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Father Terry Charlton Embraces Role at World's First High School for AIDS
Inside Restored to radiance Batesville craftsmen proud of work on Our Lady of America statue, page 12. Serving the ChurchCriterion in Central and Souther n Indiana Since 1960 CriterionOnline.com August 15, 2008 Vol. XLVIII, No. 44 75¢ Bishops vote Submitted photo to revise U.S. catechism on Jewish covenant with God Festive Mass concludes WASHINGTON (CNS)—The U.S. bishops have voted to ask the Vatican to approve a cathedral’s centennial small change in the U.S. Catholic Catechism for Adults to clarify Church teaching on God’s covenant with the Jewish people. year celebration The proposed change—which would replace one sentence in the catechism—was discussed by the bishops in executive session at their June meeting in Orlando, Fla., but did not receive the needed two-thirds majority of all members of the U.S. Conference of Catholic Bishops at that time. After mail balloting, the final vote of 231-14, with one abstention, was announced on Aug. 5 in a letter to bishops from Msgr. David Malloy, USCCB general secretary. The change, which must be confirmed by the Vatican Congregation for Clergy, would remove from the catechism a sentence that reads: “Thus the covenant that God made with the Jewish people through Moses remains eternally valid for them.” In June, a group of students danced during St. Aloysius Day festivities, part of the celebration at St. Aloysius Gonzaga High School in Kenya. The school Replacing it would be this sentence: “To was co-founded by Jesuit Father Terry Charlton, a 1966 graduate of Brebeuf Jesuit Preparatory School in Indianapolis. -
The Development of English Choral Style in Two Early Works of Ralph Vaughan Williams
Connecticut College Digital Commons @ Connecticut College Music Department Honors Papers Music Department 1-1-2011 The evelopmeD nt of English Choral Style in Two Early Works of Ralph Vaughan Williams Currie Huntington Connecticut College, [email protected] Follow this and additional works at: http://digitalcommons.conncoll.edu/musichp Recommended Citation Huntington, Currie, "The eD velopment of English Choral Style in Two Early Works of Ralph Vaughan Williams" (2011). Music Department Honors Papers. Paper 2. http://digitalcommons.conncoll.edu/musichp/2 This Honors Paper is brought to you for free and open access by the Music Department at Digital Commons @ Connecticut College. It has been accepted for inclusion in Music Department Honors Papers by an authorized administrator of Digital Commons @ Connecticut College. For more information, please contact [email protected]. The views expressed in this paper are solely those of the author. THE DEVELOPMENT OF ENGLISH CHORAL STYLE IN TWO EARLY WORKS OF RALPH VAUGHAN WILLIAMS An Honors Thesis presented by Currie Huntington to the Department of Music at Connecticut College in partial fulfillment of the requirements for Honors in the Major Field and for the Concentration in Historical Musicology Connecticut College New London, Connecticut May 5th, 2011 ABSTRACT The late 19th century was a time when England was seen from the outside as musically unoriginal. The music community was active, certainly, but no English composer since Handel had reached the level of esteem granted the leading continental composers. Leading up to the turn of the 20th century, though, the early stages of a musical renaissance could be seen, with the rise to prominence of Charles Stanford and Hubert Parry, followed by Elgar and Delius. -
Choral Ensembles Holiday Concert, "Hodie Christus Natus Est"
program Kennesaw State University School of Music Thursday, December 4, 2014 at 8:00 pm Dr. Bobbie Bailey & Family Performance Center, Morgan Hall Forty-eighth Concert of the 2014-15 Concert Season Choral Ensembles Holiday Concert "Hodie Christus natus est" Alison Mann, conductor Leslie J. Blackwell, conductor Brenda Brent, piano Sherri N. Barrett, piano UNIVERSITY CHORALE arr. Jeremy D. Silverman (b. 1981) Ding, Dong! Merrily On High SPECTACLE BRASS John Thomas Burson, Justin Rowen, trumpets David Anders, horn Michael Lockwood, trombone Melinda Mason, tuba DANIEL KANTOR (b. 1960) Night of Silence with Silent Night Brittany Griffith, Terrell Flemings, soloists KSU Women's Choir PAUL CALDWELL and SEAN IVORY Go Where I Send Thee LEE MENDELSON and VINCE GUARALDI arr. Michele Weir Christmas Time is Here Brian Reid, piano Cameron Austin, percussion arr. Drew Collins and Brenda Ellis The Virgin Mary Had a Baby Boy Cameron Austin, Joseph Donohue, Levi Lyman, percussion WOMEN'S CHOIR BENJAMIN BRITTEN (1913-1976) Wolcum Yole! Grace Mantelone, harp FRODE FJELLHEIM Eatnemen Vuelie arr. Joan Szymko A la Media Noche Annie Lovvorn, soprano Corinne Veale, flute JOHN RUTTER Candlelight Carol arr. Michele Weir A Christmas Jazz Trio I. Santa Claus is Coming to Town II. O Christmas Tree III. Winter Wonderland Intermission MEN’S ENSEMBLE REGINALD UNTERSEHER (b. 1951) Alleluia BRIAN SCHMIDT (b.1980) O magnum mysterium ALEX RYBECK (b. 1957) God Rest Ye Merry, Gentlemen arr. Ronn Huff (b. 1938) transcription Dennis Nance O Holy Night JAY ALTHOUSE (b. 1951) Goin’ to Bethlehem CHAMBER SINGERS ALEXANDER KOPYLOW (1854-1911) Heavenly Light Two Latin Motets HANS LEO HASSLER (1564-1612) Verbum caro factum est CÉSAR ALEJANDRO CARRILLO (b. -
Loras College Student Handbook 2021-22
LORAS COLLEGE STUDENT HANDBOOK 2021-22 PAGE 1 LORAS COLLEGE STUDENT HANDBOOK 2021-22 Contents WELCOME .......................................................................................................................................... 10 Mission and Vision ............................................................................................................................. 11 Loras College Mission ............................................................................................................................................. 11 Loras College Vision ............................................................................................................................................... 11 Frequently Called Numbers ................................................................................................................ 11 CODE OF CONDUCT ................................................................................................................................................ 13 Rights and Responsibilities of Students ................................................................................................................. 13 General Expectations of Students .......................................................................................................................... 13 Definition of Student .............................................................................................................................................. 13 College Disciplinary Authority ............................................................................................................................... -
A Conductor's Guide to the Da Vinci Requiem by Cecilia Mcdowall
University of South Carolina Scholar Commons Theses and Dissertations Spring 2020 A Conductor’s Guide to the Da Vinci Requiem by Cecilia McDowall Jantsen Blake Touchstone Follow this and additional works at: https://scholarcommons.sc.edu/etd Part of the Music Commons Recommended Citation Touchstone, J. B.(2020). A Conductor’s Guide to the Da Vinci Requiem by Cecilia McDowall. (Doctoral dissertation). Retrieved from https://scholarcommons.sc.edu/etd/5920 This Open Access Dissertation is brought to you by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. A CONDUCTOR’S GUIDE TO THE DA VINCI REQUIEM BY CECILIA MCDOWALL by Jantsen Blake Touchstone BaChelor of MusiC Mississippi College, 2011 BaChelor of MusiC Education Mississippi College, 2013 Master of MusiC Mississippi College, 2013 Submitted in Partial Fulfillment of the Requirements For the Degree of Doctor of MusiCal Arts in Conducting SChool of MusiC University of South Carolina 2020 ACCepted by: AliCia W. Walker, Major Professor Jabarie Glass, Committee Member Andrew Gowan, Committee Member J. Daniel Jenkins, Committee Member Cheryl L. Addy, ViCe Provost and Dean of the Graduate SChool © Copyright by Jantsen Blake Touchstone, 2020 All Rights Reserved ii DEDICATION To my wife, Amy Touchstone, for your endless support, patience, love, and saCrifiCe. Your support, patience and understanding have allowed me to complete this projeCt; I thank you. iii ACKNOWLEDGEMENTS I would begin by thanking CeCilia MCDowall for writing such wonderful choral musiC and allowing such aCCess to her life and thoughts. -
Archdiocese of Dubuque Collection
Mount Carmel Archives, Sisters of Charity of the Blessed Virgin Mary Finding Aid for Archdiocese of Dubuque Collection 1913 - 2013, bulk 1913 - 1974 Finding Aid created by Jennifer A. Head, 2013 Copyright Sisters of Charity of the Blessed Virgin Mary Creator: Sisters of Charity of the Blessed Virgin Mary Extent: 1 linear foot (2 boxes) Abstract: The Archdiocese of Dubuque collection consists primarily of correspondence by and between the Sisters of Charity of the Blessed Mary and the Archbishop of Dubuque and/or his representatives. Language: The collection is in primarily in English, with the exception of documents from the Vatican which are written in Latin. These Latin documents are not translated, but are usually summarized in the accompanying correspondence. Acquisition Information: These materials were deposited in the Mt. Carmel Archives in 2013. These records were previously held in the Office of the Secretary of the Congregation. Access Restrictions: The record group is open to research. Copyright: The Mt. Carmel Archives does not claim copyright to materials produced outside of the Congregation in this collection. Copyright remains with the Archdiocese of Dubuque and/or the authors of the materials. Researchers are responsible for locating and obtaining copyright permission from the original creating entity. Preferred Citation: [item], folder, box, Archdiocese of Dubuque Collection, Mt. Carmel Archives, Sisters of Charity of the Blessed Virgin Mary. History: The Diocese of Dubuque was established on July 28, 1837. Mathias Loras was consecrated Bishop of Dubuque on December 10, 1837. After a trip to Europe in search of funds and personnel, he arrived in Dubuque in 1839. -
Lorasmagazine / Fall 2017 the Dispositions
LORAS MAGAZINE / FALL 2017 IN THIS ISSUE: THE DISPOSITIONS THE CORE OF LORAS Loras delivers active learners, reflective thinkers, ethical decision-makers and responsible contributors. p. 10 DANCE MARATHON LEADERHIP CHANGE For the last 12 years, Kim Walsh, associate dean of students, has served as the advisor to Dance Marathon. p. 18 STUDENTS MAKE GOOD ON GREEN GOAL Honor students unveil a campus-owned house fitted with six solar panels that will generate 70 to 90 percent of its power. p. 26 THE LORAS CARES LAB Students and professor measure the relationship between physical activity, prognosis and quality of life in cancer survivors. p. 36 CONTENT CURRENT NEWS LORAS COLLEGE LAUNCHES HYBRID FIRST-YEAR STUDENT COMES FROM A CONGRATULATIONS TO THE 2017 6 EXECUTIVE MBA IN BUSINESS ANALYTICS 34 FLOCK OF DUHAWKS FACULTY & STAFF ALUMNI 35 DISTINGUISHED ALUMNI RECIPIENTS Program offers flexibility by delivering Are you part of a Loras “legacy family?” Loras leaves an indelible mark on all courses online and on campus Read about a Duhawk preceded on DONNA HEALD, PH.D., WILL LEAD who call campus home ACADEMIC AFFAIRS AS VICE PRESIDENT campus by four siblings 9 50TH REUNION: CLASS OF 1967 TAKING THE FIRST-YEAR EXPERIENCE Heald will lead academic programs DIVING IN TO A UNIQUE COURSE Your personal invite to celebrate with TO THE NEXT LEVEL and personnel, and champion strategic 39 16 EXPERIENCE Mike Reidy (’67) and Jim Murphy (’67) Loras is intentionally improving the 40 initiatives experience first-year students have J-term courses are rooted in experiential -
Christian Experience Weekend St. Mary of the Visitation Catholic
St. Mary of the Visitation Catholic Church NEWSLETTER February 2018 Volume 2 Christian Experience Weekend Take a weekend to grow in faith and community Article By: Mark & Rosemary Fiagle Now that the New Year is upon us and The CEW can be a very motivating we are formulating our New Year’s experience. Through the power of the resolution, a wonderful one to keep in Holy Spirit, you may actually be lead mind is to attend a CEW, or Christian in directions that you never thought Experience Weekend. of. Two great examples of CEW impacting our home parish of What is CEW? A Christian Experience St.Mary’s are Fr.’s William (Bill) Roush St. Mary’s Church in Riverside Iowa Weekend is an opportunity to take a and Ray Powell. Rosemary and I have where CEW will be held weekend to step away from the many been Friends with Fr. Bill and his family CONTENTS things in life that compete for our for many years. After the death of his time. It gives us a chance to take a look wife Cindy, we took many trips with RENEWING OUR FAITH P. 2 at who we are and where we are him, his daughters, and several headed. Throughout the weekend we exchange students we had. I will be given the time and tools to remember prior to the first CEW I THANKING GOD P.3 rediscover ourselves, our Faith and attended, he placed a registration our God. At CEW, we will listen to form in front of me and said, «sign up. -
A Survey of Choral Music of Mexico During the Renaissance and Baroque Periods Eladio Valenzuela III University of Texas at El Paso, [email protected]
University of Texas at El Paso DigitalCommons@UTEP Open Access Theses & Dissertations 2010-01-01 A Survey of Choral Music of Mexico during the Renaissance and Baroque Periods Eladio Valenzuela III University of Texas at El Paso, [email protected] Follow this and additional works at: https://digitalcommons.utep.edu/open_etd Part of the Music Commons Recommended Citation Valenzuela, Eladio III, "A Survey of Choral Music of Mexico during the Renaissance and Baroque Periods" (2010). Open Access Theses & Dissertations. 2797. https://digitalcommons.utep.edu/open_etd/2797 This is brought to you for free and open access by DigitalCommons@UTEP. It has been accepted for inclusion in Open Access Theses & Dissertations by an authorized administrator of DigitalCommons@UTEP. For more information, please contact [email protected]. A SURVEY OF CHORAL MUSIC OF MEXICO DURING THE RENAISSANCE AND BAROQUE PERIODS ELADIO VALENZUELA III Department of Music APPROVED: ____________________________________ William McMillan, D.A., CHAIR ____________________________________ Elisa Fraser Wilson, D.M.A. ____________________________________ Curtis Tredway, Ph.D. ____________________________________ Allan D. McIntyre, M.Ed. _______________________________ Patricia D. Witherspoon, Ph.D. Dean of the Graduate School A SURVEY OF CHORAL MUSIC OF MEXICO DURING THE RENAISSANCE AND BAROQUE PERIODS BY ELADIO VALENZUELA III, B.M., M.A. THESIS Presented to the Faculty of the Graduate School of The University of Texas at El Paso in Partial Fulfillment of the Requirements for the Degree of MASTER OF MUSIC Department of Music THE UNIVERSITY OF TEXAS EL PASO MAY 2010 ACKNOWLEDGEMENTS First and foremost I want to thank God for the patience it took to be able to manage this project, my work, and my family life. -
The New St. Ann Church in Effingham Is Dedicated by Joe Bollig Leaven Staff
www.theleaven.com | newspaper of the archdiocese of Kansas city in Kansas | vol. 32, no. 18 december 10, 2010 A fireproof fAith the new st. ann church in effingham is dedicated By Joe Bollig leaven staff FFINGHAM — Gene Hegarty nearly shed a tear as the bell was rung for the last time be- fore it was removed the fire- Eweakened tower of the 111-year-old St. Ann Church here. The burning down of the venerable structure on April 21, 2008, was a ter- rible shock. But there were nothing but smiles on Dec. 5 as that same bell was rung in the tower of the new St. Ann Church at the conclusion of a dedication Mass. It was a bright but cold day when parishioners and other members of the community gathered in the church hall and then processed to the new church’s front door, led by Archbishop Joseph F. Naumann, pastor Father Benjamin Tremmel, OSB, and the other concel- ebrants. Building committee co-chairman Duane Coder presented the key to Arch- bishop Naumann, who then handed it to Father Benjamin, who promptly opened the doors to the congregation. The parishioners responded to the loss of their church in 2008 with com- mitment, faith, and dedication. It gave the parish new strength, said Hegarty, president of the parish finance commit- tee. “[Building the new church] united us,” said Hegarty. “It appears to me that now we have more vitality in the parish. I’m totally impressed with the younger people, how they grabbed ahold of this project. I’ve been here 77 years, and I feel good about our parish. -
Much to Look Forward To
Journal of the No.18 June 2000 EDITOR Stephen Connock RVW (see address below) Society In this issue... Much to look forward to... Vaughan Williams and Bach The RVW Society is involved in a Members will also be delighted to learn number of important and exciting that Sir John in Love will be performed G R.V.W. & J.S.B. projects, some of which will come to in Newcastle City Hall by the Northern fruition quickly and others will take Sinfonia under Richard Hickox on by Michael Kennedy place in the 2002-2003 season. Of the September 29th 2000 as part of the Page 4 greatest interest to RVW Society preparation for the recording. There is members is the major Festival of such marvellous, heart warming music symphonies and choral works being in this opera that all members are urged G Lewis Foreman reviews VW planned under the title Toward the to get to Newcastle, somehow, for the conducting the St. Matthew Unknown Region. concert performance on 29th September. Passion. Page 7 Toward the Unknown Region Charterhouse Symposium G This Festival will be conducted by Following the success of the Conference VW and ‘the greatest of all Richard Hickox using his new orchestra Vaughan Williams in a New Century at composers’ the BBC National Orchestra of Wales. the British Library last November, Robin by Timothy Day Eight concerts are being planned for Wells of Charterhouse and Byron Adams Wales and there are likely to be four of the University of California have Page 10 concerts in London. The Festival begins jointly planned a superb series of at the end of 2002 and many rare choral lectures, concerts and other events at works will be programmed alongside all Charterhouse School from 23rd to 29th Postscripts on George the nine symphonies. -
Feb. 2019 Edition of Columbia
FEB 19 E COVERS 1_17 FINAL.qxp_Layout 1 1/17/19 3:19 PM Page 1 FEBRUARY 2019 KNIGHTS OF COLUMBUS COLUMBIA FEB 19 E 1_17 FINAL.qxp_Mar E 12 1/18/19 12:00 AM Page 14 14 ♦ COLUMBIA ♦ FEBRUARY 2019 FEB 19 E 1_17 FINAL.qxp_Mar E 12 1/18/19 12:01 AM Page 15 HEART of a PRIEST Thousands of Catholics venerate the incorrupt heart of St. Jean Vianney as it makes a nationwide pilgrimage by Columbia staff ome 17,000 young people gathered for Mass Jan. the patron of parish priests, whose holiness and in- 12 at the annual conference of the Fellowship of tegrity are a singular model for clergy.” Catholic University Students (FOCUS). They Father Patrice Chocholski, St. Jean Vianney’s successor Sstood in reverence as a reliquary holding the incorrupt as curé, or pastor, of Ars and rector of the shrine there, heart of St. Jean-Marie Vianney was solemnly processed brought the relic to the 136th Supreme Convention in into the convention center in Indianapolis. Throughout Baltimore last August. The pilgrimage officially began the conference, participants Nov. 10 at St. Mary’s Spiritual waited in long lines to approach Center in Baltimore, in the the relic for personal veneration. chapel where Venerable Father There have been similar scenes Michael J. McGivney, founder in churches and chapels across of the Knights of Columbus, the United States since the prayed during his seminary stud- “Heart of a Priest” pilgrimage, ies. While in Baltimore, the relic organized by the Knights of was present at the U.S.