Specialty Records Discography, Part 2
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Drums • Bobby Bradford - Trumpet • James Newton - Flute • David Murray - Tenor Sax • Roberto Miranda - Bass
1975 May 17 - Stanley Crouch Black Music Infinity Outdoors, afternoon, color snapshots. • Stanley Crouch - drums • Bobby Bradford - trumpet • James Newton - flute • David Murray - tenor sax • Roberto Miranda - bass June or July - John Carter Ensemble at Rudolph's Fine Arts Center (owner Rudolph Porter)Rudolph's Fine Art Center, 3320 West 50th Street (50th at Crenshaw) • John Carter — soprano sax & clarinet • Stanley Carter — bass • William Jeffrey — drums 1976 June 1 - John Fahey at The Lighthouse December 15 - WARNE MARSH PHOTO Shoot in his studio (a detached garage converted to a music studio) 1490 N. Mar Vista, Pasadena CA afternoon December 23 - Dexter Gordon at The Lighthouse 1976 June 21 – John Carter Ensemble at the Speakeasy, Santa Monica Blvd (just west of LaCienega) (first jazz photos with my new Fujica ST701 SLR camera) • John Carter — clarinet & soprano sax • Roberto Miranda — bass • Stanley Carter — bass • William Jeffrey — drums • Melba Joyce — vocals (Bobby Bradford's first wife) June 26 - Art Ensemble of Chicago Studio Z, on Slauson in South Central L.A. (in those days we called the area Watts) 2nd-floor artists studio. AEC + John Carter, clarinet sat in (I recorded this on cassette) Rassul Siddik, trumpet June 24 - AEC played 3 nights June 24-26 artist David Hammond's Studio Z shots of visitors (didn't play) Bobby Bradford, Tylon Barea (drummer, graphic artist), Rudolph Porter July 2 - Frank Lowe Quartet Century City Playhouse. • Frank Lowe — tenor sax • Butch Morris - drums; bass? • James Newton — cornet, violin; • Tylon Barea -- flute, sitting in (guest) July 7 - John Lee Hooker Calif State University Fullerton • w/Ron Thompson, guitar August 7 - James Newton Quartet w/guest John Carter Century City Playhouse September 5 - opening show at The Little Big Horn, 34 N. -
Gospel Music The
Section 2 October 14, 1967 ocirill TheWorld of GOSPEL MUSIC THE EGC:311iiim THING IN GOSPEL MP "SIG HERE ARE JUST NINE OF THE MANY GREATGOSPEL HITS FEATURED BY PATHWAY GreiA a Name am. P.tw -OW Ow LP 6053 -SIP 6053 LP 3219 -SIP 3219 LP 6050-SLP 6050 BLACKWOOD MINERS afI SfR 4 ENSEMILE LP 6044-SLP 6044 LP 6055-SLP 6055 LP 6045-SLP 6045 LP 6051-SLP 6051 smirrrGATLIN TRIO 1-JAT H WAY RECORDS P. 0. BOX 880 I CLEVELAND, TENNESSEE 3 7 3 1 1 Exclusive Distributors for SKYLITE/SING (-4"HIGH VIDALaxy Sole International Distributors LP 6000-SLP 6000 LP 6056 -SIP 6056 and Sales Representatives for CHRISTIAN FAITH/TEMPLE/WORSHIP TheWorld of GOSPEL 1111SIC Contents GMA Gains in Stature 6 Gospel Enters the Mainstream -1967 8 It Is No Secret 10 Gos-Pop Sound Emerges 12 Religious Records Enjoy Longer Sales Life 16 Almost All Bluesmen Cut Gospel Records 18 Cathedral of Tomorrow 20 Chuck Wagon Gang 22 Nashville, a Center of Religious Music 22 National Quartet Convention 30 Bible Interest on Rise 32 Gospel Is Davis First Love 34 From Sausages to Sacred Music 36 Supreme Breaks Through 38 Gospel Symposium Honors Edwards 38 Women Promote Gospel Music 40 New Sound in Gospel Music 40 The Churches Are Singing More 42 Back to Historical Hymnity 44 Gospel Music Discography 46 Billboard Publications,Inc. General Advertising Office, N. Y. 2160 Patterson St., Cincinnati, 0. 45214 Advertising Manager Ron Carpenter Tel.: Area Code 513, 381-6450 PromotionDirector GeraldinePlatt Midwest MusicSales Richard Wilson West Coast Gen. -
Why Am I Doing This?
LISTEN TO ME, BABY BOB DYLAN 2008 by Olof Björner A SUMMARY OF RECORDING & CONCERT ACTIVITIES, NEW RELEASES, RECORDINGS & BOOKS. © 2011 by Olof Björner All Rights Reserved. This text may be reproduced, re-transmitted, redistributed and otherwise propagated at will, provided that this notice remains intact and in place. Listen To Me, Baby — Bob Dylan 2008 page 2 of 133 1 INTRODUCTION .................................................................................................................................................................. 4 2 2008 AT A GLANCE ............................................................................................................................................................. 4 3 THE 2008 CALENDAR ......................................................................................................................................................... 5 4 NEW RELEASES AND RECORDINGS ............................................................................................................................. 7 4.1 BOB DYLAN TRANSMISSIONS ............................................................................................................................................... 7 4.2 BOB DYLAN RE-TRANSMISSIONS ......................................................................................................................................... 7 4.3 BOB DYLAN LIVE TRANSMISSIONS ..................................................................................................................................... -
OBHOF INDUCTEES Why We Honor Them 2104
OBHOF INDUCTEES 2104 Why We HonorThem: Dr. Harold Aldridge March 3, 2014 Aldridge sings the blues Dr. Harold Aldridge is a retired professor of psychology at NSU in Tahlequah. Tahlequah Daily Press By RENEE FITE Special Writer TAHLEQUAH — The gray is beginning to cover his once-black hair, and it shows when the tall, lanky musician adjusts his black felt cowboy hat. He’s admits to being a little nervous. To keep his hands busy and mind occupied before the show begins, he tunes his guitar, glancing around the room, waving or nodding to friends. “An Evening of Blues Music,” presented at Webb Tower by Dr. Harold Aldridge, professor emeritus of psychology at Northeastern State University, was in observance of Black History month. After a brief introduction and enthusiastic applause, Aldridge began with a joke. “As the milk cow said to the dairy man, ‘Thanks for the warm hand,’” he said. For the next hour, the audience was taken on a journey through black history via the blues, from deep in the Mississippi Delta, to Alabama, the East Coast, Kansas City, Oklahoma, Texas and California. “I’m going to tell you the history of blues, and hopefully, it will be entertaining,” Aldridge said. “I stick with the old stuff, from Memphis, Mississippi, Alabama, and Tennessee.” According to Aldridge, blues music is evolving. “It’s almost like rock in some places; I guess next we’ll have rap blues,” he said. As his story unfolded, the audience learned the blues has changed with varying locations and situations. “The blues originated in West Africa and came here as a feeling, the soul of it, the spirit of high John the Conqueror,” said the Aldridge. -
Rhythm & Blues Rhythm & Blues S E U L B & M H T Y
64 RHYTHM & BLUES RHYTHM & BLUES ARTHUR ALEXANDER JESSE BELVIN THE MONU MENT YEARS CD CHD 805 € 17.75 GUESS WHO? THE RCA VICTOR (Baby) For You- The Other Woman (In My Life)- Stay By Me- Me And RECORD INGS (2-CD) CD CH2 1020 € 23.25 Mine- Show Me The Road- Turn Around (And Try Me)- Baby This CD-1:- Secret Love- Love Is Here To Stay- Ol’Man River- Now You Baby That- Baby I Love You- In My Sorrow- I Want To Marry You- In Know- Zing! Went The My Baby’s Eyes- Love’s Where Life Begins- Miles And Miles From Strings Of My Heart- Home- You Don’t Love Me (You Don’t Care)- I Need You Baby- Guess Who- Witch craft- We’re Gonna Hate Ourselves In The Morn ing- Spanish Harlem- My Funny Valen tine- Concerte Jungle- Talk ing Care Of A Woman- Set Me Free- Bye Bye Funny- Take Me Back To Love- Another Time, Another Place- Cry Like A Baby- Glory Road- The Island- (I’m Afraid) The Call Me Honey- The Migrant- Lover Please- In The Middle Of It All Masquer ade Is Over- · (1965-72 ‘Monument’) (77:39/28) In den Jahren 1965-72 Alright, Okay, You Win- entstandene Aufnahmen in seinem eigenwilligen Stil, einer Ever Since We Met- Pledg- Mischung aus Soul und Country Music / his songs were covered ing My Love- My Girl Is Just by the Stones and Beatles. Unique country-soul music. Enough Woman For Me- SIL AUSTIN Volare (Nel Blu Dipinto Di SWINGSATION CD 547 876 € 16.75 Blu)- Old MacDonald (The Dogwood Junc tion- Wildwood- Slow Walk- Pink Shade Of Blue- Charg ers)- Dandilyon Walkin’ And Talkin’- Fine (The Charg ers)- CD-2:- Brown Frame- Train Whis- Give Me Love- I’ll Never -
Wavelength (June 1983)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 6-1983 Wavelength (June 1983) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (June 1983) 32 https://scholarworks.uno.edu/wavelength/32 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. DEVELOPING THE NEW LEADERSHIP IN NEW ORLEANS MUSIC A Symposium on New Orlea Music Business Sponsored by the University of New Orleans Music Department and the Division of Continuing Education and wavelength Magazine. Moderator John Berthelot, UNO Continuing Education Coordinator/Instructor in the non-credit music business program. PROGRAM SCHEDULE How To Get A Job In A New Orleans Music Club 2 p.m.-panel discussion on the New Orleans club scene. Panelists include: Sonny Schneidau, Talent Manager. Tipitina's, John Parsons, owner and booking manager, Maple Leaf Bar. personal manager of • James Booker. one of the prcx:lucers of the new recording by James Booker. Classified. Jason Patterson. music manager of the Snug Harbor. associate prcx:lucer/consultant for the Faubourg Jazz Club, prcx:lucer for the first public showing of One Mo· Time, active with ABBA. foundation and concerts in the Park. Toulouse Theatre and legal proceedings to allow street music in the French Quarter. Steve Monistere, independent booking and co-owner of First Take Studio. -
History of Jazz Tenor Saxophone Black Artists
HISTORY OF JAZZ TENOR SAXOPHONE BLACK ARTISTS 1940 – 1944 SIMPLIFIED EDITION INTRODUCTION UPDATE SIMPLIFIED EDITION I have decided not to put on internet the ‘red’ Volume 3 in my Jazz Solography series on “The History of Jazz Tenor Saxophone – Black Artists 1940 – 1944”. Quite a lot of the main performers already have their own Jazz Archeology files. This volume will only have the remainders, and also auxiliary material like status reports, chronology, summing ups, statistics, etc. are removed, to appear later in another context. This will give better focus on the many good artists who nevertheless not belong to the most important ones. Jan Evensmo June 22, 2015 INTRODUCTION ORIGINAL EDITION What is there to say? That the period 1940 - 1944 is a most exciting one, presenting the tenorsax giants of the swing era in their prime, while at the same time introducing the young, talented modern innovators. That this is the last volume with no doubt about the contents, we know what is jazz and what is not. Later it will not be that easy! That the recording activities grow decade by decade, thus this volume is substantially thicker than the previous ones. Just wait until Vol. 4 appears ... That the existence of the numerous AFRS programs partly compensates for the unfortunate recording ban of 1943. That there must be a lot of material around not yet generally available and thus not listed in this book. Please help building up our jazz knowledge base, and share your treasures with the rest of us. That we should remember and be eternally grateful to the late Jerry Newman, whose recording activities at Minton's and Monroe's have given us valuable insight into the developments of modern jazz. -
BEATING the PETRILLO BAN: the Late December 1947 Modern Sessions Ace CDTOP2-1273 (Two Cds: 63:23; 68:35)
BEATING THE PETRILLO BAN: The Late December 1947 Modern Sessions Ace CDTOP2-1273 (Two CDs: 63:23; 68:35) CD One: THE EBONAIRES: Waterboy -1/ I’ll Never Do It Again - 4/ The Old Folks At Home -1; HADDA BROOKS: Poor Butterfly - 1/ Old Fashioned Love -3/ Take Me -1/ The Best Things In Life Are Free -1/ This Will Make You Laugh -3; A Sailboat In The Moonlight -10/ Why Was I Born -1/ Mary Lou -1/ Moonlight On the Ganges -1; AL ‘CAKE’ WICHARD: Gravels In My Pillow -1/ His Majesty’s Boogie -1/ Cake Jumps -2/ T.B. Blues -2; GENE PHILLIPS: Snuff Dipping Mama -1/ Gene’s Guitar Blues -2/ Broke And Disgusted -1/ Royal Boogie -1; ART SHACKELFORD: The Glory Of Love -2/ Play Fiddle Play -2/ The Jazz Me Blues -4/ Beatin’ The Ban-1 CD Two: AL ‘CAKE’ WICHARD: Connie Lee Blues -2/ Big Fine Girl -1/ That’s Your Red Wagon -3/ Sweet Lovin’ Baby -1/ Grandma Grandpa -1/ Geneva Blues -1/ Piece Of Cake -2/ Boogie Woogie Baby -2; HADDA BROOKS: Anna Lucasta -3/ I Can’t Get Started -5/ I’ll Get By -2; LITTLE WILLIE JACKSON: Little Willie’s Boogie -1/ Shasta -1/ Baby -1/ Someday, Somehow, Somewhere -2; BUTCH STONE: My Feet’s Too Big -2/ Put Your Brake On Mama -5/ Little Girl -1/ Baby Face -4; MADAM IRA MAE LITTLEJOHN: Lonesome Road Blues -1/ He’ll Make The Way -2/ What More Can Jesus Do -1/ Go Devil, Go -1/ See Jesus -1/ My Record Will Be There -1 The story behind this CD is a simple one. -
JIMMY "T-99” NELSON SCHOLARSHIP APPLICATION the Houston Blues Society Invites High School and College Age Musicians to A
The purpose of the Houston Blues Society shall be to provide for the study, research, and preservation of the blues culture and music unique to Houston, Texas and the Texas Gulf Coast, and for the continued development of the blues tradition in Houston, Texas, and increased public awareness of the existence and value of that tradition. JIMMY "T-99” NELSON SCHOLARSHIP APPLICATION The Houston Blues Society invites high school and college age musicians to apply for our annual scholarship. The purpose of the T-99 Scholarship is to award scholarships to students who demonstrate promise and creativity in music composition or performing. The selection of the recipients and the amount of the scholarship(s) awarded is at the sole discretion of the Houston Blues Society Board. PLEASE SUBMIT THE FOLLOWING DOCUMENTATION Via email to [email protected] Or mail to: Houston Blues Society PO Box 272868 Houston, TX 77277 • A brief description (no more than two pages) of your musical history and aspirations, and why you consider yourself to be a deserving applicant, including, for example: − what musical instrument(s) you play − whether you plan on pursuing music as a hobby or as a profession − who your musical influences are - blues or otherwise − where you see yourself in 5 years as it pertains to your music • An online link or CD/DVD of a performance showcasing your abilities • Other supporting information you consider relevant to your application Please ensure that you clearly identify yourself by name on documents and the CD/DVD, etc. Houston -
Artist with Title Writer Label Cat Year Genre
Artist With Title Writer Label Cat Year Genre Notes Album Synopsis_c Anonymous Uncle Tom’s Cabin No Label 0 Comedy Anonymous - Uncle Tom’s Cabin, No Label , 78, ???? Anonymous The Secretary No Label 0 Comedy Anonymous - The Secretary, No Label , 78, ???? Anonymous Mr. Speaker No Label 0 Comedy Anonymous - Mr. Speaker, No Label , 78, ???? Anonymous The Deacon No Label 0 Comedy Anonymous - The Deacon, No Label , 78, ???? Anonymous First Swimming Lesson Good-Humor 10 0 Comedy Anonymous - First Swimming Lesson, Good-Humor 10, 78, ???? Anonymous Auto Ride Good-Humor 4 0 Comedy Anonymous - Auto Ride, Good-Humor 4, 78, ???? Anonymous Pioneer XXX, Part 1 No Label 0 Comedy Anonymous - Pioneer XXX, Part 1, No Label , 78, ???? Anonymous Pioneer XXX, Part 2 No Label 0 Comedy Anonymous - Pioneer XXX, Part 2, No Label , 78, ???? Anonymous Instrumental w/ lots of reverb No Label 0 R&B Anonymous - Instrumental w/ lots of reverb, No Label , 78, ???? Coy and Helen Tolbert There’s A Light Guiding Me Chapel Tone 775 0 Gospel with Guitar Coy and Helen Tolbert - There’s A Light Guiding Me, Chapel Tone 775, 78, ???? Coy and Helen Tolbert Old Camp Meeting Days R. E. Winsett Chapel Tone 775 0 Gospel with Guitar Coy and Helen Tolbert - Old Camp Meeting Days (R. E. Winsett), Chapel Tone 775, 78, ???? Donna Lane and Jack Milton Henry Brandon And His Orchestra Love On A Greyhound Bus Blane - Thompson - Stoll Imperial 1001 0 Vocal Donna Lane and Jack Milton - Love On A Greyhound Bus (Blane - Thompson - Stoll), Imperial 1001, 78, ???? G. M. Farley The Works Of The Lord Rural Rhythm 45-EP-551 0 Country G. -
The Golden Age of Rock 'N' Roll
The Golden Age of Rock ’n’ Roll Week 5, March 19, 2018 1956 (part 2): Elvis, Fats, Little Richard Assignment: “The Story of Blue Suede Shoes” http://www.rebeatmag.com/carl-perkins-elvis-blue-suede-shoes-story/ Rolling Stone: “The Rope: The Forgotten History of Segregated Rock & Roll Concerts” http://www.rollingstone.com/music/features/rocks-early-segregated-days-the- forgotten-history-w509481 Little Richard profile with rare photos: http://www.history-of-rock.com/richard.htm Listen to: Church Bells May Ring, The Willows, 1956 (#62 Pop, #12 R&B) https://www.youtube.com/watch?v=tLl1eDAWMeA [optional] Compare: The Diamonds, 1956 (#14 Pop) https://www.youtube.com/watch?v=IdBN-hOmtVE Fever, Little Willie John, 1956 (#1 R&B) https://www.youtube.com/watch?v=i93-hlwULUk [optional] Compare: Peggy Lee, 1956 https://www.youtube.com/watch?v=Kjy2sZ8yBGQ Be-Bop-A-Lula, Gene Vincent, 1956 https://www.youtube.com/watch?v=O4_5593-skQ Page !1 Oh What a Night, The Dells, 1956 https://www.youtube.com/watch?v=Z1ozQT8yQXA I Walk the Line, Johnny Cash, 1956 (#1 Country; #19 Pop) https://www.youtube.com/watch?v=Lq0fUa0vW_E There is a key change between each of the five verses, and Cash hums the new root note before singing each verse. The final verse, a reprise of the first, is sung a full octave lower than the first verse. My Blue Heaven, Fats Domino, 1956 https://www.youtube.com/watch?v=CS75X7perbI Sold over 5 million copies in 1928 as recorded by Gene Austin. Money Honey, Elvis Presley, 1956 https://www.youtube.com/watch?v=R-4KROtI1yM Compare: The Drifters (McPhatter) (1953) https://youtu.be/N8oNHMNCSjQ Roll Over Beethoven, Chuck Berry, 1956 https://www.youtube.com/watch?v=zD80CostTV0 The Magic Touch, The Platters, 1956 https://www.youtube.com/watch?v=iVX6f3OZ35o * * * * Some notes (to be discussed in class): FATS DOMINO -Born in New Orleans. -
JIMMY"T-99” NELSON SCHOLARSHIP APPLICATION The
The Mission and Purpose of the Houston Blues Society shall be to provide for the study, research, and preservation of the blues culture and music unique to Houston, Texas and the Texas Gulf Coast, and for the continued development of the blues tradition in Houston, Texas, and increased public awareness of the JIMMY"T‐99” NELSON existence and value of that tradition. SCHOLARSHIP APPLICATION The Houston Blues Society invites high school and college age musicians to apply for our annual scholarship. The purpose of the T‐99 Scholarship is to award scholarships to students who demonstrate promise and creativity in Blues music composition or in performing Blues music. The selection of the recipients and the amount of the scholarship(s) awarded is at the sole discretion of the Houston Blues Society Board. PLEASE SUBMIT THE FOLLOWING DOCUMENTATION Via email to [email protected] Or mail to: Houston Blues Society PO Box 272868 Houston, TX 77277 A brief description (no more than two pages) of your musical history and aspirations, and why you consider yourself to be a deserving applicant, including, for example: - what musical instrument(s) you play - whether you plan on pursuing music as a hobby or as a profession - who your musical influences are ‐ blues or otherwise - where you see yourself in 5 years as it pertains to your music An online link or CD/DVD of a performance showcasing your abilities Other supporting information you consider relevant to your application Please ensure that you clearly identify yourself by name on documents