Small Block of Cheese Day (The West Wing Weekly Forever)
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TAL Distribution Press Release
This American Life Moves to Self-Distribute Program Partners with PRX to Deliver Episodes to Public Radio Stations May 28, 2014 – Chicago. Starting July 1, 2014, Chicago Public Media and Ira Glass will start independently distributing the public radio show This American Life to over 500 public radio stations. Episodes will be delivered to radio stations by PRX, The Public Radio Exchange. Since 1997, the show has been distributed by Public Radio International. “We’re excited and proud to be partners now with PRX,” said Glass. “They’ve been a huge innovative force in public radio, inventing technologies and projects to get people on the air who’d have a much harder time without them. They’re mission- driven, they’re super-capable and apparently they’re pretty good with computers.” “We are huge fans of This American Life and are thrilled to support their move to self-distribution on our platform,” said Jake Shapiro, CEO of PRX. “We’ve had the privilege of working closely with Ira and team to develop This American Life’s successful mobile apps, and are honored to expand our partnership to the flagship broadcast.” This American Life will take over other operations that were previously handled by PRI, including selling underwriting and marketing the show to stations. The marketing and station relations work will return to Marge Ostroushko, who did the job back before This American Life began distribution with PRI. This American Life, produced by Chicago Public Media and hosted by Ira Glass, is heard weekly by 2.2 million people over the radio. -
1.22: What Kind of Day Has It Been
The West Wing Weekly 1.22: What Kind of Day Has It Been [Intro Music] HRISHI: You’re listening the The West Wing Weekly, I’m Hrishikesh Hirway JOSH: ..and I’m Joshua Malina HRISHI: Today, we’re talking about the finale of season one JOSH: Woo! HRISHI: It’s episode 22, and it’s called ‘What kind of day has it been’. JOSH: It was written by Aaron Sorkin, it was directed by Tommy Schlamme, and it originally aired on May 17th, in the year 2000. HRISHI: Here’s a synopsis.. JOSH: A hrynopsis? HRISHI: [laughs] Sure.. JOSH: I just wanted to make sure because, you know, it’s an important distinction. HRISHI: An American fighter jet goes down in Iraq, and a rescue mission ensues to find the pilot. But, it’s a covert operation, so CJ has to mislead the press. Toby’s brother is onboard the space shuttle Columbia, but it’s having mechanical difficulties and can’t land. Plus, Josh has to meet with the Vice President to bring him around to the Bartlet administration's plans for campaign finance. President Bartlet travels to Rosalind, Virginia, to speak at the Newseum and give a live town hall meeting. But as they’re exiting, S#&* goes down and shots ring out. JOSH: Well done HRISHI: Before we even get into the episode though, Josh, I want to ask you about the title. ‘What kind of day has it been’ is a very Sorkin title, it’s been the finale for lots of things that he’s done before. -
The West Wing Weekly 7.04: “Mr. Frost” [Intro Music] JOSH
The West Wing Weekly 7.04: “Mr. Frost” [Intro Music] JOSH: You're listening to The West Wing weekly. I'm Joshua Malina HRISHI: And I'm Hrishikesh Hirway. Today we are talking about “Mr. Frost.” It's episode 4 from season 7. JOSH: It was written by Alex Graves. HRISHI: How about that? JOSH: How about that? And it was directed by Andrew Bernstein. HIRSHI: Alex Graves, usually a director, first time writer – JOSH: - and executive producer – HRISHI: - and executive producer. And Andrew Bernstein was former first A.D., and now this is, I think this is his second episode that he has directed. JOSH: Right, after 365 days. Great guy, terrific director. And, uh, also very cool to see Alex flexing new muscles and writing an episode. This episode aired on October 16th, 2005. HRISHI: In this episode there are three major story lines which overlap in nice ways. First of all, there is the continuation of the leak. Margaret testifies in front of the senate committee. Everybody's gotten subpoenaed and Leo’s subpoena in particular is going to be very bad for the Santos campaign. The second story line is the Santos campaign. It’s education week and Santos discusses evolution and intelligent design in a way that trips up Vinick. Vinick had been briefed by Mr. Frost in a previous episode who leads us to the third story line which is the assignation of the Palestinian chairman Farad. JOSH: Yes. HRISHI: I thought it was nice the way the three story lines intersected. Sometimes we have talked about how the “A” plots and the “B” plots and the “C” plots don’t necessarily feel like they are relevant to one another at all. -
The Tufts Daily Volume Lxxii, Number 8
Tufts Prof-chaired discussion group to foster conversa- TUFTS VOLLEYBALL tion, connection in Medford Volleyball spikes the see FEATURES / PAGE 3 competition SEE SPORTS / BACK PAGE Election fever? Catch these political podcasts see ARTS & LIVING / PAGE 5 THE INDEPENDENT STUDENT NEWSPAPER OF TUFTS UNIVERSITY EST. 1980 THE TUFTS DAILY VOLUME LXXII, NUMBER 8 MEDFORD/SOMERVILLE, MASS. TUESDAY, SEPTEMBER 20, 2016 tuftsdaily.com Tufts Food Rescue Collaborative coordinates dining center food donation by Juliana Furgala This fall, Dining Services Assistant News Editor leased a food packag- ing machine for its own use Tufts Food Rescue and that of TFRC, Zwigard, a Collaborative (TFRC), a stu- junior, said. She added that the dent-led food donation machine is located in Dewick- umbrella organization, is work- MacPhie Dining Center. ing to package and distribute According to Luce, a senior, uneaten food from Tufts Dining the machine eliminates the use Services this semester, accord- of many plastic bags that were ing to TFRC founders Shelby formerly used for temporary Luce and Lucy Zwigard. packaging. TFRC is a partnership “We used to have to take all between Dining Services, stu- of the food and just bag it and dents, faculty, staff and Food weigh it and donate it to [Food for Free, a local NGO dedicated for Free], but now we actually to redistributing food to home- have a brand new machine,” less families. When it launched Luce said. “Now we can actu- last March, TFRC worked to ally make the meals ourselves.” connect Dining Services to Packaged meals can contain Food for Free for packaging a variety of foods, according to purposes, but this semester Richard Kaup, chef manager at TFRC obtained a food packag- Carmichael Dining Center. -
The West Wing Weekly Episode 1:05: “The Crackpots and These Women
The West Wing Weekly Episode 1:05: “The Crackpots and These Women” Guest: Eli Attie [West Wing Episode 1.05 excerpt] TOBY: It’s “throw open our office doors to people who want to discuss things that we could care less about” day. [end excerpt] [Intro Music] JOSH: Hi, you’re listening to The West Wing Weekly. My name is Joshua Malina. HRISHI: And I’m Hrishikesh Hirway. JOSH: We are here to discuss season one, episode five, “The Crackpots and These Women”. It originally aired on October 20th, 1999. This episode was written by Aaron Sorkin; it was directed by Anthony Drazan, who among other things directed the 1998 film version of David Rabe’s Hurlyburly, the play on which it was based having been mentioned in episode one of our podcast. We’re coming full circle. HRISHI: Our guest today is writer and producer Eli Attie. Eli joined the staff of The West Wing in its third season, but before his gig in fictional D.C. he worked as a political operative in the real White House, serving as a special assistant to President Bill Clinton, and then as Vice President Al Gore’s chief speechwriter. He’s also written for Studio 60 on the Sunset Strip, House, and Rosewood. Eli, welcome to The West Wing Weekly. ELI: It’s a great pleasure to be here. JOSH: I’m a little bit under the weather, but Lady Podcast is a cruel mistress, and she waits for no man’s cold, so if I sound congested, it’s because I’m congested. -
“Things Fall Apart” Guest: Jennifer Palmieri
The West Wing Weekly 6.21: “Things Fall Apart” Guest: Jennifer Palmieri [Intro Music] HRISHI: You’re listening to the West Wing Weekly. I’m Hrishikesh Hirway. JOSH: And I’m Joshua Malina. HRISHI: Today we’re talking about episode 21 from season 6, it’s called “Things Fall Apart.” JOSH: This episode was written by Peter Noah and directed by Nelson McCormick. It first aired on March 30th 2005. HRISHI: I don’t believe we’ve heard the name Nelson McCormick before. Is that someone whose directed The West Wing before? JOSH: No, I think not. This is his first of what will turn out to be two episodes of The West Wing. He also directed an episode called “Transition.” Which we’ll get to. Oh we’ll get to it. HRISHI: Joining us later on this episode Jennifer Palmieri, Communications Director for the Hillary Clinton campaign and formerly for the Obama White House. JOSH: What do you think of this one? HRISHI: I, I like the plot of this episode. I think it’s interesting what happens with the convention and the nomination process, but the execution of it, I have issues with here and there. Really just a few moments here and there in the writing. JOSH: I think we will find ourselves in accord as I wrote down ‘Great bones, not enough meat’ HRISHI: Hey look at that. Yeah. That’s a good way of putting it. And before we jump into our discussion, here’s a synopsis from Warner Brothers. “The success of the impeccably organized Republican convention contrasts with the Democrats who look in disarray as the candidates continue to battle to be the Democratic Party Presidential nominee. -
The West Wing Weekly 1.10, Continued: “In Excelsis Deo” (Memorial Day Special) Guest: Melissa Fitzgerald [Intro Musi
The West Wing Weekly 1.10, continued: “In Excelsis Deo” (MemoriAl DAy SpeciAl) Guest: MelissA FitzgerAld [Intro Music] JOSH: Hello, And welcome to A very speciAl episode of The West Wing Weekly. I’ve always wanted to be a part of a very special episode. On this Memorial Day, when we honor those who have died while serving our country’s armed forces, we welcome to our show Melissa FitzgerAld, whom you All know for her work As CArol for seven seAsons on The West Wing, but we’re also going to talk to her about her cAreer in public service. MelissA FitzgerAld, welcome to the show! HRISHI: ThAnks so much for joining us! MELISSA: Oh, thAnk you for hAving me! I Am so enjoying listening to the podcAst. JOSH: So, you’ve ActuAlly been re-watching the show And listening to the podcAst? MELISSA: I hAve been! I hAven’t wAtched every episode fully becAuse I hAve this, you know, grown-up job now so spending a lot of time doing that, so I haven’t had the time to watch All of them but I hAve watched severAl of them And I’ve listened to every podcAst. HRISHI: ThAt is so Awesome. JOSH: I’ve known you for A long time. We’re old friends. But can you tell us how you wound up on the show? MELISSA: Well, my then-boyfriend now ex-husband, who you know quite well, Josh, NoAh Emmerich. He’s A wonderful Actor And greAt person. It was the yeAr before West Wing went on the Air when Sports Night was going to be on the Air And he hAd, I guess his agent had given both the scripts for Sports Night and The West Wing , and he hAd asked me what I thought of them and gave them to me and I read them. -
Bradley Whitford and Rob Lowe [Intro Music]
The West Wing Weekly 4.06: “Game On” Guests: Bradley Whitford and Rob Lowe [Intro Music] HRISHI: You’re listening to The West Wing Weekly, where it is a very special and exciting day. JOSH: A Very Special Episode…of Blossom. HRISHI: I’m Hrishikesh Hirway. JOSH: And I’m Joshua Malina. HRISHI: You may know Joshua Malina from such things as this episode. JOSH [laughter]: Oh, man. Is there gonna be a lot of this? HRISHI: How did it feel to watch yourself on screen for the first time? JOSH: I’m almost embarrassed to admit I had butterflies in my stomach when I watched it. HRISHI: That’s great. JOSH: And it wasn’t nerves or anything, it’s literally like I was tying in organically to the excitement of that job and getting that job. I didn’t expect it at all. But yeah, that was like a very special time of my life, and as I started to watch it I just got, like, chills. HRISHI: You had a Proustian moment? JOSH: Yeah, exactly. HRISHI: You were transported. That’s great. In this episode, of course, we’re talking about “Game On.” It’s episode six from season four. JOSH: It was written by Aaron Sorkin and Paul Redford. It was directed by Alex Graves, and it first aired on October 30, 2002. HRISHI: This episode is a famous one because it features President Bartlet debating Governor Ritchie. There’s also some stuff about Qumar, there’s some stuff about Toby and Andy, but the real headline is that baby-faced Joshua Malina makes his first appearance as Will Bailey, who’s running the Horton Wilde campaign from a mattress store in Newport Beach. -
Episode 58: the Whole Shabang Air Date: May 12, 2021
Episode 58: The Whole Shabang Air Date: May 12, 2021 [in the field – at Lancaster State Prison, outdoors, voices chattering in the background] Mike Oog: My name is Mike Oog and I've been incarcerated twenty-nine years. Nigel Poor: OK, “The following episode of Ear Hustle…” Mike: [repeating after Nigel] The following episode of Ear Hustle… Nigel: “Contains language that may not be appropriate for all listeners.” Mike: Contains language that may not be appropriate for all listeners. Nigel: “Discretion is advised.” Mike: Discretion is advised. Nigel: And can you say where you're standing right now? 1 Mike: I'm standing in front of the program office at LAC, Lancaster State Prison. [strong wind picks up] Nigel: Oooh! Speaker 1: Watch your eyes! Oh yeah, [theme music comes in] that's a dust storm. [voices chattering in the background, reacting to dust and wind] We just got dusted. This is the Mojave Desert and we just got dusted. Nigel: Wow. That hurt. [as narrator, to Earlonne] Nigel: Oof, Earlonne, that was not like being at San Quentin. Earlonne Woods: Nah… I haven't been in heat like that in so long to where I forgot my hat. [Nigel laughs] Nigel: I know. But, OK, you didn’t have your hat, but you were dressed up that day. Earlonne: Oh! Any time I step back in a penal system, [Nigel laughs] I'm gonna be suited and booted. You know what I'm saying? I gotta inspire cats. Nigel: Right! Success walks back in, right? [Nigel laughs] Earlonne: Indeed. -
Song/Casting: Combining Podcasts and Songs to Create a Hybrid Medium
Nate Sahr 1 Song/Casting: Combining Podcasts and Songs to Create a Hybrid Medium A Thesis Presented to the Honors Tutorial College, Ohio University In Partial Fulfillment of the Requirements for Graduation from the Honors Tutorial College with the degree of Bachelor of Science in Media Arts & Studies By Nate Sahr May 2021 Nate Sahr 2 Table of Contents Abstract 3 Introduction – What is a Songcast? 4 The Hypothetical Songcast: Preliminary Research & Codification 9 Storytelling in Podcasts 10 Storytelling in Songs 12 Parasocial Relationships 14 Music 16 The Actual Songcast: Creative Process 17 Evaluating my Songcast 30 Conclusion 32 Bibliography 34 Nate Sahr 3 Abstract In my creative project and associated paper, I explore a hybrid medium, songcasting, that combines the most compelling elements of podcasts with the most compelling elements of songs. For the creation of this specific songcast, I interviewed 7 talented storytellers to capture audio recordings of them telling stories. From these, I chose a story about a Minnesotan teenager and his sister exploring Australia in 1979, and I built my songcast around it. This story explores coming of age, what it means to live in the modern world, cross-cultural relations, and more. The music and narration are carefully arranged and fused together to provide an immersive listening experience. While this songcast highlights the medium’s strengths, it is only one example of the many possibilities of songcasting. By synthesizing music, an emphasis on parasocial relationships, and the storytelling modes of both songs and podcasts, songcasts stand apart as unique audio format. Nate Sahr 4 Introduction – What is a Songcast? Imagine a spectrum: on one side of the spectrum is the color blue, on the other side is the color yellow. -
Episode 55: Marcel and Angie Air Date: March 31, 2021
Episode 55: Marcel and Angie Air Date: March 31, 2021 Antwan Williams: This is Antwan Williams, the sound designer of Ear Hustle. And the following episode of Ear Hustle contains language and content that may not be suitable for all listeners, including discussion of suicide and sexual assault. Discretion is advised. [abstract industrial sound collage as transition] Marcel Rabanes: It's been times when I've been out in the yard and we're having a game, a football game going on, and all the femmes are over there acting ridiculous ‘cause they being catty and being jealous and they fighting and stuff. And all of us boy- lookin’ ones go over there to try to break it up… and then, when the police come and they start spraying, ‘cause they don't ask no questions, they spraying and shit… the girls get to walk away with nothin’… they'd been drinking or smoking or whatever. We all get arrested or we all get 115’d. There’s too many politics in prison for people that look like me. [soft music comes in] [as narrator] 1 Earlonne Woods: Prison politics are just like street politics… [Nigel affirms] a bunch of motherfuckers trying to make up a bunch of rules. Nigel Poor: And those rules can get especially complicated for trans people, like Marcel… Earlonne: …Locked up with a whole bunch of people who identify as a different gender than you. I’m Earlonne Woods. [theme comes in] Nigel: And I’m Nigel Poor. This is Ear Hustle, from PRX’s Radiotopia. -
Interview with Julie Shapiro E
Interview with Julie Shapiro, Executive Producer of Radiotopia from PRX [00:00:00] This week we're looking at why audio storytelling has endured, and why it's been such a powerful storytelling forum over such a long period of time. Julie Shapiro joins us now. She's seen audio storytelling from a variety of perspectives. She's currently the executive producer at the podcast network Radiotopia from PRX. Before that, she held the same title at the Australian Broadcasting Corporation, and earlier in her career, she founded and ran an audio storytelling festival called Third Coast International Audio Festival. Julie, thanks for joining us today. [00:00:31] Oh, it's totally my pleasure. This is like my favorite topic to talk about, so I am so ready for this conversation. [00:00:38] Awesome. Compared to movies or video games, you could argue that audio is kind of a simpler form of storytelling and maybe not as appealing to modern audiences. But why do you think it's a storytelling form that's still so gripping for people? [00:00:53] I think people are suckers for stories. We all know that. We've known that, you know, since, as they say, people sat around the campfire in the caves communicating with each other. I think audio storytelling has become particularly robust and multifaceted, partly because of how technology has evolved around it. But it's also had this enduring quality of voice, right there in your ears, speaking right to you. I'd find that I'm an avid reader, I love films, but audio for me is a closer, more intimate medium.