DOCSLIB.ORG

Audition Packet

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Audition Packet Audition Packet Audition dates: August 28, 2017 3:30 – 5:30 (Sign‐up for a time slot, posted in Black Box) August 29, 2017 3:00 ‐ 5:00 (Will require movement – wear comfortable clothes) PREPARE for audition: Sing 16 bars from a MUSICAL song 1‐minute monologue from a published play These pieces should be memorized and performed with gusto! Rehearsals: Monday ‐ Friday 3:00 – 5:30 (start/end times vary by day) Rehearsal Calendar is attached to this document Saturday Work Days (mandatory for all actors and crew): September 2, 2017 10:00 ‐ 2:00 September 16, 2017 10:00 ‐ 2:00 September 23, 2017 (tentative) 10:00 ‐ 2:00 October 7, 2017 (tentative rehearsal) 10:00 ‐ 2:00 October 14, 2017 10:00 ‐ 2:00 Dress Rehearsal (mandatory for all actors and crew): October 21, 2017 8:00 – 1:00 October 23, 2017 3:15 – 6:15 October 24, 2017 3:00 – 6:00 Performance Dates (mandatory for all actors and crew): October 26, 27, 28 at 7:00pm 5:00pm call; 7:00pm curtain October 29, 2017 at 3:00pm 1:00pm call; 3:00pm curtain Play Production Fee: Producing a play is demanding in many ways. Not only are students asked to give their time, there are also outside costs. We are asking for a production fee of $25 for each actor committed to this show. This $25 fee will be used for the production of the show and may be used for purchase of scripts, royalties, publicity, costumes, and sound rental. We appreciate your support. Student responsibilities: Actors will be asked to provide their own shoes, tights, undergarments, and make‐up (we will be ordering $20 personal stage make‐up kits for students who need it) Liz Winner Director, Clements High School Theatre e‐mail: [email protected] Synopsis By Eric Idle and John Du Prez Spamalot tells the legendary tale of King Arthur’s quest to find the Holy Grail. Inspired by the classic comedy film, Monty Python and the Holy Grail, the musical also diverts a bit from more traditional versions of the legend. Instead, Spamalot features shenanigans including a line of beautiful dancing girls, a flatulent Frenchmen and killer rabbits. Outside, there is plague with a 50% chance of pestilence and famine. Throughout the show, Arthur, traveling with his servant Patsy, recruits several knights to accompany him on his quest, including Sir Bedevere, Sir Robin, Sir Lancelot and Sir Galahad. Besides the rabbits and farting Frenchman, they meet such characters as the Lady of the Lake, Prince Herbert, Tim the Enchanter, Not Dead Fred, the Black Knight and the Knights who say Ni. Cast of Characters: THE LADY OF THE LAKE (20s‐30s): A Diva. Strong, beautiful, possesses mystical powers. The leading lady of the show. Great singing voice is essential, as she must be able to sing effortlessly in many styles and vocal registers. KING ARTHUR (Late 30s‐60s.): The King of England who sets out on a quest to form the Knights of the Roundtable and find the Holy Grail. Great Humor. Good singer. SIR ROBIN (30s‐40s): A Knight of the Roundtable. Ironically called ‘Sir Robin the Brave,’ though he couldn’t be more cowardly. Joins the Knights for the singing and dancing. SIR LANCELOT d/b/a LANCE (30s‐40): A Knight of the Roundtable. He is fearless to a bloody fault, but through a twist of fate, does discover his ‘softer side. PATSY (30s‐40s): King Arthur’s horse and servant. Underappreciated but always longing for King Arthur’s approval. Good, funny, physical mover with some tap dancing. SIR GALAHAD (30s): A Knight of the Roundtable. Begins as Dennis, a lower class ‘mud gatherer’ who becomes knighted and transforms into the dashing Sir Galahad. Strong bari/tenor singing required. SIR BEDEVERE (20s‐40s): A Knight of the Roundtable. An inept scholar. No solo singing. HISTORIAN/NOT DEAD FRED/PRINCE HERBERT (played by one person): HISTORIAN: A tweedy academic. Must have excellent diction, NOT DEAD FRED: A sickly little fellow who, despite others’ beliefs, claims he is “not yet dead.” PRINCE HERBERT: The hopeful and frilly prince who loves to sing, and pines for his love atop a tower. ENSEMBLE: The ensemble/chorus also cover the following roles: THE VOICE OF GOD, MAYOR and FINLAND VILLAGERS, SINGING MONKS, SIR NOT APPEARING, DENNIS GALAHAD’S MOTHER, THE DANCING MONK, THE DANCING NUN, THE FRENCH TAUNTER, TWO FRENCH GUARDS, ROBIN’S MINSTRELS, THE KNIGHTS OF NI THE BLACK KNIGHT, PRINCE HERBERT’S FATHER, GUARD, CONCORDE, TIM THE ENCHANTER, and SIR BORS *All characters can be played by male or female actors. They will portray the original gender of the role. SPAMALOT Audition Cover Sheet Please attach a recent photo to this sheet Name: ____________________________________________ Grade: ________ Shirt Size: _____________ Vocal Part (SATB): _____________________ Dance Experience (years/style): ___________________ Turn in with Audition Sheet: 1. Your audition pieces, including: •16 bars from a MUSICAL song about 30 seconds NOT a pop song You may sing acapella or with accompaniment (on a phone with an aux cord) •1‐minute monologue from a play Not an original Not from a film These pieces should be memorized and performed with gusto! 2. Head shot (current photo of your face printed out) 3. Resume (see sample) 4. Parent/Student Contract Preferences I am interested in auditioning for the role of: ______________________________ If I do not get this role, I WOULD or WOULD NOT (circle one) be interested in another role. Conflicts We understand that Clements students are busy and are willing to work with difficult schedules, however if the casting decision is between two actors, preference will be given to the student with a more flexible schedule. Our rehearsal schedule is attached and will be regularly updated and posted online. There are multiple Saturday and school holiday rehearsals and our final performance is on SUNDAY 10/29 at 3:00pm (call time is 1:00pm). My conflicts will include: _________________________________________________________________________________________ _________________________________________________________________________________________ _________________________________________________________________________________________ _________________________________________________________________________________________ _________________________________________________________________________________________ SPAMALOT Parent/Student Contract PLEASE READ THROUGH THIS ENTIRE CONTRACT I __________________________, with my student _______________________, do hereby agree to the following terms and conditions, upon acceptance of his/her role or crew assignment. I understand that if my student is taking part in the production, after school rehearsals will be required over the following months. I understand that, unless otherwise stated, rehearsals will end by 5:15 (6:30 on Fridays) and I will be here promptly to pick up my student or make arrangements to get my student home. I understand that if my student should become academically ineligible during the course of the production, he or she will be dismissed from the cast until eligible again. If he or she is on crew, he or she will be dismissed without possibility of return. During the period of ineligibility, my student’s role is subject to re‐ casting at the discretion of the directors. I understand that it is my student’s responsibility, upon accepting a role, to learn his/her part in its entirety. If the role is not learned to the directors’ satisfaction by the scheduled dates, it will be subject to re‐casting. Each actor and crew member is vital to rehearsals and performances. I understand that my student is allowed four absences TOTAL. I have listed all possible conflicts with the production calendar on the application. I will notify the director of any absence at least 24 hours in advance, emergency circumstances withstanding. Upon using all absences, my student will be recast or dismissed entirely, at the directors’ discretion. Students must attend performances of the show, Work Days, and Tech/Dress Rehearsals in their entirety. If they may not attend all of these days, it is up to the discretion of the director to recast their role or dismiss them from the play. _________________________________________ ________ _________________ Parent Signature Date _________________________________________ ________ _________________ Student Signature Date SAMPLE RESUME Joe Performer (212) 555-1212 [email protected] AFTRA, SAG Hair: Blond Eyes: Blue Height: 6’2” Vocal Part: Tenor Theatre Play Title Role Theatre, Director Play Title Role Theatre, Director Play Title Role Theatre, Director Film/TV Project Title Type of Role Studio/Director/Production Company Project Title Type of Role Studio/Director/Production Company Project Title Type of Role Studio/Director/Production Company Commercials Project Title Local/Regional/National Project Title Local/Regional/National Project Title Local/Regional/National Special Skills Juggling, Dialects: Standard British, Irish, Tap Dancing, Kazoo Training Theatre I-III Ms. Acting Genius High School for Acting Geniuses Tech Theatre I Ms. Tech Genius High School for Tech Geniuses Voice Lessons Instructor’s name School Name (if applicable) Dance Instructor’s name School Name (if applicable) Tentative Rehearsal Schedule September 2017 Sun Mon Tue Wed Thu Fri Sat 27 Aug.28 29 30 31 Sept.1 2 *Production Spamalot Spam Rehearsal Spam Rehearsal Spam Rehearsal Spam Workday Meeting 2:45 – 3:15 Call‐backs 3:15‐5:15 3‐ 5 3:30‐6:30 10‐2 3:00‐5:00 (Chiefs 9‐2:30) Spamalot Auditions 3:30 – 5:30 3 4 Holiday 5 6 7 8 9 Prod. Mtg: Spam Rehearsal Spam Rehearsal Spam Rehearsal 2:45 – 3:15 3:15‐5:15 3‐ 5 3:30‐6:30 Spam Rehearsal 3:15‐5:15 10 11 12 13 14 15 16 Prod. Mtg: Spam Rehearsal Spam Rehearsal Spam Rehearsal Spam Rehearsal Spam Workday 2:45 – 3:15 3‐5 3:15‐5:15 3‐ 5 3:30‐6:30 10‐2 (Chiefs 9‐2:30) Spam Rehearsal 3:15‐5:15 17 18 19 20 21 22 23 Prod.
Load more

Recommended publications
  • Monty Python's Completely Useless Web Site
    Home Get Files From: ● MP's Flying Circus ● Completely Diff. ● Holy Grail ● Life of Brian ● Hollywood Bowl ● Meaning of Life General Information | Monty Python's Flying Circus | Monty Python and the Holy Grail | Monty Python's Life of Brian | Monty Python Live at the Hollywood Bowl | Monty Python's The Meaning of Life | Monty Python's Songs | Monty Python's Albums | Monty Python's ...or jump right to: Books ● Pictures ● Sounds ● Video General Information ● Scripts ● The Monty Python FAQ (25 Kb) Other stuff: ● Monty Python Store ● Forums RETURN TO TOP ● About Monty Python's Flying Circus Search Now: ● Episode Guide (18 Kb) ● The Man Who Speaks In Anagrams ● The Architects ● Argument Sketch ● Banter Sketch ● Bicycle Repair Man ● Buying a Bed ● Blackmail ● Dead Bishop ● The Man With Three Buttocks ● Burying The Cat ● The Cheese Shoppe ● Interview With Sir Edward Ross ● The Cycling Tour (42 Kb) ● Dennis Moore ● The Hairdressers' Ascent up Mount Everest ● Self-defense Against Fresh Fruit ● The Hospital ● Johann Gambolputty... ● The Lumberjack Song [SONG] ● The North Minehead Bye-Election ● The Money Programme ● The Money Song [SONG] ● The News For Parrots ● Penguin On The Television ● The Hungarian Phrasebook ● Flying Sheep ● The Pet Shop ● The Tale Of The Piranha Brothers (10 Kb) ● String ● A Pet Shop Near Melton Mowbray ● The Trail ● Arthur 'Two Sheds' Jackson ● The Woody Sketch ● 1972 German Special (42 Kb) RETURN TO TOP Monty Python and the Holy Grail ● Complete Script Version 1 (74 Kb) ● Complete Script Version 2 (195 Kb) ● The Album Of
    [Show full text]
  • SINGING SENSATIONS in THEIR TEENS, 20S Monty Python Says Swan Song Will Surprise
    2E • TUESDAY, JUNE 3, 2014OLIVING MAHA WORLD-HERALD Private memorial service for SINGING SENSATIONS IN THEIR TEENS, 20S Maya Angelou on Saturday WINSTON-SALEM, N.C. erary pioneer and champion of (AP) — A memorial service civil rights and began teaching will be held at Wake Forest at Wake Forest in 1982, after University for poet and author she fi rst visited the university Maya Angelou, who died last to read her work. week. Saturday’s service is private, Wake Forest says Angelou’s but Wake Forest is streaming family is holding a private it online at go.wfu.edu/angelou service Saturday at the univer- memorial. sity’s Wait Chapel. The school says Angelou’s LEANN RIMES STEVIE WONDER LITTLE PEGGY MARCH TAYLOR SWIFT TIFFANY Angelou died Wednesday family will be planning addi- The youngest-ever At only 13 years and Just a few months before At 20, the country singer Still one of the youngest at her home in Winston-Sa- tional events in other cities Grammy winner was 3 months of age, Stevie Stevie Wonder took the took home four Grammy to top the charts was lem at age 86. She was known across the country. That infor- LeAnn Rimes. At age 14 Wonder’s “Fingertips — record, Little Peggy March Awards. She has won a Tiffany, whose “I Think throughout the world as a lit- mation will be released later. in 1997, Rimes won two Pt. 2” hit No. 1 on the held it. When “I Will total of seven so far. We’re Alone Now” hit awards: best new artist Billboard charts in 1963.
    [Show full text]
  • LTA's Spamalot: Spam with a Side of Sophistication
    LTA’s Spamalot: Spam With A Side Of Sophistication August 6th 2014 By Sarah Paez alexandrianews.org The year is 932 A.D. The country is England. Is this a musical or a history lesson? Fortunately, LTA’s Spamalot whisks us away to Finland in the first number of the show, where smiling, blonde men and women greet us, singing the praises of…the wrong country. Mishaps of this kind characterize this slapstick smorgasbord of a show, based on the 1975 Monty Python film Monty Python and the Holy Grail. The 2005 Broadway production won three Tony awards, including the Tony for Best Musical. Fade in on Arthur, King of the Britains, followed by his loyal coconut-clapping manservant, Patsy (Matt Liptak). Together, with the help of their valiant (if not peculiar) Knights of the Round Table, they set off on a quest to find the Holy Grail, per request of the beautiful, mysterious, Lady of the Lake. What unfolds is scene after scene of gags, kitsch, slapstick—and fart jokes from the French. From the first plot-moving number (“I’m Not Dead Yet”) LTA’s cast proved energetic and eclectic, yet managed to blend as an ensemble. What truly makes LTA’s Spamalot a treat is the unfailing, cockeyed optimism of its players and the constant, goofy smiles plastered across their faces. Stand out performances were Liptak as Patsy the faithful—if somewhat neglected—servant of Arthur, Dimitri Gann as the uppity, weak-boweled Sir Robin, Patrick McMahan as the closeted Sir Lancelot, and Ashlie-Amber Harris as the Lady of the Lake.
    [Show full text]
  • Monty Python Haggadah
    Every year Jews tell the story of the Exodus from Egypt at our seders. Every year we tell the same story, using the same words, from the same Haggadah. Even though we appreciate the story, it gets boring hearing it told the same exact way year after year after year. There is a Women's Haggadah, a Green Haggadah, a Gay Haggadah, and even a Socialist Haggadah, but (until now) you haven't been able to find a funny Haggadah. With sincere apologies to Eric Idle, John Cleese, and anyone who takes religion too seriously, here is the Scene 1: In the Desert Moses is galloping (skipping on foot while clopping coconuts together to sound like hoofbeats) across the desert. He comes to a burning bush. Bush: Halt! Who goes there! Moses: A shrubbery! A talking shrubbery! One that looks nice, but is not too expensive. It is a good shrubbery. I like the laurels particularly. Bush: Moses! Moses, Leader of the Israelites! (Moses looks stunned, drops to his knees in awe and bows his head to the ground in front of the burning bush.) Bush: Oh, don't grovel! If there's one thing I can't stand, it's people groveling. Moses: Sorry-- Bush: And don't apologize. Every time I try to talk to someone, it's "sorry this" and "forgive me that" and "I'm not worthy". What are you doing now!? Moses: I'm averting my eyes, oh Lord. Bush: Well, don't. It's like those miserable Psalms -- they're so depressing. Now stop it.
    [Show full text]
  • The Callboard
    The Callboard February 2020 Volume 61, Issue #4 The Santaland Diaries The Wizard of Oz Disney's Frozen JR Embark on the hilarious quest for the Holy Grail with 'Spamalot' ASL-Interpreted Performance: March 26 // Brunch and a Show: April 5 It’sMarch just a 19-April flesh wound! 5, 2020 // Thurs-Sat @ 7:30pm, Sun @ 2:00pm (March 29 & April 5) PRESENTING SPONSOR If you're immediately quoting Sir Bedevere, the Strangely Flatulent; and Christina Monty Python after reading that first line, then Stroup* as The Lady of the Lake. Rounding out the you need to beMonty at the Python’s NorShor Spamalot Theatre from March cast are Joe McLaughlin as the Historian; Sam Hild- 19-April 5, 2020 to see the Duluth Playhouse’s pre- estad as Not Dead Fred; and Camryn Buelow, Erin Montysentation Python of and the Holy Grail , a production Blazevic, Mallory Polivka, Kristen Hylenski, Cather- lovingly ripped off from the film spoof comedy ine Dukelow and Dani Hollar** as Laker Girls; and Monty Python’s Spamalot . Austin Becker, Christopher Hoffman, and Theodore Carlson Webster in the ensemble. retells the legend of King Arthur and his Knights of the very, very, very, very “I'm over the moon about this cast and crew,” Round Table, and features taunting Frenchmen, adds Peck. "Working with Kyle Picha on music and cancan dancers, the Lady of the Lake and her Laker Matthew Wager on choreography, all of our brilliant BOX OFFICE Girls, killer rabbits, catapulting cows, the odd designers, and a cast that's to die for is like waking Knights who say “ni," and show-stopping musical up on Christmas morning -- except it's every day." Monday-Friday, 10am-5pm numbers.
    [Show full text]
  • Monty Python Flying Circus (Season Two, Episode 12; Originally Aired 12/15/1970)
    Spam Monty Python Flying Circus (season two, episode 12; originally aired 12/15/1970) Scene: A cafe. One table is occupied by a group of Vikings with horned helmets on. A man and his wife enter. Man (Eric Idle): You sit here, dear. ​ Wife (Graham Chapman in drag): All right. ​ Man (to Waitress): Morning! ​ Waitress (Terry Jones, in drag as a bit of a rat-bag): Morning! ​ Man: Well, what've you got? ​ Waitress: Well, there's egg and bacon; egg sausage and bacon; egg and spam; egg bacon ​ and spam; egg bacon sausage and spam; spam bacon sausage and spam; spam egg spam spam bacon and spam; spam sausage spam spam bacon spam tomato and spam; Vikings (starting to chant): Spam spam spam spam... ​ Waitress: ...spam spam spam egg and spam; spam spam spam spam spam spam baked ​ beans spam spam spam... Vikings (singing): Spam! Lovely spam! Lovely spam! ​ Waitress: ...or Lobster Thermidor au Crevette with a Mornay sauce served in a Provencale ​ manner with shallots and aubergines garnished with truffle pate, brandy and with a fried egg on top and spam. Wife: Have you got anything without spam? ​ Waitress: Well, there's spam egg sausage and spam, that's not got much spam in it. ​ Wife: I don't want ANY spam! ​ Man: Why can't she have egg bacon spam and sausage? ​ Wife: THAT'S got spam in it! ​ Man: Hasn't got as much spam in it as spam egg sausage and spam, has it? ​ Vikings: Spam spam spam spam (crescendo through next few lines) ​ Wife: Could you do the egg bacon spam and sausage without the spam then? ​ Waitress: Urgghh! ​ Wife: What do you mean 'Urgghh'? I don't like spam! ​ Vikings: Lovely spam! Wonderful spam! ​ Waitress: Shut up! ​ Vikings: Lovely spam! Wonderful spam! ​ Waitress: Shut up! (Vikings stop) Bloody Vikings! You can't have egg bacon spam and ​ sausage without the spam.
    [Show full text]
  • SPAMALOT Is a Musical Comedy Adapted from the 1975 Film Monty Python and the Holy Grail
    CARDIFF OPEN AIR THEATRE FESTIVAL 2017 Sophia Gardens Cathedral Road Cardiff CF11 9SQ AUDITION NOTICE Book: Eric Idle Music: John Du Prez, Eric Idle, Neil Innes Lyrics: Eric Idle Director : Richard Tunley Musical Director : Rob Thorne Jnr. Monty Python aficionado? Fan of classic musicals? Always up for a good laugh? Then this is YOUR show. The uproariously witty spoof of King Arthur and his knights’ quest for the Holy Grail boasts a high- kicking knights’ chorus line, killer rabbits, and a knight who continues duelling even after losing his arms and legs. All the hilarities of Monty Python and the Holy Grail are even funnier set to the rollicking music of the Round Table Knights and the mysterious, definitively diva Lady of the Lake. The original Broadway show won three Tony’s including Best Musical, and the original album won the 2006 Grammy for Best Musical Show Album. Monty Python's SPAMALOT is a musical comedy adapted from the 1975 film Monty Python and the Holy Grail. Like the film, it is a highly irreverent parody of the Arthurian Legend, but it differs from the film in many ways. Eric Idle, explained the title in a February 2004 press release: I like the title Spamalot a lot. We tested it with audiences on my recent US tour and they liked it as much as I did, which is gratifying. After all, they are the ones who will be paying Broadway prices to see the show. It comes from a line in the movie which goes: "we eat ham, and jam, and Spam a lot." As a full-scale musical, the show is a wonderful mix of Python, dance and song.
    [Show full text]
  • Monty Python and the Holy Grail -.:: GEOCITIES.Ws
    Monty Python and the Holy Grail The Strictly-Unofficial, More-Than-Fully-Annotated Script Published by Zombie Press “Zombie—we bring good things back to life.” Monty Python and the Holy Grail Monty Python and the Holy Grail The strictly-unofficial script of the movie, done in a fit of boredom by [AHH 01Jan87] Touched up again by [AHH 25Jan89] (How time flies) Stage directions added by [DJJ 15May93] Pointless editorial commentary added by [DJJ 19Sep93] Artwork added by [DJJ 10Jul94] Re-re-re-re-edited in comparison with the (real) script and King Brian the Wild scene added by [DJJ 18Sep96] [email protected] www.cris.com/~djjen693 CREDO QUIA ABSURDUM EST 1 @ 1 Latin: “I believe it because it is absurd.” 2 Monty Python and the Holy Grail Table of Contents TABLE OF CONTENTS................................................................................................................................................................. 3 PREFACE.......................................................................................................................................................................................... 4 DRAMATIS PERSONAE......................................................................................................................................................................5 OPENING CREDITS............................................................................................................................................................................6 SCENE 1.—OF KINGS AND COCONUTS..........................................................................................................................................7
    [Show full text]
  • Pobierz Program
    monty_python_v01.indd 1 20.12.2012 06:53 Latający Cyrk Monty Pythona Adam Opatowicz scenariusz i reżyseria Reżyser, aktor, autor muzyki ręce Paula Barza, Hamlet oraz Sen Nocy do ponad 50. przedstawień teatral- Letniej Williama Szekspira (widowisko scenariusz, reżyseria ADAM OPATOWICZ nych. W latach 1992-1994 kierownik plenerowe na dziedzińcu Zamku Książąt muzyka ERIC IDLE, TERRY JONES, MICHAEL PALIN, FRED TOMLINSON, HARRY PARR DAVIES, JOHN GOULD, JOHN DU PREZ, artystyczny Teatru Krypta i Piwnicy Pomorskich w Szczecinie), musical Cień ANDRE JACQUEMIN, DAVE HOWMAN przy Krypcie. Od 1994 roku dyrektor Wojciecha Młynarskiego i Macieja choreografia PAULINA ANDRZEJEWSKA Teatru Polskiego w Szczecinie. Małeckiego, Stacyjka Zdrój Jeremiego kierownik muzyczny, piano GABRIEL MENET Założyciel kabaretu literac- Przybory i Jerzego Wasowskiego (reżyse- kiego Czarny Kot Rudy. Reżyser wie- ria wspólnie z Andrzejem Poniedzielskim tłumaczenie piosenek FILIP ŁOBODZIŃSKI lu przedstawień m.in. w Operze na – Teatr Ateneum w Warszawie i Teatr Pol- tłumaczenie skeczy TOMASZ BEKSIŃSKI Zamku: Hrabina i Paria Stanisława ski w Szczecinie). Przygotował także dla asystent reżysera TADEUSZ WOSZCZYŃSKI Moniuszki, w Teatrze Polskim Polskiego Radia słuchowisko w odcinkach w Szczecinie: Ogrody czasu Federica pt. Osiołek Porfirion Konstantego Ildefonsa występują: LESZEK ABRAHAMOWICZ, MACIEJ GĄSIOREK, ANDRZEJ NIEMIRSKI, Garcii Lorki, Mistrz i Małgorzata Gałczyńskiego. ROBERT TONDERA, TADEUSZ WOSZCZYŃSKI, DANIEL ZAWADZKI Michaiła Bułhakowa, Kolacja na cztery inspicjent MARZENNA BEDNARSKA / AGNIESZKA KORCZAK kierownik produkcji ELIZA PAROL światło JACEK KACZMARCZYK / ANDRZEJ KULESZA choreografia dźwięk ROBERT GOŁASZEWSKI / MARCIN PAWŁOT / MIKOŁAJ SKALSKI Paulina Andrzejewska charakteryzacja KAMILA KĘPA / MONIKA MIKULSKA Choreograf, tancerka i peda- Jest choreografem musicali Upiór w Ope- gog. Urodzona w roku 1980 w Szcze- rze, Les Miserables, Aladyn JR (reż.
    [Show full text]
  • Spamalot Teachers Pack
    SPAMALOT TEACHERS PACK „We eat ham, and jam, and Spam a lot.“ This teachers pack includes factual information as well as tasks and topics to be dealt with in the classroom. Cut and paste as you please, and please consult the official programme for additional information. Contents: 1. Synopsis of Monty Phyton’s Spamalot 2. The Quest for the Holy Grail 3. King Arthur – a legendary hero of time? 4. Monty Phyton’s Spamalot 5. The concept behind Monty Python’s Spamalot 6. Did you Know? 7. Creative Task 8. Let’s get Theatrical 9. Spamalot Theatre Visit 10. Multiple Choice 11. Glossary 1) Synopsis of Monty Phyton’s Spamalot A historian gives a brief overview of medieval England. In a miscommunication between the actors and the narrator, the actors sing an introductory song about Finland ("Fisch Schlapping Song"). The Historian returns, irritated, and tells the frolicking Finns that he was talking about England, not Finland. The scene immediately changes to a dreary, dark village with penitent monks in hooded robes chanting Latin. King Arthur travels the land with his servant Patsy, who follows him around banging two coconut shells together to make the sound of a horse's hooves as Arthur "rides" before him, trying to recruit Knights of the Round Table to join him in Camelot. He encounters a pair of sentries who are more interested in debating whether two swallows could successfully carry a coconut than in listening to the king. Sir Robin, a collector of plague victims, and Lancelot, a large, handsome and incredibly violent man, meet as Lancelot attempts to dispose of the sickly Not Dead Fred ("He Is Not Dead Yet").
    [Show full text]
  • Laughs Runneth Over from the Grail of Beck Center's 'Spamalot'
    AXS ENTERTAINMENT / ARTS & ENTERTAINMENT / PERFORMING ARTS Laughs runneth over from the grail of Beck Center’s ‘Spamalot’ July 18, 2013 5:48 PM MST Beck Center Spamalot at the Beck Center Rating: Beck Center for the Arts is on a crusade to entertain audiences with “Monty Python’s Spamalot” (Spam), running on the Mackey Main Stage now through August 18, 2013. The outrageous musical comedy is “lovingly ripped off” from the cult classic motion picture, and is the winner of three Tony Awards including Best Musical. Stemming from the witty minds of Eric Idle (music/lyrics/book) and John Du Prez (music), Spam follows the quest of King Arthur and the knights of the Round Table on their quest for the Holy Grail. “It is every Monty Python fan's dream to be able to direct this show,” commented Director Scott Spence, “and makes all of those years watching Monty Python every Friday night on PBS so worthwhile.” What are audience members in for? Killer rabbits, a guy with gas, cows dropping from the sky and knights who say “NEE!” The production is not just for Monty Python die-hards, though. Eric Idle fan or not, the musical version of Spam, which is hilariously directed by Scott Spence, will leave you chortling. According to Technical Director Joseph Carmola, the show has “21st century puppetry” and is “a classic tale of self purpose”. The cast is an army of entertainment. Dougfred Miller is the fearless leader, playing King Arthur as a steady guide on the quest. Brian Altman, Matthew Ryan Thompson and Mark Heffernan play various characters in the story, always finding the punch line in blatantly hilarious ways.
    [Show full text]