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'Nothing but the Truth': Genre, Gender and Knowledge in the US
‘Nothing but the Truth’: Genre, Gender and Knowledge in the US Television Crime Drama 2005-2010 Hannah Ellison Submitted for the degree of Doctor of Philosophy (PhD) University of East Anglia School of Film, Television and Media Studies Submitted January 2014 ©This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that no quotation from the thesis, nor any information derived therefrom, may be published without the author's prior, written consent. 2 | Page Hannah Ellison Abstract Over the five year period 2005-2010 the crime drama became one of the most produced genres on American prime-time television and also one of the most routinely ignored academically. This particular cyclical genre influx was notable for the resurgence and reformulating of the amateur sleuth; this time remerging as the gifted police consultant, a figure capable of insights that the police could not manage. I term these new shows ‘consultant procedurals’. Consequently, the genre moved away from dealing with the ills of society and instead focused on the mystery of crime. Refocusing the genre gave rise to new issues. Questions are raised about how knowledge is gained and who has the right to it. With the individual consultant spearheading criminal investigation, without official standing, the genre is re-inflected with issues around legitimacy and power. The genre also reengages with age-old questions about the role gender plays in the performance of investigation. With the aim of answering these questions one of the jobs of this thesis is to find a way of analysing genre that accounts for both its larger cyclical, shifting nature and its simultaneously rigid construction of particular conventions. -
LIFF 2017 Honoree Dan Wooding His Career Must Rate As One of the Most Unusual in Journalism
HEALING THROUGH THE ART OF CINEMA LOVE INTERNATIONAL FILM FESTIVAL Liff.info Healing and Guiding Children Through Art The Lotus Light Children’s Charity | www.thelotuslight.org Love International Film Festival We are living in a world where chaos challenges every nation and every individual equally. Our mission is to live in a world where chaos challenges every nation and every individual equally. Fear of violence, hatred, persecution, misuse of religious and financial uncertainty follows us all. We stand divided in belief, nationalities and even within © countries-– ideology. We are a world that often seems bereft of hope or a unifying vision. It is our goal to turn the world’s eyes to the beauty that exist in front of us all. It is my hope that we will play a part in art and creativity returning everyone to the abundance that surrounds us all. When you look at our little planet from space, its singular beauty is clearly seen. Its smallness in the great void should communicate that we all live in one home. This world of ours is exactly that, it is a world of OURS; a place for all of us to share, build and nurture. Regardless of your religious beliefs, I hope you still believe in Love and Peace for all. Lets define God in his purest form as love and peace, and with this new definition, help each other and help build our home in a way that there is enough for all of us. This is the message of the festival, that through the power of creative energy and the efforts of filmmakers and artists alike, the world can become a unified and beautiful place. -
''What Lips These Lips Have Kissed'': Refiguring the Politics of Queer Public Kissing
Communication and Critical/Cultural Studies Vol. 3, No. 1, March 2006, pp. 1Á/26 ‘‘What Lips These Lips Have Kissed’’: Refiguring the Politics of Queer Public Kissing Charles E. Morris III & John M. Sloop In this essay, we argue that man-on-man kissing, and its representations, have been insufficiently mobilized within apolitical, incremental, and assimilationist pro-gay logics of visibility. In response, we call for a perspective that understands man-on-man kissing as a political imperative and kairotic. After a critical analysis of man-on-man kissing’s relation to such politics, we discuss how it can be utilized as a juggernaut in a broader project of queer world making, and investigate ideological, political, and economic barriers to the creation of this queer kissing ‘‘visual mass.’’ We conclude with relevant implications regarding same-sex kissing and the politics of visible pleasure. Keywords: Same-Sex Kissing; Queer Politics; Public Sex; Gay Representation In general, one may pronounce kissing dangerous. A spark of fire has often been struck out of the collision of lips that has blown up the whole magazine of 1 virtue.*/Anonymous, 1803 Kissing, in certain figurations, has lost none of its hot promise since our epigraph was penned two centuries ago. Its ongoing transformative combustion may be witnessed in two extraordinarily divergent perspectives on its cultural representation and political implications. In 2001, queer filmmaker Bruce LaBruce offered in Toronto’s Eye Weekly a noteworthy rave of the sophomoric buddy film Dude, Where’s My Car? One scene in particular inspired LaBruce, in which we find our stoned protagonists Jesse (Ashton Kutcher) and Chester (Seann William Scott) idling at a stoplight next to superhunk Fabio and his equally alluring female passenger. -
Star Channels, May 20-26
MAY 20 - 26, 2018 staradvertiser.com LEGAL EAGLES Sandra’s (Britt Robertson) confi dence is shaken when she defends a scientist accused of spying for the Chinese government in the season fi nale of For the People. Elsewhere, Adams (Jasmin Savoy Brown) receives a compelling offer. Chief Judge Nicholas Byrne (Vondie Curtis-Hall) presides over the Southern District of New York Federal Court in this legal drama, which wraps up a successful freshman season. Airing Tuesday, May 22, on ABC. WE’RE LOOKING FOR PEOPLE WHO HAVE SOMETHING TO SAY. Are you passionate about an issue? An event? A cause? ¶ũe^eh\Zga^eirhn[^a^Zk][r^fihp^kbg`rhnpbmama^mkZbgbg`%^jnbif^gm olelo.org Zg]Zbkmbf^rhng^^]mh`^mlmZkm^]'Begin now at olelo.org. ON THE COVER | FOR THE PEOPLE Case closed ABC’s ‘For the People’ wraps Deavere Smith (“The West Wing”) rounds example of how the show delves into both the out the cast as no-nonsense court clerk Tina professional and personal lives of the charac- rookie season Krissman. ters. It’s a formula familiar to fans of Shonda The cast of the ensemble drama is now part Rhimes, who’s an executive producer of “For By Kyla Brewer of the Shondaland dynasty, which includes hits the People,” along with Davies, Betsy Beers TV Media “Grey’s Anatomy,” “Scandal” and “How to Get (“Grey’s Anatomy”), Donald Todd (“This Is Us”) Away With Murder.” The distinction was not and Tom Verica (“How to Get Away With here’s something about courtroom lost on Rappaport, who spoke with Murder”). -
Comes to Frostburg for the Holidays Fall
F R O S T B U R G S T A T E U N I V E R S I T Y StateLineswww.frostburg.edu/admin/foundation/news.htm For and about FSU people A publication of the FSU Office of Advancement Volume 32, Number 14, November 26, 2001 Copy deadline: noon Wednesday, 228 Hitchins or [email protected] ‘The Nutcracker’ Comes to Frostburg for the Holidays The holiday favorite, “The Nut- repertoire. Costumes by cracker,” comes to Frostburg on Friday, Galina Ivanovna Shumeikina Dec. 7, at 8 p.m. as a special gift from and settings ranging from a FSU’s Cultural Events Series. The perfor- living room decorated for mance will take place in the Beall High Christmas, complete with School Auditorium. Patrons are encour- “growing” Christmas tree, to aged to purchase tickets as soon as the glittering Land of Snow to possible to avoid disappointment. the fantastic Kingdom of Combining the enchanting music of Sweets, add to the magical Peter Ilyich Tchaikovsky with the setting. magical story by E.T.A. Hoffman, the Dinner theatre specials are Nutcracker has delighted people of all available prior to the perfor- ages for more than 100 years. mance and can be purchased This performance features the talents through the CES Box Office. of the International Ballet Theatre, with For information and ticket award-winning dancers from Russia and purchases contact the CES Box the United States, as well as selected Office Monday through Friday child dancers from the Frostburg Dance from 10 a.m. to 4 p.m. -
Gender Constructions and Mentorship on CBS's Elementary
Regis University ePublications at Regis University All Regis University Theses Spring 2019 An Infinite Capacity for Co-consulting: Gender Constructions and Mentorship on CBS's Elementary Heather Hufford Regis University Follow this and additional works at: https://epublications.regis.edu/theses Recommended Citation Hufford, Heather, "An Infinite Capacity for Co-consulting: Gender Constructions and Mentorship on CBS's Elementary" (2019). All Regis University Theses. 929. https://epublications.regis.edu/theses/929 This Thesis - Open Access is brought to you for free and open access by ePublications at Regis University. It has been accepted for inclusion in All Regis University Theses by an authorized administrator of ePublications at Regis University. For more information, please contact [email protected]. AN INFINITE CAPACITY FOR CO-CONSULTING: GENDER CONSTRUCTIONS AND MENTORSHIP ON CBS’S ELEMENTARY A thesis submitted to Regis College The Honors Program in partial fulfillment of the requirements for graduation with Honors by Heather Hufford May 2019 Thesis written by Heather Hufford Approved by Thesis Advisor Thesis Reader Accepted by Director, University Honors Program ii TABLE OF CONTENTS ACKNOWLEDGEMENTS iv I. INTRODUCTION: THE FRIENDS OF SHERLOCK HOLMES 1 II. READING ELEMENTARY AS AN ATTEMPT AT PORTRAYING 12 GENDER EQUALITY III. CONFLICTING PERMEABILITIES IN PATERNAL MENTORSHIPS 34 IN “RIP OFF” IV. INTERACTIONS BETWEEN GENDERED SPACE AND 52 MENTORSHIPS IN “TERRA PERICOLOSA” V. GENDERED CONFLICTS BETWEEN HARD-BOILED AND 75 PROCEDURAL TRADITIONS IN “THE ONE THAT GOT AWAY” WORKS CITED 110 iii ACKNOWLEDGEMENTS In the conclusion of “The Five Orange Pipz,” Elementary’s Sherlock Holmes remarks, “They say that genius is an infinite capacity for taking pains. -
Iso Long Mcinerney
CHINFO 2000 9U4#(4#4s0~4~j Merit Award Winner Gaze Vol.58 No.44 Friday, November 9,2001 BMEES ISo Long McInerney Worship Service Rescheduled Catholic worship service this Saturday has been changed from 5:30pm to 4pm due to the Marine Corps Ball. FMI call 4431/5350. School Photos School photos are scheduled for Wednesday, USS McInerney (FFG 8) arrivedfor supplies and shelter from Hurricane Michelle ' Nov. 14 at the High School, Thursday, Nov. heavy weather and was a welcome sightfor Sailors here. Over the years, fewer Navy 15 at the Elementary School and make-up ships spend time in GTMO and we become more accustomed to seeing Coast Guard photos as needed at both schools on Friday, vessels at our piers. Although their stay was short, we know that McInerney will pass Nov. 16. Advance payment is required. FMI the word: GTMO s still a great place to visit! call 2207/3500. Candlelight Champagne Basewide Beautification Scheduled Supper on Deer Pt. By Trish Loop, Public Works and trucks staged at that location for trash Tickets for the December 2 Candlelight Environmental Department Manager turn in. Champagne Supper on Deer Point are going On 16 November, a base-wide cleanup will Plans are as follows: Saturday on sale at the NEX Atrium get underway at GTMO involving all hands, 0730-0800 -Activity Rep will check in at 10 from 10am-noon. Tickets are November all departments, activities, tenant commands the Command Post (Jerk House) $20 for E-7 and above, Officers and and contractors. 0800-1200 - Activities pick up trash at Civilians, and $10 for E-6 and below. -
F E a T U R E S Summer 2021
FEATURES SUMMER 2021 NEW NEW NEW ACTION/ THRILLER NEW NEW NEW NEW NEW 7 BELOW A FISTFUL OF LEAD ADVERSE A group of strangers find themselves stranded after a tour bus Four of the West’s most infamous outlaws assemble to steal a In order to save his sister, a ride-share driver must infiltrate a accident and must ride out a foreboding storm in a house where huge stash of gold. Pursued by the town’s sheriff and his posse. dangerous crime syndicate. brutal murders occurred 100 years earlier. The wet and tired They hide out in the abandoned gold mine where they happen STARRING: Thomas Nicholas (American Pie), Academy Award™ group become targets of an unstoppable evil presence. across another gang of three, who themselves were planning to Nominee Mickey Rourke (The Wrestler), Golden Globe Nominee STARRING: Val Kilmer (Batman Forever), Ving Rhames (Mission hit the very same bank! As tensions rise, things go from bad to Penelope Ann Miller (The Artist), Academy Award™ Nominee Impossible II), Luke Goss (Hellboy II), Bonnie Somerville (A Star worse as they realize they’ve been double crossed, but by who Sean Astin (The Lord of the Ring Trilogy), Golden Globe Nominee Is Born), Matt Barr (Hatfields & McCoys) and how? Lou Diamond Phillips (Courage Under Fire) DIRECTED BY: Kevin Carraway HD AVAILABLE DIRECTED BY: Brian Metcalf PRODUCED BY: Eric Fischer, Warren Ostergard and Terry Rindal USA DVD/VOD RELEASE 4DIGITAL MEDIA PRODUCED BY: Brian Metcalf, Thomas Ian Nicholas HD & 5.1 AVAILABLE WESTERN/ ACTION, 86 Min, 2018 4K, HD & 5.1 AVAILABLE USA DVD RELEASE -
Oliver Cotton
Oliver Cotton Agents Dallas Smith Associate Agent Sarah Roberts [email protected] +44 (0) 20 3214 0800 Assistant Alexandra Rae [email protected] +44 (0) 20 3214 0800 Roles Film Production Character Director Company US AMONG THE STONES Richard Dictynna Hood Caspian Films KIN Richard Dictynna Hood Likely Story NORTH V SOUTH Brian Galloway Steve Nesbit North South Films POPE JOAN Arsenius Sonke Wortmann Constantine Films THE DARK KNIGHT RISES 2 STAR AIR FORCE Christopher Nolan GENERAL COLOUR ME KUBRICK PC Metcalf Brian Cook RAIN DOGS Lord Grey Rob Moffatt BONE HUNTER Regulus Rob Moffatt THE GISELLA PERL STORY Moshe Joe Sargent SHANGHAI KNIGHTS Jack the Ripper Jackie Chan United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Character Director Company BABY BLUE Ron Wood Theo Van Gogh Shooting Star THE DANCER UPSTAIRS Merino John Malkowich Lola Films INNOCENTS Angelini Peter Kosminski Channel 4 BEOWULF Hrothgar Graham Baker THE OPIUM WAR George Elliot Xie-Jing THE INNOCENT SLEEP Lusano Scott Mitchell SON OF THE PINK PANTHER King Fahed Blake Edwards CHRISTOPHER COLUMBUS - Harana John Glen THE DISCOVERY HIDING OUT Landis Bob Giraldi THE SICILIAN Roccofino Michael Cimino ELENI Katis Peter Yates FIREFOX Priabin Clint Eastwood OLIVER TWIST Monks Clive Donner THE DAY CHRIST DIED John James Cellan Jones THE MULBERRY BUSH HERE WE GO ROUND Curtis Clive Donner Television Production Character Director Company KILLING EVE Maciek Shannon Murphy BBC -
20 Movies 20 Years Ebook.Cdr
20 MUST SEE MARTIAL ARTS MOVIES FROM THE LAST 20 YEARS THANK YOU FOR SUBSCRIBING AND DOWNLOADING THIS FREE E-BOOK! EVERY SINGLE PERSON INVOLVED MAKES THE MARTIAL ARTS ACTION MOVIE WEBSITE POSSIBLE... ...AND LOTS OF FUN! BEFORE WE GET STUCK INTO IT. In the last 4 years, I have watched and reviewed close to 500 Martial Arts films. I’ve got to say it’s a bit of an addiction but a fun one, and it’s been shared with a lot of people through Social Media channels like Facebook and Twitter, and I’ve noticed a strong pattern in the movies people love to see these days. On top of that, we’re seeing movies being released that seem to be climbing the ladder in terms of quality. For a while, martial arts movies were heading in a different direction and focusing less on the pure abilities of the actor and relying heavily on wire work. While there’s nothing wrong with that, I can safely say that most people I’ve networked with over the last few years don’t enjoy the weightless “floating” look that most of these movies produced. So most of what I write about these days focuses on the power of the individual martial artist, relying on themselves more than wires. Combined with the totality of the film making process, I’ve done my best to find the absolute most entertaining, action packed and well balanced martial arts films of recent times. So I produced this little Ebook for anyone whose looking to become immersed in the most action packed, adrenaline charged fight films from the last 20 years. -
It Reveals Who I Really Am”: New Metaphors, Symbols, and Motifs in Representations of Autism Spectrum Disorders in Popular Culture
“IT REVEALS WHO I REALLY AM”: NEW METAPHORS, SYMBOLS, AND MOTIFS IN REPRESENTATIONS OF AUTISM SPECTRUM DISORDERS IN POPULAR CULTURE By Summer Joy O’Neal A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in English Middle Tennessee State University 2013 Dissertation Committee: Dr. Angela Hague, Chair Dr. David Lavery Dr. Robert Petersen Copyright © 2013 Summer Joy O’Neal ii ACKNOWLEDGEMENTS There simply is not enough thanks to thank my family, my faithful parents, T. Brian and Pamela O’Neal, and my understanding sisters, Auburn and Taffeta, for their lifelong support; without their love, belief in my strengths, patience with my struggles, and encouragement, I would not be in this position today. I am forever grateful to my wonderful director, Dr. Angela Hague, whose commitment to this project went above and beyond what I deserved to expect. To the rest of my committee, Dr. David Lavery and Dr. Robert Petersen, for their seasoned advice and willingness to participate, I am also indebted. Beyond these, I would like to recognize some “unofficial” members of my committee, including Dr. Elyce Helford, Dr. Alicia Broderick, Ari Ne’eman, Chris Foss, and Melanie Yergau, who graciously offered me necessary guidance and insightful advice for this project, particularly in the field of Disability Studies. Yet most of all, Ephesians 3.20-21. iii ABSTRACT Autism has been sensationalized by the media because of the disorder’s purported prevalence: Diagnoses of this condition that was traditionally considered to be quite rare have radically increased in recent years, and an analogous fascination with autism has emerged in the field of popular culture. -
Johnny Stecchino with Roberto Benigni and Nicoletta Braschi Selected Filmography
Johnny Stecchino with Roberto Benigni and Nicoletta Braschi Selected Filmography The Higher Learning staff curate digital resource packages to complement and offer further context to the topics and themes discussed during the various Higher Learning events held at TIFF Bell Lightbox. These filmographies, bibliographies, and additional resources include works directly related to guest speakers’ work and careers, and provide additional inspirations and topics to consider; these materials are meant to serve as a jumping-off point for further research. Please refer to the event video to see how topics and themes relate to the Higher Learning event. Film Works Discussed During the Event Life Is Beautiful (La vita è bella). Dir. Roberto Benigni, 1997, Italy. 116 mins. Production Co.: Cecchi Cori Group Tiger Cinematografica / Melampo Cinematografica. The Monster (Il mostro). Dir. Roberto Benigni, 1994, Italy, France. 112 mins. Production Co.: Canal Plus / IRIS Films / La Sept Cinéma / Melampo Cinematografica / Union Générale Cinématographique. Johnny Stecchino. Dir. Roberto Benigni, 1991, Italy. 102 mins. Production Co.: Cecchi Cori Group Tiger Cinematografica / Penta Film / Silvio Berlusconi Communications. The Little Devil (Il piccolo diavolo). Dir. Roberto Benigni, 1988, Italy. 101 mins. Production Co.: Yarno Cinematografica / Cecchi Gori Group Tiger Cinematografica / Reteitalia. The Great Dictator. Dir. Charles Chaplin, 1940, U.S.A. 125 mins. Production Co.: Charles Chaplin Productions. The Kid. Dir. Charles Chaplin, 1921, U.S.A. 68 mins. Production Co.: Charles Chaplin Productions. Roberto Benigni Filmography To Rome with Love. Dir. Woody Allen, 2012, U.S.A, Italy, Spain. 112 mins. Production Co.: Medusa Film / Gravier Productions / Perdido Productions / Mediapro. Amos Poe’s Divine Comedy (La commedia di Amos Poe).