Read Book Theda Bara : a Biography of the Silent Screen Vamp, with A

Total Page:16

File Type:pdf, Size:1020Kb

Read Book Theda Bara : a Biography of the Silent Screen Vamp, with A THEDA BARA : A BIOGRAPHY OF THE SILENT SCREEN VAMP, WITH A FILMOGRAPHY PDF, EPUB, EBOOK Ronald Genini | 168 pages | 30 Jan 2012 | McFarland & Co Inc | 9780786469185 | English | Jefferson, NC, United States Theda Bara : A Biography of the Silent Screen Vamp, with a Filmography PDF Book Non-necessary Non-necessary. Thus not only is Bara a significant figure herself; she also provokes examination of areas such as the representation of women, the regulation of sexuality, Orientalism, the star system, and publicity practices in early Hollywood. Learn how your comment data is processed. Greatest silent movie actress? Available from Movies Unlimited , and various public domain video companies. In her first starring film, A Fool There Was , she is not so much languorously seductive and calculating and deliciously bitchy. Fortunately, all of these films are available on video in addition to Roach's Forty-five Minutes from Hollywood , which has a brief clip of her in her Madame Mystery costume. Brian Donlevy was an underrated film actor with surprising range and a little-heralded gift In she married Charles Brabin, a film director, and they moved to Beverly Hills. She is mature and witty in The Unchastened Woman , made after her starring years, and she kids her own image in the Hal Roach short Madame Mystery Sign in to Purchase Instantly. Theda Bara. Theda Bara was really Theodosia Goodman, a nice Jewish girl from Cincinnati who had attended university for two years. Bara had one of the most bizarre and colorful careers of the silent era, starring in Cleopatra, Salome, and scores of other hit films before vanishing mysteriously from the screen. Audiences could not get enough of her. This category only includes cookies that ensures basic functionalities and security features of the website. This site uses Akismet to reduce spam. These cookies will be stored in your browser only with your consent. The rumors began again when reporters caught the two kissing in New York upon her return. Most reports about Base Ball New Research on the Early. First American Movie Stars. In , approximately half a million people watched her slink across the screen every day 63 ; the following year, one million people per day watched her The Thread of Destiny. Sign Up For Updates. Perhaps it will inspire another researcher to build on the work done by Genini, and answer the provocative questions he has raised. You also have the option to opt-out of these cookies. While she played this role happily at home, she continued staging a series of comebacks that would take her new part to the screen. Silent film star, known as "The Vamp" for her uninhibited sexy roles. Ronald Genini. Enabling JavaScript in your browser will allow you to experience all the features of our site. Read More Testimonials. Vamped to Death 79 Actress Writer. Bloody Blog. Archive All posts by date. Perhaps Genini is held a little in thrall to his subject. The Unchastened Woman. Jewelry News Categories. Barnes and Co. Her love of film and stage receded not. Theda Bara : A Biography of the Silent Screen Vamp, with a Filmography Writer Silent film star known as "The Vamp. When he attempts to relate his findings to a theoretical base, his efforts are clumsy. Read More Testimonials. After marrying director Charles Brabin in , she stayed married, apparently enjoying domesticity. We're hoping to rely on loyal readers, rather than erratic ads. Brian Donlevy was an underrated film actor with surprising range and a little-heralded gift for comedy. Unsubscribe at any time. Russia Not Today. She was one of the most popular performers alive. Javascript is not enabled in your browser. George Eastman House has a print of the old melodrama East Lynne , which isn't a vamp part half of her role's weren't. You also have the option to opt-out of these cookies. This site uses Akismet to reduce spam. Learn how to enable JavaScript on your browser. Author Spotlight. Bara is a scantily clad vamp; an innocent cradling fluffy chickens in her hands; and a fashionably dressed modern woman. In she married Charles Brabin, a film director, and they moved to Beverly Hills. Even her name, it turns out, was derived from family names. Presenting information culled mainly from clipping files, his work is more that of the passionate dilettante than the informed scholar. Do you have a demo reel? I'm going to be so bad, I'll always be remembered. Jewelry News Categories. Theda Bara appeared in over forty films between and , but most of them were destroyed in the devastating Fox vault fire at a film warehouse in Little Ferry, New Jersey. Barnes and Co. Theda Bara : A Biography of the Silent Screen Vamp, with a Filmography Reviews Greatest silent movie actress? Her career was short but brilliant, but only four of her films survive today, making it difficult for a modern audience to really know what she was all about. Author Spotlight. Up this week. January Birthstone. Even her name, it turns out, was derived from family names. Though she received countless letters from fans and admirers, many criticised her publicly for her despicable behavior — even though it was entirely fictitious. Though her films were often trite, poorly acted, extravagant and crude, the public packed movie houses. The problem is simply that the material raises tantalising questions that are not dealt with. Free Overnight Shipping. In real life, Theodosia Goodman bore little resemblance to the vampish Theda Bara character. Non-necessary Non-necessary. The Thread of Destiny. Fortunately, all of these films are available on video in addition to Roach's Forty-five Minutes from Hollywood , which has a brief clip of her in her Madame Mystery costume. But EraGem put me at ease with their prompt communication and answered all my questions. These cookies will be stored in your browser only with your consent. Theda Bara, the best known of a large number of screen vamps, was born in the Sahara Desert. Bara had one of the most bizarre and colorful careers of the silent era, starring in Cleopatra, Salome, and scores of other hit films before vanishing mysteriously from the screen. Architect of Death at Auschwitz: A Biography of. Add it to your IMDbPage. But the studio-created persona, with the invented name, evil personality and fictional history, was a major star. South Brunswick and New York: A. Her success was mostly due to Fox Studio's publicity: they made her a screen vamp and used her to titillate the public. Table of Contents Table of Contents Preface vii 1. Wedding Bells and Career Death Knells 87 Theda Bara : A Biography of the Silent Screen Vamp, with a Filmography Read Online Theda Bara. In she married Charles Brabin, a film director, and they moved to Beverly Hills. Her success was mostly due to Fox Studio's publicity: they made her a screen vamp and used her to titillate the public. She met him on set, where he directed her in several versions of The Vamp on screen for Fox. Close Privacy Overview This website uses cookies to improve your experience while you navigate through the website. McFarland Amazon. Welcome back. Through contemporary newspaper accounts, film reviews, interviews and other sources, this is a comprehensive account of the life and times of one of Hollywoods first female stars. Jade marked it as to-read Jul 25, This book was alright. Anne rated it liked it Oct 29, As a teenager Theda was interested in the theatrical arts and once she finished high school, she dyed her blond hair black and went in pursuit of her dream. Sadly, Cleopatra her most famous film, survived until the s, when it perished in a fire at The Museum of Modern Art in New York before it could be copied, and only a few feet survive. Get A Copy. In real life, Theodosia Goodman bore little resemblance to the vampish Theda Bara character. How Much Have You Seen? Theodosia Goodman's breakthrough was in silent films, when in she got the part of the vampire in William Fox's film version of the Broadway hit "A Fool There Was" released in January, The rumors began again when reporters caught the two kissing in New York upon her return. On one hand, her own attitude to the stories was so detached that she treated them with hilarity. First American Movie Stars. https://files8.webydo.com/9583807/UploadedFiles/F12129D5-2A27-6F98-B4E2-52E54F5E0F99.pdf https://files8.webydo.com/9583754/UploadedFiles/D8D5B54D-1658-86AD-142A-630C489CF9E8.pdf https://files8.webydo.com/9583276/UploadedFiles/A5AA2AB5-9EA2-E911-9932-D739F9E2844F.pdf https://files8.webydo.com/9583577/UploadedFiles/7E3D4D2B-AB23-9CEF-720A-E1607BE8425B.pdf.
Recommended publications
  • New Jersey in Focus: the World War I Era 1910-1920
    New Jersey in Focus: The World War I Era 1910-1920 Exhibit at the Monmouth County Library Headquarters 125 Symmes Drive Manalapan, New Jersey October 2015 Organized by The Monmouth County Archives Division of the Monmouth County Clerk Christine Giordano Hanlon Gary D. Saretzky, Curator Eugene Osovitz, Preparer Produced by the Monmouth County Archives 125 Symmes Drive Manalapan, NJ 07726 New Jersey in Focus: The World War I Era, 1910-1920 About one hundred years ago, during the 1910-1920 decade in America, the economy boomed and the Gross National Product more than doubled. Ten million Americans bought automobiles, most for the first time. Ford’s Model T, produced with then revolutionary assembly line methods, transformed family life for owners. Such personal “machines” led to paved roads and the first traffic light, reduced the need for blacksmiths and horses, increased the demand for auto mechanics and gas stations, and, when not caught up in traffic jams, sped up daily life. Some owners braved dirt roads to drive to the Jersey Shore, where thousands thronged to see the annual Baby Parade in Asbury Park. While roads at the start of the decade were barely adequate for travel in the emerging auto boom, New Jersey became a leader in the advocacy and construction of improved thoroughfares. Better road and rail transportation facilitated both industrial and agricultural production, bringing such new products as commercially grown blueberries from Whitesbog, New Jersey, to urban dwellers. In the air, history was made in 1912, when the first flight to deliver mail between two government post offices landed in South Amboy.
    [Show full text]
  • Marilyn Monroe's Star Canon: Postwar American Culture and the Semiotics
    University of Kentucky UKnowledge Theses and Dissertations--English English 2016 MARILYN MONROE’S STAR CANON: POSTWAR AMERICAN CULTURE AND THE SEMIOTICS OF STARDOM Amanda Konkle University of Kentucky, [email protected] Digital Object Identifier: http://dx.doi.org/10.13023/ETD.2016.038 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Konkle, Amanda, "MARILYN MONROE’S STAR CANON: POSTWAR AMERICAN CULTURE AND THE SEMIOTICS OF STARDOM" (2016). Theses and Dissertations--English. 28. https://uknowledge.uky.edu/english_etds/28 This Doctoral Dissertation is brought to you for free and open access by the English at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--English by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known.
    [Show full text]
  • R,Fay 16 2013 Los Angeles City Council Room 395, City Hall 200 North Spring Street, Room 410 Los Angeles, California 90012
    DEPARTMENT OF CITY PLANNING EXECUTIVE OFFICES OFFICE OF HISTORIC RESOURCES MICHAEL LOGRANDE 200 N. SPRING STREET. ROOM 620 CITY OF Los ANGELES los ANGELES,CA 90012·4801 DIRECTOR (213) 978 ·1200 CALIFORNIA (213) 978·1271 ALAN BELl, Arc? CULTURAL HERITAGE COMMISSION O,PUlY D1R'CTOR· (213) 978-1272 RICHARD BARRON PR,S!O~NT USA WEBBER, Ale!> ROELLA H. LOUIE DEPUTY DIRECTOR VlCE-PR,SIOENT (213) 978-1274 TARA}. HAMACHER GAlL KENNARD EVA YUAN-MCDANrEl OZSCOTT DEPUlY DIRECTOR ANTONIO R. VILLARAIGOSA (213) 978-1273 FElY C PINGOl MAYOR FAX: (213) 978-1275 COMMISSION iOXECUTIVE ASSISTANT (213) 978-1294 INFORMATION (213) 978·1270 wwwplanning.ladty.org Date: r,fAY 16 2013 Los Angeles City Council Room 395, City Hall 200 North Spring Street, Room 410 Los Angeles, California 90012 Attention: Sharon Gin, Legislative Assistant Planning and Land Use Management Committee CASE NUMBER: CHCw2013w510wHCM GIBBONSwDEL RIO RESIDENCE 757 KINGMAN AVENUE At the Cultural Heritage Commission meeting of May 9, 2013, the Commission moved to include the above property in the list of Historic-Cultural Monument, subject to adoption by the City Council. As required under the provisions of Section 22.171.10 of the Los Angeles Administrative Code, the Commission has solicited opinions and information from the office of the Council District in which the site is located and from any Department or Bureau. of the city whose operations may be affected by the designation of such site as a Historic-Cultural Monument. Such designation in and of itself has no fiscal impact Future applications for permits may cause minimal administrative costs.
    [Show full text]
  • An American Tour: 123
    An American Tour: 123 Hollywood’s Mocombo The Mocambo was a nightclub in West Hollywood, California, at 8588 Sunset Boulevard on the Sun- set Strip The Mocambo opened on January 3, 1941, and became an immediate success. The club's Latin Ameri- can-themed decor designed by Tony Duquette cost $100,000 (equivalent to $1,663,801 in 2017). Along the walls were glass cages holding live cockatoos, macaws, seagulls, pigeons, and parrots. With big band music, the club became one of the most popular dance-till-dawn spots in town. On any given night, one might find the room filled with the leading men and women of the motion picture industry. In 1943, when Frank Sinatra became a solo act, he made his Los Angeles debut at the Mocambo. On March 15, 1955 Ella Fitzgerald opened at the Mocambo, after Marilyn Monroe lobbied the owner for the booking. The booking was instrumental in Fitzgerald's career. The incident was turned into a play by Bon- nie Greer in 2005. It has been widely reported that Fitzgerald was the first Black performer to play the Mocambo, following Monroe's intervention, but this is not true. African-American singers Herb Jeffries, Eartha Kitt, and Joyce Bryant all played the Mocambo in 1953, according to stories published at the time in Jet magazine. Among the many celebrities who frequented the Mocambo were Clark Gable and Carole Lombard, Humphrey Bogart and Lauren Bacall, Errol Flynn, Charlie Chaplin, Elizabeth Taylor, Judy Garland, Henry Fonda, Lana Turner, Ava Gard- ner, Bob Hope, James Cagney, Sophia Loren, Janet Leigh and Tony Curtis, Nata- lie Wood and Robert Wagner, Grace Kelly, Debbie Reynolds and Eddie Fisher, Howard Hughes, Kay Francis, Marlene Dietrich, Theda Bara, Tyrone Power, Jayne Mansfield, John Wayne, Ben Blue, Ann Sothern, and Louis B.
    [Show full text]
  • Screening Love and Sex in the Ancient World
    Copyrighted Material - 9781137299598 Screening Love and Sex in the Ancient World Edited by Monica S. Cyrino Copyrighted Material - 9781137299598 pal-cyrino-book.indb iii 1/10/13 10:19 AM Copyrighted Material - 9781137299598 SCREENING LOVE AND SEX IN THE ANCIENT WORLD Copyright © Monica Cyrino, 2013. All rights reserved. First published in 2013 by PALGRAVE MACMILLAN® in the United States— a division of St. Martin’s Press LLC, 175 Fifth Avenue, New York, NY 10010. Where this book is distributed in the UK, Europe and the rest of the world, this is by Palgrave Macmillan, a division of Macmillan Publishers Limited, registered in England, company number 785998, of Houndmills, Basingstoke, Hampshire RG21 6XS. Palgrave Macmillan is the global academic imprint of the above companies and has companies and representatives throughout the world. Palgrave® and Macmillan® are registered trademarks in the United States, the United Kingdom, Europe and other countries. ISBN: 978- 1- 137- 29959- 8 Library of Congress Cataloging- in- Publication Data is available from the Library of Congress. A catalogue record of the book is available from the British Library. Design by Scribe Inc. First edition: February 2013 10 9 8 7 6 5 4 3 2 1 Copyrighted Material - 9781137299598 pal-cyrino-book.indb iv 1/10/13 10:19 AM Copyrighted Material - 9781137299598 Contents List of Illustrations vii Acknowledgments ix Introduction: Screening Love and Sex in the Ancient World 1 Monica S. Cyrino Part 1: Screening Love and Sex in Ancient Myth and Literature 1 G. W. Pabst’s Hesiodic Myth of Sex in Die Büchse der Pandora (1929) 11 Lorenzo F.
    [Show full text]
  • Hollywood Liberalism
    Hollywood liberalism: myth or reality? A study of the representation of race, gender and class in popular culture and its impact on the American society Mathilde Debrieux To cite this version: Mathilde Debrieux. Hollywood liberalism: myth or reality? A study of the representation of race, gender and class in popular culture and its impact on the American society. Literature. 2014. dumas- 01021550 HAL Id: dumas-01021550 https://dumas.ccsd.cnrs.fr/dumas-01021550 Submitted on 9 Jul 2014 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Hollywood liberalism: myth or reality? A study of the representation of race, gender and class in popular culture and its impact on the American society. DEBRIEUX Mathilde UFR de Langues, Université Stendhal - Grenoble 3 Mémoire de Master 1 LLCE Recherche Sous la direction de S. Berthier-Foglar Année universitaire 2013-2014 ACKNOWLEDGMENTS : I would like to thank Mrs Berthier-Foglar for agreeing to oversee my work and for providing me with guidance and advice; as well as Mr Besson for accepting to be part of the jury. I am also very grateful to all my friends and relatives for their unwavering help and support.
    [Show full text]
  • Cleopatra Vii, Livia Augusta, Servilia Caepionis and the Three
    CINEMATIC PORTRAYALS OF ANCIENT WOMEN: CLEOPATRA VII, LIVIA AUGUSTA, SERVILIA CAEPIONIS AND THE THREE WAVES OF FEMINISM by Andrea Schwab A Thesis Submitted to the Faculty of The Dorothy F. Schmidt College of Arts and Letters In Partial Fulfillment of the Requirements for the Degree of Master of Arts Florida Atlantic University Boca Raton, FL December 2016 Copyright 2016 by Andrea Schwab ii ACKNOWLEDGEMENTS This project could not have been completed without the assistance and support of so many, and my words alone cannot express my thanks to all those involved. The academic environment that Florida Atlantic University’s Department of History established facilitated my curiosity, allowing me to realize and pursue my passion in film history. I would like to express my deepest gratitude towards Dr. Jeffrey Buller, whose constant support and academic guidance gave me the confidence to challenge myself, pushing my intellectual boundaries to new levels. Our enlightening discussions over various lunches were some of my favorite parts of this entire process, and have given way to a long-lasting friendship I am honored to have. I would also like to thank my other committee members: Dr. Boyd Breslow, whose revisions and careful feedback advanced my research into unfamiliar territory, and Dr. Ilaria Serra, who sparked my interest in film analysis and allowed me to audit her Italian History through Film course. My committee members were not the only faculty to have supported me in this endeavor, and while it would be difficult to name the entire esteemed faculty at the FAU History Department, they have enriched my time here in such profound ways.
    [Show full text]
  • Le Confort Moderne Association L'oreille Est Hardie
    I AM A RECORD AND I AM THE MEDIUM GEORGINA STARR PRESS le confort moderne association l’oreille est hardie 185, rue du faubourg du pont-neuf 86000 Poitiers Tel : +33 (0)5 49 46 08 08 www.confort-moderne.fr OPEN- ING MARCH 19TH 2010, STARTING AT 6:30 PM GEORGINA STARR : TOP 40 ON FIRE PERFORMANCE / UNITED KINGDOM MOMUS INDIE POP OBSCURE / UNITED KINGDOM LES APACHES DJ SET / LONDON PUBLI- SHING CATALOG Publication of a catalog of the collection I am a record, 160 p. VINYL Editing of a vinyl to 50 copies, I am the Medium, including 250 locked grooves. EXHI- BITION I AM A RECORD AND I AM THE MEDIUM / GEORGINA STARR FROM MARCH 19TH TO MAY 9TH 2010 Entrepôt-Galerie of the Confort Opening Moderne March 19 starting at 6:30 pm - with Momus and Les Apaches Open Wednesday through Friday FREE ADMISSION from 2 to 7 pm and on concert evenings FREE ADMISSION Through her work Georgina Starr constructs intimate and remote portraits. The disclosure of disparate clues and the production of archives shape her fragile and cerebral body of work. She forms installations which are paradoxically domestic and distant, raw and delicate, scientific and pop. The use of black and white and the superimposition of images of her mother, of a forgotten silent film actress and of the artist herself in different roles, generate a feeling of shared intimacy mixed with nostalgia. This first solo show of the artist’s work in France is constructed around the installation I Am a Record: a body of recordings in the form of unique, single-copy pressings of vinyl LPs, each accompanied by a cover painted or drawn by the artist.
    [Show full text]
  • Showtime in Chicago
    QUESTION DEPT. "Isn't it true that early day movie stars were very short and a tall girl did not stand a CATOE chance in films?" Answer: Yes and no. Mary Miles Minter, Mary Pickford, Presents Theda Bara, Gloria Swanson and Betty Bronson were rather petite - some would say very short. One fine charac­ SHOWTIMEINCHICAGO ter actress was denied many a worthy role because of her 5'7" height. She was Gertrude Astor. She towered over more "Highlights of the 1969 than a few leading men of the early silents. In spite of this elegant tallness ATOE Convention" and dignity, Astor carved out a notable career and is today ready for a film and TV call. Last time we saw her at a featuring Hollywood party, she looked charming. • / ~ Directed by ANN Little, who was in the early ARTISTSand ORGANS .... Lyle W. Nash silents and worked with Wm. S. Hart, is feeling fine and lives at 5798 Linden­ from the 1969 CLOSEUP - Of all the accomplished hurst Ave., Los Angeles, 90036, Cali­ villains, Stuart Holmes was among the fornia. Convention finest in the silent film era. His roles in • "Four Horsemen" and "Prisoner of MASSIVE, mighty, costly. That's Zenda" ('22 MGM) were near classics. the 629-page "American Movies Refer­ A deluxe full color 2 record stereo Holmes was probably the most skilled ence Book" (Prentice-Hall, $29.95). album - complete with photos and and sophisticated heavy going as he Paul Michael and associates have com­ stories of the exciting Chicago Con­ was at home with Hamlet or as a slip­ piled a volume overflowing with facts, pery society scoundrel.
    [Show full text]
  • Theda Bara, Photograph. the Film Sin, 1915
    168 Marina ŢUPRAN Marina ŢUPRAN THE SEDUCTION OF THE GAZE. CASE STUDY: THEDA BARA, PHOTOGRAPH. THE FILM SIN, 1915 Abstract: The female character born with the birth The start of the 20th Century causes, of the photographic camera: the femme fatale. Focusing once the Great War commences its on a photograph of the actress Theda Bara, the author destruction, a powerful need in people to interprets the connection between two fundamental forget the immediate dramas and traumas. verbs of the visual culture, to see and to have, and their connection with the formation of the modern gaze. Using The film studios quickly notice this and The Medusa of Carravagio as counterpoint, the analysis start capitalizing on the demand, wishing follows the classical interpretation of Laura Mulvey, to supply something unsought of in showing how the dominant male gaze works from the very movies: a certain fascination, a mysterious beginning of the industries of photographic manipulation magnetism that they would identify with of visual pleasure. the intense gaze of a woman, which, just Key words: Gaze, femme fatale/vamp, semiotics, by looking at us, keeps us still, keeps us seduction. in awe. A new type of character is born on camera: the femme fatale, the vamp. The term becomes one with a new character, an actress who chooses to call herself Theda Bara, and with a certain movie: “A Fool There Was”, shot in the same year as the photograph in study, 1915. Right as the movie starts, the first lines of Kipling’s Marina ŢUPRAN poem, “The Vampire”, stand as a clue to University of Bucharest the storyline, the poem that had inspired E-mail: [email protected] a Broadway show not long before.
    [Show full text]
  • A Compendium of the 500 Stars Nominated for Top 50 "Greatest Screen Legends" Status
    A compendium of the 500 stars nominated for top 50 "Greatest Screen Legends" status. 250 MALE LEGENDS - NOMINEES 1. BUD ABBOTT & LOU COSTELLO 2. BRIAN AHERNE 3. DON AMECHE 4. EDDIE "ROCHESTER" ANDERSON 5. GILBERT M. "BRONCHO BILLY" ANDERSON 6. DANA ANDREWS 7. ROSCOE "FATTY" ARBUCKLE 8. GEORGE ARLISS 9. LOUIS ARMSTRONG 10. EDWARD ARNOLD 11. FRED ASTAIRE 12. GENE AUTRY 13. LEW AYRES 14. KING BAGGOT 15. JOHN BARRYMORE 16. LIONEL BARRYMORE 17. RICHARD BARTHELMESS 18. FREDDIE BARTHOLOMEW 19. WARNER BAXTER 20. NOAH BEERY 21. WALLACE BEERY 22. RALPH BELLAMY 23. JOHN BELUSHI 24. WILLIAM BENDIX 25. JACK BENNY 26. EDGAR BERGEN & CHARLIE McCARTHY 27. MILTON BERLE 28. HUMPHREY BOGART 29. RAY BOLGER 30. WARD BOND 31. WILLIAM BOYD 32. CHARLES BOYER 33. EDDIE BRACKEN 34. MARLON BRANDO 35. WALTER BRENNAN 36. LLOYD BRIDGES 37. JOE E. BROWN 38. YUL BRYNNER 39. GEORGE BURNS 40. RICHARD BURTON 41. FRANCIS X. BUSHMAN 42. JAMES CAGNEY 43. EDDIE CANTOR 44. JOHN CARRADINE 45. LEO G. CARROLL 46. JACK CARSON 47. JOHN CASSAVETES 48. LON CHANEY 49. LON CHANEY, JR. AFI is a trademark of the American Film Institute. Copyright 2005 American Film Institute. All Rights Reserved. 50. CHARLES CHAPLIN 51. MAURICE CHEVALIER 52. MONTGOMERY CLIFT 53. LEE J. COBB 54. CHARLES COBURN 55. RONALD COLMAN 56. JACKIE COOGAN 57. GARY COOPER 58. JACKIE COOPER 59. JOSEPH COTTEN 60. BUSTER CRABBE 61. BRODERICK CRAWFORD 62. HUME CRONYN 63. BING CROSBY 64. ROBERT CUMMINGS 65. TONY CURTIS 66. DAN DAILEY 67. OSSIE DAVIS 68. SAMMY DAVIS, JR. 69. JAMES DEAN 70. DIVINE 71.
    [Show full text]
  • An Overview of Animation by Philip Chamberlin
    2 A'C~";:.-::,,"'; : """:n ~~r-------------------------------------------------------__ S~(-:~ ~.;~ C ~·: ': / ~ ~-~f'!: ----- / Interview with Howard W. Koch Howard W. Koch is the producer of the 44th Annual Academy Awards, to be held at the Music Center on April 10 and telecast over the NBC network. Mr. Koch's office at Paramount is the nerve center of this year's show and one afternoon, recently, we interrupted his preparations to ask him if he would enumerate some of the problems in putting together an Awards presentation. The difficult part of producing an Awards show stage at the end, all the presenters and winners is the inability to get the people you want, the and performers, and have a finish song. We've presenters, the stars, the glamour. Nominees talked about maybe, seeing it's Chaplin's birth­ don't seem to want to come. They' re not avail­ day, doing 'Happy Birthday' at the end. We're able. It makes it very difficult, and you have to still trying to make up our minds. compromise. It's always settling, rather than I got involved with this in December, and I getting what you really want. don't think that was early enough. Whoever Logistically it's an impossible kind of thing, produces next year should start sometime in too, because you're dealing with about 600 September, because this is a big job. We've people-the nominees, their agents, their busi­ been using glamour and nostalgia as our theme, ness agents, their press agents, their agents' but it wasn't until January we knew we had agents-and the presenters.
    [Show full text]