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The Bells of St. Michael's Tower

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The Bells of St. Michael's Tower o r The bells of St. Michael’s tower A glee for five voices The subject from Knyvett’s glee for three voices, But re-written with an introduction Robert P. Stewart (1825-1894) The bells of St. michael’s tower A glee for three voices William Knyvett (1779–1856) Sir Robert Prescott Stewart (1825-1894) was born in Dublin and trained as chorister at the Cathedral School of Christ Church Cathedral. In 1844, he was appointed organist at Christ Church and, later, at St. Patrick’s Cathedral, Dublin. Stewart became Professor of Music at the University of Dublin in 1862 where Sir Charles V. Stanford was his pupil. He was also a teacher of piano and harmony and composition at Royal Irish Academy of Music. He was conductor of the University of Dublin Choral Society and the Bray Philharmonic Society. Stewart was editor of the 1876 Irish Church Hymnal. His multifaceted career was held in high regard and he was viewed as the ‘figurehead’ of music in Ireland by his English contemporaries. William Knyvett (1779–1856) was probably born in London and was educated by his father Charles Knyvett (1752–1822), organist and composer of the Chapel Royal, and by the glee composer Samuel Webbe. The songs he wrote became very popular. They included “There is a flower”, “My love is like the red, red rose”, 1803; “The Bells of St. Michael’s Tower”, 1810; “The Boatie Rows”, 1810; “The Midges’ Dance”, and “As it fell upon a day”, 1812. He also wrote “When the fair rose”, a glee for which he was awarded a prize at the Harmonic Society in 1800, presented to him by his patron, the Prince of Wales. More than thirty-five of his compositions were printed. When Richard Penlake, And Rebecca his wife, Arriv’d at the church door, Merrily rung the bells of Saint Michael’s tow’r. Richard Penlake was a cheerful man, Cheerful and frank and free, But he led a sad life With Rebecca his wife, For a terrible shrew was she. Richard Penlake A scolding would take, Till patience availed no longer. Then Richard Penlake A crabstick would take, And show her that he was the stronger. The bells of St. Michael’s tower R. P. Stewart Allegro deciso q = 126 S # & # c ∑ ∑ ∑ A # & # c ∑ ∑ ∑ T # V # c ∑ ∑ ∑ p œ œ B 1 œ œ œ œ œ œ ? ## c œ œ œ w ‰ œ œ œ Ding ding ding ding ding ding dong bell, dingJ ding ding ding ding ding dong p œ B 2 œ œ œ ? ## c ∑ ‰ J œ œ œ w Ding ding ding ding ding ding dong bell, 4 S # & # ∑ ∑ ∑ A # & # ∑ ∑ ∑ T # œ œ œ V # ∑ ∑ ‰ J œ œ œ œ Ding ding ding ding ding ding dong œ B 1 œ œ œ ? ## w ‰ J œ œ œ w bell, ding ding ding ding ding ding dong bell, œ œ B 2 œ œ œ œ œ œ ? ## ‰ œ œ œ w ‰ J œ œ œ dingJ ding ding ding ding ding dong bell, ding ding ding ding ding ding dong Edition and “engraving” © 2014 SHORCHOR™. May be freely distributed, duplicated, performed and recorded under the TERMS OF USE described elsewhere in this publication. This edition is not a source for a secondary edition. The bells of St. Michael’s tower 5 7 f S # œ & # ∑ ‰ œ œ œ œ DingJ ding ding ding ding dingœ dongœ f f A ## j j & œ œ œ œ œ j œ œ œ œ j Ding ding ding ding dingœ dingœ dong bell,œ ding ding ding ding dingœ dongœ f T # j œ œ œ œ œ œ V # J œ œ œ œ œ J œ œ œ œ bell,œ ding ding ding ding ding ding dong bell,J ding ding ding ding ding ding dong œ f œ œ B 1 œ œ œ œ œ œ œ ? ## œ œ œ J ‰ J œ ding ding ding ding ding ding ding dong bell,J ding dong, ding ding dong f B 2 œ ? ## w œ ‰ J ˙ bell, dong bell, 9 f S # p & # j œ œ œ œ œ j j œ œ œ œ œ bell,œ dingJ ding ding ding dingœ ding dongœ bell,œ dingœ ding ding dingœ ding ding dong p A ## j f & j œ œ œ œ œ bell,œ ding ding ding ding dingœ dingœ dongœ bell,œ dingœ dongœ bell, p T # œ œ f V # j J œ œ œ œ œ œ œ œ bell,œ ding ding ding ding ding ding dong bell,œ ding dong bell, p f œ B 1 œ œ œ œ œ ? ## œ Ó ‰ J œ bell, ding ding ding ding ding dong bell, B 2 p f ? ## Ó ˙ Œ œ œ œ dong, ding dong bell, 11 p S S S S # & # j j œ œ œ œ œ Œ ˙ ˙ ˙ ˙ ˙ bell,œ dingœ ding ding dingœ ding ding dong bell,œ boime, boime, boime, bell - oom, p S S S A # & # Œ Œ ˙ ˙ ˙ ˙ ˙ dingœ dongœ bell,œ œ chang, chang, chang, bell - oom, S S S T # p ˙ ˙ ˙ ˙ ˙ V # œ œ œ œ œ Œ ding dong bell, boime, boime, boime, bell - oom, p œ œ S˙ S ˙ S ˙ ˙ ˙ B 1 œ œ œ œ ? ## ‰ J œ Œ ding ding ding ding dong bell, boime, boime, boime, bell - oom, S S S B 2 p ˙ ˙ ˙ ˙ ˙ ? ## œ œ œ œ œ Œ ding dong bell, boime, boime, boime, bell - boom, 6 The bells of St. Michael’s tower pesante a tempo 15 f S # U œ. œ œ œ œ & # œ œ œ œ œ. œ œ. œ œ ding ding dong, Mer - ri - ly, mer - ri - ly rung theJ bells, the U f A # & # œ œ œ œ. œ. œ œ œ. œ œ j œ ding ding dong,œ Mer - ri - ly, mer - ri - ly rungœ. theœ bells,œ the U f T # œ œ œ œ œ. œ œ œ. œ œ œ. œ œ œ V # J ding ding dong, Mer - ri - ly, mer - ri - ly rung the bells, the U œ œ f œ œ œ B 1 œ œ . œ œ. œ œ . œ œ œ ? ## J ding ding dong, Mer - ri - ly, mer - ri - ly rung the bells, the U B 2 œ œ œ œ f œ. œ œ œ. j ? ## œ. œ œ œ œ ding ding dong, Mer - ri - ly, mer - ri - ly rung the bells, theœ 18 S # & # œ œ œ Œ œ œ œ œ œ œ œ bells of Saintœ Mi - chael’sœ tow’r,˙ When Rich - ard Pen - lake and Re - A ## & œ Œ œ œ œ œ œ œ œ bells ofœ Saintœ Miœ - chael’sœ tow’r,˙ When Rich - ard Pen - lake, and Re - T # œ V # œ œ œ œ œ œ œ œ œ bells of Saint Mi - chael’s tow’r, Ding ding dong bell,˙ ding dongœ œ œ B 1 œ œ œ œ œ ? ## œ œ ˙ œ œ bells of Saint Mi - chael’s tow’r, Ding ding dong bell, ding dong œ B 2 œ œ œ ? ## œ ˙ œ bellsœ ofœ Saintœ Miœ - chael’sœ tow’r, Ding ding dong bell, ding dong 21 S # œ . œ & # œ œ œ œ œ œ œ œ Œ bec - ca hisœ wife,œ Arœ - riv’dœ at the church door, A # & # œ œ œ ˙. Œ becœ - caœ hisœ wife,œ Arœ - riv’dœ atœ the church door, T # œ œ œ ˙ œ V # ˙ Œ œ œ œ œ Œ bell, Ar - riv’d at the church door, œ œ B 1 ˙ œ nœ ˙ ˙ ? ## Œ œ œ Œ bell, Ar - riv’d at the church door, B 2 ˙ ? ## Œ œ œ œ Œ bell, Arœ - riv’d at the church˙ door,˙. The bells of St. Michael’s tower 7 24 π S # œ. œ œ œ œ œ & # œ. œ œ. œ œ œ œ œ Œ Mer - ri-ly, mer - ri-ly rung theJ bells, the bells of Saintœ Mi - chael’sœ tow’r,˙ When π A # j & # œ. œ œ #œ. œ œ œ œ œ œ œ Œ œ Mer - ri-ly, mer - ri-ly rung. the bells, the bells ofœ Saintœ Miœ - chael’sœ tow’r,˙ When π T # œ. œ œ œ. œ œ œ. œ œ œ œ œ œ V # J œ œ œ œ œ œ Mer - ri-ly, mer - ri-ly rung the bells, the bells of Saint Mi - chael’s tow’r, Ding ding dong πœ. œ œ. œ œ œ. œ œ B 1 œ œ œ œ œ œ œ œ œ œ ? ## J œ Mer - ri-ly, mer - ri-ly rung the bells, the bells of Saint Mi - chael’s tow'r, Ding ding dong πœ. œ B 2 . œ. j œ œ ? ## œ œ œ œ œ œ œ œ Mer - ri-ly, mer - ri-ly rung the bells, theœ bellsœ ofœ Saintœ Miœ - chael’sœ tow’r, Ding ding dong 28 S # œ œ & # œ œ œ œ œ œ œ œ œ œ œ J Rich - ard Pen - lake and Re - bec - ca hisœ wife,œ Arœ - riv’dœ at the churchJ A ## & œ œ œ œ œ œ œ œ œ Rich - ard Pen - lake, and Re - becœ - caœ hisœ wife,œ Arœ - riv’dœ atœ the church T # œ œ œ V # œ ˙ Œ œ œ œ œ bell,˙ ding dongœ bell, Ar - riv’d at the church œ B 1 ˙ œ nœ ˙ ? ## ˙ œ œ Œ œ œ bell, ding dong bell, Ar - riv’d at the church B 2 œ ˙ œ ? ## ˙ œ Œ œ œ œ œ bell, ding dong bell, Arœ - riv’d at the church 31 S # .
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