Large Print Format: an Evaluation of the Freelance Task Force Initiative December 2020
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Family Arts Conference Friday 13 March, Cadogan Hall & Royal Court
Family Arts Conference Friday 13 March, Cadogan Hall & Royal Court Theatre, London Delegate list First Name Surname Job Title Company Sam Adams Marketing Co-ordinator Salisbury Arts Centre Jacob Adams Festival Project Manager Attitude is Everything Jill Adamson Head of Engagement & Learning Hull Truck Theatre Sasha Alsop Development Co-ordinator ITC Olivia Amory Communications Co-ordinatory ITC Fiona Anderson Development Director artsdepot Rosie Angus Project manager, Schools Stellar Libraries CIC Susannah Armitage Producer Vox Motus Imogen Armstrong Director of Business development Family and Childcare Trust Katy Arnander Director of Artistic Programme Sadler's Wells Lucy Bampton Relationship Manager, Engagement and Audiences Arts Council England Chris Batstone Juice Festival Artistic Director NewcastleGateshead Initiative Alison Beattie Producer Story Pocket Theatre Stephen Beeny Communications Manager Half Moon Bryony Bell Learning & Participation Manager The Bridgewater Hall Jill Bennison Festival Co-ordinator Northern Children's Book Festival Neil Bennison Music Programme Manager Theatre Royal Nottingham Sudha Bhuchar Artistic Director Tamasha Theatre Company Annie Biddlecombe Regional Programming Ambassador Theatre Group Sarah Bird Director Wild Rumpus Jessica Birtwistle Marketing Campaigns Officer mac birmingham Charles Bishop General Manager Theatre Centre Christopher Block Participation Administrator Bournemouth Symphony Orchestra Matthew Blyth Audience Development Officer Arts Centre Washington Jay Bourley Theatre Manager ATG: -
ISPA International Society for the Performing Arts
International Society for the ISPA Performing Arts TODAY’S FUTURE FOR THE ARTS NEW YORK CONGRESS JANUARY 8–10, 2019 Theatre buildings by theatre people for theatre people. Clockwise from top left: Linbury Theatre, Royal Opera House; The Yard at Chicago Shakespeare Theater; Hudson Theatre, Broadway; Studio Theatre, Bristol Old Vic. MESSAGE FROM THE CHAIR OF ISPA Dear Friends, ransitions. We all think about them. Some of us worry about them. But we are all impacted by them. As much as we may try to be present each moment of our days, it is the rare person who does not ponder what comes next. Transitions can be as exhilarating as they are scary. In these times of rapid-fire change and volatility (mostly beyond our personal control), it is Teasy to default to a position of wanting to hang on to what we know. Stay the course. Be steady. Reduce risk. WELCOME Yet continuing to do the same thing that works for us today may be the very act that fails us tomorrow. Our Congress Co-chairs Collette Brennan and Steinunn Ragnarsdóttir have given us a brilliantly provocative theme to consider with an array of thought-leaders from within our field and beyond offering varied perspectives on how we might navigate the inevitability of the transitions we encounter. For me, transitions is a particularly apt theme as I prepare to pass on the chairmanship of ISPA to our colleague Tisa Ho. As an ISPA member for 20 years and board member for most of that time, I have been fortunate to work with so many gifted members who have given selflessly in leading ISPA through incredible Transitions. -
After the Interval National Audience Research
After the Interval National Audience Research Audience views on returning to live cultural events, booking tickets now and in the future, and missing out on events during lockdown. Wave 2 | 7-27 May 2020 Katy Raines Co-founder and Partner www.indigo-ltd.com After the Interval Wave 2 Report June 2020 © Indigo-Ltd 1 Contents Context ........................................................................................... 4 Section 1: Methodology and Sample ............................................. 5 Sample breakdown .................................................................................................................... 6 Section 2: Overall findings ............................................................. 7 2.1 Missing events during lockdown ....................................................................................... 7 2.2 Booking NOW for Events in the future .............................................................................. 8 2.3 When will audiences return? .............................................................................................. 9 2.4 Safety and Comfort ............................................................................................................ 10 2.5 Reassurances around refunds and exchanges ............................................................... 11 2.6 Supporting Cultural Charities ........................................................................................... 12 Appendix 1: About Indigo-Ltd .................................................. -
Introduction to Ecovenue Ecovenue Is a Signifi Cant Theatre-Specifi C Environmental Project Being Run by the Theatres Trust
Introduction to Ecovenue Ecovenue is a signifi cant theatre-specifi c environmental project being run by The Theatres Trust. It aims to improve the environmental performance of forty-eight London theatres and raise awareness of how to make theatres greener. Ecovenue is promoting the sustainability of theatres and the reduction of carbon emissions through the provision of free theatre-specifi c, environmental advice. The project started in 2009 and runs until 2012. Forty-eight venues each undergo an Environmental Audit, and receive a Display Energy Certifi cate (DEC) and Advisory Report. They track their energy use through SMEasure. Each venue receives a second DEC a year after their fi rst to measure progress. Ecovenue includes a ‘DEC Pool’ of performing arts venues across the UK that have obtained DECs. The DEC Pool helps us to evaluate the project and share best practice and information, establish meaningful benchmarks, and provide a better understanding of energy use of theatres. Any theatre can join the DEC Pool. The Trust’s Theatres Magazine provides quarterly reports on the participants and the work of the Ecovenue project. The Theatres Trust Ecovenue project receives fi nancial support from the European Regional Development Fund. Participating Theatres Albany Theatre Etcetera Theatre Old Vic Arcola Finborough Theatre Orange Tree Theatre Arts Theatre Gate Theatre Pleasance Islington artsdepot Greenwich & Lewisham Young Polka Theatre Brockley Jack People’s Theatre Putney Arts Theatre Bush Theatre Greenwich Playhouse Questors Camden People’s -
The Award for Civic Arts Organisations 2021
CELEBRATION2020– 21 Eden Court Empire Theatre as Humanitarian Introduction Aid Centre he world has changed rapidly over the past year. The COVID-19 pandemic has brought devastation, but also a reset in how we live our lives and how communities operate. Arts organisations are helping us to shape the future: culture, creativity and the arts are the basis through which we tell stories of our past, our Tpresent and our future, enabling us to realise what it means to be fully human, individually and collectively. Despite the considerable challenges and uncertainty that the arts sector faces, ‘green shoots’ have been emerging. Arts organisations across the country have channelled the anxieties of this period and boldly reimagined their missions to put their communities first. From delivering arts packs with food parcels to staging socially distanced carnivals, arts organisations are contributing to rebuilding our communities and restoring much- needed joy and optimism to our lives. As we face the challenges and opportunities of the coming months and years, arts and culture have an important role to play. However, much of this pioneering work is unknown, even within the arts sector itself. The Award for Civic Arts Organisations seeks to change that. Launched by the Calouste Gulbenkian Foundation (UK Branch) in partnership with King’s College London in November 2020, the Award celebrates civic arts organisations and their response to the pandemic. Open to UK arts organisation in receipt of public funding, the Award provides funding totalling £150,000, as well as further support for the recipients to embed their work and share learning. -
The Findings at a Glance
Act 2 Findings At A Glance 62K 232 Audience responses Organisations Booking Only 17% Half NOW for of those booking are for events of respondents are from NOVEMBER events booking for events Returning 67% 70% would consider attending would not consider booking for to events events if venues re-opened events for at least 3 months with social distancing Covid-safe ‘kite mark’ Masks for audiences Households seated together Safety & Unallocated seating Limited numbers Restricted facilities ü Seat spacing û Comfort Digital 83% >½ Culture interested in culture online would pay for it Outdoor 94% >¾ Culture Are interested in culture outdoors would pay for it Audiences expect to Economic 81% Concern for survival of spend 4% more on Viability cultural organisations culture Act 2 Wave 1 Report June 2020 © Indigo-Ltd 3 Appendix 2: Participating Organisations England Ipswich Regent Theatre Strode Theatre YMCA Theatre Scarborough a space arts Jacksons Lane Sunderland Culture Arts Centre York Concerts ADC Theatre Jersey Arts Centre Washington Alnwick Playhouse Jumped Up Theatre Take Art Scotland AMATA, Falmouth University Junction Goole Tetbury Music Festival Aberdeen Performing Arts Arts In Rural Gloucestershire Kenton Theatre Tete a Tete Productions Ayr Gaiety Partnership Artsadmin Kings Theatre Portsmouth The Albany Byre Theatre artsdepot Kirkgate Arts The Albany Theatre Cranleigh Arts Artsreach Kneehigh The Apex Edinburgh Festival Fringe Assembly Hall Lakeside Arts, Uni of Nott. The Atkinson Edinburgh International Attenborough Centre for the Leeds -
There's a Little Theatre in Us All!
THERE’S A LITTLE THEATRE IN US ALL! Theatre Tokens - Participating Venues Details correct as of Friday, 07 July 2017 * Plus your telephone company's network charge Aberdare Coliseum 0800 014 7111 Dumfries Theatre Royal 01387 254209 Aberdeen Aberdeen Box Office 01224 641122 Dumfries (for His Majesty's Dundee Dundee Repertory 01382 223530 Theatre & Music Hall) Theatre Aberdeen His Majesty's Theatre 01224 641122 East Grinstead Chequer Mead 01342 302000 Aberdeen Music Hall 01224 641122 Theatre Aberystwyth Arts Centre 01970 623232 Eastleigh The Point Theatre 02380 652333 Aylesbury Aylesbury Waterside 0844 871 7667 Calls cost 7p/pm* Edinburgh Festival City Theatres 0131 529 6000 Theatre Edinburgh Kings Theatre 0131 529 6000 Bath Theatre Royal 01225 448844 Edinburgh Playhouse Edinburgh 0844 871 7667 Calls cost 7p/pm* Bedworth Civic Hall 02476 376707 Edinburgh Royal Lyceum Theatre 0131 248 4848 Birmingham Alexandra Theatre 0844 871 7667 Calls cost 7p/pm* Edinburgh Traverse Theatre 0131 228 1404 Birmingham Repertory Theatre 0121 236 4455 Epsom Epsom Playhouse 01372 742555 Blackburn King George's Hall 0844 847 1664 Calls cost 7p/pm* Exeter The Exeter Northcott 01392 726363 Blackpool Grand Theatre 01253 290190 Theatre Bognor Regis Alexandra Theatre 01243 861010 Eastbourne Congress Theatre 01323 412000 Bolton Octagon Theatre 01204 520661 Eastbourne Devonshire Park 01323 412000 Bradford Alhambra Theatre 01274 432000 Theatre Bradford St George's Concert 01274 432000 Eastbourne Royal Hippodrome 01323 802020 Hall Theatre Bristol Bristol Hippodrome 0844 -
Report: How Can Arts Venues Be More Age Friendly and Make Work with Older People More Sustainable
Report: How can arts venues be more age friendly and make work with older people more sustainable Introduction Barings tasked us with researching what theatre venues are doing to widen participation among the elderly. To achieve this outcome we talked to professionals about how engaging with the arts can be a health benefit for older people. We also visited seven participating venues in London to see various arts programmes in action. We amassed comment from participants as well as those leading the projects, with a view to sharing good practice and encouraging other arts organisations to consider introducing or improving a programme for the older age group - categorised as aged 55 plus. We specifically asked: what is going well and how has this been achieved; what are the challenges and barriers when working with an older age group; thoughts for the future? This qualitative research focussed particularly on the practical issues in creating a suitable space and welcoming ‘age friendly’ environment for more elderly people; for some organisations, working in outreach in care settings is the preferred alternative. The report also considers sustainability of projects and the importance of quantifiable evidence of the benefits to end users, including those isolated by dementia, living alone or in care settings. It highlights initiatives taken by each venue as a step towards pooling ideas and suggesting solutions to problems peculiar to this age group. Brief overview of programmes at each venue Albany Theatre hosts ‘Meet Me at The Albany’ each week in Deptford, Lewisham, with 20- year-old Entelechy Arts delivering various artistic activities, ranging from singing to model making. -
Chris Church Matters the HOUSE in a PANDEMIC YEAR Christ Church Matters 45 a HILARY TERM 2021 |
Section 45 Chris Church Matters THE HOUSE IN A PANDEMIC YEAR Christ Church Matters 45 a HILARY TERM 2021 | CCM Section Editorial To mark a year which none of us will forget, this special edition of Christ Church Chris Church Matters draws together reflections on the Covid-19 pandemic from across the Development Christ Church community. It explores its impact in a variety of disciplines – around and Alumni Office the UK and abroad – and considers how life has changed both for those living, Christ Church working, studying and researching in the House over the last year, and alumni Oxford OX1 1DP United Kingdom members across the globe. We, as a community, can feel proud of the ground- +44 (0)1865-286325 breaking global contribution that researchers at the University of Oxford have development.office made in response to this crisis. @chch.ox.ac.uk www.chch.ox.ac.uk We are grateful to our contributors for sharing their expertise, reflections, and personal experiences. We have only been able to include a selection of contributions here, although every submission will be archived, or, alternatively, may be used in the regular e-Matters newsletters. CCM is not intended as a record of news, but brings an eclectic mix of experiences and thoughts. The Annual Report, of course, is the House’s chronicle. As Members will appreciate, the last twelve months have been particularly challenging for those pursuing their studies at the House. The Covid-19 Student Support Fund offers alumni the opportunity to support current Members who are faced with unforeseen costs because of the pandemic. -
RHIANNON FAITH – Choreographer/Director / Writer
RHIANNON FAITH – Choreographer/Director / Writer Rhiannon Faith is a boundary-breaking Artist whose work and experiences cross artforms. She is an exciting British female voice, making waves in directing, choreography and most recently as a published author. In 2021 she has been nominated for a Woman in Dance Award. Rhiannon’s current project is a new gritty dance-theatre show entitled DROWNTOWN set in an unnamed coastal town covering isolation, loneliness, shame and failed support systems. The run at the Barbican in London for 2020 and the tour has been postponed due to COVID-19 and meanwhile as the show explores similar themes to those that are affecting people during lockdown, Rhiannon has created DROWNTOWN LOCKDOWN, a digital prologue film. The cast are filmed in their own homes, before they leave for the beach, the setting for the show. It was launched online by the Barbican Centre in July 2020. In 2019 Rhiannon was Movement Director for the spectacular award-winning outdoor event experience entitled FIRST TO FIGHT at Muzeum 1939 in Gdansk, Poland, in recognition of the 80th Anniversary of the beginning of World War II (The Drum Experience Awards). Video can be seen here. Rhiannon is the first ever Associate Artist at Harlow Playhouse. She was appointed in 2018 and has developed two new productions with Harlow including DROWNTOWN supported by DanceEast and Arts Council England. SMACK THAT (a conversation), also developed at Harlow Playhouse, toured from February 2019 and played at the Ovalhouse in London. The show also toured the UK in 2018 to critical acclaim and was nominated for Innovation in Dance at the One Dance UK Awards. -
Brixton Goes Into Hyperlocal S
Brixton is fast becoming not only a place to play, but also to work. Its proximity to transport links, ready supply of young professionals and cool nightlife is attracting companies at a pace where demand is outstripping supply. Union Street Partners are actively representing 55,000 sq ft of office space across seven properties in the area and we believe we are at a critical point of opportunity for further redevelopment in the area, especially with the concept of ‘Hyperlocal’ space becoming more important in the post-Covid world. Perhaps surprisingly, the total stock of office space in the Brixton area stands at just over one million square feet but only a fraction of that is high quality, the remainder being secondhand or studio/workshop style. This report looks at the active and current occupiers, what changes are ahead for the area and our view on the impact of Covid-19. SIGNIFICANT OCCUPIERS AMENITIES KEY OFFICE BUILDINGS FUTURE OFFICE DEVELOPMENTS 1 Squire & Partners 7 O2 Academy 12 Piano House 17 Coldharbour Works Music venue TCN Newmark Properties 2 Jellyfish Pictures 8 Windmill Brixton 13 The Viaduct 18 Blue Star House Working windmill Lexadon Derwent London 3 Lambeth Council 9 Pop Brixton 14 Walton Lodge Laundry 19 Department Store Studios Retail & leisure Lexadon Squire & Partners 4 British Refugee Council 10 Canova Hall 15 International House 20 Pope’s Road Development Bar & Cafe Lambeth Hondo Enterprises 5 Dalton Maag 11 Brixton House Theatre 16 Kennington Park 21 Somerleyton Road Theatre venue Workspace Lambeth 6 Workspace -
An Open Letter to Theatre and Performance Makers
An open letter to theatre and performance makers This is a letter to self-employed theatre makers in the UK. This includes • actors • writers • directors • choreographers • stage managers • designers • set builders who are freelance or self- employed. This letter is from theatre and performance companies and venues. We want to say that we miss you. We miss making performance together. We know we won’t be able to do this again for some time. We know that you might be feeling worried about the future. Things feel very uncertain for theatre at the moment. Many self- employed people are worried about their jobs. We want to support you. We want to help to improve the situation. We are exploring new ways of working with self-employed people during lockdown. We are using this time to plan for future projects with self-employed people. We are asking the government to keep the Self-Employment Income Support Scheme going until theatres can re-open safely. We are asking the government to make sure self-employed people aren’t stopped from getting help if they need it. The Self-Employment Income Support Scheme is a way the government is giving financial help to self-employed people who are missing out on work because of lockdown We want to help to make a national task force of self- employed theatre makers. This will be a group of self- employed people who: • make sure self-employed people’s voices are heard in conversations about the future • make sure organisations are talking to self-employed people about what their needs are Every organisation on this letter will support a self-employed person to join the task force.