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Canadian Literature / Littérature canadienne A Quarterly of Criticism and Review Number 210/211, Autumn/Winter 2011, 21st-Century Poetics Published by The University of British Columbia, Vancouver Editor: Margery Fee Associate Editors: Judy Brown (Reviews), Joël Castonguay-Bélanger (Francophone Writing), Glenn Deer (Poetry), Laura Moss (Reviews), Deena Rymhs (Reviews) Past Editors: George Woodcock (1959–1977), W.H. New (1977–1995), Eva-Marie Kröller (1995–2003), Laurie Ricou (2003–2007) Editorial Board Heinz Antor University of Cologne Alison Calder University of Manitoba Cecily Devereux University of Alberta Kristina Fagan University of Saskatchewan Janice Fiamengo University of Ottawa Carole Gerson Simon Fraser University Helen Gilbert University of London Susan Gingell University of Saskatchewan Faye Hammill University of Strathclyde Paul Hjartarson University of Alberta Coral Ann Howells University of Reading Smaro Kamboureli University of Guelph Jon Kertzer University of Calgary Ric Knowles University of Guelph Louise Ladouceur University of Alberta Patricia Merivale University of British Columbia Judit Molnár University of Debrecen Lianne Moyes Université de Montréal Maureen Moynagh St. Francis Xavier University Reingard Nischik University of Constance Ian Rae King’s University College Julie Rak University of Alberta Roxanne Rimstead Université de Sherbrooke Sherry Simon Concordia University Patricia Smart Carleton University David Staines University of Ottawa Cynthia Sugars University of Ottawa Neil ten Kortenaar University of Toronto Marie Vautier University of Victoria Gillian Whitlock University of Queensland David Williams University of Manitoba Mark Williams Victoria University, New Zealand Editorial Margery Fee 21st-Century Poetics 6 Articles Scott Pound Language Writing and the Burden of Critique 9 Katie L. Price A ≠ A: The Potential for a ’Pataphysical Poetic in Dan Farrell’s The Inkblot Record 27 CanLit_210_211_6thProof.indd 1 12-02-22 8:52 PM Articles, continued Sarah Dowling Persons and Voices: Sounding Impossible Bodies in M. NourbeSe Philip’s Zong! 43 Ryan Fitzpatrick and Susan Rudy “These marked spaces lie beneath / the alphabet”: Readers, Borders, and Citizens in Erín Moure’s Recent Work 60 Sonnet L’Abbé North of Invention: Interview with Charles Bernstein and Sarah Dowling 84 Alessandra Capperdoni Why the Avant-Garde?: The Function of the Letter in Canadian Avant-Garde Poetics 97 Meredith Quartermain T’ang’s Bathtub: Innovative Work by Four Canadian Poets 116 Karl Jirgens Neo-Baroque Configurations in Contemporary Canadian Digital Poetics 135 Geordie Miller “Shifting Ground”: Breaking (from) Baudrillard’s “Code” in Autobiography of Red 152 Sonnet L’Abbé “Infiltrate as Cells”: The Biopolitically Ethical Subject of sybil unrest 169 Sean Braune Enantiomorphosis and the Canadian Avant-Garde: Reading Christian Bök, Darren Wershler, and Jeramy Dodds 190 Oana Avasilichioaei and Erín Moure Translation, Collaboration, and Reading the Multiple 207 Poems Michael Aird 42 derek beaulieu 115 Natalie Helberg 59 Stephen Collis 133 Ken Belford 75 Gregory Betts 168 Shane Rhodes 96 Robert Majzels 219 CanLit_210_211_6thProof.indd 2 12-02-22 8:52 PM from Influency Salon Rachel Zolf “Like plugging into an electric circuit”: Fingering Out Erín Moure’s Lesbo-Digit-O! Smut Poems 230 Erín Moure On Zolf’s Neighbour Procedure 241 Books in Review Forthcoming book reviews are available at http://canlit.ca/reviews Authors Reviewed Adam Seelig 251 derek beaulieu 251 Jennifer Still 249 Ken Belford 250 Mark Truscott 250 Louise Dupré 249 Brian Fawcett 252 Reviewers David Hickey 251 Ryan Fitzpatrick 251 Donato Mancini 252 Amanda Lim 249 Roy Miki 252 Travis V. Mason 250 Stan Persky 252 Meredith Quartermain 252 Opinions and Notes derek beaulieu and Gregory Betts Copy Paste Publish: On Appropriation 254 Rachel Zolf Noone Bears Witness 259 Guest Editors: Clint Burnham and Christine Stewart Afterword: 21st-Century Poetics 263 CanLit_210_211_6thProof.indd 3 12-02-22 8:52 PM Canadian Literature, a peer-reviewed journal, welcomes original, unpublished submissions of articles, interviews, and other commentaries relating to writers and writing in Canada, and of previously unpublished poems by Canadian writers. The journal does not publish fiction. Articles of approximately 6500 words (including Notes and Works Cited), double-spaced, in 12-point font size, should be submitted online to canlitsubmit.ca. Submissions must be in Rich Text Format (.rtf) or Microsoft Word (.doc or .docx). Submissions should include a brief biographical note (50 words) and an abstract (150 words). Articles should follow MLA guidelines for bibliographic format as outlined at http://canlitsubmit.ca/submissions/help. Littérature canadienne, une revue évaluée par les pairs, accueille la sou- mission d’articles, d’entrevues, et d’autres commentaires originaux et non publiés sur les écrivains et l’écriture au Canada, ainsi que de la poésie canadienne pour publication initiale. La revue ne publie pas de fiction. Veuillez soumettre les articles—d’environ 6500 mots (notes et références bibliographiques comprises), à double interligne, taille de la police 12— en ligne à canlitsubmit.ca. Les soumissions doivent être en format de texte enrichi (.rtf) ou Microsoft Word (.doc ou .docx). Les soumissions doi- vent comprendre une brève note biographique (50 mots) et un résumé (150 mots). Les articles doivent suivre les directives MLA en matière de format biblio- graphique comme décrites à http://canlitsubmit.ca/submissions/help. CanLit_210_211_6thProof.indd 4 12-02-22 8:52 PM Canadian Literature online: CanLit Submit (canlitsubmit.ca) Submit articles, poetry, and book reviews online to speed up evaluations and reduce paper waste. Online store (canlit.ca/store) Order subscriptions and back issues securely with credit card or Interac. Archives (canlit.ca/archives) Issues #1 to 155 are freely available online as are pre-print book reviews, including unpublished upcoming reviews, from issue #156 onwards. CanLit Poets (canlitpoets.ca) Our award-winning poetry archive, containing more than 250 poems and interviews with poets who have had their work published in Canadian Literature. Copyright © 2011 The University of British Columbia Subject to the exception noted below, reproduction of the journal, or any part thereof, in any form, or transmission in any manner is strictly prohibited. Reproduction is only permitted for the purposes of research or private study in a manner that is consistent with the principle of fair dealing as stated in the Copyright Act (Canada). GST R108161779 Publication of Canadian Literature is assisted by The University of British Columbia, the Faculty of Arts (ubc), and sshrcc. Canadian Literature is indexed in Canadian Periodical Index, Canadian Magazine Index, Humanities International Complete, and the MLA International Bibliography, among numerous others. The journal is indexed and abstracted by ebsco, proquest, and abes. Full text of articles and reviews from 1997 on is available from proquest, gale, and ebsco Publishing. The journal is available in microfilm from University Microfilm International. Publications Mail Agreement SUBSCRIPTIONS: $56 INDIVIDUAL; no. 40592543 $168 INSTITUTIONAL, GST INCLUDED. Registration no. 08647 OUTSIDE CANADA: US $86 INDIVIDUAL; US $198 INSTITUTIONAL. RETURN UNDELIVERABLE CANADIAN ADDRESSES TO ISSN 0008-4360 Canadian Literature Managing Editor: Donna Chin The University of British Columbia [email protected] ANSO Building, Room 8 Production Staff: Matthew Gruman 6303 NW Marine Drive Jennifer Lin Vancouver, BC Beth Veitch Canada V6T 1Z1 Design: George Vaitkunas TELEPHONE: (604) 822-2780 Illustrations: George Kuthan E-MAIL: [email protected] Printing: Hignell Printing Limited http://canlit.ca Typefaces: Minion and Univers http://canlitsubmit.ca Paper: recycled and acid-free CanLit_210_211_6thProof.indd 5 12-02-22 8:52 PM Editorial st-Century Poetics 21 Margery Fee One thing that working on this double issue—certainly more than double in its impact—has taught me is that experimental poetics both needs and resists convention. This explains why the guest editors are calling their editorial an afterword and putting it at the back, where I hope you will look for and read it. (It might have been more creative to call it an afterword and put it at the front, but they are guests, and we try to make them happy.) Like them, I want to let the articles, poems, notes, conversations, and reviews speak for themselves, particularly since they are more closely interrelated than is common in most special issues. It’s clear that those writing and written about here live in a world a little at a tangent to the academy and to convention, a world that Canadian Literature is happy to invite you to enjoy. Given that I am co-author of an English usage guide, it might seem that I should be fanatically attached to convention and consistency. But I’m not sure that I’m all that grateful for the labours of those who have standardized spelling, punctuation, bibliographic style, and so on. I am still correcting the spelling of its in doctoral thesis drafts (hint: never put the apostrophe after the “s” because that will always be wrong). Sometimes I wonder if the huge amount of time we spend making sure that everything is consistent is worth it. Who but us, for example, is going to notice that the MLA short title choices in this issue vary from article to article? Nonetheless, if conventions weren’t firm, how would poets get a rise from their readers by shifting accents
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