Poets and Poetry of the Covenant" As This Author
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Im Auftrag: Medienagentur Stefan Michel T 040-5149 1467 F 040-5149 1465 [email protected]
im Auftrag: medienAgentur Stefan Michel T 040-5149 1467 F 040-5149 1465 [email protected] The Kinks At The BBC (Box – lim. Import) VÖ: 14. August 2012 CD1 10. I'm A Lover, Not A Fighter - Saturday Club - Piccadilly Studios, 1964 1. Interview: Meet The Kinks ' Saturday Club 11. Interview: Ray Talks About The USA ' -The Playhouse Theatre, 1964 Saturday Club - Piccadilly Studios, 1964 2. Cadillac ' Saturday Club - The Playhouse 12. I've Got That Feeling ' Saturday Club - Theatre, 1964 Piccadilly Studios, 1964 3. Interview: Ray Talks About 'You Really Got 13. All Day And All Of The Night ' Saturday Club Me' ' Saturday Club The Playhouse Theatre, - Piccadilly Studios, 1964 1964 14. You Shouldn't Be Sad ' Saturday Club - 4. You Really Got Me ' Saturday Club - The Maida Vale Studios, 1965 Playhouse Theatre, September 1964 15. Interview: Ray Talks About Records ' 5. Little Queenie ' Saturday Club - The Saturday Club - Maida Vale Studios, 1965 Playhouse Theatre, 1964 16. Tired Of Waiting For You - Saturday Club - 6. I'm A Lover Not A Fighter ' Top Gear - The Maida Vale Studios, 1965 Playhouse Theatre, 1964 17. Everybody's Gonna Be Happy ' Saturday 7. Interview: The Shaggy Set ' Top Gear - The Club -Maida Vale Studios, 1965 Playhouse Theatre, 1964 18. This Strange Effect ' 'You Really Got.' - 8. You Really Got Me ' Top Gear - The Aeolian Hall, 1965 Playhouse Theatre, October 1964 19. Interview: Ray Talks About "See My Friends" 9. All Day And All Of The Night ' Top Gear - The ' 'You Really Got.' Aeolian Hall, 1965 Playhouse Theatre, 1964 20. See My Friends ' 'You Really Got.' Aeolian Hall, 1965 1969 21. -
Angeletti, Gioia (1997) Scottish Eccentrics: the Tradition of Otherness in Scottish Poetry from Hogg to Macdiarmid
Angeletti, Gioia (1997) Scottish eccentrics: the tradition of otherness in Scottish poetry from Hogg to MacDiarmid. PhD thesis. http://theses.gla.ac.uk/2552/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] SCOTTISH ECCENTRICS: THE TRADITION OF OTHERNESS IN SCOTTISH POETRY FROM HOGG TO MACDIARMID by Gioia Angeletti 2 VOLUMES VOLUME I Thesis submitted for the degreeof PhD Department of Scottish Literature Facultyof Arts, Universityof Glasgow,October 1997 ý'i ý'"'ý# '; iý "ý ý'; ý y' ý': ' i ý., ý, Fý ABSTRACT This study attempts to modify the received opinion that Scottish poetry of the nineteenth-centuryfailed to build on the achievementsof the century (and centuries) before. Rather it suggeststhat a number of significant poets emerged in the period who represent an ongoing clearly Scottish tradition, characterised by protean identities and eccentricity, which leads on to MacDiarmid and the `Scottish Renaissance'of the twentieth century. The work of the poets in question is thus seen as marked by recurring linguistic, stylistic and thematic eccentricities which are often radical and subversive. -
Mewlana Jalaluddin Rumi - Poems
Classic Poetry Series Mewlana Jalaluddin Rumi - poems - Publication Date: 2004 Publisher: Poemhunter.com - The World's Poetry Archive Mewlana Jalaluddin Rumi(1207 - 1273) Jalal ad-Din Muhammad Balkhi (Persian: ?????????? ???? ?????), also known as Jalal ad-Din Muhammad Rumi (?????????? ???? ????), and more popularly in the English-speaking world simply as Rumi (30 September 1207 – 17 December 1273), was a 13th-century Persian[1][6] poet, jurist, theologian, and Sufi mystic.[7] Iranians, Turks, Afghans, Tajiks, and other Central Asian Muslims as well as the Muslims of South Asia have greatly appreciated his spiritual legacy in the past seven centuries.[8] Rumi's importance is considered to transcend national and ethnic borders. His poems have been widely translated into many of the world's languages and transposed into various formats. In 2007, he was described as the "most popular poet in America."[9] Rumi's works are written in Persian and his Mathnawi remains one of the purest literary glories of Persia,[10] and one of the crowning glories of the Persian language.[11] His original works are widely read today in their original language across the Persian-speaking world (Iran, Tajikistan, Afghanistan and parts of Persian speaking Central Asia).[12] Translations of his works are very popular in other countries. His poetry has influenced Persian literature as well as Urdu, Punjabi, Turkish and some other Iranian, Turkic and Indic languages written in Perso-Arabic script e.g. Pashto, Ottoman Turkish, Chagatai and Sindhi. Name Jalal ad-Din Mu?ammad Balkhi (Persian: ?????????? ???? ????? Persian pronunciation: [d?æl??læddi?n mohæmmæde bælxi?]) is also known as Jalal ad- Din Mu?ammad Rumi (?????????? ???? ???? Persian pronunciation: [d?æl??læddi?n mohæmmæde ?u?mi?]). -
The Register, 1950-05-00
North Carolina Agricultural and Technical State University Aggie Digital Collections and Scholarship NCAT Student Newspapers Digital Collections 5-1950 The Register, 1950-05-00 North Carolina Agricutural and Technical State University Follow this and additional works at: https://digital.library.ncat.edu/atregister Recommended Citation North Carolina Agricutural and Technical State University, "The Register, 1950-05-00" (1950). NCAT Student Newspapers. 108. https://digital.library.ncat.edu/atregister/108 This Book is brought to you for free and open access by the Digital Collections at Aggie Digital Collections and Scholarship. It has been accepted for inclusion in NCAT Student Newspapers by an authorized administrator of Aggie Digital Collections and Scholarship. For more information, please contact [email protected]. 1 May 1950 THE REGISTER Page 3 culture. This was quite a gala affair and debating, activities which can aid A Corner In and enhanced the marked increase in him greatly in later life since he wishes Faculty Member of the Year the membership for the Association. to become a lawyer. His most practi We were also fortunate to have mem cal accomplishment is his recent ap The Library bers of the faculty and persons from pointment in the Regular Army as a the city to speak to the association second lieutenant which will become By E. HENRY GIRVEN, '5! on subjects parallel to the members' effective upon the day of his gradua The atmosphere within the main prospective careers. tion and which he earned through reading room is beginning to take on The Association made contributions being designated a distinguished mili that feeling of anxious ominous an lo charity causes and made trips to tary student. -
Twist of Fates
PRESENTS TWIST OF FATES COLLECTED POEMS OF AFZAL SHAUQ TRANSLATED BY ALLEY BOLING Twist of Fates Collected poems of Afzal Shauq Translation by Alley Boling Published in Islamabad, Pakistan August 2006 First Edition Contacts Alley Boling, Georgia USA. [email protected] Http://360.yahoo.com/alley_boling2006 Afzal Shauq, Islamabad, Pakistan [email protected] Http://360.yahoo.com/afzalshauq Cover Art by Alley Boling Printed by Faiz ul Islam Printers Pakistan. © All rights reserved to: Alley Boling & Afzal Shauq Half of all proceeds of this book are going to establish the Farishta Foundation to aid the poor and suffering people of this world Retail Price: US$ 19.95 Pak. Rs.300/- Afghani.250/- DEDICATION I would like to dedicate this work to the loved ones in my life .... Who have always had faith in me .... Who supported me in my times of trial .... Who always loved me in spite of my faults. Thank you for always standing by me you special people of my life. Alley Boling ABOUT THE AUTHOR; AFZAL SHAUQ Author M. Afzal Shauq was born in the valleys of the Pashtoon region of North West Pakistan. He attended Balochistan University where he received his masters degree in sociology. In 1998 he received a second masters in Demography from the Cairo Demographic Center in Cairo Egypt. From 1983 - 1986 he being professor lectured on sociology at several Universities. Starting in1986 till the present, he has served as executive officer on Population Welfare. He has work with Radio Pakistan Quetta and different Pakistan Television channels in various positions most notably as a broadcaster, script and lyric writer. -
Burns Chronicle 1895
Robert BurnsLimited World Federation Limited www.rbwf.org.uk 1895 The digital conversion of this Burns Chronicle was sponsored by the Caledonian Society of Sheffield The digital conversion service was provided by DDSR Document Scanning by permission of the Robert Burns World Federation Limited to whom all Copyright title belongs. www.DDSR.com i&,teotton of Pat.ant o6.. TPade Map • Bl'aneh and Statlonen' Rall Regtatl'B.tlon. SPECIALTY IN WHISKY. "Jlnlb AS SUPPLIED TO THE BRITISH ROYAL COMMISSION, VICTORIA HOUSE, CHICAGO, AND LEADING CLUJIS AND MESSES IN L~DJA. As a Scotch Whisky there is nothing finer than " llul~ Scottie," made from the purest selected material, and blended with the greatest of care. Invalids requiring a genuine stimulant will find in " llul~ Scottie" Whisky one d the purest form. For Medicinal purposes it equals old Brandy. · The "LANCET1' says--" This Whisky contains 41 •75 per cent. of absolute alcohol, equal to 86·28 per cent. of proof spirit. The residue, dried at 100° C., amounts to 0·25 per cent. It is a well matured and excellent whisky." No hlghel' Medical Testimony ls enjoyed by any Bl'and. As a guarantee of the contents, every bottle is enveloped in wire and be&r11 the Proprietor's seal in lead, without which none is genuine. COLUJIBUN EXPOSITION, CHICAGO, 1808. UITBlUU.TIONil BXJIIBITlON, !JLASOOW, 1888. First Award at "World's Fair," Ohioago, For Purity of Quality, Superior Excellence, MellowneSB of Flavour and Highest Standard of Merit. Reffetered Proprietor: JAMES MENZIES, GLASGOW. res:-68 BATH "STREET. 1• ,_"_ ADVERTISEMENTS. ~~~~~~~~~~~~~~~~~~~~~~-~~~~~~ ,·:···-1 '1:0 the " Bul'ns Clubs " of Scotland. -
The Metacomics of Alan Moore, Neil Gaiman, and Warren Ellis
University of Alberta Telling Stories About Storytelling: The Metacomics of Alan Moore, Neil Gaiman, and Warren Ellis by Orion Ussner Kidder A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfilment of the requirements for the degree of Doctor of Philosophy in English Department of English and Film Studies ©Orion Ussner Kidder Spring 2010 Edmonton, Alberta Permission is hereby granted to the University of Alberta Libraries to reproduce single copies of this thesis and to lend or sell such copies for private, scholarly or scientific research purposes only. Where the thesis is converted to, or otherwise made available in digital form, the University of Alberta will advise potential users of the thesis of these terms. The author reserves all other publication and other rights in association with the copyright in the thesis and, except as herein before provided, neither the thesis nor any substantial portion thereof may be printed or otherwise reproduced in any material form whatsoever without the author's prior written permission. Library and Archives Bibliothèque et Canada Archives Canada Published Heritage Direction du Branch Patrimoine de l’édition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre référence ISBN: 978-0-494-60022-1 Our file Notre référence ISBN: 978-0-494-60022-1 NOTICE: AVIS: The author has granted a non- L’auteur a accordé une licence non exclusive exclusive license allowing Library and permettant à la Bibliothèque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par télécommunication ou par l’Internet, prêter, telecommunication or on the Internet, distribuer et vendre des thèses partout dans le loan, distribute and sell theses monde, à des fins commerciales ou autres, sur worldwide, for commercial or non- support microforme, papier, électronique et/ou commercial purposes, in microform, autres formats. -
Jemf Quarterly
JEMF QUARTERLY JOHN EDWARDS MEMORIAL FOUNDATION VOL. XII SPRING 1976 No. 41 THE JEMF The John Edwards Memorial Foundation is an archive and research center located in the Folklore and Mythology Center of the University of California at Los Angeles. It is chartered as an educational non-profit corporation, supported by gifts and contributions. The purpose of the JEMF is to further the serious study and public recognition of those forms of American folk music disseminated by commercial media such as print, sound recordings, films, radio, and television. These forms include the music referred to as cowboy, western, country & western, old time, hillbilly, bluegrass, mountain, country ,cajun, sacred, gospel, race, blues, rhythm' and blues, soul, and folk rock. The Foundation works toward this goal by: gathering and cataloguing phonograph records, sheet music, song books, photographs, biographical and discographical information, and scholarly works, as well as related artifacts; compiling, publishing, and distributing bibliographical, biographical, discographical, and historical data; reprinting, with permission, pertinent articles originally appearing in books and journals; and reissuing historically significant out-of-print sound recordings. The Friends of the JEMF was organized as a voluntary non-profit association to enable persons to support the Foundation's work. Membership in the Friends is $8.50 (or more) per calendar year; this fee qualifies as a tax deduction. Gifts and contributions to the Foundation qualify as tax deductions. DIRECTORS ADVISORS Eugene W. Earle, President Archie Green, 1st Vice President Ry Cooder Fred Hoeptner, 2nd Vice President David Crisp Ken Griffis, Secretary Harlan Dani'el D. K. Wilgus, Treasurer David Evans John Hammond Wayland D. -
“Spasm” and Class: W. E. Aytoun, George Gilfillan, Sydney Dobell, and Alexander Smith FLORENCE S
“Spasm” and Class: W. E. Aytoun, George Gilfillan, Sydney Dobell, and Alexander Smith FLORENCE S. BOOS HE BRIEF FLORUIT OF THE “SPASMODIC” POETS FOLLOWED CLOSELY ONE OF Tnineteenth-century British radicalism’s most signal defeats—the re- jection of the 1848 People’s Charter. Spasmodic poems also “consistently [took] as their subject a young poet’s struggle to write the poem that would make him famous”1—a conspicuous underlying theme of Wordsworth’s Pre- lude (1850), as well as the first edition of Walt Whitman’s Leaves of Grass (1855). Such personal and collective struggles in fact provided signature- themes for hundreds of English and Scottish working-class and humble life poets of the era, who penned Shelleyan “dream visions,” declaimed in the voice of rustic prophets, and focused their aspirations on the tenuous out- lines of a more democratic culture to come. Melodrama and popular stage productions were also quintessential mid-Victorian working-class genres,2 and political relevance may be found in contemporary critical tendencies to attack the Spasmodic poets for their melodramatic and declamatory extravagance. Sydney Dobell, Alexander Smith, Gerald Massey, and Ebenezer Jones, in particular, were working- or lower-middle class in their origins and edu- cation, and several of these poets had contributed to the democratic fervor which culminated in the People’s Charter of 1848. Under the penname “Bandiera,” for example, Massey had written revolutionary verses, and Jones’s pamphlet on Land Monopoly (1849) anticipated arguments made famous by Henry George in Progress and Poverty two decades later.3 Smith followed with interest the actions of Chartism’s Scottish wing, and Dobell’s first poem, The Roman (1850), celebrated an imaginary hero of Italian in- dependence after the manner of Browning’s Sordello and Bulwer-Lytton’s Rienzi. -
The Presbyterian Interpretation of Scottish History 1800-1914.Pdf
Graeme Neil Forsyth THE PRESBYTERIAN INTERPRETATION OF SCOTTISH HISTORY, 1800- 1914 Ph. D thesis University of Stirling 2003 ABSTRACT The nineteenth century saw the revival and widespread propagation in Scotland of a view of Scottish history that put Presbyterianism at the heart of the nation's identity, and told the story of Scotland's history largely in terms of the church's struggle for religious and constitutional liberty. Key to. this development was the Anti-Burgher minister Thomas M'Crie, who, spurred by attacks on Presbyterianism found in eighteenth-century and contemporary historical literature, between the years 1811 and 1819 wrote biographies of John Knox and Andrew Melville and a vindication of the Covenanters. M'Crie generally followed the very hard line found in the Whig- Presbyterian polemical literature that emerged from the struggles of the sixteenth and seventeenth century; he was particularly emphatic in support of the independence of the church from the state within its own sphere. His defence of his subjects embodied a Scottish Whig interpretation of British history, in which British constitutional liberties were prefigured in Scotland and in a considerable part won for the British people by the struggles of Presbyterian Scots during the seventeenth century. M'Crie's work won a huge following among the Scottish reading public, and spawned a revival in Presbyterian historiography which lasted through the century. His influence was considerably enhanced through the affinity felt for his work by the Anti- Intrusionists in the Church of Scotland and their successorsin the Free Church (1843- 1900), who were particularly attracted by his uncompromising defence of the spiritual independence of the church. -
Dawson's Auctioneers
Dawson's Auctioneers Dawson's Auctioneers Ltd 9 King's Grove Estate Maidenhead Rock & Pop Music Vinyl & Memorabilia Berkshire SL64DP Ended 13 Nov 2017 02:31 GMT United Kingdom Lot Description The Beatles A rare printer's proof of The Beatles 'For Sale' album, (stereo), (A rejected proof due to too much red used on the band 1 member's faces), 1970's issue, 76 x 35.5 cm. 7 Curved Air and Saturnalia Early picture discs (late 1960's), 'Air Conditioning' and 'Magical Love' (Magical Love missing booklet). The Rolling Stones Eight albums on Decca, three are sealed ABKCO'S 2002 DSD remastered editions to include 'Metamorphosis', 'Let 8 It Bleed' and 'Beggar's Banquet', the others all original stereo blue box Decca 'No Stone Unturned', 'Big Hits', 'Between The Buttons' and 'Gimme Shelter Soundtrack' als ...[more] Seven English Folk Lp's Shirley Collins, 'Ameranth' on Harvest, (factory sample). Mr Fox, a special double album on TransAtlantic, The 11 Pentangle 'Sweet Child' over two LP's (slight marks, inner cover named in pen), Al Stewart 'Zero She Flies' on UK CBS (excellent condition), Love Chronicles on CBS ...[more] 13 Amy Winehouse A colour photographic print of Amy posing with a guitar, 40 x 30 cm. The Kinks Face To Face, (VG condition) The Kinks, (VG+) Kinda Kinks (VG, few marks on side 2) and The Muswell Hillbillies (Japanese 16 version). 17 Led Zeppelin Two Korean LP's, The Soundtrack from the film 'The Song Remains The Same' and 'In Through The Door'. The Damned an original Australian First LP, on Stiff Records, (sticker stained on side 1) together with a Naz Nomad & The Nightmares 21 LP to include 'Just Call Me Sky', also together with black and white photographic prints of The Dammed. -
John and George Armstrong at Edinburgh
JOHN AND GEORGE ARMSTRONG AT EDINBURGH By WILLIAM J. 'MALONEY, M.D., LL.D., F.R.S.E. The medical talent of the Scot which astounded the eighteenth century appeared at times as a family characteristic. Remarkable in successive generations of a Monro, a Rutherford, a Gregory, and a Duncan family, it came close to genius in William and John Hunter, as well as in John Armstrong, the poet-physician, and his brother George the father of modern pediatrics, and the founder of the Dispensary for the Infant Poor, the world's first hospital for children. in The Armstrong brothers were sons of the manse at Castleton Roxburghshire ; and grandsons of a general practitioner in the minor Covenanting centre of Kelso. At the soTemn signing of the Covenant, back in 1638, this Kelso doctor, John Armstrong, was about five years old. He grew up among" the Presbyterian saints who, with faith as almost their sole weapon* defied prelates and kings for over fifty years. In the published accounts of those worthies, no Armstrong is named. Seemingly none of the " clan was called on to testify," or notably suffer, for their cause. If this seventeenth century doctor took part in their struggle f?r ascendancy, his service is unrecorded. But he did send his second " a. son, Robert, to the College of Edinburgh, where the students, as rule, were on the Covenanting side." Intended for the ministry, Robert required Latin, Greek, Logic' and Ethics in order to enter the Divinity Hall. He probably studied these subjects for the usual number of terms, or sessions ; but because of the destruction of the old College archives (Grant, I, 224), all that is now known of his academic career is that he belatedly commenced the course in Divinity, without graduating in Arts.