Ballet Program Student/Parent Handbook
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AUDITION for FOUR COMPANIES in One Great Workshop
Serious High School, College & Conservatory Dancers AUDITION for FOUR COMPANIES in One Great Workshop June 29, 2020 - August 2, 2020 Only 32 Dancers Accepted Classes with these Directors... Hope Muir Robert Curran Charlotte Ballet Louisville Ballet James Sofranko Adam Sklute Grand Rapids Ballet West Ballet PLUS other fantastic faculty! SUMMER 2020 INTENSIVE PERFORMANCE WORKSHOP June 29, 2020 – August 2, 2020 Study with Artistic Directors: Hope Muir, Charlotte Ballet Robert Curran, Louisville Ballet Adam Sklute, Ballet West James Sofranko Grand Rapids Ballet Monday - Saturdays 10am – 6pm (6 days per week) Tuition: $1,995 Cincinnati Ballet’s Victoria Morgan during a “Meet the Director” Lunch/Lecture • Use class as an Audition for these four companies. • Meet and ask questions of these Directors during the “Meet the Director” lecture series. • Classes in ballet technique, pointe technique, variations, together with jazz and modern will be included. Additional classes in Pilates and hip-hop will also be included. • Dance enrichment sessions of the workshops will include: question-and-answer ses- sions with professional dancers, technical theater production, video critique of his- toric ballet performances, plus discussions on resume, make-up and audition skills. • In the [Performance Intensive Workshop], you will learn what it is to be a member of a Corps de Ballet dancing with some of the finest professional dancers in the world. • All Performance Workshop Participants will be cast in a full-length production, La Bayadère. Performance: La Bayadère July 31, August 1 & 2, 2020 with Pennsylvania Ballet’s Sterling Baca and Nayara Lopes and San Francisco Ballet’s Sasha de la Sola! About Boca Ballet Theatre: Founded in 1990, Boca Ballet Theatre’s mission is to enrich the cultural landscape of our community and to educate our youth in classical ballet and concert dance through focused training, interaction with professional dancers and participation in full length ballets and contemporary choreog- raphy. -
Audition Guidelines & Frequently Asked
AUDITION GUIDELINES & FREQUENTLY ASKED QUESTIONS Explore Your Potential and Realize Your Dream Patricia Lavoie, Artistic Director ABOUT SOUTHERN NH YOUTH BALLET Welcome to Southern NH Youth Ballet (SNHYB), the official performing company of Southern NH Dance Theater. The Youth Ballet has been educating dancers and inspiring audiences throughout New Hampshire since 1998. For more than 15 years the Youth Ballet has also been the resident Nutcracker Performing Company at the historic Palace Theatre in Manchester, NH. By providing young dancers with unique performance opportunities, intensive dance training and individual coaching, the Youth Ballet continues to inspire the youth in our community by fostering their artistic growth and enriching their lives. EXPLORE YOUR POTENTIAL AND REALIZE YOUR DREAM There are many benefits for company members of Southern NH Youth Ballet. Some of those opportunities include: • Participation in several performing opportunities • Perform with a live orchestra in The Nutcracker at the Palace Theatre in downtown Manchester • Work with some of the industry’s leading choreographers • Dance alongside professional dancers • Exposure to the dance community on a national level HOW DO I BECOME A MEMBER OF THE YOUTH BALLET? By attending the company auditions held in the fall of each year. Participation in the Youth Ballet is voluntary and open to all Southern NH Dance Theater students enrolled in ballet levels 5 through 7. There are no age requirements for students in ballet levels 5-7. It is very important to remember that the Youth Ballet is designed for the serious dancer. A commitment of this level is viewed by our staff as a family commitment. -
The Shubert Foundation 2020 Grants
The Shubert Foundation 2020 Grants THEATRE About Face Theatre Chicago, IL $20,000 The Acting Company New York, NY 80,000 Actor's Express Atlanta, GA 30,000 The Actors' Gang Culver City, CA 45,000 Actor's Theatre of Charlotte Charlotte, NC 30,000 Actors Theatre of Louisville Louisville, KY 200,000 Adirondack Theatre Festival Glens Falls, NY 25,000 Adventure Theatre Glen Echo, MD 45,000 Alabama Shakespeare Festival Montgomery, AL 165,000 Alley Theatre Houston, TX 75,000 Alliance Theatre Company Atlanta, GA 220,000 American Blues Theater Chicago, IL 20,000 American Conservatory Theater San Francisco, CA 190,000 American Players Theatre Spring Green, WI 50,000 American Repertory Theatre Cambridge, MA 250,000 American Shakespeare Center Staunton, VA 30,000 American Stage Company St. Petersburg, FL 35,000 American Theater Group East Brunswick, NJ 15,000 Amphibian Stage Productions Fort Worth, TX 20,000 Antaeus Company Glendale, CA 15,000 Arden Theatre Company Philadelphia, PA 95,000 Arena Stage Washington, DC 325,000 Arizona Theatre Company Tucson, AZ 50,000 Arkansas Arts Center Children's Theatre Little Rock, AR 20,000 Ars Nova New York, NY 70,000 Artists Repertory Theatre Portland, OR 60,000 Arts Emerson Boston, MA 30,000 ArtsPower National Touring Theatre Cedar Grove, NJ 15,000 Asolo Repertory Theatre Sarasota, FL 65,000 Atlantic Theater Company New York, NY 200,000 Aurora Theatre Lawrenceville, GA 30,000 Aurora Theatre Company Berkeley, CA 40,000 Austin Playhouse Austin, TX 20,000 Azuka Theatre Philadelphia, PA 15,000 Barrington Stage Company -
Dance Theatre of Harlem
François Rousseau François DANCE THEATRE OF HARLEM Founders Arthur Mitchell and Karel Shook Artistic Director Virginia Johnson Executive Director Anna Glass Ballet Master Kellye A. Saunders Interim General Manager Melinda Bloom Dance Artists Lindsey Croop, Yinet Fernandez, Alicia Mae Holloway, Alexandra Hutchinson, Daphne Lee, Crystal Serrano, Ingrid Silva, Amanda Smith, Stephanie Rae Williams, Derek Brockington, Da’Von Doane, Dustin James, Choong Hoon Lee, Christopher Charles McDaniel, Anthony Santos, Dylan Santos, Anthony V. Spaulding II Artistic Director Emeritus Arthur Mitchell PROGRAM There will be two intermissions. Friday, March 1 @ 8 PM Saturday, March 2 @ 2 PM Saturday, March 2 @ 8 PM Zellerbach Theatre The 18/19 dance series is presented by Annenberg Center Live and NextMove Dance. Support for Dance Theatre of Harlem’s 2018/2019 professional Company and National Tour activities made possible in part by: Anonymous; The Arnhold Foundation; Bloomberg Philanthropies; The Dauray Fund; Doris Duke Charitable Foundation; Elephant Rock Foundation; Ford Foundation; Ann & Gordon Getty Foundation; Harkness Foundation for Dance; Howard Gilman Foundation; The Dubose & Dorothy Heyward Memorial Fund; The Klein Family Foundation; John L. McHugh Foundation; Margaret T. Morris Foundation; National Endowment for the Arts; New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature; New England Foundation for the Arts, National Dance Project; Tatiana Piankova Foundation; May and Samuel Rudin -
Qurrat Ann Kadwani: Still Calling Her Q!
1 More Next Blog» Create Blog Sign In InfiniteBody art and creative consciousness by Eva Yaa Asantewaa Tuesday, May 6, 2014 Your Host Qurrat Ann Kadwani: Still calling her Q! Eva Yaa Asantewaa Follow View my complete profile My Pages Home About Eva Yaa Asantewaa Getting to know Eva (interview) Qurrat Ann Kadwani Eva's Tarot site (photo Bolti Studios) Interview on Tarot Talk Contact Eva Name Email * Message * Send Contribute to InfiniteBody Subscribe to IB's feed Click to subscribe to InfiniteBody RSS Get InfiniteBody by Email Talented and personable Qurrat Ann Kadwani (whose solo show, They Call Me Q!, I wrote about Email address... Submit here) is back and, I hope, every bit as "wicked smart and genuinely funny" as I observed back in September. Now she's bringing the show to the Off Broadway St. Luke's Theatre , May 19-June 4, Mondays at 7pm and Wednesdays at 8pm. THEY CALL ME Q is the story of an Indian girl growing up in the Boogie Down Bronx who gracefully seeks balance between the cultural pressures brought forth by her traditional InfiniteBody Archive parents and wanting acceptance into her new culture. Along the journey, Qurrat Ann Kadwani transforms into 13 characters that have shaped her life including her parents, ► 2015 (222) Caucasian teachers, Puerto Rican classmates, and African-American friends. Laden with ▼ 2014 (648) heart and abundant humor, THEY CALL ME Q speaks to the universal search for identity ► December (55) experienced by immigrants of all nationalities. ► November (55) Program, schedule and ticket information ► October (56) ► September (42) St. -
Black Dancers in American Ballet in Kansas City Live Facebook Panel Discussion April 23 at 6:30 P.M
FOR IMMEDIATE RELEASE CONTACT: Ellen McDonald 816.213.4355 [email protected] For Tickets: 816.931.8993 or kcballet.org Kansas City Ballet Announces Stories of Resiliency: Black Dancers in American Ballet in Kansas City Live Facebook Panel Discussion April 23 at 6:30 p.m. WHO: * Moderator Allan S. Gray II, Former KCB board member and former board member of the Missouri Arts Council. He is also founding board member of the Kansas City Friends of Alvin Ailey. * April Berry, Former apprentice, and ballerina with ballet companies in New York, New Jersey and Washington, D.C., current Director of Community Engagement and Education at Kansas City Ballet and Kansas City Ballet School faculty member. * Karen Brown, Former ballerina with Dance Theatre of Harlem, current Assistant Professor of Dance at UMKC Conservatory, University of Missouri at Kansas City. * Whitney Huell, Former ballerina with Ballet West, current ballerina with Kansas City Ballet and Kansas City Ballet School faculty member. * Josh Bodden, former dancer with Miami City Ballet, Dance Theatre of Harlem, Cincinnati Ballet, current danseur with Kansas City Ballet and Kansas City Ballet School faculty member. WHAT: Four professional black dancers living and working in Kansas City share their journeys on navigating dance careers in the American Ballet World. Moderated by Allan S. Gray II, a respected Kansas City business professional and community leader, each panelist will impart their unique dance experiences, perspectives on diversity, inclusion and equity in ballet and respond to questions from the community sent in advance of the panel, as well as during the panel. Visit www.kcballet.org for more information. -
The Portland Ballet Presents 'The Enchanted Toyshop' and 'Tourbillon
FOR IMMEDIATE RELEASE CONTACT: Laura Grimes, [email protected], 971.322.9452 The Portland Ballet presents ‘The Enchanted Toyshop’ and ‘Tourbillon,’ a new work by Anne Mueller with Portland State University Orchestra, Ken Selden, music director PROGRAM DETAILS John Clifford’s The Enchanted Toyshop (2003) Anne Mueller’s Tourbillon (2017), a world premiere Both performed with the PSU Orchestra, under the direction of Ken Selden Dates: Nov. 24-26, 2017 Times: 2:30 & 7:30 p.m. Friday-Saturday, Nov. 24-25; 1 & 5 p.m. Sunday, Nov. 26 Where: Lincoln Performance Hall at PSU, 1620 SW Park at Market, Portland, OR Tickets: $5-$35, on sale beginning Oct. 20 Runtime: One hour 45 minutes (including one 20-minute intermission) Information: theportlandballet.org or 503-750-3157 Discounts: • First-Show Friday: Tickets for the 2:30 p.m. show on Friday, Nov. 24, will be only $5 youth/student, $10 adult • Family Package: For TIER 1 pricing, when purchasing two adult and two or more youth tickets, all youth tickets will be $5 off • Group Discount: 10 or more tickets will receive 10% off • Good deals: Limited Arts Card and Arts for All tickets Special Opportunities: • Swag bags: Young people will receive special gift bags. • Activities: The fun starts in the lobby with photo opportunities and activities for kids. • Meet the cast: Audience members are invited to stay after every performance to meet the cast, take photos with them, and have their programs signed. PORTLAND, Ore. – After last year’s sold-out shows, The Portland Ballet is reviving its holiday hit, The Enchanted Toyshop, Thanksgiving weekend in a double bill that will also feature a new ballet, Tourbillon, by co-artistic director Anne Mueller. -
Weekly Newsletter
Weekly Newsletter February 16, 2016 Volume 6, Issue 3 Parent Observation Week: February 22 - 28 Next week, February 22—28, we invite parents/ Inside this issue: guardians into the studio to observe your student’s class(es) throughout the week. Parent Observation 1 Week This is a wonderful opportunity to step inside the studios Summer Intensive 1 to see firsthand what your dancer has been working on Auditions at CB and celebrate their progress so far this season. We Calendar Highlights & 2 greatly appreciate your efforts to attend in support of You may come and go as needed, but Class Updates please do not enter a studio until the your dancer! Lobby Event 2 current exercise has finished and music has stopped. Congratulations Kids 2 We kindly ask you limit the number of observers to 2 Cast! people per dancer to allow for comfortable seating for Photography is allowed during Summer Programs 3 all who attend. Please see the helpful points to the observation, however please NO FLASH! 2016 right for class observation etiquette. FUZI Shoe Fitting 4 Posting pictures to social media: If Opportunity *Note: Children’s Division classes that take place in posting observation week photos to social media sites, please post photos of Wild Sweet Love 4 Studio D have been notified separately of observation plans. only your dancer. Please refer to your email for details. Summer Intensive Auditions at Cincinnati Ballet January and February are the months when many Summer Intensive Auditions are held. There are a number of programs holding their auditions at Cincinnati Ballet. -
Ballet Days & Teacher Refresher
The Cecchetti Council of America National Executive Board with the Eastern Michigan Committee presents Ballet Days & Teacher Refresher Saturday & Su nday, January 25-26, 2020 at Wayne State University ***Registration deadline is Saturday, January 18, 2020*** Ballet Day Student Schedule ***Schedule is the same for Saturday, January 25th and Sunday, January 26th*** Contemporary III Summer School Audition 9:00-10:25am Grade I Matthew Farmer IV & up Contemporary I & II 10:30-11:55am Grade IV Elementary V Intermediate VI Matthew Farmer 12:00-12:30pm Lunch Summer School Non Syllabus III Contemporary IV & Up 12:30-1:55pm Advanced VII Audition I & II Dawnell Dryja Matthew Farmer Non Syllabus Summer School Non Syllabus IV & up 2:00-3:25pm I & II Audition III Dawnell Dryja Pointe & Variation IV & up 3:30-4:55pm Grade II Grade III Dawnell Dryja Teacher Refresher Schedule Sunday, January 26th Teacher Welcome Class 9:00-10:00am Dawnell Dryja 10:00-11:00am Teacher Grade I 11:00-12:00pm Teacher Grade II 12:00-12:30pm Lunch & CCA/EMC Announcements 12:30-1:55pm Teacher Grade III 2:00-3:25pm Teacher Grade IV 3:30-4:55pm Teacher Elementary V Participant’s Per class fee Pre-Registration Category Pre-Registration 4 classes or more ONE DAY Discount* Student $25 $90 PER DAY Teacher Member $25 $100 PER DAY Non-Member Teacher $35 $125 PER DAY Adult Observer $35 PER CLASS $35 PER CLASS Teacher All Access Observe all student classes, all weekend, and attend Teacher Refresher for one rate. Rate Member’s Rate $150 Non-Member’s Rate $200 *Discount is for a single student registration. -
Summer Classes & Intensives June 5 to July
BALLET ACADEMY OF TEXAS Summer Classes & Intensives June 5 to July 15, 2017 Lisa Slagle, Director | 972-745-0199 | 145 Fitness Court, Coppell, TX 75019 | balletacademyo�exas.com The goal of the Ballet Academy of Texas JENNY JOHNSTON has been teaching GUEST TEACHERS is to provide quality, professional dance advanced and intermediate ballet and instruction for all ages. The primary pointe at the Ballet Academy since it ANDREW PARKER (June 5-9) focus is on classical ballet technique, opened 17 years ago. She received her currently the Artistic Director of which provides a strong foundation for BFA in Ballet at TCU while also Chattanooga Ballet, is a regular guest all other dance forms. Founded in 1999 performing as a soloist with the Fort master teacher at many ballet schools by director Lisa Slagle, it has received Worth Ballet. Her choreography has also across North America. He has served on the "Outstanding School in the won awards at the Youth America Grand the dance faculty at Canada's National Southwest" Award 6 times in the past 12 Prix competition and has been selected Ballet School, Boston Ballet School, years from the Youth America Grand Prix for the gala performances at the Milwaukee Ballet, Walnut Hill School Competition. RDA/Southwest festivals. and Southern Methodist University - Summer Classes are designed to not only Meadows School of the Arts further a child’s previous dance training, ALLAN KINZIE performed as a principal in Dallas, Texas. For eleven years he but to also introduce the student to dancer with Dallas Ballet, Chicago City danced professionally with Milwaukee other forms of dance and to provide the Ballet, and Boston Ballet in the U.S., and Ballet, Ballet Iowa, and Tulsa Ballet. -
September 4, 2014 Kansas City Ballet New Artistic Staff and Company
Devon Carney, Artistic Director FOR IMMEDIATE RELEASE CONTACT: Ellen McDonald 816.444.0052 [email protected] For Tickets: 816.931.2232 or www.kcballet.org Kansas City Ballet Announces New Artistic Staff and Company Members Grace Holmes Appointed New School Director, Kristi Capps Joins KCB as New Ballet Master, and Anthony Krutzkamp is New Manager for KCB II Eleven Additions to Company, Four to KCB II and Creation of New Trainee Program with five members Company Now Stands at 29 Members KANSAS CITY, MO (Sept. 4, 2014) — Kansas City Ballet Artistic Director Devon Carney today announced the appointment of three new members of the artistic staff: Grace Holmes as the new Director of Kansas City Ballet School, Kristi Capps as the new Ballet Master and Anthony Krutzkamp as newly created position of Manager of KCB II. Carney also announced eleven new members of the Company, increasing the Company from 28 to 29 members for the 2014-2015 season. He also announced the appointment of four new KCB II dancers, which stands at six members. Carney also announced the creation of a Trainee Program with five students, two selected from Kansas City Ballet School. High resolution photos can be downloaded here. Carney stated, “With the support of the community, we were able to develop and grow the Company as well as expand the scope of our training programs. We are pleased to welcome these exceptional dancers to Kansas City Ballet and Kansas City. I know our audiences will enjoy the talent and diversity that these artists will add to our existing roster of highly professional world class performers that grace our stage throughout the season ahead. -
1415 ALICE (In Wonderland)
CONTACTS: Allie Honebrink Director of Marketing and Communications Cincinnati Ballet 1555 Central Parkway, Cincinnati, OH 45214 513.562.1137 Direct 859.468.5509 Cell [email protected] FOR IMMEDIATE RELEASE CINCINNATI BALLET PRESENTS ALICE (in wonderland) Celebrate Valentine’s Day in a dazzling world of wonder CINCINNATI, OH. Cincinnati Ballet presents the return of the wildly popular ALICE (in wonderland) this Valentine’s Day weekend, February 13-15 at the Aronoff Center for the Arts. Audiences have five opportunities to see this bold, spectacular take on Lewis Carroll’s classic stories with live instrumentation by the Cincinnati Symphony Orchestra. From the revolutionary vision of The Washington Ballet’s Septime Webre, ALICE (in wonderland) is refreshingly original, having premiered regionally in 2012, and showcases modern production elements such as elaborate, eye-popping scenery and characters who take flight. The production features gorgeous costumes by Liz Vandal and a commissioned score by Matthew Pierce. Cincinnati audiences may be familiar with Webre as the choreographer of Cincinnati Ballet’s praised production of Peter Pan, performed earlier this season. Liz Vandal is a celebrated costume designer whose unique, elaborate designs have graced the stage of Cirque du Soleil. The original score was created for an ensemble orchestra, but Cincinnati audiences will experience a version that is expanded to utilize the breadth of the magnificent Cincinnati Symphony Orchestra. Webre worked closely with composer, Pierce, throughout the creative process to give each character its own unique musical sound effects, bringing each of the favorite characters to life on stage. The vibrant cast is comprised of a combination of Cincinnati Ballet dancers, children from the Otto M.