The Way of Tradition Volume
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BJO + Joe Lovano | Jazzaroundmag.Com
BJO + Joe Lovano | jazzaroundmag.com http://jazzaroundmag.com/?p=3042 www.brusselsjazzorchestra.com Après l’album « BJO’s Finest – Live », première occasion de célébrer le vingtième anniversaire de l’orchestre emmené par Frank Vaganée, voici « Wild Beauty », une « Sonata Suite for the Brussels Jazz Orchestra » concoctée par Joe Lovano. Il faut dire que le saxophoniste, natif de Cleveland (USA) a toujours noué des liens très forts avec la Belgique. Après son passage au sein des orchestres de Woody Herman et Mel Lewis, si l’on excepte » Tones, Shapes and Colors » gravé en quartet avec Kenny Werner pour le label italien Soul Note, et « Paris- Batignolles » enregistré avec Henri Texier pour Evidence, c’est dans notre pays que le saxophoniste américain est venu réaliser l’un de ses premiers albums personnels : « Solid Steps » (Jazz Club Records), enregistré en 1986, en compagnie de Bert Joris, Michel Herr, Dré Pallemaerts et Hein van de Geyn. Par la suite, il sera l’invité de l’Act Big Band de Félix Simtaine (album « Extrêmes » sorti en 1987) et de Philip Catherine en 1988 (la composition Oostduinkerke sur l’album « Oscar »). En 1995, il enregistre « Rhythm Sphere » en compagnie d’Eric Legnini, Philippe Aerts et Félix Simtaine. Par ailleurs, les saxophonistes du BJO, Frank Vaganée, Bart Defoort, Kurt van Herck et Bo van der Werf, ont suivi des ateliers avec Joe Lovano. Enfin, en 2011, l’Américain a été le parrain des Dinant Jazz Nights. Pour Joe Lovano, cette Sonata Suite est d’abord l’occasion de célébrer ses racines italiennes, comme il l’avait déjà fait avec l’album « Viva Caruso » en 2002. -
Inhabiting Literary Beijing on the Eve of the Manchu Conquest
THE UNIVERSITY OF CHICAGO CITY ON EDGE: INHABITING LITERARY BEIJING ON THE EVE OF THE MANCHU CONQUEST A DISSERTATION SUBMITTED TO THE FACULTY OF THE DIVISION OF THE HUMANITIES IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF EAST ASIAN LANGUAGES AND CIVILIZATIONS BY NAIXI FENG CHICAGO, ILLINOIS DECEMBER 2019 TABLE OF CONTENTS LIST OF FIGURES ....................................................................................................................... iv ACKNOWLEDGEMENTS .............................................................................................................v ABSTRACT ................................................................................................................................. viii 1 A SKETCH OF THE NORTHERN CAPITAL...................................................................1 1.1 The Book ........................................................................................................................4 1.2 The Methodology .........................................................................................................25 1.3 The Structure ................................................................................................................36 2 THE HAUNTED FRONTIER: COMMEMORATING DEATH IN THE ACCOUNTS OF THE STRANGE .................39 2.1 The Nunnery in Honor of the ImperiaL Sister ..............................................................41 2.2 Ant Mounds, a Speaking SkulL, and the Southern ImperiaL Park ................................50 -
21. Joe Lovano
21. Joe Lovano o other jazz musician Bailey, Bill Hardman, the from Cleveland has great tenor player Joe N ever achieved the Alexander, and Jim Hall." world-wide acclaim that Because of his family, Tony saxophonist Joe Lovano got decided to remain in in the 1990s and early 2000s. Cleveland. But he was so He was voted "Jazz Artist respected that he often shared of the Year" by DownBeat bandstands with such artists magazine critics and readers as Stan Getz and Flip Phillips in 1995, 1996 and 2001. He when they came to Cleveland. was named "International Drummer Lawrence Artist of the Year" by Jazz "Jacktown" Jackson, who Report magazine in 1995. frequently played with the DownBeat called Cleveland elder Lovano, said, "He native Lovano "the very wasn't as advanced (as Joe epitome of the ' 90s became). He didn't have the professional jazzman." same command of his DownBeat 's Larry instrument, but Tony was a Blumenfeld wrote, "The sheer hell of a saxophone player!" breadth and ambition of When Joey, as he was Lovano's artistic endeavors called, was about 10, his reflect a consistent level of father began giving his son achievement. Lovano raises serious lessons and he began the level of the game and of listening to his father' s those around him." Joe Lovano records , particularl y The DownBeat article saxophonists Sonny Stitt, said Lovano "knows his history, not just the history of John Coltrane and Lester Young, and trumpeter Miles the music, but the value of his personal history." Davis. When Joe was II, his father bought him a King That personal history began in Cleveland where Super 20 tenor saxophone. -
Steps of Christian Growth
Solid Steps of Christian Growth A Study of 2 Peter 1:1-11 Instructor’s Edition The steps of a good man are ordered by the LORD: and he delighteth in his way. Though he fall, he shall not be utterly cast down: for the LORD upholdeth him with his hand. Psalm 37:23,24 The Bible Companion Series of Bible Studies By Craig A. Ledbetter. Bible Baptist Church of Ballincollig 29 Westcourt Heights Ballincollig, Cork, Ireland (021) 4875142 (c) 2006 Craig Ledbetter Any portion, including the whole of this text may be reproduced without the permission of the author, as long as credit is given for its source (Romans 13:7)! Steps of Christian Growth Study Contents Main Scripture to Study 2 Peter 1:1-11 .................................................................................... 3 Introduction to Our Study ......................................................................................................... 4 Faith is the First Step ................................................................................................................ 7 Virtue ......................................................................................................................................... 10 Knowledge ................................................................................................................................ 14 Temperance – Part 1 ................................................................................................................ 17 Temperance – Part 2 ...............................................................................................................