic RITUALS OF THE ENCHANTED WORLD: NOH THEATER AND RELIGION IN MEDIEVAL JAPAN BY DUNJA JELESIJEVIC DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in East Asian Languages and Cultures in the Graduate College of the University of Illinois at Urbana-Champaign, 2016 Urbana, Illinois Doctoral Committee: Associate Professor Elizabeth Oyler, Chair Associate Professor Brian Ruppert, Director of Research Associate Professor Alexander Mayer Professor Emeritus Ronald Toby Abstract This study explores of the religious underpinnings of medieval Noh theater and its operating as a form of ritual. As a multifaceted performance art and genre of literature, Noh is understood as having rich and diverse religious influences, but is often studied as a predominantly artistic and literary form that moved away from its religious/ritual origin. This study aims to recapture some of the Noh’s religious aura and reclaim its religious efficacy, by exploring the ways in which the art and performance of Noh contributed to broader religious contexts of medieval Japan. Chapter One, the Introduction, provides the background necessary to establish the context for analyzing a selection of Noh plays which serve as case studies of Noh’s religious and ritual functioning. Historical and cultural context of Noh for this study is set up as a medieval Japanese world view, which is an enchanted world with blurred boundaries between the visible and invisible world, human and non-human, sentient and non-sentient, enlightened and conditioned. The introduction traces the religious and ritual origins of Noh theater, and establishes the characteristics of the genre that make it possible for Noh to be offered up as an alternative to the mainstream ritual, and proposes an analysis of this ritual through dynamic and evolving schemes of ritualization and mythmaking, rather than ritual as a superimposed structure. -
A New Interpretation of the Bakufu's Refusal to Open the Ryukyus To
Volume 16 | Issue 17 | Number 3 | Article ID 5196 | Sep 01, 2018 The Asia-Pacific Journal | Japan Focus A New Interpretation of the Bakufu’s Refusal to Open the Ryukyus to Commodore Perry Marco Tinello Abstract The Ryukyu Islands are a chain of Japanese islands that stretch southwest from Kyushu to In this article I seek to show that, while the Taiwan. The former Kingdom of Ryukyu was Ryukyu shobun refers to the process by which formally incorporated into the Japanese state the Meiji government annexed the Ryukyu as Okinawa Prefecture in 1879. Kingdom between 1872 and 1879, it can best be understood by investigating its antecedents in the Bakumatsu era and by viewing it in the wider context of East Asian and world history. I show that, following negotiations with Commodore Perry, the bakufu recognized the importance of claiming Japanese control over the Ryukyus. This study clarifies the changing nature of Japanese diplomacy regarding the Ryukyus from Bakumatsu in the late 1840s to early Meiji. Keywords Tokugawa bakufu, Bakumatsu, Ryukyu shobun, Commodore Perry, Japan From the end of the fourteenth century until the mid-sixteenth century, the Ryukyu kingdom was a center of trade relations between Japan, China, Korea, and other East Asian partners. According to his journal, when Commodore Matthew C. Perry demanded that the Ryukyu Islands be opened to his fleet in 1854, the Tokugawa shogunate replied that the Ryukyu Kingdom “is a very distant country, and the opening of its harbor cannot be discussed by us.”2 The few English-language studies3 of this encounter interpret this reply as evidence that 1 16 | 17 | 3 APJ | JF the bakufu was reluctant to become involved in and American sources relating to the discussions about the international status of negotiations between Perry and the bakufu in the Ryukyus; no further work has been done to 1854, I show that Abe did not draft his guide investigate the bakufu’s foreign policy toward immediately before, but rather after the Ryukyus between 1854 and the early Meiji negotiations were held at Uraga in 1854/2. -
Experience Ikebana, Sashimono, Kimono, Shishimai, and Noh and More Exciting Traditional Japanese Culture!
September 5, 2018 Arts Council Tokyo (Tokyo Metropolitan Foundation for History and Culture) Arts Council Tokyo Traditional Culture Program Arts Council Tokyo offers many activities to learn more about Japan Experience Ikebana, Sashimono, Kimono, Shishimai, and Noh and more exciting traditional Japanese culture! Arts Council Tokyo (Tokyo Metropolitan Foundation for History and Culture) implements various programs aimed for people who are not familiar with traditional Japanese culture and arts, like foreign people and children, to freely enjoy authentic traditional culture and performing arts, with the theme of “Approaching Tokyo Tradition.” The Council will hold a Japanese flower arrangement (Ikebana), Edo Sashimono, and Kimono dressing experience for foreign visitors on Oct. 20 and 21, in conjunction with the Tokyo Grand Tea Ceremony taking place at the Hama-rikyu Gardens. The second edition of the Shishimai and Acrobatics Experiences will also be held in October at Haneda Airport International Passenger Terminal. In addition, “Noh ‘SUMIDAGAWA’ -Sound of prayer cradled in sorrow-“will be held in February 2019. Stay tuned for the many exciting programs planned in the coming months. Arts Council Tokyo (Tokyo Metropolitan Supported by and in Tokyo Metropolitan Organized by Foundation for History and Culture) cooperation with Government The latest information for programs in the future will be updated on the following official website (in Japanese and English) web www.tokyo-tradition.jp facebook TokyoTradition twitter TYO_tradition Contact -
Buchbesprechungen
Buchbesprechungen Sebastian DOBSON / Sven SAALER (Hrsg.): Unter den Augen des Preußen-Adlers. Lithographien, Zeichnungen und Photographien der Teilnehmer der Eulenburg- Expedition in Japan, 1860–61. München: iudicium 2011. 2., durchgesehene Auflage 2012. 391 S., Abb. ISBN 978-3-86205-135-9. € 49,00. Als sich die preußische Regierung im Jahr 1860 entschloss, eine Expedition auszurüs- ten, um mit China, Japan und Siam Handels- und Freundschaftsverträge abzuschließen, bedeutete dieses Unternehmen einen gewaltigen Kraftakt eines durch seine Geschichte eigentlich nicht auf Übersee ausgerichteten Landes. Neben den politischen, wirtschaft- lichen und kommerziellen Motiven und dem Zugewinn an internationalem Renommee für Preußen in der Auseinandersetzung mit Österreich um die Lösung der deutschen Frage – Preußen vermochte erstmals als Sprachrohr des Deutschen Zollvereins aufzu- treten – waren es vor allem auch wissenschaftliche Ziele, die Preußen mit der Ostasien- Expedition unter Führung von Graf Eulenburg verknüpfte. In Anlehnung an den großen Naturforscher Alexander von Humboldt, der 1859 verstarb und die Durchführung der Expedition nicht mehr erleben durfte, sollten intensive naturwissenschaftliche Studien von Land und Leuten betrieben werden, um jene ferne Weltregion in ihrer Komplexität für die Allgemeinheit „verständlich“ zu machen. Zu diesem Zweck verfügte die Expedition über ausgewiesene Wissenschaftler und Fachleute, die vor Ort in ihrem jeweiligen Spezialgebiet Forschung betreiben sollten. Verglichen mit anderen zeitgenössischen Expeditionen zählte die preußische Ostasien- Expedition zu einer der am besten ausgestatteten wissenschaftlichen Unternehmungen. Unter den Experten befanden sich u. a. ein landwirtschaftlicher wie ein kaufmännischer Sachverständiger, ein Zoologe, ein Botaniker, ein Geologe und ein Geograph, was den hohen Stellenwert der Mitte des 19. Jahrhunderts maßgeblich die akademische Wissen- schaft dominierenden naturkundlichen Forschung widerspiegelte. -
An Unpublished Letter of M.A. Bakunin to R.Solger
Robert M. Cutler AN UNPUBLISHED LETTER OF M.A. BAKUNIN TO R. SOLGER* After Mikhail Aleksandrovich Bakunin escaped from Siberian exile in 1861, he circumnavigated the globe en route to London, where he joined his friends A.I. Herzen and N.P. Ogarev. En route Bakunin travelled by boat from Yokohama to San Francisco, traversed the isthmus of Panama, and sojourned in New York and Boston before reembarking for England. Four decades ago Hecht wrote that there "is little record of Bakunin's stay in America",1 but Avrich has since established the general contours and many details of that record.2 An unpublished letter of Bakunin to Reinhold Solger, which lies among Solger's papers in the Library of Congress, sheds further light on Bakunin's activities in the United States in late 1861.3 Bakunin met Solger in Zurich in * I wish to thank Professor Margaret Dorsch for assisting in the decipherment of the manuscript and for suggesting alternative renderings in the translation. 1 David Hecht, Russian Radicals Look to America, 1825-1894 (Cambridge, Mass., 1947), p. 56. 2 Paul Avrich, "Bakunin and the United States", International Review of Social History, XXIV (1979), pp. 320-40, adds new material to Max Nettlau's account of Bakunin's passage through the United States, in The Life of Michael Bakounine. Michael Bakunin: Eine Biogra- p/u'e,3volsin2(London, 1896-99), l,pp. 139-40. Avrich also expands upon Hecht's treatment (which is from the standpoint of intellectual history) of the sojourn's influence upon the subsequent development of Bakunin's political thought, and he provides a detailed discussion of the influence of Bakunin's writings upon the development of collectivist socialist move ments in the United States towards the end of the nineteenth century. -
Ivilluiell the Man Who Signed the Appeal for The! a Split in the Ciub As Did
12 PAGES. j PAGES 1 TO 8. ESTABLISHED JULY 2, 1S58." VUL. XXXV., NO. 6280. HONOLULU, HAWAII TERRITORY, TUESDAY, SEPTEMBER 23, 1902. PRICE FIVE CENTS. kind or discription." He called at- -' the question," said Humphreys, "wss to tention of the chairman to the fact that show the motive behind the action of THE. PIECE this meant disharmony cause and will IVillUIELL the man who signed the appeal for the! a split in the ciub as did. However bMb WLL BE it landing of the troop3 to protect life and the chairman refused to do so, but per- property.I wisn to show the ulterior mitted the supposed gentleman to con- HISTORY purpose and sinister design of these CLUB BO tinue with his disgraceful story to the TELLS people, of which the United States had end with the understanding that the knowledge, that unless backed up and GREAT RACE word "missionary" be left out. This supported the overthrow could not have was done, but the old saying, six of one taken place. Every essential point of and half dozen of another, amounts to the memorial of the Queen, of which Mr. His same. Silva Frees the The word "missionary" was Commission Stops Inquiry Into the you have taken cognizance, depends up- left out end the phrase "Gospel Heal- on the fact? that the Queen was depriv- Four Yachts to Go Mind About ers" was inserted in its place. ed of her throne by the unlawful in- Again, in another meeting, the same Happenings of Days of terference of the forces of the United in Mile : Fifty :; supposed gentleman made a severe at- States. -
Japanese Studies Review, Vol. XX (2016), Pp
ISSN: 1500-0713 ______________________________________________________________ Article Title: Performing Prayer, Saving Genji, and Idolizing Murasaki Shikibu: Genji Kuyō in Nō and Jōruri Author(s): Satoko Naito Source: Japanese Studies Review, Vol. XX (2016), pp. 3-28 Stable URL: https://asian.fiu.edu/projects-and-grants/japan-studies- review/journal-archive/volume-xx-2016/naito-satoko- gkuyojoruri_jsr.pdf ______________________________________________________________ PERFORMING PRAYER, SAVING GENJI, AND IDOLIZING MURASAKI SHIKIBU: GENJI KUYŌ IN NŌ AND JŌRURI1 Satoko Naito University of Maryland, College Park Introduction The Murasaki Shikibu daraku ron [lit. “Story of Murasaki Shikibu’s Fall] tells that after her death Murasaki Shikibu (d. ca. 1014) was cast to hell.2 The earliest reference is found in Genji ipponkyō [Sutra for Genji] (ca. 1166), which recounts a Buddhist kuyō (dedicatory rite) performed on her behalf, with the reasoning that the Heian author had been condemned to eternal suffering in hell for writing Genji monogatari [The Tale of Genji] (ca. 1008). Though Genji ipponkyō makes no explicit claim to the efficacy of the kuyō, its performance is presumably successful and saves the Genji author. In such a case the earliest extant utterance of the Murasaki-in-hell story is coupled with her subsequent salvation, and the Genji author, though damned, is also to be saved.3 It may be more accurate, then, to say that the Murasaki Shikibu daraku ron is about Murasaki Shikibu’s deliverance, rather than her fall (daraku). Through the medieval period and beyond, various sources recounted the execution of kuyō rites conducted for The Tale of Genji’s author, often initiated and sponsored by women.4 Such stories of Genji kuyō 1 Author’s Note: I thank those who commented on earlier versions of this paper, in particular D. -
The Edicts of the Tokugawa Shogunate: Excerpts from Laws of Military Households (Buke Shohatto), 1615
Primary Source Document with Questions (DBQs) THE EDICTS OF THE TOKUGAWA SHOGUNATE: EXCERPTS FROM LAWS OF MILITARY HOUSEHOLDS (BUKE SHOHATTO), 1615 Introduction The unification of Japan and the creation of a lasting national polity in the late sixteenth and early seventeenth centuries required more than just military exploits. Japan’s “three unifiers,” especially Toyotomi Hideyoshi (1536- 1598) and Tokugawa Ieyasu (1543-1616), enacted a series of social, economic, and political reforms in order to pacify a population long accustomed to war and instability and create the institutions necessary for lasting central rule. Although Hideyoshi and Ieyasu placed first priority on domestic affairs — especially on establishing authority over domain lords, warriors, and agricultural villages — they also dictated sweeping changes in Japan’s international relations. Although the Tokugawa shogunate proved a durable political system, it lacked the elaborate legal codes and sophisticated bureaucratic apparatus of the Chinese imperial state. One of the most important Tokugawa legal documents, the Laws of Military Households (Buke Shohatto), was issued in 1615, only one year before Tokugawa Ieyasu’s death, and provided basic regulations on the behavior of lords and warriors. Selected Document Excerpts with Questions From Japan: A Documentary History: The Dawn of History to the Late Tokugawa Period, edited by David J. Lu (Armonk, New York: M. E. Sharpe, 1997), 206-208. © 2001 M. E. Sharpe. Reproduced with the permission of the publisher. All rights reserved. The Edicts of the Tokugawa Shogunate: Excerpts from Laws of Military Households (Buke Shohatto), 1615 1. The study of literature and the practice of the military arts, including archery and horsemanship, must be cultivated diligently.