Paper Wreath Activity in Ancient Greece, Wreaths Were Given to the Victors of Olympic and Dramatic Competitions to Wear As Crowns

Total Page:16

File Type:pdf, Size:1020Kb

Paper Wreath Activity in Ancient Greece, Wreaths Were Given to the Victors of Olympic and Dramatic Competitions to Wear As Crowns Paper Wreath Activity In ancient Greece, wreaths were given to the victors of Olympic and dramatic competitions to wear as crowns. Dramatic competitions were festivals where actors and poets competed to present the best play or poem. The winners received ivy crowns as a prize. These wreaths came from the gods who were the patrons of these events. Dionysus, the god of theater, is shown wearing an ivy crown. Apollo, the god of prophecy and oracles, music, song, poetry, healing, education, and archery, is often depicted wearing a laurel crown or holding a laurel branch. Since the time of the first Olympics in Greece, the laurel crown and laurel leaves have been symbols of victory, success, and fame. In fact, the laurel wreath is often depicted on modern Olympic medals. Artist’s rendition of original paint on In this activity, make your own paper wreath crown! Dionysus (Bacchus) head KM 1974.4.1. Supplies: • Paper (printer paper, cardstock, or construction paper) Note: Can substitute paper with felt • Scissors • Markers, crayons, or colored pencils • Glue or tape Instructions: 1. Print out leaves on desired paper or draw 12–16 leaves. 2. If using white paper, color the leaves. 3. Cut out leaves. 4. Cut two 2-inch-wide strips down the length of a sheet of paper. Color band. 5. Attach the strips together, creating one long 2-inch-wide band. 6. Wrap the paper band around the head of the crown wearer to measure for size. 7. Trim excess paper and attach the two ends of the band together with tape, creating a closed ring. 8. Using adhesive, attach the leaves to the paper ring in your desired pattern. 9. When the adhesive is dry, the crown is ready for your Olympic victor! *Note: An unused headband is a great substitute for the paper band. Attach the leaves to the headband and use that as your crown! @kelseymuseum #kelseyolympics | lsa.umich.edu/kelsey @kelseymuseum #kelseyolympics | lsa.umich.edu/kelsey .
Recommended publications
  • PROCEEDINGS of the 120TH NATIONAL CONVENTION of the VETERANS of FOREIGN WARS of the UNITED STATES
    116th Congress, 2d Session House Document 116–165 PROCEEDINGS of the 120TH NATIONAL CONVENTION OF THE VETERANS OF FOREIGN WARS OF THE UNITED STATES (SUMMARY OF MINUTES) Orlando, Florida ::: July 20 – 24, 2019 116th Congress, 2d Session – – – – – – – – – – – – – House Document 116–165 THE PROCEEDINGS OF THE 120TH NATIONAL CON- VENTION OF THE VETERANS OF FOREIGN WARS OF THE UNITED STATES COMMUNICATION FROM THE ADJUTANT GENERAL, THE VETERANS OF FOREIGN WARS OF THE UNITED STATES TRANSMITTING THE PROCEEDINGS OF THE 120TH NATIONAL CONVENTION OF THE VETERANS OF FOREIGN WARS OF THE UNITED STATES, HELD IN ORLANDO, FLORIDA: JULY 20–24, 2019, PURSUANT TO 44 U.S.C. 1332; (PUBLIC LAW 90–620 (AS AMENDED BY PUBLIC LAW 105–225, SEC. 3); (112 STAT. 1498) NOVEMBER 12, 2020.—Referred to the Committee on Veterans’ Affairs and ordered to be printed U.S. GOVERNMENT PUBLISHING OFFICE 40–535 WASHINGTON : 2020 U.S. CODE, TITLE 44, SECTION 1332 NATIONAL ENCAMPMENTS OF VETERANS’ ORGANIZATIONS; PROCEEDINGS PRINTED ANNUALLY FOR CONGRESS The proceedings of the national encampments of the United Spanish War Veterans, the Veterans of Foreign Wars of the United States, the American Legion, the Military Order of the Purple Heart, the Veterans of World War I of the United States, Incorporated, the Disabled American Veterans, and the AMVETS (American Veterans of World War II), respectively, shall be printed annually, with accompanying illustrations, as separate House documents of the session of the Congress to which they may be submitted. [Approved October 2, 1968.] ii LETTER OF TRANSMITTAL VETERANS OF FOREIGN WARS OF THE UNITED STATES KANSAS CITY, MISSOURI September, 2020 Honorable Nancy Pelosi The Speaker U.
    [Show full text]
  • Ing Items Have Been Registered
    ACCEPTANCES Page 1 of 27 August 2017 LoAR THE FOLLOWING ITEMS HAVE BEEN REGISTERED: ÆTHELMEARC Ceara Cháomhanach. Device. Purpure, a triquetra Or between three natural tiger’s heads cabossed argent marked sable. There is a step from period practice for the use of natural tiger’s heads. Serena Milani. Name change from Eydís Vígdísardóttir (see RETURNS for device). The submitter’s previous name, Eydís Vígdísardóttir, is retained as an alternate name. Valgerðr inn rosti. Device. Argent, three sheep passant to sinister sable, each charged with an Elder Futhark fehu rune argent, a bordure gules. AN TIR Ailionóra inghean Tighearnaigh. Device change. Argent, a polypus per pale gules and sable within a bordure embattled per pale sable and gules. The submitter’s previous device, Argent, on a bend engrailed azure between a brown horse rampant and a tree eradicated proper three gouttes argent, is retained as a badge. Aline de Seez. Badge. (Fieldless) A hedgehog rampant azure maintaining an arrow inverted Or flighted sable. Nice badge! Alrikr Ivarsson. Name (see RETURNS for device). The submitter requested authenticity for an unspecified language or culture. Both name elements are in the same language, Old East Norse, but we cannot say for sure whether they are close enough in time to be authentic for a specific era. Anna Gheleyns. Badge (see RETURNS for device). Or, a rabbit rampant sable within a chaplet of ivy vert. Annaliese von Himmelreich. Name and device. Gules, a nautilus shell argent and on a chief Or three crows regardant sable. Annora of River Haven. Name. River Haven is the registered name of an SCA branch.
    [Show full text]
  • The Advent Wreath
    THE ADVENT WREATH We know that ADVENT means COMING, and we know that Christmas is coming, but the season of Advent reminds us there is more to Christmas preparations than gift lists, frantic shopping, school plays and party schedules, etc. All the December activities make it easy to put off preparing our hearts for the true meaning of our Christmas celebration. The Advent wreath helps us keep a balance in our lives during the weeks of expectancy. The tradition of the family gathered around the table before a meal, lighting Advent candles, saying Advent prayers and sharing appropriate readings helps us to prepare our hearts for the coming of the Christ Child -- - as for many centuries God prepared the world for the birth of Jesus. The circle of the wreath reminds us that God has no beginning and no end. The evergreens represent the promise of eternal life. The candles represent Jesus’ overcoming the darkness of hatred and evil with the light of joy and love. The brief ritual described below, and on the following pages, is to be used each evening when the family gathers, beginning on the first of the four Sundays in Advent and continuing each day of the week. Adapt it if you like to include other prayers and verses. Some prefer to use “Advent Blue” candles. Other traditions use red or white. You may also choose to add a white “Christ candle” in the center to light on Christmas Eve. THE FIRST WEEK IN ADVENT A family member lights one (only) purple candle, saying: “I light this candle to remind us that we must prepare our hearts for the coming of the Christ Child.” COLLECT for the first week in Advent (said by all): “Almighty God, give us grace to cast away the works of darkness and put on the armor of light, now in the time of this mortal life in which your son, Jesus Christ, came to visit us in great humility; that in the last day, when he shall come again in his glorious majesty to judge both the living and the dead, we may rise to the life immortal; through him who lives and reigns with you and the Holy Spirit, one God, now and forever.
    [Show full text]
  • Order of Blessing of the Advent Wreath Within Mass
    ORDER OF BLESSING OF THE ADVENT WREATH WITHIN MASS INTRODUCTION WHEN THE ADVENT WREATH IS USED IN CHURCH, IT SHOULD BE OF SUFFICIENT SIZE TO BE VISIBLE TO THE CONGREGATION. IT MAY BE SUSPENDED FROM THE CEILING OR PLACED ON A STAND. IF IT IS PLACED IN THE SANCTUARY OR PRESBYTERIUM, IT SHOULD NOT INTERFERE WITH THE CELEBRATION OF THE LITURGY, NOR SHOULD IT OBSCURE THE PRINCIPAL ELEMENTS OF THE ALTAR, LECTERN (AMBO), OR CHAIR. AFTER THE GOSPEL READING, THE CELEBRANT IN THE HOMILY, BASED ON THE SACRED TEXT AND PERTINENT TO THE PARTICULAR PLACE AND THE PEOPLE INVOLVED, EXPLAINS THE MEANING OF THE CELEBRATION. UNIVERSAL PRAYER THE UNIVERSAL PRAYER, OR GENERAL INTERCESSIONS, FOLLOWS, IN THE USUAL FORM OR IN THE FORM PROVIDED HERE. THE CELEBRANT CONCLUDES THE INTERCESSIONS WITH THE PRAYER OF BLESSING. FROM THE FOLLOWING INTENTIONS THOSE BEST FOR THE OCCASION MAY BE USED OR ADAPTED, OR OTHER INTENTIONS THAT APPLY TO THE PARTICULAR CIRCUMSTANCES MAY BE COMPOSED. THE CELEBRANT SAYS: As we await with longing the coming of our Lord Jesus Christ, dear brothers and sisters, let us with renewed devotion beseech his mercy, that, as he came into the world to bring the good news to the poor and heal the contrite heart, so in our own time, also, he may bring salvation to all I need. THE ASSISTING MINISTER SAYS THE INTENTION: That the keeping of Advent may open our hearts to God’s love, we pray to the Lord. AND THE PEOPLE RESPOND: Amen. ASSISTING MINISTER: That the light of Christ may penetrate the darkness of sin, we pray to the Lord.
    [Show full text]
  • Throughout His Writing Career, Nelson Algren Was Fascinated by Criminality
    RAGGED FIGURES: THE LUMPENPROLETARIAT IN NELSON ALGREN AND RALPH ELLISON by Nathaniel F. Mills A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (English Language and Literature) in The University of Michigan 2011 Doctoral Committee: Professor Alan M. Wald, Chair Professor Marjorie Levinson Professor Patricia Smith Yaeger Associate Professor Megan L. Sweeney For graduate students on the left ii Acknowledgements Indebtedness is the overriding condition of scholarly production and my case is no exception. I‘d like to thank first John Callahan, Donn Zaretsky, and The Ralph and Fanny Ellison Charitable Trust for permission to quote from Ralph Ellison‘s archival material, and Donadio and Olson, Inc. for permission to quote from Nelson Algren‘s archive. Alan Wald‘s enthusiasm for the study of the American left made this project possible, and I have been guided at all turns by his knowledge of this area and his unlimited support for scholars trying, in their writing and in their professional lives, to negotiate scholarship with political commitment. Since my first semester in the Ph.D. program at Michigan, Marjorie Levinson has shaped my thinking about critical theory, Marxism, literature, and the basic protocols of literary criticism while providing me with the conceptual resources to develop my own academic identity. To Patricia Yaeger I owe above all the lesson that one can (and should) be conceptually rigorous without being opaque, and that the construction of one‘s sentences can complement the content of those sentences in productive ways. I see her own characteristic synthesis of stylistic and conceptual fluidity as a benchmark of criticism and theory and as inspiring example of conceptual creativity.
    [Show full text]
  • Maker's Eye: Stories of Craft
    Maker’s Eye: Stories of Craft Crafts Council Gallery 7 July — 9 October 2021 Exhibition Information Curators Maker’s Eye: Stories of Craft Assemble (Amica Dall & Giles Smith)p2 Taking its name from a 1982 Crafts Council show – p4 the first at its former gallery on Waterloo Place, Michael Brennand-Wood Piccadilly, Maker’s Eye celebrates the breadth and Caroline Broadheadp6 qualities of craft and the Crafts Council Collections. Neil Brownswordp8 p11 Dr Christine Checinska The starting point – then as now – was to We encouraged all to look beyond their own interrogate and reflect on what craft is. 13 disciplines and area of expertise, to consider p14 John Grayson makers, each with work in the Crafts Council works that inspired them, or reflected their Collections, were invited to consider the experience and understanding of craft. Each p16 Ineke Hans question: “What does craft look like and of the 13 makers was asked to identify an mean to you?” Maker’s Eye offers a range additional work that was not in the Collection, p18 Angela James of perspectives on the issues driving and for the curator, was. craftspeople today. p20 Michael Marriott The exhibition is the most significant Together, these makers represent a cross- presentation of objects from the Crafts Council p22 James Maskrey section of craft interests, disciplines, career Collection in its 50 year history and serves as a stages and models of practice. We asked platform to explore the stories of craft, and the p24 Freddie Robins them to each select up to 15 objects as their role of collecting and collections, past, present response.
    [Show full text]
  • STAGE 4 GODS of GREECE APHRODITE the Ancient Greeks Adored Their Gods and Used Them Love and Beauty Were to Explain and Control Lots of Aspects of Their Lives
    Unit focus: Ancient Greece Text focus: Information Text (750L) Ancient Greek Gods STAGE 4 GODS OF GREECE APHRODITE The Ancient Greeks adored their gods and used them Love and beauty were to explain and control lots of aspects of their lives. Lots signifi cant to the Ancient of the Greek gods later went on to be adopted by the Greeks. They named Aphrodite Ancient Romans. These are fi ve of their most important. as the goddess of both. She was famously the most beauti ful of ARES all the goddesses. Ares was the Ancient Greek God In pictures, she is oft en pictured of War. He was a son of Zeus with Eros, the God of Love. and Hera and was infatuated with Aphrodite. It was believed that Aphrodite could cause people to fall in It was thought that Ares loved love. Fighti ng couples would to see people fi ghti ng each oft en pray to her to help them other. He would ride into ba� le make up. in a chariot pulled by fi re- ATHENA APOLLO Apollo was the Ancient Greek breathing horses. As the Goddess of Wisdom, Athena gave her name to the God of the Sun. He was a child city of Athens. of Zeus and the protector of the ZEUS city of Delphi. It was rumoured The Ancient Greeks considered Athena was also considered to that he wore a laurel wreath on Zeus to be the king of all their play a part in wars. Unlike Ares, his head to honour his love for gods.
    [Show full text]
  • On a Roman Visor Helmet Recently Discovered Near Nijmegen, Holland Author(S): James Curle Source: the Journal of Roman Studies, Vol
    On a Roman Visor Helmet Recently Discovered near Nijmegen, Holland Author(s): James Curle Source: The Journal of Roman Studies, Vol. 5 (1915), pp. 81-86 Published by: Society for the Promotion of Roman Studies Stable URL: http://www.jstor.org/stable/296291 . Accessed: 12/06/2014 17:00 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Society for the Promotion of Roman Studies is collaborating with JSTOR to digitize, preserve and extend access to The Journal of Roman Studies. http://www.jstor.org This content downloaded from 62.122.79.52 on Thu, 12 Jun 2014 17:00:17 PM All use subject to JSTOR Terms and Conditions ON A ROMAN VISOR HELMET RECENTLY DISCOVERED NEAR NIJMEGEN, HOLLAND. (Plates vi- viii) By JAMES CURLE. The beautiful visor helmet illustrated in plates vi and vii is a recent addition to the fine collection of Roman antiquities belonging, to Mr. G. M. Kam of Nijmegen, Holland, to whom I am indebted for photographs and detailed particulars. The helmet was recovered from a gravel-bed on the left bank of the river Waal below Nijmegen. In the inside of the helmet among the clay and gravel lay a pair of bronze cheek-pieces overlaid with silver, which must have belonged to a helmet of a different pattern, and a number of melon- shaped beads of blue glass (fig.
    [Show full text]
  • Inde X of Events 1/48
    Inde x of Events 1/48 - 1. 1/1 124, 000, 000 visitors to city parks in 1947 2. 1/29 Golf course opening 3. 2/8 6 basketball clinics at Park recreation centers 4. 3/3 First of a "home and home" basketball series. 5. 3/3 New cow elk at Central Pk. Zoo 6. 3/11 $87 thousand for construction of 26 emergency turnouts for disabled cars. 7. 3/11 Basketball match between Boston park championshy and Bronx. 8. 3/14 Finals in boxing championship 9. 3/22 Egg rolling contest 10. 3/24 Annual Flower Show 11. 3/25 500 entries for egg rolling contest 12. 3/29 Softball leqque formed 13. 3/29 Semi-finals in Junior Division Boxing 14. 3/29 Completion of recreation field construction in Bronx 15. 3/30 Opening of playground in Brooklyn;";' 16. 3/31 City-wide boxing semi-finals 17. 4/11 151 Baseball and 309 Softball diamonds opened by Dept. of Pks. 18. 4/13 Championships in Boxing tournament 19. 4/17 N. Y. City Pks. to open playground in Brooklyn. 20. 5/5 City finals of one act play contest (Junior Division) 21. 5/12 City finals of Senior Division of One Acy Plays. 22. 5/14 Construction completed for 2 new playgrounds 23. 5/14 Received 2 male tigers from Miami Zoo 24. 5/21 The All High School Band to give 3 band conterts 25. 5/26 First 1948 concert in parks 26. 5/27 Two oriental deer born in Zoo 27. 6/1 Two new playgrounds in Brooklyn 28.
    [Show full text]
  • A Collection of Exceptional Ancient Greek Coins
    A Collection of Exceptional Ancient Greek Coins To be sold by auction at: Sotheby’s, in the Book Room 34-35 New Bond Street London W1A 2AA Day of Sale: Monday 24 October 2011 at 11.00 am Public viewing: Morton & Eden, 45 Maddox Street, London W1S 2PE Thursday 20 October 10.00 am to 4.30 pm Friday 21 October 10.00 am to 4.30 pm Sunday 23 October 10.00 am to 4.30 pm Or by previous appointment. Catalogue no. 51 Price £15 Enquiries: Tom Eden or Stephen Lloyd Cover illustrations: Lot 160 (front); Lot 166 (back); Lot 126 (inside front and back covers) in association with 45 Maddox Street, London W1S 2PE Tel.: +44 (0)20 7493 5344 Fax: +44 (0)20 7495 6325 Email: [email protected] Website: www.mortonandeden.com This auction is conducted by Morton & Eden Ltd. in accordance with our Conditions of Business printed at the back of this catalogue. All questions and comments relating to the operation of this sale or to its content should be addressed to Morton & Eden Ltd. and not to Sotheby’s. Online Bidding Morton & Eden Ltd offer an online bidding service via www.the-saleroom.com. This is provided on the understanding that Morton & Eden Ltd shall not be responsible for errors or failures to execute internet bids for reasons including but not limited to: i) a loss of internet connection by either party; ii) a breakdown or other problems with the online bidding software; iii) a breakdown or other problems with your computer, system or internet connection.
    [Show full text]
  • LONGS 11-22 PG 01 OAHU.Indd
    Honolulu Star-Advertiser, Thursday, November 22, 2012 - 1 Sale THURSDAY thru SATURDAY NOV. 22 - 24, 2012 AT ALL OAHU LONGS DRUG STORES For the busy Christmas Season, Longs Drugs has TWO ADS a week. Look for our next Ad in SUNDAY’S paper! Specials will be good Sunday, 11/25/12 - Wednesday, 11/28/12 HAWAIIAN DESIGN CHIEFLY, REGENCY & BOXED For you shopping convenience... ISLAND HERITAGE CHRISTMAS CARDS SELECTED VARIETIES MOST OAHU LONGS DRUG STORES WILL BE CHRISTMAS ORNAMENTS OPEN UNTIL 3:00 PM ON THANKSGIVING DAY % *BISHOP ST. will OPEN at 8:00 am - 3:00 pm on Thurs. (11/22) % & their pharmacy will be CLOSED OFF *MANANA & MILILANI MARKET PLACE OFF 30 pharmacies will be CLOSED on Thurs. (11/22) SELECTED 25 LONGS’ EVERYDAY LOW PRICE LONGS PHARMACY STORES: VARIETIES LONGS’ EVERYDAY LOW PRICE Gulick, Kaheka, Kailua, Liliha & Wahiawa will be CLOSED; Selection may vary at stores Sale Items, Red Hot Deal, Hallmark Keepsake, Kailua Pharmacy will close at 1:00 pm on Fri. (11/23) Holly & Vision Varieties not included ON BLACK FRIDAY (11/23) ALL STORES WILL BE OPEN THEIR REGULAR HOURS BOXED *ALA MOANA & PEARLRIDGE will OPEN at 6:00 am & their pharmacies will OPEN at 7:00 am CHRISTMAS CARDS LONGS 24-HOUR STORES: % PALI, PEARL CITY, MOILIILI, EWA BEACH SHOPPING CTR., GIFT-TYE RIBBON KAILUA & KANEOHE BAY SHOPPING CTR. SELECTED 50OFF 24-Hour pharmacies will CLOSE at 3:00 pm on Thanksgiving Day DISPENSER PACK and will RE-OPEN at 7:00 am on Friday (11/23) 3/4" x 300' - #069 VARIETIES LONGS’ EVERYDAY LOW PRICE *Sale effective Thursday (11/22/12) 5:00 am
    [Show full text]
  • ANCIENT TERRACOTTAS from SOUTH ITALY and SICILY in the J
    ANCIENT TERRACOTTAS FROM SOUTH ITALY AND SICILY in the j. paul getty museum The free, online edition of this catalogue, available at http://www.getty.edu/publications/terracottas, includes zoomable high-resolution photography and a select number of 360° rotations; the ability to filter the catalogue by location, typology, and date; and an interactive map drawn from the Ancient World Mapping Center and linked to the Getty’s Thesaurus of Geographic Names and Pleiades. Also available are free PDF, EPUB, and MOBI downloads of the book; CSV and JSON downloads of the object data from the catalogue and the accompanying Guide to the Collection; and JPG and PPT downloads of the main catalogue images. © 2016 J. Paul Getty Trust This work is licensed under the Creative Commons Attribution 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042. First edition, 2016 Last updated, December 19, 2017 https://www.github.com/gettypubs/terracottas Published by the J. Paul Getty Museum, Los Angeles Getty Publications 1200 Getty Center Drive, Suite 500 Los Angeles, California 90049-1682 www.getty.edu/publications Ruth Evans Lane, Benedicte Gilman, and Marina Belozerskaya, Project Editors Robin H. Ray and Mary Christian, Copy Editors Antony Shugaar, Translator Elizabeth Chapin Kahn, Production Stephanie Grimes, Digital Researcher Eric Gardner, Designer & Developer Greg Albers, Project Manager Distributed in the United States and Canada by the University of Chicago Press Distributed outside the United States and Canada by Yale University Press, London Printed in the United States of America Library of Congress Cataloging-in-Publication Data Names: J.
    [Show full text]