June 30, 2020 CHINA DAILY

Total Page:16

File Type:pdf, Size:1020Kb

June 30, 2020 CHINA DAILY 12 | Tuesday, June 30, 2020 CHINA DAILY What they say We expect music for the Games to demonst rate the Olympic spirit and the cultures and values of Chinese people. The enthusiasm and hospitality of the host city Hangzhou should be embodied in the musical works with an international stance. Music and sports are intertwined. Both of them can generate power and warm hearts. Wang Leehom, global champion of the Call for Musical Works for the 19th Asian Games Hangzhou 2022 Representatives from the Hangzhou Asian Games Organizing Committee and songwriters attend the launch ceremony of the Global Call for Musical Works for the 19th Asian I hope Games Hangzhou 2022. PROVIDED TO CHINA DAILY people who love music Call out to composers made for Games will actively Organizers in the hunt class competition. The musical sound­ sions, they finally approved the plan of such is the magic of music.” plete songs with lyrics and music, or echo the call. for talented, inspiring track to the Games is expected to be solicitation, which is divided into three Meng Ke, a famous producer who can be pure music or just lines of Sometimes we write world­class too. phases, and hope the campaign will has been part of the composition words, according to the official songs to express our sports songwriters On June 23, International Olympic help collect great musical pieces over teams for several major sports events notice. Day, a global celebration of the found­ the next two years. in China, including the opening and Four famous Chinese singers and own feelings, and ing of the modern Olympic Movement “Musical works are indispensable closing ceremonies of the Beijing composers, Wang Leehom, Li Rong­ other times we By YUAN SHENGGAO in Paris on June 23, 1894, the for almost all occasions in sporting Olympic Games and the Hangzhou hao, Hu Yanbin and Li Quan, have compose to help Hangzhou Asian Games Organizing events, such as the torch relay and the Time show at the closing ceremony of been invited to promote the cam­ The 19th Asian Games Hangzhou Committee initiated a campaign to opening and closing ceremonies, and the 18th Asian Games in Jakarta, Indo­ paign. others express their 2022 will be held from Sept 10 to 25, solicit musical works, calling on peo­ will be unique heritage left by the nesia, said the music for Olympic The first phase of submissions, feelings. If people can 2022 in Hangzhou, capital of East ple from around the world to compose Games,” the official said. events should reflect the Olympic spir­ open to all people, will last until Nov get a better China’s Zhejiang province. China music for the sports event. “We hope the music for the it, as well as the perseverance and 30. A second phase of the campaign, Daily is teaming up with the organiz­ The call, set to last two years, will be Hangzhou Asian Games, from across toughness of athletes. targeting professional composers, understanding of ing committee of the Games to spot­ open to both ordinary people who love the globe and with different styles, to “Moreover, the music should help lyricists and musicians, will follow. A Hangzhou Asian light the preparation for and facts and support the Games, and profes­ be classic and able to be spread present a nation’s pride, self­confi­ panel commission will be set up to about the Hangzhou Asian Games. sional musicians, according to the through the ages,” Chen noted. dence and unity,” he noted. choose the best songs, lyrics and Games through our organizing committee. Besides being a stage for sports For the eight­minute Hangzhou pure musical works from all submis­ music and lyrics, that According to the committee’s expec­ competitions, the Games offers a feast Time show in September 2019 in Jak­ sions and decide on a theme song in would be quite usic plays an irreplacea­ tations, the musical works for the of Asian cultures. arta, the musician largely applied the the final round. ble part in gathering Games should be artistic and creative, The theme song, the promotional cultural features of Jiangnan, a region Professor Xu from Shanghai, who exciting. momentum in all mass and should be heard and shared by a song and the background music for south of the Yangtze River Delta, in the is also a national award­winning Li Ronghao, initiator of events, according to Xu worldwide audience. the opening and closing ceremonies, music production. composer, said of his expectations, NetEase Cloud Music Divi­ MJianqiang, a professor at the Shang­ “Sports represent the pursuit of embodied with distinctive cultures Meng said he believes that music is the lyrics for the Games’ songs have sion and referrer of the Call hai Conservatory of Music. breakthroughs in physical strength and values of the host country and the alive and full of vitality, and is rooted to be short and the melody simple for Musical Works for the A good song can have a longtime while music stands for the outburst of host city, along with the Asian Games in the cultural essence of China. and straightforward, so that people 19th Asian Games impact. “The song, even if played dec­ passion from inside the heart,” said spirit, are imprinted in the Games’ his­ Through music, Chinese stories can can easily pick it up and sing along. Hangzhou 2022 ades after, can still bring back memo­ Chen Weiqiang, deputy secretary­gen­ tory. Music is a most powerful weapon be heard by the world, he said. “I myself very much want to par­ ries of an event, the year and the city eral of the Games’ organizing commit­ in creating a great ambience for the HAGOC also announced it is join­ ticipate. I believe we will need musi­ where it took place,” the renowned tee and vice­mayor of Hangzhou, grand opening and closing ceremo­ ing hands with Zhejiang Television, cal elements from the Yangtze River There are composer told China Daily over the noting that the combination of sports nies of sports events, according to pro­ the Zhejiang Conservatory of Music, Delta, maybe a touch of folk opera phone. and music makes the most beautiful fessor Xu. NetEase Cloud Music and the video Yueju, and the music has to be mod­ many The 19th Asian Games Hangzhou language. Chen said the call for musi­ “Music is universal and shared by all platform Douyin in its call for musi­ ern and international too,” said the talented 2022, the preparations for which are cal works is an important part of the human beings. It can break down the cal works via different channels, musician, adding “I’d like my com­ now in full swing, is not just about the preparations for the Games and after barrier of culture, nationality or lan­ both online and offline. positions to be sung and heard after young continent’s top athletes and world­ rounds of considerations and discus­ guage, and speak with rich emotion, Submissions can be either com­ my demise if I’m given the chance.” people on Douyin. Music is a kind of language that can Music brings back memories of iconic sporting events help express the emotions that pure By YUAN SHENGGAO words can’t. I hope Ways to submit people can fully utilize Music and sports are natural com­ musical works plements to one another, just as a their imaginations and piece of cheese is to a glass of good 1. Offline channels seize the opportunity to wine. For an international sports *Headquarters Division (open to create musical works event, its organizers always strive to all submissions) mix music and sports to get the best Recipient: Headquarters Division with different styles. out of the two sides, inspiring both of the Call for Musical Works for Let’s do it together! music and sports fans from around Hangzhou Asian Games the world. Address: No 111, Moganshan Hu Yanbin, initiator of Douyin Everyone knows the classic foot­ Road, Hangzhou, Zhejiang Division, Call for Musical stomping and hand­clapping province Works for the 19th Asian Queen chant We Will Rock You at A musical performance is on stage during the Hangzhou Asian *Collegiate Division (open to sub­ Games Hangzhou 2022 NBA games, the World Cup anthem Games Organizing Committee’s campaign to solicit musical works missions from arts institutions) La Copa De La Vida from 1998, and for the sports event. PROVIDED TO CHINA DAILY Music is able to Recipient: Collegiate Division of “College the soothing theme song You and the Call for Musical Works for Me from the Bird’s Nest in Beijing present without Hangzhou Asian Games students 12 years ago. France, is one of the most popular song are still reminiscent of the spoken words, the Address: Room 601, Administra­ are Almost all sports events around World Cup anthems of all time. soccer players’ unyielding pursuit tion Building of Zhejiang Conserv­ experien the world have their own music, Ricky Martin, a Puerto Rican of victory and the excitement and strength, inspiration atory of Music, No 1 Zheyin Road, inspiring or comforting, to rev up singer who won great fame due to surprise of fierce competition. and impetus of the Xihu district, Hangzhou, Zhejiang cing the the crowd and inspire the athletes. the song, hailed it as “a unique Asian Mighty Winds, a promo­ province prime of Seemingly belonging to two dif­ opportunity to introduce the tional song for the 11th Asian athletes, and share Please write on the envelope: their lives in music ferent worlds, sports and music charms of Latin music to the rest Games in Beijing which showcased that with everyone.” “Call for Musical Works for can actually meet in unexpected of the world”, when deciding to the hardworking and unyielding Hangzhou Asian Games”.
Recommended publications
  • Contesting and Appropriating Chineseness in Sinophone Music
    China Perspectives 2020-2 | 2020 Sinophone Musical Worlds (2): The Politics of Chineseness Contesting and Appropriating Chineseness in Sinophone Music Nathanel Amar Electronic version URL: https://journals.openedition.org/chinaperspectives/10063 DOI: 10.4000/chinaperspectives.10063 ISSN: 1996-4617 Publisher Centre d'étude français sur la Chine contemporaine Printed version Date of publication: 1 June 2020 Number of pages: 3-6 ISSN: 2070-3449 Electronic reference Nathanel Amar, “Contesting and Appropriating Chineseness in Sinophone Music”, China Perspectives [Online], 2020-2 | 2020, Online since 01 June 2020, connection on 06 July 2021. URL: http:// journals.openedition.org/chinaperspectives/10063 ; DOI: https://doi.org/10.4000/chinaperspectives. 10063 © All rights reserved Editorial china perspectives Contesting and Appropriating Chineseness in Sinophone Music NATHANEL AMAR he first special issue of China Perspectives on “Sinophone Musical itself as a more traditional approach to Chinese-sounding music but was Worlds” (2019/3) laid the theoretical foundation for a musical appropriated by amateur musicians on the Internet who subvert accepted T approach to Sinophone studies (Amar 2019). This first issue notions of Chinese history and masculinity (see Wang Yiwen’s article in this emphasised the importance of a “place-based” analysis of the global issue). Finally, the last article lays out in detail the censorship mechanisms for circulation of artistic creations, promoted in the field of Sinophone studies by music in the PRC, which are more complex and less monolithic than usually Shu-mei Shih (2007), and in cultural studies by Yiu Fai Chow and Jeroen de described, and the ways artists try to circumvent the state’s censorship Kloet (2013) as well as Marc Moskowitz (2010), among others.
    [Show full text]
  • Double-Edged Sword’
    2 | Wednesday, August 25, 2021 HONG KONG EDITION | CHINA DAILY PAGE TWO Music: Internet a ‘double-edged sword’ Supporters attend a pop concert in Jianghan Road in downtown Wuhan, Hubei province, on Oct 31. Online reality shows play a key role in advancing a singer’s career. ZHAO JUN / FOR CHINA DAILY From page 1 theme song for the popular drama A Beijing Native in New York, in 1993, and Heroes’ Although the internet helps showcase Song for the 1997 TV series Shui Hu Zhuan new talent, which connects with fans (The Water Margin). through social media platforms, such plat- He also wrote and performed Asian forms can be a double-edged sword. Mighty Winds, the official theme song for Liu said figures suggest the music scene in the 1990 Asian Games in Beijing, and You China is booming. The 2021 International and Me, the theme song for the 2008 Bei- Federation of the Phonographic Industry jing Olympics, which he performed with annual Global Music Report ranked the British singer Sarah Brightman. nation as the seventh-largest music market It is not the first time that Liu has voiced last year. his concerns about the music scene. In 2019, According to the year-end report on Chi- when he appeared on Hunan Satellite TV’s na’s music market released by domestic reality show Singer, he said the pop music online music entertainment platform Ten- industry in China was in crisis and he called cent Music Entertainment Group, or TME, for domestic singer-songwriters to produce more than 748,000 new songs were written “good original music”.
    [Show full text]
  • Rainie Yang Ambiguous Download
    Rainie yang ambiguous download LINK TO DOWNLOAD Las letras y el video de la canción Ambiguous de Rainie Yang: Ambiguous make people become greedy until waiting lost its means pity that me and you could not write out an renuzap.podarokideal.ru://renuzap.podarokideal.ru · Clip de Rainie Yang sur Ambiguous Pour le Drama "Devil Beside You" avec Mike He Jun Xiangrenuzap.podarokideal.ru Yesterday was Taiwanese actress-singer Rainie Yang’s 31st birthday and she posted a youthful-looking selfie on Weibo of herself with the peace sign. Her rumoured boyfriend, Chinese singer-songwriter Li Ronghao, posted an ambiguous birthday wish on Weibo yesterday morning without saying to whom the blessing was meant for, causing fans to renuzap.podarokideal.ru Ambiguous by Rainie Yang. Ambiguous let people feel wronged. Could not find the evidence of loving each other. When should go forward, when should give up. Even do not have courage to hug. Ambiguous make people become greedy. Until waiting lost its means. Pity renuzap.podarokideal.ru download it here at sugarpain_music the post will be public for 48 hours [: join to see more posts Yang began her career as a member of the all-girl singing group 4 in Love, where she was given the stage name of renuzap.podarokideal.ru://renuzap.podarokideal.ru Rainie Yang - Listen to Rainie Yang on Deezer. With music streaming on Deezer you can discover more than 56 million tracks, create your own playlists, and share your favourite tracks with your renuzap.podarokideal.ru://renuzap.podarokideal.ru Rainie Yang (traditional Chinese: 楊丞琳; simplified Chinese: 杨丞琳; pinyin: Yáng Chénglín; born June 4, in Taipei, Taiwan) is a popular Chinese singer, actress, and talk show host.
    [Show full text]
  • Global Music Report 2018 ANNUAL STATE of the INDUSTRY
    Global Music Report 2018 ANNUAL STATE OF THE INDUSTRY Global top 10 recording artists of 2017 Untitled-3 1 3/4/18 3:58 PM GLOBAL MUSIC REPORT 2018: STATE OF THE INDUSTRY Welcome · 3 Welcome As an artist, I am privileged to perform One of the crucial roles for record com- before audiences around the world and panies is to support and invest in artists see first-hand how essential music is for and to help them develop for their greatest people from every walk of life. creative and commercial success, so that But even as music’s essence is endur- their music can be enjoyed by fans around ing, much about music is changing. the world. The IFPI Global Music Report tells the It is therefore essential that all music cre- PLÁCIDO DOMINGO story of recorded music’s ongoing journey. ators are fairly compensated for their work. I CHAIRMAN, IFPI Today, artists are reaching music fans in have met with policymakers in Europe and ways I never could have imagined when I elsewhere to call on them to back legislation began my own career. Music is global and that would support this by addressing the increasingly digital. This transformation value gap, thereby ensuring a fair and bal- has been fundamental and rapid and offers anced digital marketplace for all. great opportunities. We are living in an incredibly exciting But we can never forget that music time for recorded music. We must persevere does not just happen. It requires the hard with our efforts to ensure its journey benefits work, commitment, investment and artist- the music creators and fans of today, and ry of so many people.
    [Show full text]
  • Chinese Music Reality Shows: a Case Study
    Chinese Music Reality Shows: A Case Study A Thesis Submitted to the Faculty of Drexel University by Zhengyuan Bi In partial fulfillment of the requirements for the degree of Master of Science in Television Management January 2017 ii © Copyright 2017 Zhengyuan Bi All Right Reserved. iii DEDICATION I dedicate this thesis to my family and my friends, with a special feeling of gratitude to my loving parents, my friends Queena Ai, Eileen Zhou and Lili Mao, and my former boss Kenny Lam. I will always appreciate their love and support! iv ACKNOWLEDGMENTS I would like to take this opportunity to thank my thesis advisor Philip Salas and Television Management Program Director Al Tedesco for their great support and guidance during my studies at Drexel University. I would also like to thank Katherine Houseman for her kind support and assistance. I truly appreciate their generous contribution to me and all the students. I would also like to thank all the faculty of Westphal College of Media Arts & Design, all the classmates that have studied with me for these two years. We are forever friends and the best wishes to each of you! v Table of Contents DEDICATION ………………………………………………………………………………..iii ACKNOWLEDGEMENTS…………………………………………………………………...iv ABSTRACT……………………………………………………………………………………vii Chapter 1: Introduction………………………………………………………………………..1 1.1 Introduction………………………………………………………………………………...3 1.2 Statement of the Problem…………………………………………….................................3 1.3 Background…………………………………………………………………………………4 1.4 Purpose of the study…………………………………………………………………….....5
    [Show full text]
  • China's Year in Review
    2017 China's Year in Review Follow China Intercontinental Press Us on Advertising Hotline WeChat Now 城市漫步珠 国内统一刊号: 三角英文版 that's guangzhou that's shenzhen CN 11-5234/GO JANUARY 2018 01月份 that’s PRD 《城市漫步》珠江三角洲 英文月刊 主管单位 : 中华人民共和国国务院新闻办公室 Supervised by the State Council Information Office of the People's Republic of China 主办单位 : 五洲传播出版社 地址 : 北京西城月坛北街 26 号恒华国际商务中心南楼 11 层文化交流中心 11th Floor South Building, Henghua lnternational Business Center, 26 Yuetan North Street, Xicheng District, Beijing http://www.cicc.org.cn 社长 President: 陈陆军 Chen Lujun 期刊部负责人 Supervisor of Magazine Department: 邓锦辉 Deng Jinhui 编辑 Editor: 朱莉莉 Zhu Lili 发行 Circulation: 李若琳 Li Ruolin Senior Digital Editor Matthew Bossons Shenzhen Editor Adam Robbins Guangzhou Editor Daniel Plafker Shenzhen Digital Editor Bailey Hu Senior Staff Writer Tristin Zhang Digital Editor Katrina Shi National Arts Editor Erica Martin Contributors Ned Kelly, Betty Richardson, Lena Gidwani, Dr. Adam Koh, Mia Li, Katrina Shi, Dominic Ngai, Erica Martin, Dominique Wong, Bryan Grogan, Kheng Swe Lim, Paul Barresi, Sky Gidge HK FOCUS MEDIA Shanghai (Head Office) 上海和舟广告有限公司 上海市蒙自路 169 号智造局 2 号楼 305-306 室 邮政编码 : 200023 Room 305-306, Building 2, No.169 Mengzi Lu, Shanghai 200023 电话 : 传真 : Guangzhou 上海和舟广告有限公司广州分公司 广州市麓苑路 42 号大院 2 号楼 610 室 邮政编码 : 510095 Rm 610, No. 2 Building, Area 42, Luyuan Lu, Guangzhou 510095 电话 : 020-8358 6125 传真 : 020-8357 3859 - 816 Shenzhen 深圳联络处 深圳市福田区彩田路星河世纪大厦 C1-1303 C1-1303, Galaxy Century Building, Caitian Lu, Futian District, Shenzhen 电话 : 0755-8623 3220 传真 : 0755-6406 8538 Beijing 北京联络处 北京市东城区东直门外大街 48 号东方银座 C 座 G9 室 邮政编码 : 100027 9G, Block C, Ginza Mall, No.
    [Show full text]
  • Reminder List of Productions Eligible for the 88Th Academy Awards
    REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 88TH ACADEMY AWARDS ADULT BEGINNERS Actors: Nick Kroll. Bobby Cannavale. Matthew Paddock. Caleb Paddock. Joel McHale. Jason Mantzoukas. Mike Birbiglia. Bobby Moynihan. Actresses: Rose Byrne. Jane Krakowski. AFTER WORDS Actors: Óscar Jaenada. Actresses: Marcia Gay Harden. Jenna Ortega. THE AGE OF ADALINE Actors: Michiel Huisman. Harrison Ford. Actresses: Blake Lively. Kathy Baker. Ellen Burstyn. ALLELUIA Actors: Laurent Lucas. Actresses: Lola Dueñas. ALOFT Actors: Cillian Murphy. Zen McGrath. Winta McGrath. Peter McRobbie. Ian Tracey. William Shimell. Andy Murray. Actresses: Jennifer Connelly. Mélanie Laurent. Oona Chaplin. ALOHA Actors: Bradley Cooper. Bill Murray. John Krasinski. Danny McBride. Alec Baldwin. Bill Camp. Actresses: Emma Stone. Rachel McAdams. ALTERED MINDS Actors: Judd Hirsch. Ryan O'Nan. C. S. Lee. Joseph Lyle Taylor. Actresses: Caroline Lagerfelt. Jaime Ray Newman. ALVIN AND THE CHIPMUNKS: THE ROAD CHIP Actors: Jason Lee. Tony Hale. Josh Green. Flula Borg. Eddie Steeples. Justin Long. Matthew Gray Gubler. Jesse McCartney. José D. Xuconoxtli, Jr.. Actresses: Kimberly Williams-Paisley. Bella Thorne. Uzo Aduba. Retta. Kaley Cuoco. Anna Faris. Christina Applegate. Jennifer Coolidge. Jesica Ahlberg. Denitra Isler. 88th Academy Awards Page 1 of 32 AMERICAN ULTRA Actors: Jesse Eisenberg. Topher Grace. Walton Goggins. John Leguizamo. Bill Pullman. Tony Hale. Actresses: Kristen Stewart. Connie Britton. AMY ANOMALISA Actors: Tom Noonan. David Thewlis. Actresses: Jennifer Jason Leigh. ANT-MAN Actors: Paul Rudd. Corey Stoll. Bobby Cannavale. Michael Peña. Tip "T.I." Harris. Anthony Mackie. Wood Harris. David Dastmalchian. Martin Donovan. Michael Douglas. Actresses: Evangeline Lilly. Judy Greer. Abby Ryder Fortson. Hayley Atwell. ARDOR Actors: Gael García Bernal. Claudio Tolcachir.
    [Show full text]
  • Activists Call for Coloane Tower Project Halt
    LAS VEGAS SANDS PAYS INDIA: MASSIVE FIRE KILLS USD9M FINE MORE THAN 100 PACQUIAO Las Vegas Sands is paying Most of the 102 people died BEATS a USD9 million fine to settle when the building where BRADLEY a Securities and Exchange the fireworks were stored ON POINTS Commission probe collapsed P3 P13 P19 BOXING MON.11 Apr 2016 T. 20º/ 24º C H. 85/ 98% Blackberry email service powered by CTM MOP 7.50 2534 N.º HKD 9.50 FOUNDER & PUBLISHER Kowie Geldenhuys EDITOR-IN-CHIEF Paulo Coutinho “ THE TIMES THEY ARE A-CHANGIN’ ” WORLD BRIEFS HONG KONG Revelers dressed up as Donald Activists call for Coloane Trump and several movie characters as they watched Fiji clinch its 16th title at Hong P3 Kong’s biggest annual tower project halt social event, the Rugby Sevens. Fiji beat New Zealand by 21 points to 7 yesterday in the final match of the three-day event. More on p19 MARQUES RENATO JAPAN Foreign ministers from the Group of Seven industrialized countries are meeting in the western Japanese city of Hiroshima until today. More on p20 AP PHOTO BELGIUM The extremists who struck Brussels last month and killed 32 people initially planned to launch a second assault on France in the wake of the November attacks in Paris, authorities said yesterday. More on p14 More on backpage With articles republished from Russia: Hong Kong emerges as hub for Putin’s balance sheet creating offshore companies F1 P10,11 PANAMA PAPERS 11.04.2016 mon th Anniversary 2 MACAU 澳聞 MUSIC ‘The Great Pianist’ concert in Macau ACAU Orchestra Mhas collaborated with French pianist Alexandre Tharaud for its upcoming concert entitled “The Great Pianist: Alexandre Tharaud and Macau Orchestra.” Alexandre Tharaud, ac- claimed as a modern “poet of the piano,” became well known as an outstanding pianist following the release of the French film “Amour” – winner of the Palm d’Ór at Alexandre Tharaud the 65th Cannes Film Festi- val in 2012 and the Academy Post as “a pianist of brilliant Award for Best Foreign Lan- thought and action.” guage Film in 2013.
    [Show full text]
  • Zhou-Master.Pdf (1.441Mb)
    Are You a Good Chinese Musician? The Ritual Transmission of Social Norms in a Chinese Reality Music Talent Show Miaowen Zhou Master’s Thesis in East Asian Culture and History (EAST4591 - 60 Credits) Department of Culture Studies and Oriental Languages UNIVERSITY OF OSLO Spring 2015 © Miaowen Zhou 2015 Are You a Good Chinese Musician? The Ritual Transmission of Social Norms of a Chinese Reality Music Talent Show http://www.duo.uio.no/ Trykk: Reprosentralen, Universitetet i Oslo II Abstract The sensational success of a Chinese reality music talent show, Super Girls’ Voice (SGV), in 2005 not only crowned many unknown Chinese girls/women with the hail of celebrity overnight, but also caused hot debates on many subjects including whether the show triggered cultural, even political democracy in China. 10 years have passed and China is in another heyday of reality music talent shows. However, the picture differs from before. For instance, not everybody can take part in it anymore. And the state television China Central Television (CCTV) joined the competition for market share. It actually became a competitive player of “reality” by claiming to find the best original and creative Chinese musicians whose voices CCTV previously avoided or oppressed. In this thesis, I will examine one CCTV show, The Song of China (SOC), in order to examine what the norms of good Chinese music and musicians are in the context of reality music talent shows. My work will hopefully give you some insights into the characteristics and the wider social and political influences of such reality music talent shows in the post-SGV era.
    [Show full text]
  • Reading List for Taiwan's Popular Music Chang, S
    Reading List for Taiwan’s Popular Music Chang, S. (2010). The face of independence? A visual record of Taiwanese indie music scene. Inter-Asia Cultural Studies, 11(1), 89–99. Chow, Y. F., & de Kloet, J. (2011). Blowing in the China wind: Engagements with Chineseness in Hong Kong’s zhongguofeng music videos. Visual Anthropology, 24(1), 59–76. https://doi.org/10.1080/08949468.2011.525492 Chua, B. H. (2001). Pop Culture China. Singapore Journal of Tropical Geography, 22(2), 113–121. Chun, A., Rossiter, N., & Shoesmith, B. (2004). Refashioning Pop Music in Asia. Flower, A., & Guy, N. (2008). Feeling a Shared History through Song: “A Flower in the Rainy Night” as a Key Cultural Symbol in Taiwan. DTR, 52(4), 64–81. Fung, A. (2008). Western Style, Chinese Pop : Jay Chou ’s Rap and Hip-Hop in China. Asian Music, 39(1), 69–80. Guy, N. (1999). Governing the arts, governing the state: Peking opera and political authority in Taiwan. Ethnomusicology, 43(3), 508 -526. Ho, T. (2003). The social formation of Taiwan’s Mandarin popular music industry. Lancaster University. https://doi.org/10.1002/ejoc.201200111 Jian, M.-J. (2017). The legendary venues and the live music scenes in Taipei and Beijing: Underworld and D22. In K. Iwabuchi, E. Tsai, & C. Berry (Eds.), Routledge Handbook of East Asian Popular Culture (pp. 124–134). London and New York: Routledge. Lin, C.-Y., & Um, H. K. (2017). From “Blue and White Porcelain” to “Island” s Sunrise’: Young audience perceptions of Chineseness and Taiwaneseness in Taiwan’s popular music. East Asian Journal of Popular Culture, 3(2), 153–167.
    [Show full text]
  • Scientific Programme Wednesday, 26. June 2019 Student Assembly
    International Council of Nurses Congress 2019, 27 June - 1 July 2019, Marina Bay Sands, Singapore Scientific Programme Wednesday, 26. June 2019 Side meeting 08:30 - 17:00 Academia Student Assembly The ICN Congress Nursing Student Assembly will be held on Wednesday, 26 June from 09:00 to 17:00 at the Academia at the Singapore General Hospital. Registration will begin at 08:30. Simultaneous interpretation will be provided in English, French and Spanish. The Assembly provides nursing students the opportunity to connect, explore and collaborate on priority issues. Registration to the event 08:30 - 09:00 Welcome, Presentation and Introduction by the Singapore Nurses 09:00 - 09:10 Association, ICN Ice breaker 09:10 - 09:30 ICN – The Global Voice of Nursing 09:30 - 09:43 Nursing Now 09:43 - 09:56 State of the World’s Nursing 09:56 - 10:10 Care To Go Beyond 10:10 - 10:40 Break 10:40 - 11:00 Lost in Transition – Newly qualified Registered Nurses and their 11:00 - 11:20 transition to practice journey Developing the next generation – Lessons learnt from the Emerging 11:20 - 11:50 Nurse Leader Programme Hashtags & Healthcare: Social media and its relationship to mental 11:50 - 12:20 health Q&A 12:20 - 12:40 The future of student engagement at ICN 12:40 - 13:00 Lunch 13:00 - 14:00 Group Work (Breakout rooms) 14:00 - 15:30 Break 15:30 - 15:45 Reports of the group work 15:45 - 16:30 Conclusions of the Assembly 16:30 - 16:45 Page 1 / 168 International Council of Nurses Congress 2019, 27 June - 1 July 2019, Marina Bay Sands, Singapore Scientific Programme Thursday, 27.
    [Show full text]
  • Chapter 1: Place §1 Chinese Popular Music
    The performance of identity in Chinese popular music Groenewegen, J.W.P. Citation Groenewegen, J. W. P. (2011, June 15). The performance of identity in Chinese popular music. Retrieved from https://hdl.handle.net/1887/17706 Version: Not Applicable (or Unknown) Licence agreement concerning inclusion of doctoral thesis in the License: Institutional Repository of the University of Leiden Downloaded from: https://hdl.handle.net/1887/17706 Note: To cite this publication please use the final published version (if applicable). Chapter 1: Place §1 Chinese Popular Music After introducing the singer and describing his migration from Malaysia to Singa- pore and his recent popularity in Hong Kong, Taiwan, and all over the Chinese di- aspora, the anchor [of the 1995 May 1st Concert] asked Wu [Qixian] how he de- fined himself in the final analysis. The musician’s reply, “I am Chinese” (wo shi Zhongguoren), which stirred a most enthusiastic and warm response from the au- dience, encapsulated everything Wu’s participation stood for, at least from the point of view from the state… By inviting … gangtai singers to participate in concerts and television programs, the Chinese state is not engaged so much in competing with other Chinese politics and identities … but rather in contesting their independence and in co-opting them into a greater Chinese nationalism, of which China is the core. In other words, the Chinese state is engaged in appropri- ating the concept of Greater China (Da Zhonghua).1 Gangtai is a 1980s PRC term for highly successful cultural products from Hong Kong (xiang gang) and Taiwan. In the above quotation, Nimrod Baranovitch rightly recognizes Hong Kong and Taiwan as major areas of production of Chinese pop music.
    [Show full text]