Using "Chaos" in Articulating the Relationship of God and Creation in God's Creative Activity
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Religion, Family, and Society in Andrey Zvyagintsev's Leviathan (2014)
Journal of Religion & Film Volume 24 Issue 2 October 2020 Article 1 October 2020 Corruption as Shared Culpability: Religion, Family, and Society in Andrey Zvyagintsev's Leviathan (2014) Maria Hristova Lewis and Clark College, [email protected] Follow this and additional works at: https://digitalcommons.unomaha.edu/jrf Part of the Christianity Commons, European Languages and Societies Commons, and the Other Film and Media Studies Commons Recommended Citation Hristova, Maria (2020) "Corruption as Shared Culpability: Religion, Family, and Society in Andrey Zvyagintsev's Leviathan (2014)," Journal of Religion & Film: Vol. 24 : Iss. 2 , Article 1. DOI: 10.32873/uno.dc.jrf.24.2.001 Available at: https://digitalcommons.unomaha.edu/jrf/vol24/iss2/1 This Article is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. Corruption as Shared Culpability: Religion, Family, and Society in Andrey Zvyagintsev's Leviathan (2014) Abstract This article engages in close analysis of how Andrey Zvyagintsev depicts corruption and its various manifestations: moral, familial, societal, and institutional, in Leviathan (Leviafan, 2014). While other post- Soviet films address the problem of prevalent corruption in Russia, Zvyagintsev’s work is the first ot provoke strong public reactions, not only from government and Russian Orthodox Church officials, but also from Orthodox and political activist groups. The film demonstrates that the instances of legal and moral failings in one aspect of existence are a sign of a much deeper and wider-ranging problem that affects all other spheres of human experience. -
The Words of Job Are Spoken in the Midst of Chaos. Job Has Just Lost His Home, His Farm
9 September 2018 Job 1:1; 2:1–10; 10:1-9; 38:1-7; 42:1-6 When the world is in chaos First Mennonite Church The words of Job are spoken in the midst of chaos. Job has just lost his home, his farm. All Job's children are dead. Now he has lost his health, his body disfigured with open sores. My days are without hope, he says (7:6). He wishes he were dead. Let the day perish wherein I was born (3:3). Job asks God, why? Why is light given to one in misery? (Job 3:20) I sat down this week and read through the book of Job to get a feel for it. I’ll be honest with you—it’s not an easy book to read, let alone preach on. Anytime anyone attempts to speak about God the Creator and human suffering, there's a good chance that we're going to sound like Job's friends—Eliphaz, Bildad, Zophar, and Elihu. They come, at first as friends to console and comfort Job as he goes through the valley of the shadows. But, in the face of Job's sores, his dead children, how do his "friends" comfort and console him? Here's a sampling: Eliphaz: Now Job, think who that was innocent ever perished (4:7). Are you perishing? Now, let's figure out what you’ve done wrong to deserve this. Bildad: Job, are you suggesting that God is unjust? If you were pure and upright, God would answer you with prosperity (8:3-6). -
Cleansing the Cosmos
CLEANSING THE COSMOS: A BIBLICAL MODEL FOR CONCEPTUALIZING AND COUNTERACTING EVIL By E. Janet Warren A thesis submitted to The University of Birmingham for the degree of Doctor of Philosophy Department of Theology and Religion College of Arts and Law The University of Birmingham November 14, 2011 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSRACT Understanding evil spiritual forces is essential for Christian theology. Evil has typically been studied either from a philosophical perspective or through the lens of ‘spiritual warfare’. The first seldom considers demonology; the second is flawed by poor methodology. Furthermore, warfare language is problematic, being very dualistic, associated with violence and poorly applicable to ministry. This study addresses these issues by developing a new model for conceptualizing and counteracting evil using ‘non-warfare’ biblical metaphors, and relying on contemporary metaphor theory, which claims that metaphors are cognitive and can depict reality. In developing this model, I examine four biblical themes with respect to alternate metaphors for evil: Creation, Cult, Christ and Church. Insights from anthropology (binary oppositions), theology (dualism, nothingness) and science (chaos-complexity theory) contribute to the construction of the model, and the concepts of profane space, sacred space and sacred actions (divine initiative and human responsibility) guide the investigation. -
Three Versions of Versions of Versions of the Book of Genesis The
Three Versions of the Book of Genesis Below are three versions of the same portion of chapter 1 of Genesis. King James Version: The Creation 1 In the beginning God created the heaven and the earth. 2 And the earth was without form, and void; and darkness was upon the face of the deep. And the Spirit of God moved upon the face of the waters. 3 And God said, Let there be light: and there was light. 4 And God saw the light, that it was good: and God divided the light from the darkness. 5 And God called the light Day, and the darkness he called Night. And the evening and the morning were the first day. 6 And God said, Let there be a firmament in the midst of the waters, and let it divide the waters from the waters. 7 And God made the firmament, and divided the waters which were under the firmament from the waters which were above the firmament: and it was so. 8 And God called the firmament Heaven. And the evening and the morning were the second day. 9 And God said, Let the waters under the heaven be gathered together unto one place, and let the dry land appear: and it was so. 10 And God called the dry land Earth; and the gathering together of the waters called he Seas: and God saw that it was good. http://www.bartleby.com/108/01/1.html#1 Contemporary English VersionVersion:::: 1 In the beginning God created the heavens and the earth. -
Ancient Science 3 ASTRO
THE BIBLE & ANCIENT SCIENCE 3. ANCIENT ASTRONOMY Denis O. Lamoureux DDS PhD PhD St. Joseph’s College, University of Alberta Scientific Concordism Features of the Heavens from an ASSUMPTION: Ancient Phenomenological Perspective • the facts of science align with the Bible. 1. Sun Moves across the Sky Daily • that God revealed scientific facts in the Bible 1000s of years before their discovery by modern science. The sun rises at one end of the heavens and makes its circuit to the other [end]. Ps 19:6 The 3-Tier Universe The sun rises and the sun sets, and hurries back to . where it rises. Eccl 1:5 2. The Firmament (Heavenly Dome) 2ND DAY OF CREATION: God said, “Let there be a firmament between the waters to separate the water from the water.” So God made a firmament and separated the water under the firmament from the water above the firmament. And it was so. God called the firmament ‘heavens.’ There was evening, & there was morning––The Second Day. Gen 1:6-8 GREEK στερεωμα stereōma firmament, dome of heaven στερεος stereos hard, firm HEBREW rāqîa‘ firmament, dome of heaven Phenomenological Perspectives of Nature rāqa‘ to flatten, stamp down Context of pounding metals: They hammered out [rāqa‘] thin sheets of gold. Ex 39:3 Context of creating the heavens: Can you join God in spreading out [rāqa‘] the skies, hard as a mirror of cast bronze? Job 37:18 Egyptian 3-Tier Universe (1570-1085 BC) Message-Incident Principle Principle of Accommodation The concept that God descended to the level of ancient Firmament is shaded. -
ESV - 1 - Trek 1: His Story Parent Guide Lesson 1.2: out of Nothing: Creation Week Scripture: Genesis 1:1-31
Trek 1: His Story Parent Guide Lesson 1.1: Before the Beginning Began Scripture: John 1:1-13 SUMMARY All physical things in the universe — even man-made objects — have a cause. God is the one and only creator of all things and without Him, nothing would exist. Jesus was called “the Word,” and was with God in the beginning when He created all things. Yet even though Jesus is the creator, when He came down to earth to live among us, people did not recognize Him. Just as Jesus is the source of all created matter, so He is also the source of all light. In fact, He is the light which shines in the darkness of the world. John the Baptist came before Jesus and served as a witness to Jesus. All Christians are invited to do likewise, and be a witness for Jesus — the creator of the universe. In the beginning was the Word, and the Word was with God, and the Word was God. He was in the beginning with God. All things were made through Him, and without Him was not any thing made that was made. KEY VERSEs: (John 1:1-3) KEY THOUGHT: KEY WORD: In Lesson 1.1 we learned that the Word, Jesus, God, Genesis: beginnings, creation or generations is the unmade Maker. Discussion Questions • What is the one key thought that you learned tonight? • What is the difference between man-made things, and things which God Himself created? • Why do you think that in the Bible Jesus is also called “the Word”? (Hint: Remember how God created the universe.) • Why do you think the world did not recognize Jesus when He came down to earth? • How can someone become a child of God? • What did John the Baptist do? • How should Christians be similar to John the Baptist? • How does believing in Jesus as the sole creator of the universe change our lives and how we live? • What should you do with the lesson you learned tonight? What should we do? ESV - 1 - Trek 1: His Story Parent Guide Lesson 1.2: Out of Nothing: Creation Week Scripture: Genesis 1:1-31 SUMMARY All physical things in the universe — even man-made objects — have a cause. -
The Earth and the Waters in Genesis 1 and 2: a Linguistic Investigation, by David Toshio Tsumura
136 Journal of Biblical Literature The principal shortcoming of this book is that it does not adequately take into account the results of the current Israeli excavations at Shiloh. Schley dismisses "the claimed (emphasis mine) archaeological evidence for a massive destruction of the site during Iron I" without reviewing the evidence, and he takes refuge in the position that "Iron I extends from the end of the thirteenth century BCE to the middle of the tenth, and an Iron I destruction layer theoretically could occur at any time during this period" (p. 196). Unfortunately, the work is marred by numerous typographical errors and several inconsistencies in transliterations. Still, it is a valuable study which merits the careful attention of scholars. Carl D. Evans University of South Carolina, Columbia, SC 29208 The Earth and the Waters in Genesis 1 and 2: A Linguistic Investigation, by David Toshio Tsumura. JSOTSup 83. Sheffield: JSOT Press, 1989. Pp. 201. ?22.50 ($33.50). The first two chapters of Genesis raise innumerable problems for the student of biblical literature. Not the least of these are the basic meaning and etymology of five key words (tohu, bohu, teh6m, 'ed, 'eden), the relationship between these Hebrew concepts and proposed Near Eastern parallels, and the overall issue of earth and waters in the stories of creation. These questions form the basis of David Tsumura'smonograph. As the book's sub- heading suggests, the author is interested mainly in presenting the linguistic evidence relating to these issues. Only after a thorough investigation along these lines, he believes, can biblical scholars then proceed to the larger issues of theology and mythico-religious thought. -
Andrews University SEMINARY S1UDIES
Andrews University SEMINARY S1UDIES Volume 37 cSpring. 1999 Number 1 Andrews University Press ANDREWS UNIVERSITY SEMINARY STUDIES The Journal of the Seventh-day Adventist Theological Seminary of Andrews University, Berrien Springs, Michigan 49104, U.S.A. Editor: NANCY J. VYHMEISTER Associate Editor: JERRY MOON Book Review Editor: JERRY MOON Consulting Editors: ROBERT M. JOHNSTON, JON PAULIEN, RANDALL W. YOLTNKER Copy Editor: LEONA G. RUNNING Book Review Assistant: JOSE E. GUZMAN Circulation Manager: Jost E. GUZMAN Office Manager: KAREN K. ABRAHAMSON Editorial Assistant: KAREN K. ABRAHAMSON Editorial and Circulation Offices: Andrews University Seminary Studies, Seminary Hall, Andrews University Berrien Springs, MI 49104-1500, U.S.A. Phone: (616) 471-6023 Fax: (616) 471-6202 Electronic Mail: [email protected] Web: http://www.andrews.edu/—auss A refereed journal, ANDREWS UNIVERSITY SEMINARY STUDIES provides a scholarly venue, within the context of biblical faith, for the presentation of research in the area of religious and biblical studies. AUSS publishes research articles and brief notes on the following topics: biblical archaeology and history of antiquity; Hebrew Bible; New Testament; church history of all periods; historical, biblical, and systematic theology; ethics; history of religions; and missions. Selected research articles on ministry and Christian education may also be included. The opinions expressed in articles, brief notes, book reviews, etc., are those of the authors and do not necessarily represent the views of the editors nor those of the Seventh-day Adventist Theological Seminary. Subscription Information: ANDREWS UNIVERSITY SEMINARY STUDIES is published in the Spring and the Autumn. The subscription rates for 1999 are as follows: U.S.A. -
Melville's Bibles
© 2008 UC Regents Buy this book University of California Press, one of the most distinguished university presses in the United States, enriches lives around the world by advancing scholarship in the humanities, social sciences, and natural sciences. Its activities are supported by the UC Press Foundation and by philanthropic contributions from individuals and institutions. For more information, visit www.ucpress.edu. University of California Press Berkeley and Los Angeles, California University of California Press, Ltd. London, England © 2008 by The Regents of the University of California Library of Congress Cataloging-in-Publication Data Pardes, Ilana. Melville’s Bibles / Ilana Pardes. p. cm. Includes bibliographical references and index. isbn 978-0-520-25454-1 (cloth : alk. paper) isbn 978-0-520-25455-8 (pbk. : alk. paper) 1. Melville, Herman, 1819–1891. Moby Dick. 2. Melville, Herman, 1819–1891—Religion. 3. Bible—Commentaries. 4. Bible—Hermeneutics. 5. Bible and literature. 6. Religion and culture. 7. Religion and literature—United States—History— 19th century. 8. American fi ction—19th century— History and criticism. I. Title. ps2388.b5p37 2008 813’.3—dc22 2007014870 Manufactured in the United States of America 17 16 15 14 13 12 11 10 09 08 10 9 8 7 6 5 4 3 2 1 This book is printed on New Leaf EcoBook 50, a 100% recycled fi ber of which 50% is de-inked post- consumer waste, processed chlorine-free. EcoBook 50 is acid-free and meets the minimum requirements of ansi/astm d5634–01 (Permanence of Paper). chapter 1 Playing with Leviathan Job and the Aesthetic Turn in Biblical Exegesis But if, in the face of all this, you still declare that whaling has no aesthetically noble associations connected with it, then am I ready to shiver fi fty lances with you there, and un- horse you with a split helmet every time. -
The Symbolic Structure of Andrew Lytle's the Velvet Horn
The Kentucky Review Volume 5 | Number 1 Article 3 Fall 1983 The yS mbolic Structure of Andrew Lytle's The Velvet Horn Anne Foata Université des Sciences Humaines, France Follow this and additional works at: https://uknowledge.uky.edu/kentucky-review Part of the English Language and Literature Commons Click here to let us know how access to this document benefits oy u. Recommended Citation Foata, Anne (1983) "The yS mbolic Structure of Andrew Lytle's The Velvet Horn," The Kentucky Review: Vol. 5 : No. 1 , Article 3. Available at: https://uknowledge.uky.edu/kentucky-review/vol5/iss1/3 This Article is brought to you for free and open access by the University of Kentucky Libraries at UKnowledge. It has been accepted for inclusion in The Kentucky Review by an authorized editor of UKnowledge. For more information, please contact [email protected]. The Symbolic Structure of Andrew Lytle's The Velvet Horn Anne Foata Implied in the very title of The Velvet Horn and emphasized throughout the narrative by the mythic allusions of its central intelligence, a network of symbolic representations, all bearing upon the central image of edenic wholeness, is intricately interwoven in the narrative structure of Andrew Lytle's noveJ.l Their purpose is to confer the authenticity and immutability of an archetypal experience on the limited events of both the main and the secondary (or "enveloping") actions of the novel (the story of Lucius Cree's initiation into manhood and of his mother and uncle's fall from innocence some twenty years earlier), to draw them out of the human time and endow them with eternal significance. -
THE FIRMAMENT and the WATER ABOVE Part I: the Meaning of Raqiac in Gen 1:6-8
The Westminster Theological Journal 53 (1991) 227-40 Copyright © 1991 by Westminster Theological Seminary, cited with permission. WTJ 53 (1991) 227-240 THE FIRMAMENT AND THE WATER ABOVE Part I: The Meaning of raqiac in Gen 1:6-8 PAUL H. SEELY STANDARD Hebrew lexica and a number of modern biblical scholars c have defined the raqia (fyqr, "firmament") of Gen 1:6-8 as a solid dome over the earth.1 Conservative scholars from Calvin on down to the present, however, have defined it as an atmospheric expanse.2 Some conservatives have taken special pains to reject the concept of a solid dome on the basis that the Bible also refers to the heavens as a tent or curtain and that refer- ences to windows and pillars of heaven are obviously poetic.3 The word raqiac, they say, simply means "expanse." They say the understanding of raqiac as a solid firmament rests on the Vulgate's translation, firmamentum; and that translation rests in turn on the LXX's translation stere<wma, which simply reflected the Greek view of the heavens at the time the trans- lators did their work.4 The raqiac defined as an atmospheric expanse is the historical view according to modern conservatives; and the modern view of the raqiac as a solid dome is simply the result of forcing biblical poetic language into agreement with a concept found in the Babylonian epic Enuma Elish.5 The historical evidence, however, which we will set forth in concrete detail, shows that the raqiac was originally conceived of as being solid and not a merely atmospheric expanse. -
Babylonian Influence on the Bible
BABYLONIAN INFLUENCE ON THE BIBLE AND POPULAR BELIEFS THE CONFLICT OF MERODACH, THE GOD OF LIGHT, WITH TI.AMAT, THE DRAGON OF CHAOS (see pp. 17, 35). {From tile Or/g·inal in tlie Britislt .lllfuseum} Stubies on :fl3iblical $ubject~. No. I. BABYLONIAN INFLUENCE ON THE BIBLE AND POPULAR BELIEFS: "TEHUM AND TIAMAT," "HADES AND SATAN." A COMPARATIVE STUDY OF GENESIS I. 2. BY A. SMYTHE PALMER, D.D., AUTHOR OF HA MISUNDERSTOOD MIRACLE/' "FOLK-ETYMOLOGY, "THE WORD•HUNTER~S NOTE-HOOK/' ETC. VICAR OF HOLY TRINITY, HEHMON HILL, WANSTEAD. LONDON: DAVID NUTT, 270-271, S'l'RAND. 1897. Printed by BALLANTYNE, HANSON &, Co. At the Ballantyne Press 5. 'IR. 3-n token or sincere respect an~ gratltu~e CONTENTS PAGE THE BABYLONIAN CRADLE-LAND TEHOM AND TIA.MAT 4 THE CREATION 8 THE PRIMEYAL CITAOS 10 CON~'LICT Bl<!TWEEN 'l'IAMAT AND MERODACH 14 THE SERPENT 23 DRAGONS OF THE BIBLE 37 THE SEA A REBELLIOUS POWER 41 THE WATERY HAD1'JS-TARTAROS • 48 THE DEEP AS HELL 55 PUNISHMENT OF THE REBEL HOST 62 THE ABYSS 66 Dl<JSERTS AS THE HAUNTS OF DEVILS 72 THE EUPHRATES AS A SPIRLT RIVER 76 CONCLUSION 80 APPENDIX A. PHENOMENAL DRAGONS 87 B. MERODACH .AND THE THU~DERBOL'l' 98 C. THE SOLAR CONFLICT , I06 D. THE SERPENT ORACULAR I06 E. NEPTUNE SATANIC I09 F. '' TEHOM" ro9 G. THE SPIRIT-DEEP • 109 H. OUR DEBT TO BA.BYLON IJQ TEXTS ILLUSTRATED PAGE PAGE Gen. i. 2 4 8. 24, 66 Jer. v. 22. 43 i. 21 . 33, 41 I. 34 35 Lev.