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Une Exposition Conçue Par Fabien Vallos & Lætitia Talbot Dans L

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Une Exposition Conçue Par Fabien Vallos & Lætitia Talbot Dans L RELEVÉS « Relevé » traduit le terme anglais « statement » (Art conceptuel, une entologie, éd. Mix., 2008, p. 488 et 443). Le terme évoque encore la « relève » que Jacques Derrida utilise pour Fabien Vallos est théoricien, éditeur et professeur de philosophie traduire « Aufhebung » au sens d’élever et de relever. Enfin il est pensé sous la forme d’un slogan. à l’École nationale supérieure de la photographie. Lætitia Talbot est commissaire et directrice de Espace pour l’art. Une exposition conçue par Fabien Vallos & Lætitia Talbot dans l’espace public de la ville d’Arles et sur les murs de la 21 avril - 20 mai 2017 Fondation Vincent van Gogh Arles, du musée de l’Arles Antique, du Musée Réattu, de l’École nationale supérieure de la photographie, de l’Espace pour l’art, de Room-Service et de l’hôtel Nord-Pinus. Avec les artistes : A Constructed World, Vincenzo Agnetti, Art & Language (Michael Baldwin, Mel Ramsden), Mel Bochner, Antoine Dufeu, Dora Garcia, Dan Graham, Douglas Huebler, Yann artistes invités Sérandour & Lawrence Weiner et avec les textes de Sylvie Boulanger, Antoine Dufeu, Nicolas Giraud, Jean- Philippe Peynot, Sébastien Pluot, Alexandre Quoi, Fabrice auteurs invités Co-édition Éditions Mix. Reymond & Fabien Vallos. Une boîte-catalogue est éditée et Espace pour l’art. Avec le soutien de : à 100 exemplaires numérotés. L’exposition RELEVÉS a lieu avec le soutien de la ville d’Arles, des institutions culturelles Boîte-classeur contenant : et de partenaires privés. Le principe consiste à déployer une la documentation de l’exposition, les textes critiques des auteurs col. Philippe Méaille quinzaine d’œuvres dans l’espace public de la ville d’Arles. sur les pièces présentées et des multiples de : Elles sont des « statements » (des « relevés ») linguistiques A Constructed World, Art & Language, qui se saisissent de leur lieu spécifique dans l’espace public Yann Sérandour, Dan Graham. (façades, galeries, journaux, commerces, publicités, murs, & les galeries Marian Goodman, etc.) : elles sont banderoles, bâches, affiches, tracts, documents GB Agency, Michel Rein. & une sélection d’ouvrages est distribués, sets de table, publications, énoncés, articles, disponible à la librairie Actes Sud. cartes, sons, etc. http://www.espacepourlart.org/ Plan en page 7. Cette exposition a lieu dans le cadre de Arles contemporain. Harrison, Graham Howard et aussi Joseph Kosuth. Le groupe Art & Language est également à l’origine de la revue Art- L’usage direct des dans un état d’ Language publiée à partir de 1969 et dans MOTS ÉQUIVALENCE laquelle on retrouve les contributions de pour faire n’a nul besoin de faire et sans nombreux artistes du mouvement conceptuel. SENS DISPARITÉS. Merci à Michael Balwin & Mel Ramsden. VISUELLEMENT. Un lieu où les choses sont L’œuvre peut être INERTES, CONÇUE où _______ Œuvre 05 _______ en termes de L’ESPACE LANGAGE a finalement atteint un Language is not Transparent, Mel Bochner et la CALME craie et encre sur le mur, 182 x 122, 1970 PERCEPTION P LAT. Courtesy de l’artiste. sera toujours autre chose. Étude pour une peinture secrète La pièce est réalisée sur un des murs de Espace L’œuvre pour l’art, visible en journée et la nuit depuis la CONCEPTUELLE vitrine [79]. pré-factuelle est Merci à Mel Bochner & Sébastien Pluot. Réflexions sur Schéma) a été éditée et traduite PRÉCISE, in Art conceptuel, une entologie, éditions Mix. VERBALE 2008, p. 189-193. Ici elle est publiée sous une et nouvelle traduction de F. Vallos et activée LA VISIBILITÉ est sans importance. dans le journal. L’ensemble des textes, LE RYTHME traductions et exemplaire du journal sont domine toujours la rassemblés dans l’édition catalogue. FORME et aujourd’hui ce _______ Œuvre 10 _______ niveau d’ ÉNERGIE As long as it last, Lawrence Weiner, 1993 est au plus bas. lettrages, 80 x 15. Col. Cyrille Putman. La simple L’œuvre est présentée sur la vitrine de la RÉPÉTITION galerie Room-Service au 26 rue des Porcelets. de anguage Elle appartient à la série des statements. NOMS, L LE MÊME Courtesy Lawrence Weiner. LANGAGE Art & , Merci à Cyrille Putman & Lawrence Weiner. HOMOGÈNE où finalement la forme et l’aspect _______ Œuvre 06 _______ _______ Œuvre 11 _______ ont trouvé LE REPOS Golden Sentence (Il y a un trou dans le réel), Translation from one language to another, Dora Garcia, 2005-2014 Statement # 71 (public freehold), Lawrence Study for a Secret Painting lettres dessinées à la feuille d’or, 150 x 10 Weiner, 1969, lettrages sur verre, 400 x 300 L’œuvre est présentée sur la vitrine de Espace L’œuvre est présentée sur deux fenêtres de la pour l’art et est visible en permanence [79]. façade du Musée départementale de l’Arles Courtesy de l’artiste et collection 49N6E antique (presqu’île du Cirque romain). _______ Œuvre 01 _______ QRcode (depuis le site de Drag City Records) Frac Lorraine. Courtesy Lawrence Weiner et Galerie sur ce journal, sur de petites cartes et dans Marian Goodman. Merci à Lawrence Weiner. Study for a secret Painting l’espace d’exposition. L’œuvre est visible sur la _______ Œuvre 07 _______ [Étude pour une peinture secrète], terrasse du 1er étage de la Fondation Vincent p Commentaires P Art & Language (Mel Ramsden, 1967). van Gogh Arles [93] depuis les fenêtres Psiloi lógoi, A Conctructed World, 2017 Courtesy des artistes, col. Philippe Méaille des salles d’exposition et depuis la terrasse peinture sur bâche bleue, 400 x 300 Lawrence Weiner est connu pour ses Relevés et MACBA. panoramique. Courtesy des artistes. [Statements], dont le statut artistique est Publication originale sur papier libre, L’œuvre est présentée sur le mur d’enceinte indépendant de leur réalisation. Le terme traduction française in Art conceptuel, une _______ Œuvre 04 _______ de l’ENSP au 16 rue des Arènes [71]. relevés (titre donné à la présente exposition) entologie, éd. Mix. 2008, p. 54. fait référence au relevé bancaire [Bank L’œuvre est imprimée sur une carte A5 à Capital Sins, Art & Language, 2012 _______ Œuvre 08 _______ Statement]. Lawrence Weiner dit : « Le mille exemplaires et adressée par courrier lettre à Philippe Méaille mot Statement sert à décrire les différents ou donnée en main propre. Exemplaires à Courtesy des artistes, col. Philippe Méaille et Group up, A Conctructed World, 2017 contenus d’une exposition. Le mot Statement, disposition au [79] et dans l’édition. MACBA. Trad. F. Vallos affiche format A4 en tant que nom, vaut pour l’indication d’un Publication originale sur papier libre. L’œuvre Courtesy des artistes. bilan. Il dit ce sur quoi porte la facture [the _______ Œuvre 02 _______ est présentée traduite dans l’édition catalogue L’œuvre est présentée dans le présent journal bill]. Il intervient après ou au moment de la et mise à disposition au [79]. en p. 3-6 et imprimée à 100 exemplaires pour transaction. Par ex. une vis, un boulon, deux Support School [Supportez l’école], l’édition catalogue. morceaux de bois, etc. » in Art conceptuel, Art & Language, affiches, 1976. p Commentaires P une entologie, éd. Mix., 2008, p. 488 et 433. Courtesy de l’artiste, col. Philippe Méaille et p Commentaires P Relevés (de 1968 à 1983) in Works, éd. Anatol MACBA. Trad. F. Vallos. Art & Language est un collectif d’artistes Av und Filmproduktion, Hambourg, 1977 et L’œuvre est reproduite ici aux pages 4-5 du australiens, anglais et américains fondé A Constructed World est un collectif fondé in Specific & General Works, éd. Le nouveau présent journal (version originale en anglais). en 1968 à Coventry par Terry Atkinson, en 1993 par Jacqueline Riva et Geoff Lowe. musée, Institut d’art contemporain, 1993. Elle est également traduite et exposée au Michael Baldwin, David Bainbridge et Ils vivent et travaillent à Paris. format 176 x 120 sur des sucettes de publicité Harold Hurrell. En plus de ses membres http://speechbroughtback.com/acw/ _______ Œuvre 12 _______ dans la ville [passim] et imprimée au format fondateurs, il a compris jusqu’à trente Idéologie & A Constructed World, trad. col., A2, en affichage sauvage, mise à disposition personnalités dont David Bainbridge, éditions Mix., mai 2017. Sans titre (Le signe répété), Vincenzo Agnetti à Espace pour l’art et enfin éditée à 100 ex. Ian Burn, Philipp Pilkington, Mel in Flash Art, n°32-33-34, Milan, mai-juin pour l’édition. Ramsden, David Rushton, Charles _______ Œuvre 09 _______ 1972 (© Archivio Vincenzo Agnetti, Milan). L’œuvre est présentée ici sous forme d’affiche _______ Œuvre 03 _______ Schema (march 1966), Dan Graham (70 x 70) et exposée sur les murs de la ville. in Aspen n°5+6, section 16, 1967 ; (dir. Brian Kangaroo?, Art & Language, 2017 O’Doherty) ; in Art-Language, vol. 1, n°1, p. bâches imprimées, 800 x 300 Premier numéro de la 14, mai 1969 ; in Konzeption / Conception, revue Art-Language (mai Courtesy des artistes & trad. F. Vallos. 1969). Ce numéro est Leverkusen, 1969 et Dan Graham Lisson Texte d’une chanson écrite exposé à Espace pour Publications, Londres, 1972. l’art [79 - col P. Méaille] en 1981 pour l’album et présenté ouvert en Courtesy de l’artiste, Galerie Marian Goodman. éponyme de Red Crayola page 14 sur l’œuvre de L’œuvre est publiée dans le journal La Dan Graham Schema Marseillaise le 21 avril 2017 sous sa forme (1995). La chanson est (1966) visible dans l’ex- disponible à partir d’un position RELEVÉS [œuvre Poem. L’œuvre sous sa forme Schema, 09]. Poem, Thoughts on Schema (Schéma, Poème, [93] Fondation Vincent van Gogh Arles [82] Musée Réattu - 10 rue du Grand Prieuré 35ter rue du Dr Fanton Quelque chose… de Yann Sérandour, bâche imprimée Kangaroo, Art & Language, bâche visible sur la façade côté Rhône du musée (24/24h, 7/7j) [45] Rue de la Cavalerie er Plan de la ville d’Arles, terrasse 1 étage - 11h-19h sauf lundi + musée, ouvert de 10h à 18h, tous les jours sauf lundi Mutatis mutandis, Antoine dressé par Guillaume Véran, 1843 accès gratuit pour le parcours Relevés gare SNCF Dufeu, bâche imprimée BnF, GED-2521 + édition d’un set de table aux Sales Gosses [79] Espace pour l’art [96] Actes Sud 5 rue Réattu Librairie.
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