The E-Rated Industry: Fair Use Sheep Or Infringing Goat?
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An Epic Copyright Infringement Trial, Congressional Interference, and the Diminution of Moral Rights in the United States of America
THE JOHN MARSHALL REVIEW OF INTELLECTUAL PROPERTY LAW FECA MATTER: AN EPIC COPYRIGHT INFRINGEMENT TRIAL, CONGRESSIONAL INTERFERENCE, AND THE DIMINUTION OF MORAL RIGHTS IN THE UNITED STATES OF AMERICA JACOB ARMSTRONG ABSTRACT Film directors suffered a setback in their collective efforts to maintain the integrity of their films after they are released to the public. In 2005, Congress passed the Family Entertainment Copyright Act, which contained the Family Movie Act, a piece of safe harbor legislation designed to save certain businesses and business practices from ongoing litigation. This Act was not only legislative interference with an ongoing trial, but also served to remove the topic of moral rights from public dialogue. Repealing the Family Movie Act would be a step towards affording directors the ability to prevent misattribution and mutilation of their works. Copyright © 2008 The John Marshall Law School Cite as Jacob Armstrong, FECA Matter:ANEPICCOPYRIGHT INFRINGEMENT TRIAL, CONGRESSIONAL INTERFERENCE, AND THE DIMINUTION OFMORAL RIGHTS IN THE UNITED STA TES OFAMERICA, 7 J. MARSHALL REV. INTELL. PROP. L. 376 (2008). FECA MATTER: AN Epic COPYRIGHT INFRINGEMENT TRIAL, CONGRESSIONAL INTERFERENCE, AND THE DIMINUTION OF MORAL RIGHTS IN THE UNITED STATES OF AMERICA JACOB ARMSTRONG* INTRODUCTION Film directors are used to being in control of their movies. Some directors have learned recently, however, that while they may be responsible for the creation of these artistic works, their rights as creators are greatly diminished once the films are released to the general public. Directors may be unable to prevent the unauthorized editing of their film by another party prior to a private screening. -
Original DGA Counterclaim
IN THE UNITED STATES DISTRICT COURT FOR THE DISTRICT OF COLORADO CIVIL ACTION NO. 02-M-1662 ROBERT HUNTSMAN and CLEAN FLICKS OF COLORADO, L.L.C., Plaintiffs, v. STEVEN SODERBERGH, ROBERT ALTMAN, MICHAEL APTED, TAYLOR HACKFORD, CURTIS HANSON, NORMAN JEWISON, JOHN LANDIS, MICHAEL MANN, PHILLIP NOYCE, BRAD SILBERLING, BETTY THOMAS, IRWIN WINKLER, MARTIN SCORSESE, STEVEN SPIELBERG, ROBERT REDFORD and SYDNEY POLLACK, Defendants. THE DIRECTORS GUILD OF AMERICA, INC., a California non-profit corporation; ROBERT ALTMAN, an individual; MICHAEL APTED, an individual; TAYLOR HACKFORD, an individual; CURTIS HANSON, an individual; NORMAN JEWISON, an individual; JOHN LANDIS, an individual; MICHAEL MANN, an individual; PHILLIP NOYCE, an individual; BRAD SILBERLING, an individual; STEVEN SODERBERGH, an individual; BETTY THOMAS, an individual; and IRWIN WINKLER, an individual, Counterclaimants, v. CLEAN FLICKS OF COLORADO, L.L.C., a Colorado corporation; ROBERT HUNTSMAN, an individual; VIDEO II, an entity of unknown form; GLEN DICKMAN, an individual; J.W.D. MANAGEMENT CORPORATION, a Utah corporation; ALBERTSON’S, INC., a Delaware corporation; TRILOGY STUDIOS INC., an entity of unknown form; CLEANFLICKS, an entity of unknown form; MYCLEANFLICKS, an entity of unknown form; FAMILY SHIELD TECHNOLOGIES, LLC, a Colorado limited liability company; CLEARPLAY INC., a Delaware corporation; and DOES 1 through 20, inclusive, Counterdefendants. MOTION FOR LEAVE TO JOIN THIRD PARTIES AS COUNTERDEFENDANTS LA\941868.1 Pursuant to Rule 20 of the Federal Rules of Civil Procedure, Proposed Defendant- In-Intervention and Counterclaimant-In-Intervention The Directors Guild Of America (the “DGA”) and Defendants and Counterclaimants Steven Soderbergh, Robert Altman, Michael Apted, Taylor Hackford, Curtis Hanson, Norman Jewison, John Landis, Michael Mann, Phillip Noyce, Brad Silberling, Betty Thomas And Irwin Winkler,1 by and through their attorneys Latham & Watkins and Temkin Wielga & Hardt LLP, hereby move to join Proposed Counterdefendants Video II, Glen Dickman (“Dickman”), J.W.D. -
Snipping Private Ryan: the Clean Flicks Fight to Sanitize Movies, 20 Santa Clara High Tech
Santa Clara High Technology Law Journal Volume 20 | Issue 4 Article 6 2004 Snipping Private Ryan: The leC an Flicks Fight to Sanitize Movies Nikki D. Pope Follow this and additional works at: http://digitalcommons.law.scu.edu/chtlj Part of the Law Commons Recommended Citation Nikki D. Pope, Snipping Private Ryan: The Clean Flicks Fight to Sanitize Movies, 20 Santa Clara High Tech. L.J. 1045 (2003). Available at: http://digitalcommons.law.scu.edu/chtlj/vol20/iss4/6 This Comment is brought to you for free and open access by the Journals at Santa Clara Law Digital Commons. It has been accepted for inclusion in Santa Clara High Technology Law Journal by an authorized administrator of Santa Clara Law Digital Commons. For more information, please contact [email protected]. COMMENTS SNIPPING PRIVATE RYAN: THE CLEAN FLICKS® FIGHT TO SANITIZE MOVIES Nikki D. Popef I. INTRODUCTION Until the mass-market introduction of digital recording technology, consumers were unable to make near-perfect duplications or seamless alterations of video and audio recordings of artists. That was then; this is now. Today computers allow consumers to bum their own CDs and DVDs. They can create their own music compilations. Usenet groups post copies of newly released movies that members can download.. .sometimes, even before the movie's first theatrical release! Peer-to-peer file sharing services, like the now defunct Napster and its replacements (KaZaA, Grokster, and others), allow one consumer to browse the hard drives of thousands of other consumers in distant locations to find music, movies, and other types of electronic documents and download them to their own computers. -
The Family Entertainment and Copyright Act and Its Consequences and Implications for the Movie-Editing Industry
The Family Entertainment and Copyright Act and Its Consequences and Implications for the Movie-Editing Industry Sara Gansheimer* I. INTRODUCTION ................................................................................. 173 II. THE TECHNOLOGY BEHIND EDITING MOVIES ................................. 175 A. Cut-and-Splice Editing ........................................................... 175 B. Filtering: Altered Playback Only........................................... 177 C. “Filtering Plus”........................................................................ 177 III. THE FECA PROVISIONS.................................................................... 178 A. FECA and Allowable Editing: Filtering................................ 178 B. FECA and Unpermitted Editing: Cut and Splice and “Filtering Plus”........................................................................ 178 IV. LEGAL BACKGROUND....................................................................... 179 A. The Current Legal Conflict: Huntsman v. Soderbergh ........ 179 B. Copyright Act.......................................................................... 180 C. Relevant Case Law.................................................................. 180 V. DEFENSES ......................................................................................... 183 A. Defenses Available for Filtering ............................................. 183 B. Defenses Available for the Cut and Splice............................. 184 C. Defenses for “Filtering Plus”................................................. -
Fighting for Control: Movie Studios and the Battle Over Third-Party Revisions
BEYER.DOC 12/17/2004 10:38 AM FIGHTING FOR CONTROL: MOVIE STUDIOS AND THE BATTLE OVER THIRD-PARTY REVISIONS CARRIE A. BEYER* In this note, the author addresses the copyright implications of commercially editing copyrighted movies to delete “objectionable” material in an attempt to reduce exposure to sex, violence, profanity, or other objectionable material. Companies such as CleanFlicks, the best-known provider of edited movies, supply customers with “clean” versions of movies using cut and splice editing and digital filtering to remove “objectionable” material. These third-party editors, as the au- thor calls them, argue that the movie studios, which own the copy- rights to these movies, should not dictate what people watch in their own homes. The studios, on the other hand, claim that third-party editors violate their copyrights by copying or altering the content of their movies. Following a brief discussion of copyright law, the au- thor analyzes the validity of the movie studios’ copyright infringement claims against third-party editors and whether the fair use defense ap- plies to this dispute. The author concludes that third-party editing likely constitutes copyright infringement. I. INTRODUCTION Imagine walking into a video store to rent a movie and discovering that you can choose between ten different versions of Saving Private Ryan. In addition to authorized versions such as the original theatrical release and the director’s cut, this imaginary video store also has a whole shelf of different unauthorized edited versions. You can choose to watch a version that does not contain any foul language. Or you can pick the version where no one bleeds after being shot. -
IN the UNITED STATES DISTRICT COURT for the DISTRICT of COLORADO Senior District Judge Richard P
Case 1:02-cv-01662-RPM Document 309 Filed 07/06/2006 Page 1 of 16 IN THE UNITED STATES DISTRICT COURT FOR THE DISTRICT OF COLORADO Senior District Judge Richard P. Matsch Civil Action No. 02•cv•01662•RPM CLEAN FLICKS OF COLORADO, LLC, Plaintiff, and CLEANFLICKS, LLC; ASR MANAGEMENT CORPORATION d/b/a CLEANFILMS f/k/a MYCLEANFLICKS; FAMILY FLIX, USA, LLC; and PLAY IT CLEAN VIDEO, LLC, Counterclaim Defendants, v. STEVEN SODERBERGH; ROBERT ALTMAN; MICHAEL APTED; TAYLOR HACKFORD; CURTIS HANSON; NORMAN JEWISON; JOHN LANDIS; MICHAEL MANN; PHILLIP NOYCE; BRAD SILBERLING; BETTY THOMAS; IRWIN WINKLER; MARTIN SCORSESE; STEVEN SPIELBERG; ROBERT REDFORD; SYDNEY POLLACK; METRO•GOLDWYN•MAYER STUDIOS, INC.; TIME WARNER ENTERTAINMENT CO., LP; SONY PICTURES ENTERTAINMENT; DISNEY ENTERPRISES, INC.; DREAMWORKS LLC; UNIVERSAL CITY STUDIOS, INC.; Case 1:02-cv-01662-RPM Document 309 Filed 07/06/2006 Page 2 of 16 TWENTIETH CENTURY FOX FILM CORP.; and PARAMOUNT PICTURES CORPORATION, Defendants•Counterclaimants, and THE DIRECTORS GUILD OF AMERICA, Defendant•in•Intervention and Counterclaimant•in•Intervention. MEMORANDUM OPINION AND ORDER After years of pleadings with multiple claims, counterclaims and parties, many of them now dismissed by stipulation, the Motion Picture Studios1 (“Studios”) have moved for a partial summary judgment on their counterclaims of copyright infringement against the parties characterized as “Mechanical Editing Parties.” An injunction is the relief requested against CleanFlicks, LLC, (“CleanFlicks”), Family Flix, U.S.A., L.L.C. (“Family Flix”), as creators and distributors of infringing works and against ASR Management Corporation, d/b/a CleanFilms, f/k/a MyCleanFlicks (“CleanFilms”) and Play It Clean Video, LLC (“Play It Clean”), as distributors of infringing works. -
IN the UNITED STATES DISTRICT COURT for the DISTRICT of COLORADO Senior District Judge Richard P
Case 1:02-cv-01662-RPM Document 268 Filed 07/21/2005 Page 1 of 3 IN THE UNITED STATES DISTRICT COURT FOR THE DISTRICT OF COLORADO Senior District Judge Richard P. Matsch Civil Action No. 02•cv•01662•RPM•MJW ROBERT HUNTSMAN; and CLEAN FLICKS OF COLORADO, LLC, Plaintiffs, and NOVA GROUP INC. d/b/a TRILOGY STUDIOS, INC.; CLEANFLICKS, LLC; ASR MANAGEMENT CORPORATION d/b/a CLEANFILMS f/k/a MYCLEANFLICKS; FAMILY SHIELD TECHNOLOGIES, LLC; CLEARPLAY, INC.; CLEAN CUT CINEMAS; FAMILY SAFE MEDIA; EDITMYMOVIES; FAMILY FLIX, USA, LLC; and PLAY IT CLEAN VIDEO, LLC, Counterclaim Defendants, v. STEVEN SODERBERGH; ROBERT ALTMAN; MICHAEL APTED; TAYLOR HACKFORD; CURTIS HANSON; NORMAN JEWISON; JOHN LANDIS; MICHAEL MANN; PHILLIP NOYCE; BRAD SILBERLING; BETTY THOMAS; IRWIN WINKLER; MARTIN SCORSESE; STEVEN SPIELBERG; ROBERT REDFORD; SYDNEY POLLACK; Case 1:02-cv-01662-RPM Document 268 Filed 07/21/2005 Page 2 of 3 METRO•GOLDWYN•MAYER STUDIOS, INC.; TIME WARNER ENTERTAINMENT CO., LP; SONY PICTURES ENTERTAINMENT; DISNEY ENTERPRISES, INC.; DREAMWORKS LLC; UNIVERSAL CITY STUDIOS, INC.; TWENTIETH CENTURY FOX FILM CORP.; and PARAMOUNT PICTURES CORPORATION, Defendants•Counterclaimants, and THE DIRECTORS GUILD OF AMERICA, Defendant•in•Intervention and Counterclaimant•in•Intervention. ORDER OF DISMISSAL WITH PREJUDICE OF NOVA GROUP INC. D/B/A TRILOGY STUDIOS, INC. Pursuant to the Stipulation of Dismissal filed by Metro•Goldwyn•Mayer Studios Inc., Warner Bros. Entertainment, Inc. (as successor•in•interest to the copyright interests of named counterclaimant Time Warner Entertainment Company, L.P.), Sony Pictures Entertainment Inc., Disney Enterprises, Inc., DreamWorks L.L.C., Universal City Studios, Inc.1, Twentieth Century Fox Film Corporation, and Paramount Pictures Corporation (collectively, “Motion Picture Studios”) and Nova Group Inc. -
Motion to Join Third Parties
IN THE UNITED STATES DISTRICT COURT FOR THE DISTRICT OF COLORADO Civil Action No. 02-M-1662 (MJW) ROBERT HUNTSMAN and CLEAN FLICKS OF COLORADO, L.L.C., Plaintiffs, v. STEVEN SODERBERGH, ROBERT ALTMAN, MICHAEL APTED, TAYLOR HACKFORD, CURTIS HANSON, NORMAN JEWISON, JOHN LANDIS, MICHAEL MANN, PHILLIP NOYCE, BRAD SILBERLING, BETTY THOMAS, IRWIN WINKLER, MARTIN SCORSESE, STEVEN SPIELBERG, ROBERT REDFORD and SYDNEY POLLACK, Defendants. MOTION FOR LEAVE TO JOIN THIRD PARTIES AS COUNTERDEFENDANTS Pursuant to Rule 20 of the Federal Rules of Civil Procedure, Defendants and Counterclaimants Steven Soderbergh, Robert Altman, Michael Apted, Taylor Hackford, Curtis Hanson, Norman Jewison, John Landis, Michael Mann, Phillip Noyce, Brad Silberling, Betty Thomas, Irwin Winkler, Martin Scorsese, Steven Spielberg, Robert Redford and Sydney Pollack1, by and through their attorneys Latham & Watkins and Temkin Wielga & Hardt LLP, hereby move to join Video II, Glen Dickman (“Dickman”), J.W.D. Management Corporation 1 Counterclaimants Steven Soderbergh, Robert Altman, Michael Apted, Taylor Hackford, Curtis Hanson, Norman Jewison, John Landis, Michael Mann, Phillip Noyce, Brad Silberling, Betty Thomas, Irwin Winkler, Martin Scorsese, Steven Spielberg, Robert Redford and Sidney Pollack are collectively referred to herein as the “Director Counterclaimants.” The Directors Guild of America (“DGA”) and the Director Counterclaimants are collectively referred to herein as “Counterclaimants.” LA\941868.7 (“J.W.D. Management”), Trilogy Studios Inc. (“Trilogy Studios”), CleanFlicks, MyCleanFlicks, Family Shield Technologies, LLC (“Family Shield”), ClearPlay Inc. (“ClearPlay”), Clean Cut Cinemas (“Clean Cut”), Family Safe Media (“Family Safe”), EditMyMovies, Family Flix, U.S.A. L.L.C. (“Family Flix”) and Play It Clean Video (“Play It Clean”) (collectively, the “Proposed Counterdefendants”) as counterdefendants along with Plaintiffs Robert Huntsman and Clean Flicks of Colorado, L.L.C. -
On a Clearplay, You Can See Whatever: Copyright and Tradmark Issues Arising from Unauthorized Film Editing Gail H
Hastings Communications and Entertainment Law Journal Volume 27 | Number 3 Article 4 1-1-2005 On a ClearPlay, You Can See Whatever: Copyright and Tradmark Issues Arising from Unauthorized Film Editing Gail H. Cline Follow this and additional works at: https://repository.uchastings.edu/ hastings_comm_ent_law_journal Part of the Communications Law Commons, Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Gail H. Cline, On a ClearPlay, You Can See Whatever: Copyright and Tradmark Issues Arising from Unauthorized Film Editing, 27 Hastings Comm. & Ent. L.J. 567 (2005). Available at: https://repository.uchastings.edu/hastings_comm_ent_law_journal/vol27/iss3/4 This Article is brought to you for free and open access by the Law Journals at UC Hastings Scholarship Repository. It has been accepted for inclusion in Hastings Communications and Entertainment Law Journal by an authorized editor of UC Hastings Scholarship Repository. For more information, please contact [email protected]. On a ClearPlay, You Can See Whatever: Copyright and Trademark Issues Arising From Unauthorized Film Editing GAIL H. CLINE* Introduction ............................................................................................ 569 I. B ackground ................................................................................... 570 II. Copyright Issues ........................................................................... 576 A. Direct Infringement .................................................................... -
Proposed Amended Counterclaim
IN THE UNITED STATES DISTRICT COURT FOR THE DISTRICT OF COLORADO Civil Action No. 02-M-1662 (MJW) ROBERT HUNTSMAN and CLEAN FLICKS OF COLORADO, L.L.C., Plaintiffs, v. STEVEN SODERBERGH, ROBERT ALTMAN, MICHAEL APTED, TAYLOR HACKFORD, CURTIS HANSON, NORMAN JEWISON, JOHN LANDIS, MICHAEL MANN, PHILLIP NOYCE, BRAD SILBERLING, BETTY THOMAS, IRWIN WINKLER, MARTIN SCORSESE, STEVEN SPIELBERG, ROBERT REDFORD and SYDNEY POLLACK, Defendants. [PROPOSED] AMENDED COUNTERCLAIM Defendants and Counterclaimants Robert Altman, Michael Apted, Taylor Hackford, Curtis Hanson, Norman Jewison, John Landis, Michael Mann, Phillip Noyce, Sydney Pollack, Robert Redford, Martin Scorsese, Brad Silberling, Steven Soderbergh, Steven Spielberg, Betty Thomas, and Irwin Winkler1 and Proposed Defendant-In-Intervention and Counterclaimant-In-Intervention the Directors Guild Of America (collectively, “Counterclaimants”), hereby allege against Plaintiffs and Counterdefendants Clean Flicks of Colorado, L.L.C. (“Clean Flicks of Colorado”) and Robert Huntsman, and Proposed 1 Counterclaimants Robert Altman, Michael Apted, Taylor Hackford, Curtis Hanson, Norman Jewison, John Landis, Michael Mann, Phillip Noyce, Sydney Pollack, Robert Redford, Martin Scorsese, Brad Silberling, Steven Soderbergh, Steven Spielberg, Betty Thomas and Irwin Winkler are collectively referred to herein as the “Director Counterclaimants.” LA\934828.9 Counterdefendants Video II, Glen Dickman (“Dickman”), J.W.D. Management Corporation (“J.W.D. Management”), Trilogy Studios Inc. (“Trilogy Studios”), CleanFlicks, MyCleanFlicks, Family Shield Technologies, LLC (“Family Shield”), ClearPlay Inc. (“ClearPlay”), Clean Cut Cinemas (“Clean Cut”), Family Safe Media (“Family Safe”), EditMyMovies, Family Flix, U.S.A L.L.C. (“Family Flix”) and Play It Clean Video (“Play It Clean”), as follows: SUMMARY OF THE CASE 1. This case deals with Counterdefendants’ unauthorized alteration of motion pictures directed by the Director Counterclaimants and other members of the Directors Guild of America (“DGA”).