A Postcolonial Reading of Racial and Cultural Traumas in Em Forster's A
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Edward Said: the Postcolonial Theory and the Literature of Decolonization
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by European Scientific Journal (European Scientific Institute) European Scientific Journal June 2014 /SPECIAL/ edition vol.2 ISSN: 1857 – 7881 (Print) e - ISSN 1857- 7431 EDWARD SAID: THE POSTCOLONIAL THEORY AND THE LITERATURE OF DECOLONIZATION Lutfi Hamadi, PhD Lebanese International University, Lebanon Abstract This paper attempts an exploration of the literary theory of postcolonialism, which traces European colonialism of many regions all over the world, its effects on various aspects of the lives of the colonized people and its manifestations in the Western literary and philosophical heritage. Shedding light on the impact of this theory in the field of literary criticism, the paper focuses on Edward Said's views for the simple reason that he is considered the one who laid the cornerstone of this theory, despite the undeniable role of other leading figures. This theory is mainly based on what Said considers the false image of the Orient fabricated by Western thinkers as the primitive "other" in contrast with the civilized West. He believes that the consequences of colonialism are still persisting in the form of chaos, coups, corruption, civil wars, and bloodshed, which permeates many ex-colonies. The powerful colonizer has imposed a language and a culture, whereas those of the Oriental peoples have been ignored or distorted. Referring to some works of colonial and postcolonial novelists, the paper shows how being free from the repression of imperialism, the natives could, eventually, produce their own culture of opposition, build their own image, and write their history outside the frame they have for long been put into. -
Cynicism and Apathy in E. M. Forster's a Passage to India
Journal of Novel Applied Sciences Available online at www.jnasci.org ©2014 JNAS Journal-2014-3-S2/1716-1724 ISSN 2322-5149 ©2014 JNAS Cynicism and Apathy in E. M. Forster’s A Passage to India Frouzan Naghshbandi1 and Bahman Zarrinjooee2* 1- MA Student, Postgraduate Department of English Language and Literature, College of Humanities, Boroujerd Branch, Islamic Azad University, Boroujerd, Iran 2- Assistant Professor of Postgraduate Department of English Language and Literature, College of Humanities, Boroujerd Branch, Islamic Azad University, Boroujerd, Iran Corresponding author: Bahman Zarrinjooee ABSTRACT: The British writers and critics, based on the Orientalist discourses, portray their own nations and cultures as superior, while the Indians as inferior ‘Other’. E. M. Forster’s (1879- 1970) A Passage to India (1924) is loaded with colonizers’ ideology of superiority and presents India, Indians and their culture in a stereotypical way. Having an eye on Edward W. Said’s (1935-2003) postcolonial theories, this paper focuses its arguments on examining the operations of the colonizer’s ideology in A Passage to India, to show to what extent Forster reinforces the colonizers’ superior ideology. Moreover, it portrays the racial tension among the Indians. The objective of this paper is to highlight the impossibility of friendship in relation to the cynicism constructed by both the colonizer (British Empire) and the colonized (Indians). In other words, this paper argues that this reality will exist so far as the relationship between the colonizers and the colonized is constructed based on the binary opposition of US/Them. Further, A Passage to India exposes the British inherent apathy toward Indians and this stereotypical image intensifies the apathetic mode in British Empire. -
A Postcolonial Study of Nigerian Igbo Culture and History in Chinua Achebe’S Things Fall Apart
IOSR Journal Of Humanities And Social Science (IOSR-JHSS) Volume 19, Issue 11, Ver. II (Nov. 2014), PP 01-08 e-ISSN: 2279-0837, p-ISSN: 2279-0845. www.iosrjournals.org The Impact of Colonizer on the Colonized: A Postcolonial Study of Nigerian Igbo Culture and History in Chinua Achebe’s Things Fall Apart 1Dr. Pona Mahanta, Retd., 2Dibakar Maut 1Head (English), Dibrugarh University, Dibrugarh, Assam 2(Asst.Professor), Department of English,Tingkhong College Tingkhong, Dist. Dibrugarh, Assam, Pin-786612 Abstract: The aim of this study is to critically examine from postcolonial point of view how the so called modern Christianity displaced the primitive Igbo religion ,its history and culture in the process of pacification by European powers as depicted in Chinua Achebe’s Things Fall Apart. He attempted to understand both the merits and demerits of the culture. He even seems to show that a culture or religion which cannot change itself with time would obviously fall apart. For the Hypothetical statement of the study we hold that the primitive Igbo history and culture was in a form of democratic and well balanced state which was not inferior to that of the colonizer. Given the chance, the Igbos could have developed equally to a 'modern' and evolved culture and religion in due time. The modern European cultures were also primitive in their past. They have developed in course of time only with different degrees. But it must be remembered that the 'modernity' associated with ‘Christianity’ is mostly for material progress. Any nation, culture or religion may get advantages for such material progress. -
Post-War English Literature 1945-1990
Post-War English Literature 1945-1990 Sara Martín Alegre P08/04540/02135 © FUOC • P08/04540/02135 Post-War English Literature 1945-1990 Index Introduction............................................................................................... 5 Objectives..................................................................................................... 7 1. Literature 1945-1990: cultural context........................................ 9 1.1. The book market in Britain ........................................................ 9 1.2. The relationship between Literature and the universities .......... 10 1.3. Adaptations of literary works for television and the cinema ...... 11 1.4. The minorities in English Literature: women and post-colonial writers .................................................................... 12 2. The English Novel 1945-1990.......................................................... 14 2.1. Traditionalism: between the past and the present ..................... 15 2.2. Fantasy, realism and experimentalism ........................................ 16 2.3. The post-modern novel .............................................................. 18 3. Drama in England 1945-1990......................................................... 21 3.1. West End theatre and the new English drama ........................... 21 3.2. Absurdist drama and social and political drama ........................ 22 3.3. New theatre companies and the Arts Council ............................ 23 3.4. Theatre from the mid-1960s onwards ....................................... -
The Afterlives of Frantz Fanon and the Reconstruction of Postcolonial Studies
The Afterlives of Frantz Fanon and the Reconstruction of Postcolonial Studies Bhakti Shringarpure Journal of French and Francophone Philosophy - Revue de la philosophie française et de langue française, Vol XXIII, No 1 (2015) pp 113-128. Vol XXIII, No 1 (2015) ISSN 1936-6280 (print) ISSN 2155-1162 (online) DOI 10.5195/jffp.2015.676 www.jffp.org This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States License. This journal is operated by the University Library System of the University of Pittsburgh as part of its D-Scribe Digital Publishing Program, and is co-sponsored by the University of Pittsburgh Press Journal of French and Francophone Philosophy | Revue de la philosophie française et de langue française Vol XXIII, No 1 (2015) | www.jffp.org | DOI 10.5195/jffp.2015.676 Review Essay The Afterlives of Frantz Fanon and the Reconstruction of Postcolonial Studies: A Review of Anthony C. Alessandrini, Frantz Fanon and the Future of Cultural Politics (Lanham: Lexington Books, 2014), 295pp. Bhakti Shringarpure University of Connecticut It is no easy task to add to the existing and somewhat saturated body of work on Frantz Fanon, which has found a renewed impetus in light of the events of the Arab Spring. The year 2011 not only marked fifty years since the death of Fanon at the young age of 36, but it is also fifty years since the publication of his heavily read and most impactful work, The Wretched of the Earth. Now, more than half a century after his death, the specter of Frantz Fanon haunts the field of postcolonial studies, and his reflections on decolonization, nationalism and violence seem more poignant than ever. -
Colonialism Postcolonialism
SECOND EDITION Colonialism/Postcolonialism is both a crystal-clear and authoritative introduction to the field and a cogently-argued defence of the field’s radical potential. It’s exactly the sort of book teachers want their stu- dents to read. Peter Hulme, Department of Literature, Film and Theatre Studies, University of Essex Loomba is a keen and canny critic of ever-shifting geopolitical reali- ties, and Colonialism/Postcolonialism remains a primer for the aca- demic and common reader alike. Antoinette Burton, Department of History, University of Illinois It is rare to come across a book that can engage both student and specialist. Loomba simultaneously maps a field and contributes provocatively to key debates within it. Situated comparatively across disciplines and cultural contexts, this book is essential reading for anyone with an interest in postcolonial studies. Priyamvada Gopal, Faculty of English, Cambridge University Colonialism/Postcolonialism moves adroitly between the general and the particular, the conceptual and the contextual, the local and the global, and between texts and material processes. Distrustful of established and self-perpetuating assumptions, foci and canonical texts which threaten to fossilize postcolonial studies as a discipline, Loomba’s magisterial study raises many crucial issues pertaining to social structure and identity; engaging with different modes of theory and social explanation in the process. There is no doubt that this book remains the best general introduction to the field. Kelwyn Sole, English Department, University of Cape Town Lucid and incisive this is a wonderful introduction to the contentious yet vibrant field of post-colonial studies. With consummate ease Loomba maps the field, unravels the many strands of the debate and provides a considered critique. -
E. M. Forster's Hidden Resistance and Elusiveness: Homosexual Desire
E. M. Forster’s Hidden Resistance and Elusiveness: Homosexual Desire and Non-Differentiation in A Passage to India Kyoko Matsui Ⅰ As Richard Dellamore writes, Forster was “ marked by continual compromise and resistance” since E. M. Forster’s published narratives evasively encode the ideal of male love ( 97). The tensions created in the narratives between the contradictory impulses to withhold and to disclose homosexual desire are one of the crucial reasons for his elusiveness. Throughout his life Forster kept secret his sexual orientation. In 1967 only three years before Forster’s death, the Sexual Offences Act was finally passed by the British parliament. It repealed the 1885 Act ( Labouchere Amendment) which had severely criminalized homosexuals by prosecutions and imprisonments. Under these circumstances, Forster’s homosexuality had to be kept clandestine, under peril of public disdain. Therefore, the theme of homosexual love was developed unceasingly in coded form throughout most of his published novels and stories, using symbols,1 choice of language and technique. He sought a plausible form to represent homosexual reverie in the heteronormative world. When this was impossible, he often resorted to mystification. Hence, his symbols and texts are replete with ambiguities. Although A Passage to India’s ( 1924) theme is not directly about homosexual relationships, it consistently refers to male friendship between the British Fielding and the Indian Aziz: “ Between people of distant climes there is always the possibility of romance” ( 241). However, it takes a pessimistic view of such interracial romances, and more precisely, it suggests at the end of the text that at least at that time they were not yet possible. -
Introduction to Victorian and Twentieth-Century Literature Heesok Chang
Introduction to Victorian and Twentieth-Century Literature Heesok Chang Unlike the preceding three volumes in this Companion to British Literature – the Medieval, Early Modern, and Long Eighteenth Century – the current one attempts to cover at least two distinct periods: the Victorian and the Twentieth Century. To make matters more difficult, the second of these hardly counts as a single period; it is less an epoch than a placeholder. In terms of periodization, the Victorian era is succeeded – or some might say, overthrown – by the Modern. But modernism is not capacious enough to encompass the various kinds of literary art that emerged in Britain following World War II, the postmodern and the postcolonial, for example. We could follow the lead of recent scholars and expand the modernist period beyond the “high” to include the “late” and arguably the “post” as well. But this conceptual as well as temporal expansion does not take in the vital British literature written from the 1970s onward, an historical era distinct from the “postwar” that critics refer to, for now, as the “contemporary” (see English 2006). Of course, all periods are designated after they have finished, including the Victo- rian, which was very much a modernist creation. Yet it is unlikely we will come to call the period stretching from the middle of the last century to the early decades of the new millennium, from the breakup of Britain’s empire to the devolution of Scotland, Wales, and Northern Ireland, “Elizabethan.” And this despite the Victo- rian longevity of the Windsor monarch’s reign. The queen is one and the same, but the national culture is anything but. -
CHAPTER I INTRODUCTION 1.1. Background of the Study Literature
CHAPTER I INTRODUCTION 1.1. Background of the Study Literature is actually a reflection of life experience that includes various aspects of both personal and social lives. People who know more about literature will be able to understand about the humanity better because they will have sensitivity toward life. There are many literary works categorized as literature such as prose, poetry, and drama. There are two instruments to express and describe the situation and the theme of a story. There are two elements of literature namely extrinsic and intrinsic elements. In prose and drama, extrinsic elements are social aspect, cultural aspect, esthetical aspect etc., and intrinsic elements are plot, setting, characterization, theme etc. (Klarer, 1999). According to Newman (in Singleton and Millet: 1966: 573) “Literature means the expression of thought in language. The “thought” means the ideas, feelings, views, reasoning and other operations of the human mind”. The “thought” is the most of basic human desire for human pleasure, because from “thought”, they can feel many kinds of art that includes literature inside in human life. In this study, the writer takes one sort of literary works a novel as, the object of this study. Novel is a kind of literary work. It is as a long or extended work of fiction written in prose, usually in the form of a story. Prose consists of writing that does not adhere to any particular formal structure. A novel is selected because it tells about the condition of the society, in which value becomes the concept about what people think important in life. -
A Study of a Passage to India Through the Lens of Orientalism
Journal of Literature and Art Studies, April 2019, Vol. 9, No. 4, 376-381 doi: 10.17265/2159-5836/2019.04.002 D DAVID PUBLISHING A Study of A Passage to India Through the Lens of Orientalism LIN Ling-yu Guangdong University of Foreign Studies, Guangzhou, China A Passage to India is a representative novel by E. M. Forster. His insightful exploration of the relationship between Britain and the colony India in early 20th century guarantees it a seat among the classics of the world’s colonist literature. E. M. Forster’s ideas in A Passage to India exhibit many affinities with Edward Said’s thoughts in his Orientalism. This paper, therefore, aims to offer an interpretation of A Passage to India by using Said’s philosophy of the Orientalism as the theoretical framework. Due to Forster’s dual consciousness revealed in the novel, this paper will focus on two aspects, namely, the reflection of his colonialist ideology and his anti-colonial humanistic sense. Keywords: A Passage to India, Orientalism, discourse, deconstruction Introduction Influenced by the deep-rooted Western collective thought of Orientalism, Forster has, to a certain extent, portrayed the colonialist ideology of the superiority of the white race and its culture and the constructed inferiority of Indians in A Passage to India. Meanwhile, he also attaches his advanced thoughts and rational strategy of resisting colonialist hegemony to the work, which has, more or less, subverted the hegemonic discourse reflected in Orientalism. The Exploration of the Colonial Discourse and the Representation of India as Stereotypes In Orientalism, Said follows a Foucauldian line in his analysis that Orientalism is not an objective reflection of the real east. -
Confronting Racism and Hegemony in World Literature: Extending Achebe’S Critique of Conrad’S Heart of Darkness
AWEJ. Special Issue on Literature No.2 October, 2014 Pp. 167-181 Confronting Racism and Hegemony in World Literature: Extending Achebe’s Critique of Conrad’s Heart of Darkness Abdullahi, Kadir Ayinde Department of English, Faculty of Arts, Social and Management Sciences, Yobe State University, Nigeria Abstract The interest of this paper is to examine racial issue and historical references, as well as the imperial discourse that Achebe has succinctly appropriated as thematic material and out of which his fiction emerged. The concern extends to Achebe‟s theoretical directions and the important debates about racial politics and hegemony in fiction. The essay serves as a reminder that the prevailing condition of what critics refer to as post colonial culture emerged from the historical phenomenon of colonialism, with its wide range of material practices and effects such as slavery, displacement, emigration and racial as well as cultural discrimination. These material conditions and their relationship to question of ideology are the heart of the most vigorous debates in Achebe‟s works. Since the colonial space is an antagonistic one, the paper reviews the divergent opinions of participants in the imperial discourse and locates the neutralizing influence of Achebe‟s literature in the colonial world. Key words: African Literature, ideology, colonialism, racial discrimination, culture Arab World English Journal www.awej.org 167 ISSN: 2229-9327 AWEJ. Special Issue on Literature No.2 October , 2014 Confronting Racism and Hegemony in World Literature Ayinde Mostafa Chinua Achebe and the ‘African Fiction’ Historically, colonialism represents the fundamental factor that shapes the concern of African literature. The heart of literary writing in the continent could not have acquired its present identity and function without the painful encounter between Africa and Europe. -
Place, Race, and Modernism in the Works of E.M. Forster and Eudora Welty
Georgia State University ScholarWorks @ Georgia State University English Dissertations Department of English Winter 2-18-2013 Place, Race, and Modernism in the Works of E.M. Forster and Eudora Welty Marny H. Borchardt Follow this and additional works at: https://scholarworks.gsu.edu/english_diss Recommended Citation Borchardt, Marny H., "Place, Race, and Modernism in the Works of E.M. Forster and Eudora Welty." Dissertation, Georgia State University, 2013. https://scholarworks.gsu.edu/english_diss/102 This Dissertation is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. PLACE, RACE, AND MODERNISM IN THE WORKS OF E. M. FORSTER AND EUDORA WELTY by MARNY BORCHARDT Under the Direction of Randy Malamud ABSTRACT This dissertation examines similarities between the works of E. M. Forster ( A Room with a View , A Passage to India ) and Eudora Welty (“Powerhouse,” Delta Wedding ). This study focuses on three areas: the importance of a sense of place for both writers, their nuanced critiques of ra- cism and other intolerances, and their subtle, yet inherently modernist philosophies and meth- odologies. This dissertation also argues that both writers deserve a prominent place in the mod- ernist literary canon. INDEX WORDS: Eudora Welty, E. M. Forster, British literature, Southern literature, Modernism, Race, Place, Twentieth-century literature PLACE, RACE, AND MODERNISM IN THE WORKS OF E. M. FORSTER AND EUDORA WELTY by MARNY BORCHARDT A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the College of Arts and Sciences Georgia State University 2013 Copyright by Marny Hope Borchardt 2013 PLACE, RACE, AND MODERNISM IN THE WORKS OF E.