DOCSLIB.ORG

Felix Issue 632, 1983

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Felix Issue 632, 1983 NEWSPAPER STUDENT SHOT DEAD Shit to hit the fans News Peter Burt to ON RIFLE RANGE make tea—Yech! The barbaric ritual of the Page 3 Morphy Day fight will go ahead A postgraduate student from Chelsea College was shot dead at later this year despite complaints News An end to the the College Sports Centre last Thursday at 7:30pm. from Putney residents to the NUS debate—hurray Christopher Artemiou, a 24 Artemiou was found dead, shot Rector after the vandalism by IC students after last year's Morphy Page 3 year old graduate studying arche- through the head. ology and anthropology at Police and forensic scientists Day. News ICU flouts ULU Chelsea College turned up at a were immediately called in by the Morphy Day itself is an inter- ban on freebies. Page 3 meeting of the University of Sports Centre officials. On arri- CCU boat race along the Thames London Rifle Shooting Club val they sealed off the area and starting from Putney. It is meeting and said he would be questioned people as they left. A traditional for the CCUs to fight interested in joining. The rifle post-mortem was held on for the Morphy Oar once the race to range superintendent took him Monday and the matter is being has started. This usually deger- onto the range and showed him treated as suicide. Contents of ates to a neanderthal punch-up how to fire the gun. On leaving the letters found in the deceased's with fish guts, offal and dung range to reload his rifle the pocket have not been disclosed being hurled. superintendent heard a shot and by the Police. Putney residents felt that the returned to the room. Mr event went too far last year with many having their dustbin lids stolen by IC students. A letter was sent to the Rector by the local MP David Mellor. The Rector expressed his concern to the then IC Union President Stephen Goulder who took ac- tion by making it Council policy that IC Union will not have News Gaynor Lewis, a anything to do with the event. girl with no morals The CCUs will stage the fight Page 4 this year further down the river in the hope that the rising tide will Reviews FELIX wash the Vness away. Mr Dave previews the London Parry, RCSU Vice President, has said that the CCUs will not take Film Festival Page 8 any precautions to ensure that The Baron of their members will behave them- selves on the day. Cheapskate back The pistol used in the incident, a Smith and Weston 0.41. despite popular demand Page 10 £300 to go to NUS It was decided at IC Union will comprise a member of the large number of free parties, Council on Monday night that Exec (presumably Miss Gaynor meals and drink parties she over £300 pounds of IC Union Lewis), External Affairs Officer already enjoys at the Union's money will be spent sending three Peter Burt, and one other. expense. people to the NUS conference in Mr Mike Stuart, President of Hon Sec Mr Sean Davis is also Blackpool later this year. The IC City and Guilds Union, opposed totally opposed to the sending of Union delegates will have hotel sending anyone to the conference Union delegates to the confer- accommodation, subsidised food on the grounds that Imperial ence. In an interview with FELIX and drink and numerous parties College is not a member of NUS. Mr Davis described the action as all paid for by the Union. The Mr Stuart, the only person on 'a bloody waste of Union money, cost per person is estimated at Council prepared to ask especially when we're having to Victory Mooney £65-75 plus travel expenses. awkward questions, sees the turn down many urgent claims revealed by the Sherfield The delegates to be sent will all conference as an attempt by Miss from clubs and societies for more Mole Page 10 be from IC Union Council and Lewis to increase the already money'. No. 658 FELIX, 18 November, 1983 Free! neither are little personal digs at people who have criticised you. What happened? Did the flabby RSMU Rants pansy threaten to sue you or something? Moving onto pastures new, Dear Sit- why don't we have a few digs at As a member of RSMU 1 that paragon of cock-ups—the would like to set the record College administration and straight. As a union we are other bureaucrats. For instance getting extremely fed up with what was the real point of other groups at IC perpetuating building all that parking con- the image they think we should trol rubbish? They haven't have and promoting this trave- actually saved any money by esty with their propaganda Creepy getting rid of any labour so it campaigns. Spineless and was rather pointless to blow all : RSMU is an organisation letter that money (£10,000, £15,000 with no political leanings and without teeth whatever). Dear Pallab feels that a great deal of ICU Dear Pallab Why did they hire all that I would like to start vicious/ timers being wasted on political I just want to say how Meccano to go round Elec Eng delicious rumours about the issues which could be far better sickened I am that despite and then leave it for six weeks, reforming of the IC Social used on matters of direct having a Union that resembles a building up a massive hire Democratic Society. We offer concern to students; after all, kipper—yellow, two-faced, charge? I'll tell you: it was no pregnant secretaries, Welsh that's what the Union is for. As spineless and without teeth— specially done so that the frogs, just nice letters to Pallab a Union we don't try to impress people still can't be bothered to workmen could come in on (is that creepy enough?). our views on others, so we don't get off their bums to go to Monday 3 October and cause see why others should try to UGMs. Seriously, we hope to pro- maximum noise and inconveni- force us to conform to their The block vote tactics used mote David Owen lookalikes in ence to a maximum number of values. There is no such thing as by the Miners make the voting a College, encourage Shirley people. Our caring Sherfield the 'Mines block vote', no mockery. The fact that vacant Williams hairdos and start building strikes again. attempt is made to coerce Union posts are not sufficiently intellectual discussion on SDP Why not dig a little and people into voting for a parti- advertised makes the elections a policies—the latter will be the justify your election? cular viewpoint at UGMs but mockery. The fact that ICU easiest (and then, perhaps not). Yours faithfully what I will say is enough people sabbaticals can get away with Rumours commence, may Simon Curling care about their Union to want doing bugger all makes the claret be served. to preserve its individuality and Union a mockery and an insult Yours (The scaffolding has already cost freedom of expression. to the student body, although Conine Lander the College £700,000. There will most students don't seem to Maths 1 be a full expose soon. The full facts Finally I would like to voice mind this. are not dug up over night. -Ed) my disgust with the manner in PS: We (I) require a tall, dark, which the 'antipornography' I must admit that Ents are handsome experienced secre- vote was carried out. The usually good, particularly tary. Academic matter was handled so ineptly even* organised by the CCUs, and the meeting had degener- but ICU's laudable claim to be Affairs non-political seems to stretch to ated into such a shambles that I Dear Pallab student politics and student do not see how a fair account What Election We must confess to being representation. We need good could be obtained from the astounded by the revelation in paper ballot. representation if we are to avoid Promises? the last edition of FELIX that being trampled all over and we Yours etc the Academic Affairs Commit- need more students at UGMs to Sir Alison B Mew tee is one that 'nobody ever stop them from being fiascos What happened to the witty, and to lend weight to any cutting, satirical, invective- attends'. motions passed. laden style of editorship that This is yet another incidence A tit you promised us back at Easter? of the factual inaccuracy in Please come along to the next reporting which we have come UGM, at the very least you'll Without doubt you started off to expect from FELIX. We get a chance to make a paper on the right foot with an expose writes suggest that in future, should aeroplane. of that arrogant windbag in Student Services; what has FELIX wish to comment con- Dear Pallab Love and Kisses happened since? Headlines on structively on the workings of I was appalled to read in the J O'Shea pigeons and issues devoted the Union that reporters should UGM report in Friday's EE1 almost entirely to careers, get off their arses and venture FELIX that Neil Stewart worthy though they may be, are out of the FELIX Office into literally wiped the floor with the hardly your supposed style. the real world other speakers. Is it really Editorials on the Moonies, necessary for the NUS Presi- (Up) Yours NUS etc aren't very original, dent to use such violent means The Bad J J Claydon and J S Boucher to gain his ends? Secondly, I note that your front page headline proclaims a Guy 'Caption Competion' (sic).
Load more

Recommended publications
  • Text Pages Layout MCBEAN.Indd
    Introduction The great photographer Angus McBean has stage performers of this era an enduring power been celebrated over the past fifty years chiefly that carried far beyond the confines of their for his romantic portraiture and playful use of playhouses. surrealism. There is some reason. He iconised Certainly, in a single session with a Yankee Vivien Leigh fully three years before she became Cleopatra in 1945, he transformed the image of Scarlett O’Hara and his most breathtaking image Stratford overnight, conjuring from the Prospero’s was adapted for her first appearance in Gone cell of his small Covent Garden studio the dazzle with the Wind. He lit the touchpaper for Audrey of the West End into the West Midlands. (It is Hepburn’s career when he picked her out of a significant that the then Shakespeare Memorial chorus line and half-buried her in a fake desert Theatre began transferring its productions to advertise sun-lotion. Moreover he so pleased to London shortly afterwards.) In succeeding The Beatles when they came to his studio that seasons, acknowledged since as the Stratford he went on to immortalise them on their first stage’s ‘renaissance’, his black-and-white magic LP cover as four mop-top gods smiling down continued to endow this rebirth with a glamour from a glass Olympus that was actually just a that was crucial in its further rise to not just stairwell in Soho. national but international pre-eminence. However, McBean (the name is pronounced Even as his photographs were created, to rhyme with thane) also revolutionised British McBean’s Shakespeare became ubiquitous.
    [Show full text]
  • Christopher Plummer
    Christopher Plummer "An actor should be a mystery," Christopher Plummer Introduction ........................................................................................ 3 Biography ................................................................................................................................. 4 Christopher Plummer and Elaine Taylor ............................................................................. 18 Christopher Plummer quotes ............................................................................................... 20 Filmography ........................................................................................................................... 32 Theatre .................................................................................................................................... 72 Christopher Plummer playing Shakespeare ....................................................................... 84 Awards and Honors ............................................................................................................... 95 Christopher Plummer Introduction Christopher Plummer, CC (born December 13, 1929) is a Canadian theatre, film and television actor and writer of his memoir In "Spite of Myself" (2008) In a career that spans over five decades and includes substantial roles in film, television, and theatre, Plummer is perhaps best known for the role of Captain Georg von Trapp in The Sound of Music. His most recent film roles include the Disney–Pixar 2009 film Up as Charles Muntz,
    [Show full text]
  • Frank Grace – Interview Transcript
    THEATRE ARCHIVE PROJECT http://sounds.bl.uk Frank Grace – interview transcript Interviewer: Clare Brewer 8 December 2008 Theatre goer. Anna Lucasta; Windsor Rep; The Gioconda Smile; September Tide; The Second Mrs Tanqueray; Oklahoma; Annie Get your Gun; Shakespeare; The Old Vic; Peter Brook; Olivier; Amateur Theatre; Woolford; Look back In Anger; Encore; Theatre Cruelty; Roots; Tis Pity She’s a Whore; A View From the Bridge; Censorship; Theatre Clubs; The Bald Prima Donna; Oh What a Lovely War; Arthur Miller. This transcript has been edited by the interviewee and thus differs in places from the recording. CB: How did you first become interested in theatre? FG: I suppose through [act]ing at school, but in terms of any serious theatre going I suppose it goes back to the late 1940’s... interestingly enough, when I re-looked at the [programmes] that I have got, the first play that I saw [in] the West End was most unusual for the late 1940’s, it was a play called Anna Lucasta,an American play; what was unusual for the 1940s was that it was an all black cast. CB: Really… FG: And it was about a prostitute and my parents took me [laughs] and I think they must have been slightly worried because I was fourteen at the time and it was one of my first experiences. But that was not typical of the first sort of phase of my theatre-going between that moment in 1949 and about 1951 I suppose and [after where] something dramatic begins to happen, I think.
    [Show full text]
  • Public Space: the Management Dimension
    INVESTIGATING PUBLIC SPACE MANAGEMENT The north terrace of the square is a heavily used pedestrian thoroughfare. During the day the pervasive presence of street performers adds to the liveliness of the space (Figure 10.6). As the day turns to afternoon and to evening and night the ambience becomes far more alcohol-based as drinks can be seen and smelt all over the square. By late night the area has built up to a raucous feel, which, on occasions, becomes unpleasant and intimidating. The gardens in the centre of the square are typical of London’s 10.6 Portrait artists in Leicester Square Georgian squares today, in that the layout of the square is community- and civil-minded with many benches and low walls for sitting on. Further symbolism is added through the two statues and four busts in the gardens. The Victorian and typically British elements are the grass, tall trees, flowerbeds and serpentine paths, all enclosed by iron railings. The architecture of the surrounding buildings speaks little of the rich history of Leicester Square for, like the gardens, it dates only as far back as the late nineteenth century. Cinema replaced theatre as the main form of entertainment in the 1930s, and still features prominently around the square. The square is dominated by the 1930s art deco Odeon Leicester Square on the east side, and more recently the Alhambra Theatre. On the north side there is the Empire Theatre, which was one of the first cinemas in London in 1896. On the south side is the Odeon West End, dating from the 1920s.
    [Show full text]
  • SHIRCORE Jenny
    McKinney Macartney Management Ltd JENNY SHIRCORE - Make-Up and Hair Designer 2003 Women in Film Award for Best Technical Achievement Member of The Academy of Motion Picture Arts & Sciences THE DIG Director: Simon Stone. Producers: Murray Ferguson, Gabrielle Tana and Ellie Wood. Starring: Lily James, Ralph Fiennes and Carey Mulligan. BBC Films. BAFTA Nomination 2021 - Best Make-Up & Hair KINGSMAN: THE GREAT GAME Director: Matthew Vaughn. Producer: Matthew Vaughn. Starring: Ralph Fiennes and Tom Holland. Marv Films / Twentieth Century Fox. THE AERONAUTS Director: Tom Harper. Producers: Tom Harper, David Hoberman and Todd Lieberman. Starring: Felicity Jones and Eddie Redmayne. Amazon Studios. MARY QUEEN OF SCOTS Director: Josie Rourke. Producers: Tim Bevan, Eric Fellner and Debra Hayward. Starring: Margot Robbie, Saoirse Ronan and Joe Alwyn. Focus Features / Working Title Films. Academy Award Nomination 2019 - Best Make-Up & Hairstyling BAFTA Nomination 2019 - Best Make-Up & Hair THE NUTCRACKER & THE FOUR REALMS Director: Lasse Hallström. Producers: Mark Gordon, Larry J. Franco and Lindy Goldstein. Starring: Keira Knightley, Morgan Freeman, Helen Mirren and Misty Copeland. The Walt Disney Studios / The Mark Gordon Company. WILL Director: Shekhar Kapur. Exec. Producers: Alison Owen and Debra Hayward. Starring: Laurie Davidson, Colm Meaney and Mattias Inwood. TNT / Ninth Floor UK Productions. Gable House, 18 – 24 Turnham Green Terrace, London W4 1QP Tel: 020 8995 4747 E-mail: [email protected] www.mckinneymacartney.com VAT Reg. No: 685 1851 06 JENNY SHIRCORE Contd … 2 BEAUTY & THE BEAST Director: Bill Condon. Producers: Don Hahn, David Hoberman and Todd Lieberman. Starring: Emma Watson, Dan Stevens, Emma Thompson and Ian McKellen. Disney / Mandeville Films.
    [Show full text]
  • Quentin Tarantino Retro
    ISSUE 59 AFI SILVER THEATRE AND CULTURAL CENTER FEBRUARY 1– APRIL 18, 2013 ISSUE 60 Reel Estate: The American Home on Film Loretta Young Centennial Environmental Film Festival in the Nation's Capital New African Films Festival Korean Film Festival DC Mr. & Mrs. Hitchcock Screen Valentines: Great Movie Romances Howard Hawks, Part 1 QUENTIN TARANTINO RETRO The Roots of Django AFI.com/Silver Contents Howard Hawks, Part 1 Howard Hawks, Part 1 ..............................2 February 1—April 18 Screen Valentines: Great Movie Romances ...5 Howard Hawks was one of Hollywood’s most consistently entertaining directors, and one of Quentin Tarantino Retro .............................6 the most versatile, directing exemplary comedies, melodramas, war pictures, gangster films, The Roots of Django ...................................7 films noir, Westerns, sci-fi thrillers and musicals, with several being landmark films in their genre. Reel Estate: The American Home on Film .....8 Korean Film Festival DC ............................9 Hawks never won an Oscar—in fact, he was nominated only once, as Best Director for 1941’s SERGEANT YORK (both he and Orson Welles lost to John Ford that year)—but his Mr. and Mrs. Hitchcock ..........................10 critical stature grew over the 1960s and '70s, even as his career was winding down, and in 1975 the Academy awarded him an honorary Oscar, declaring Hawks “a giant of the Environmental Film Festival ....................11 American cinema whose pictures, taken as a whole, represent one of the most consistent, Loretta Young Centennial .......................12 vivid and varied bodies of work in world cinema.” Howard Hawks, Part 2 continues in April. Special Engagements ....................13, 14 Courtesy of Everett Collection Calendar ...............................................15 “I consider Howard Hawks to be the greatest American director.
    [Show full text]
  • Vimeo Link for ALL of Bruce Jackson's and Diane
    Virtual March 23, 2021 (42:8) Peter Medak: THE RULING CLASS (1972, 154 min) Spelling and Style—use of italics, quotation marks or nothing at all for titles, e.g.—follows the form of the sources. Cast and crew name hyperlinks connect to the individuals’ Wikipedia entries Vimeo link for ALL of Bruce Jackson’s and Diane Christian’s film introductions and post-film discussions in the virtual BFS Vimeo link for our introduction to The Ruling Class Zoom link for all Spring 2021 BFS Tuesday 7:00 PM post-screening discussions: Meeting ID: 925 3527 4384 Passcode: 820766 Director Peter Medak Writing Peter Barnes wrote the screenplay adaption from his original play. Producers Jules Buck and Jack Hawkins Music John Cameron Cinematography Ken Hodges Editing Ray Lovejoy Carolyn Seymour....Grace Shelley The film was nominated for Best Actor in a Leading Peter Medak (23 December 1937, Budapest). From Role for Peter O’Toole at the 1973 Academy Awards The Film Encyclopedia, 4th Edition. Ephraim Katz and for the Palme d’Or at the 1972 Cannes Film (revised by Fred Klein & Ronald Dean Nolen). Harper Festival. 2001 NY: “Born Dec. 23, 1937, in Budapest. Escaping Hungary following the crushing of the 1956 Cast uprising, he entered the British film industry that same Peter O'Toole.... Jack Arnold Alexander Tancred year as a trainee at AB-Pathe. Following a long Gurney, 14th Earl of Gurney apprenticeship in the sound, editing, and camera Alastair Sim....Bishop Lampton departments, he became an assistant director, then a Arthur Lowe....Daniel Tucker second-unit director on action pictures.
    [Show full text]
  • Copertina Rev01.Tif
    IL CINEMA DIGITALE NEL MONDO NEL 2006 DIGITAL CINEMA WORLDWIDE IN 2006 LE CINÉMA NUMÉRIQUE DANS LE MONDE EN 2006 EL CINE DIGITAL EN EL MUNDO EN 2006 269 270 Annuario Statistico del Cinema Europeo • European Cinema Yearbook • Les Chiffres Clefs du Cinéma Européen • Anuario Estadístico del Cine Europeo I cinema digitali (al dicembre 2006) Digital cinemas (as at December 2006) Les cinémas numériques (en décembre 2006) 1) E: Esercente - Exhibitor - Exploitant - Exhibidor Los cines digitales (hasta diciembre de 2006) Paese Complesso Città Società Schermi Tecnologia Proiettore Proprietario del proiettore Modello proiettore Risoluzione proiettore Server Country Site Town Company Screens Technology Projector Projector’s owner 1 Projector's type Projector's resolution Server Pays Etablissement Ville Société Écrans Technologie Projecteur Propriétaire du projecteur Modèle du projecteur Résolution du projecteu Serveur País Complejo Ciudad Sociedad Pantallas Tecnología Proyector Propietario del proyector Modelo del proyector Resolución del proyector Servidor A Cineplexx Graz Graz Cineplexx 2 DLP Cinema Christie . CP2000 Series 2K XDC A Cineplexx Hohenems Hohenems Cineplexx 1 DLP Cinema Barco DP100 2K XDC A Metropol Kino Innsbruck Innsbruck Ferdinand Purner Lichtspiele 2 DLP Cinema Christie . CP2000 Series 2K XDC A Cineplexx Innsbruck Innsbruck Cineplexx 1 DLP Cinema Barco . DP100 2K XDC A Cineplexx Linz Linz Cineplexx 2 DLP Cinema Barco . DP100 2K XDC A Hollywood Megaplex Pasching Kinobetriebs GMBH 2 DLP Cinema Christie . CP2000 Series 2K XDC A Star Movie Regau Regau Star Movie Betriebs GmbH 2 DLP Cinema Christie CP2000 Series 2K XDC A Cineplexx Airport Salzburg Wals Himmelreich Cineplexx 1 DLP Cinema Barco . DP100 2K XDC A Cineplexx Wienerberg Wien Cineplexx 2 DLP Cinema Barco .
    [Show full text]
  • Diaghilev and London
    Diaghilev and London, A Talk by Graham Bennett, Crouch End and District U3A member We are not exactly the best of friends with Russia these days - But just over a century ago, Russia exported something that actually transformed the cultural life of London. This talk is about a quite extraordinary Russian Impresario and two equally extraordinary women who were part of his project The project was a Russian Dance Company that created a revolution in the world of dance, and London was to play a big part in its success. This company is the Ballet Russes. The impresario is Serge Diaghilev, born in 1872 in Perm in deepest Russia, who would create the Ballet Russes. Lydia Lopokova from St Petersburg, born in 1892, one of Diaghilev's star ballerinas. And last but not least, our very own Hilda Munnings from Wanstead in East London, born in 1896. Also to become a vitally important member of the company The story starts in St Petersburg in 1901, the heart of the Russian Empire, at the famous Mariinsky Theatre. Their choreographer Marius Petipa and composer Tchaikovsky had already created masterpieces such as The Sleeping Beauty, The Nutcracker and Swan Lake. These are such familiar names to us today but they were virtually unknown outside Russia at that time. Over in England we were still having a jolly knees up and sing-along at the Music Hall and even in France, ballet had degenerated to a pale shadow of its former glory. In 1901, Lydia Lopokova, just 9 years old, auditioned for a place at the prestigious Imperial Theatre School in St Petersburg.
    [Show full text]
  • Inventing Television: Transnational Networks of Co-Operation and Rivalry, 1870-1936
    Inventing Television: Transnational Networks of Co-operation and Rivalry, 1870-1936 A thesis submitted to the University of Manchester for the degree of Doctor of Philosophy In the faculty of Life Sciences 2011 Paul Marshall Table of contents List of figures .............................................................................................................. 7 Chapter 2 .............................................................................................................. 7 Chapter 3 .............................................................................................................. 7 Chapter 4 .............................................................................................................. 8 Chapter 5 .............................................................................................................. 8 Chapter 6 .............................................................................................................. 9 List of tables ................................................................................................................ 9 Chapter 1 .............................................................................................................. 9 Chapter 2 .............................................................................................................. 9 Chapter 6 .............................................................................................................. 9 Abstract ....................................................................................................................
    [Show full text]
  • Events Promo – September, October and November 2017 T&Cs 1
    Events Promo – September, October and November 2017 T&Cs 1. Offer entitles you to either: a. two free standard 2D cinema passes (further details below) where the venue hire value of your booking is between £1000 and £4999 (excluding VAT); OR b. a free private screening for up to 50 guests in London (within M25) or up to 100 guests outside of London (outside of M25) (further details below) where the venue hire value of your booking is £5000 (excluding VAT) or over; when you book a conference with ODEON taking place in September, October or November 2017. 2. Offer valid for new bookings only. 3. Offer is only valid on conferences that take place between 1 September 2017 and 30 November 2017 (inclusive). 4. You can enquire by calling the ODEON Events Team on 0207 766 1895 or via the online enquiry form at www.odeon.co.uk/fanatic/conferencing-and-events/. Once your booking has been confirmed, you can contact the ODEON Events Team (as above) to redeem the offer. Bookings are confirmed once the ODEON Event Hire Contract has been countersigned and received by ODEON. 5. Conference hire is subject to availability and any other relevant standard terms may apply. 6. Offer is subject to availability. 7. Offer may be withdrawn at any time. 8. Promoter: Odeon Cinemas Limited, St Albans House 57-59 Haymarket, London, SW1Y 4QX. 9. Terms for two free standard 2D cinema passes (venue hire value between £1000 and £4999 excl. VAT): a. You will receive two standard adult passes to watch a 2D film showing at any ODEON Cinemas in the UK, excluding BFI IMAX and The Lounge at ODEON Whiteleys.
    [Show full text]
  • Femalemasculi Ni Ty
    FEMALE MASCULINITY © 1998 Duke University Press All rights reserved Printed in the United States of America on acid-free paper oo Designed by Amy Ruth Buchanan Frontispiece: Sadie Lee, Raging Bull (1994) Typeset in Scala by Tseng Information Systems, Inc. Library of Congress Cataloging-in-Publication Data appear on the last printed page of this book. FOR GAYAT RI CONTENTS Illustrations ix Preface xi 1 An Introduction to Female Masculinity: Masculinity without Men r 2 Perverse Presentism: The Androgyne, the Tribade, the Female Husband, and Other Pre-Twentieth-Century Genders 45 3 "A Writer of Misfits": John Radclyffe Hall and the Discourse of Inversion 7 5 4 Lesbian Masculinity: Even Stone Butches Get the Blues nr 5 Transgender Butch: Butch/FTM Border Wars and the Masculine Continuum 141 6 Looking Butch: A Rough Guide to Butches on Film 175 7 Drag Kings: Masculinity and Performance 231 viii · Contents 8 Raging Bull (Dyke): New Masculinities 267 Notes 279 Bibliography 307 Filmography 319 Index 323 IL LUSTRATIONS 1 Julie Harris as Frankie Addams and Ethel Waters as Bernice in The Member of the Wedding (1953) 7 2 Queen Latifahas Cleo in Set It Off(19 97) 30 3 Drag king Mo B. Dick 31 4 Peggy Shaw's publicity poster (1995) 31 5 "Ingin," fromthe series "Being and Having," by Catherine Opie (1991) 32 6 "Whitey," fromthe series "Being and Having," by Catherine Opie (1991) 33 7 "Mike and Sky," by Catherine Opie (1993) 34 8 "Jack's Back II," by Del Grace (1994) 36 9 "Jackie II," by Del Grace (1994) 37 10 "Dyke," by Catherine Opie (1992) 39 11 "Self-
    [Show full text]