Big Decisions: Opting, Converting, Drifting*
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Books Book Review: "Koestler" The Literary and Political Odyssey of a Twentieth-Century Skeptic. By Michael Scammell '85GSAS. By Michael Kimmage | Winter 2009-10 Arthur Koestler in New York City. (Bettman / Corbis) When Arthur Koestler arrived in New York City in March 1948 to launch an American speaking tour, his visit was front-page news. An audience of 3000 filled Carnegie Hall, eager to hear Koestler’s thoughts on “the radical’s dilemma” and on America’s pressing need to confront Soviet communism. Koestler had gained worldwide fame for his novel Darkness at Noon, published in 1940. The hero of the novel is Nicholas Rubashov, a devout communist caught in Stalin’s net in the 1930s for straying from the party line. Before his inevitable execution, he is interrogated and forced to confess to ludicrous crimes. At the heart of his ordeal is an “absolute faith in History”: Stalin may be fallible, but the Soviet cause is infallible and can be made to justify countless deaths, including Rubashov’s own. The novel’s taut, philosophical style made it a staple of international literary culture, damaged the Communist Party’s global reputation, and made its author an icon of the engagé intellectual. For much of the Cold War, Koestler was a celebrity anti- communist. Yet when Koestler, the author of some 30 books, died in 1983, his chosen legacy was detached from political parties, movements, and causes. In his will, he left most of his estate to endow an academic chair in parapsychology. This unorthodox evolution can now be traced in Koestler: The Literary and Political Odyssey of a Twentieth-Century Skeptic, a new biography by Michael Scammell ’85GSAS, professor of creative writing at Columbia. -
The Dr. Jeckyl and Mr. Hyde of 20Th Century Intellectual History
The Dr. Jeckyl and Mr. Hyde of 20th Century Intellectual History ANYONE INTERESTED in intellectual history from the great depression of the thirties to the post war 1980s will be familiar with the impact of Arthur Koestler, whose famous assault on Stalinism and the Soviet Union in his novel Darkness at Noon was a widely praised international bestseller. There was a vehemently critical biography written by David Cesurani, Arthur Koestler—The Homeless Mind published in London in 1998. It was an opinionated attack on Koestler’s personality and moral stature. It also portrayed him as a brutal womanizer and a self-loathing Jew. A more scholarly biography has now appeared written by Michael Scammell, the well-known biographer of Aleksandr Solzhenitsyn. Scammell’s work does not have the polemical, hyperbolic prose of Cesurani but it too is a strongly opinionated defense of Koestler, seeing him as one of the greatest intellectual journalists and writers of the 20th century. Scammell describes Koestler as a Dr. Jeckyl and Mr. Hyde, both intellectually brilliant and often mean-spirited, a bourgeois in domestic habits, bohemian in public, both idealistic and cynical, generous and kind on the one hand and brutal and even violent on the other. Books about Koestler are not likely to be written with a detached scholarly disinterest. Scammell’s biography is nearly 700 pages long. It has been acclaimed as a masterpiece of intellectual history. Koestler had an extraordinarily full life participating in nearly every intellectual, cultural, and scholarly debate and controversy of his time as well as being an actual participant in many major events including the Spanish Civil War, World War II and as a dissident voice throughout the post war years. -
Arthur Koestler's Hope in the Unseen: Twentieth-Century Efforts to Retrieve the Spirit of Liberalism" (2005)
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2005 Arthur Koestler's hope in the unseen: twentieth- century efforts to retrieve the spirit of liberalism Kirk Michael Steen Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the History Commons Recommended Citation Steen, Kirk Michael, "Arthur Koestler's hope in the unseen: twentieth-century efforts to retrieve the spirit of liberalism" (2005). LSU Doctoral Dissertations. 1669. https://digitalcommons.lsu.edu/gradschool_dissertations/1669 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. ARTHUR KOESTLER’S HOPE IN THE UNSEEN: TWENTIETH-CENTURY EFFORTS TO RETRIEVE THE SPIRIT OF LIBERALISM A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of History by Kirk Steen B. A., University of New Orleans, 1974 M. A., University of New Orleans, 1986 August 2005 ©Copyright 2005 Kirk Michael Steen All rights reserved ii Arthur Koestler at his desk during the 1930s iii Dedication The efforts that produced this investigation of Arthur Koestler I offer to my wife, Christel Katherine Roesch, for her patient support and for the value and respect she holds for liberal education. The two of us share one fundamental belief that justifies the changes in our lifestyle necessitated by my earning a terminal degree and completing the narrative that follows. -
Arthur Koestler on the River
MARTIN FRENCH THE ISLAND AND THE METAPHOR AUTQiOGRApJ-4ER: ARTHUR KOESTLER ON THE RIVER When we settle into the theatre of autobiography, what we are ready to believe—and what most autobiographers encourage us to expect—is that the play we witness is a historical one, a largely faithful and unmediated reconstruction of events that took place long ago, whereas in reality the play is that of the autobiographical act itself, in which the materials of the past are shaped by memory and imagination to serve the needs of present consciousness. (Eakin, Fictions 56) Arthur Koestler's autobiographical history is one that suffered from his own invention, intervention and revision over a period of some 47 years. During these years Koestler sought to correct, edit and even destroy earlier autobiographical works towards a final 'true' version of his self, albeit one almost wholly described in metaphor. The metaphors that comprise the core of Koestler's autobiographical project are a series of interrelated metaphors, metaphors that have been described as "oceanic" by Koesder himself, and that others have observed are self erasing. Koestler's use of metaphor is firstly a creative act—one that places memory and imagination in an intimate relation in the act of autobiographical narration. 2 It is also creative insofar as these metaphors become conditions of Koestler's autobiographical narration and of his subsequent development. He comes to narrate his self and life in terms of his chosen metaphors. More than this, though, he actually comes to live his life in terms of these metaphors. So whilst they may not constitute the literal 'facts' of his life, Koestler's metaphors, as organising principles of that life, in many ways create and govern the life lived. -
H. BRUCE FRANKLIN Future Perfect: American Science Fic- Tion of the Nineteenth Century Revised Edition. Oxford: Oxford Universit
also sets out separate sections for Lectures [London: St. James Press, 1972], p. 726). and Broadcasts, Contributions to Books, Since then, the fraction has changed only and Contributions to Periodicals. The Ency slightly—6 novels out of 31 volumes—and clopaedia of Sexual Knowledge and the Bantam editions of Darkness at Noon L'Encyclopédie de la Famille, both published now number 10. The bibliography makes under the pseudonym Dr. A. Costler, and a clear just how international the interest in diatribe. Von Weissen Nächten und Roten his fiction really is: The Gladiators (1939) Tagen (1933), the original title of which was exists in 9 languages, Darkness at Noon to have been The Soviet Land through (1940) in 32, Arrival and Departure (1943) in Bourgeois Eyes, are mentioned in the'pre 12, Thieves in the Night (1946) in 10, and The face, but, at Koestler's request, are exclud Age of Longing (1951) and The Call Girls ed from the bibliography. In "Works (1972) each in 9. The fact that translation about Arthur Koestler" (403 items), pre of early Koestler fictions continues into the pared by Thomas Frazier, arrangement is seventies implies the breadth, currency, by topic as well as by the individual Koestler and importance of his imaginative thought. works considered. Theses and dissertations Darkness at Noon, for example, appears as are included. Annotated references to C. E. Slepiashchaia t'ma in 1978 (New York: M. Joad's Decadence: A Philosophical Inquiry Chekhov); Arrival and Departure, as Hacsiz (1948), Langston Hughes's I Wonder as I haclilarm 1973 (Istanbul: Varlik Yayinevi). -
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British Reactions to Silone (with particular reference to Fontamara) Eileen A. Millar The late 1920's and early 1930's are not remembered with particular nostal- gia in western Europe. In Britain, the general pubUc was coping as best it could with the problems of the Depression while the government, guided by its Diplomatic Service, did its best to maintain the image of having everything under control at home and of having a monoply of wisdom in world affairs. At Westminster, politicians were happy to give approval - albeit superficial ^- proval - to those foreign regimes in which they could recognise a reassuring appearance of order and stability. Such an attitude merely disguised either an appalling level of ignorance or an inability to read the signs of the times - perhaps it was a bit of both. The Fascist regime in Italy was presented as respectable, even by Winston Churchill, and in August 1927 The London Times stated that "the Corporative State offers greater opportunities than the Liberal State." It was so easy to simplify: Hitler and Mussolini were anti- Communist, therefore Fascism must pose less of a threat to the British ruling class than Marxist Socialism or even democratic Socialism. The convenient attitude of the Prime Minister, Neville Chamberlain, and the Foreign Minis- ter, Samuel Hoare, as well as some members of the Royal Family, was to side with Hitler. George Orwell analysed this aspect of British life in caustic, con- demnatory tones: Tossed to and fro between their incomes and their principles, it was impossible that men like Chamberlain should do anything but make the worst of both worlds [...]. -
Arthur Koestler 24 .,• Undetermined Socia-Economic Class 27 ., Uncertain Homeland 33 Lack of Social Relationships 37 • Comfort in Intellectual Circles 40
!It • •, • • " " " •It It The Mistakes of the Infallible: It The Internal Conflict of Eastern European Communist Intellectuals • Senior Honors Thesis • Department of Sociology .> Advisor: Professor Veljko Vujacic .\ • By Monica Lee ,•~ t t t t ~ t ~. ~. ~ • •D • • • • ...,fIlM Table of Contents fir Chapter 1: Introduction 1 .. fIlM Chapter 2: Arthur Koestler 24 .,• Undetermined Socia-Economic Class 27 ., Uncertain Homeland 33 Lack of Social Relationships 37 • Comfort in Intellectual Circles 40 .. The Spiritual and Social Need for Communism 42 The "Closed System" of Communist Logic 44 "• Koestler's Justification of the Party 48 • The "Closed System" Expressed in Darkness at Noon 52 Rubashov's Use of the Logical System 57 ".- Rubashov's Dialogues with Ivanov 59 .-.. The Power of Reason in the Mind of the Intellectual 64 .- I' Chapter 3: Czeslaw Milosz 68 Confused Class Membership 70 .. Unceitain Homeland and Culture 72 .. The Instability of his Home Town 78 ..e- Lack of Social Relationships 80 .. Comfort in Intellectual Groups 83 .. The Captive Mind 87 .. The Pill of Murti-Bing 89 ... Ketman 91 .. Alpha, the Moralist 97 .. Beta, the Disappointed Lover 101 ... Gamma, the Slave of History 104 $Ii Delta, the Troubadour 108 .. Devotion to Party Logic and Practice of Ketman Among Polish .. Intellectuals 111 .. Chapter 4: Conclusion 121 .. ~ Works Cited 128 .. 2 .. ~. ~ ~ ~ / ~ ~ Chapter 1: Introduction ~ • In this thesis, I will explore the reasons why intellectuals, who are thought to be critical •~ of all governmental regimes, historically espoused revolutionary politics and communism. I will •~ also elucidate how the "closed system" oflogic in communist theory compels "free-floating" ~ D intellectuals to adhere to a dogmatic belief in the historical mission of the proletariat and justifY ~ revolutionary violence and the violent means used by the Communist Party to transform society. -
The-God-That-Failed.Pdf
THE GOD THAT FAILED THE GOD THAT FAILED by ARTHUR KOESTLER IGNAZIO SILONE RICHARD WRIGHT ANDRE GIDE LOUIS FISCHER STEPHEN SPENDER RICHARD CROSSMAN, Editor HARPER COLOPHON BOOKS HARPER & ROW, PUBLISHERS NEW YORK This book is sold subject to the condition that it shall not, by way of trade, be lent, re-sold, hired out, or otherwise disposed of without the publisher's consent, in any form of binding or cover other than that in which it is published. THE COD THAT FAILED. Copyright 1949 by Richard Crossman. Copyright 1944 by Richard Wright. Copyright 1949 by Louis Fischer. Copyright 1949 by Ignazio Silone. Printed in the United States of America. All rights reserved. No part of this book may be used or reproduced in any manner whatsoever without written permission except in the case of brief quotations embodied in critical articles and reviews. For information address Harper & Row, Pub lishers,Incorporated,49 East 33rd Street, New York 16, N. Y. ..,. First HARPER COLOPHON Edition published 1963 by Harper & Row, Pub lishers, Incorporated, New York. CONTENTS RICHARD Introduction - CROSSMAN, M.P. 1 Part I The Initiates: ARTHUR KOESTLER 15 IGNAZIO SILONE 76 RICHARD WRIGHT 115 Part II Worshipers from Afar: ANDR E GIDE 165 presented by Dr. Enid Starkie LOUIS FISCHER 196 STEPHEN SPENDER 229 v THE GOD THAT FAILED INTRODUCTION Richard Crossman, M.P. BIOGRAPHICAL NOTE: Richard Crossman was born on Decem ber 15, 1907. The son of a barrister, later Mr. Justice Crossman, he was educated at Winchester College and New College, Oxford, where he took first-class honors in classics and philos ophy. -
George Orwell and Arthur Koestler Looking Back on the Spanish Civil War
George Orwell and Arthur Koestler Looking Back on the Spanish Civil War Babić, Marko Master's thesis / Diplomski rad 2021 Degree Grantor / Ustanova koja je dodijelila akademski / stručni stupanj: University of Zagreb, University of Zagreb, Faculty of Humanities and Social Sciences / Sveučilište u Zagrebu, Filozofski fakultet Permanent link / Trajna poveznica: https://urn.nsk.hr/urn:nbn:hr:131:318539 Rights / Prava: In copyright Download date / Datum preuzimanja: 2021-09-24 Repository / Repozitorij: ODRAZ - open repository of the University of Zagreb Faculty of Humanities and Social Sciences Odsjek za anglistiku Filozofski fakultet Sveučilište u Zagrebu DIPLOMSKI RAD George Orwell and Arthur Koestler Looking Back on the Spanish Civil War Književno-kulturološki smjer Kandidat: Marko Babić Mentorica: dr. sc. Tihana Klepač, doc. Ak. godina: 2020/21. Contents Introduction ................................................................................................................................ 1 On Revolution ............................................................................................................................ 3 Working-Class Consciousness ................................................................................................... 7 Distrust and Persecution ........................................................................................................... 10 Truth and Propaganda .............................................................................................................. 16 Scientism