Copertina Rev01.Tif

Total Page:16

File Type:pdf, Size:1020Kb

Copertina Rev01.Tif IL CINEMA DIGITALE NEL MONDO NEL 2006 DIGITAL CINEMA WORLDWIDE IN 2006 LE CINÉMA NUMÉRIQUE DANS LE MONDE EN 2006 EL CINE DIGITAL EN EL MUNDO EN 2006 269 270 Annuario Statistico del Cinema Europeo • European Cinema Yearbook • Les Chiffres Clefs du Cinéma Européen • Anuario Estadístico del Cine Europeo I cinema digitali (al dicembre 2006) Digital cinemas (as at December 2006) Les cinémas numériques (en décembre 2006) 1) E: Esercente - Exhibitor - Exploitant - Exhibidor Los cines digitales (hasta diciembre de 2006) Paese Complesso Città Società Schermi Tecnologia Proiettore Proprietario del proiettore Modello proiettore Risoluzione proiettore Server Country Site Town Company Screens Technology Projector Projector’s owner 1 Projector's type Projector's resolution Server Pays Etablissement Ville Société Écrans Technologie Projecteur Propriétaire du projecteur Modèle du projecteur Résolution du projecteu Serveur País Complejo Ciudad Sociedad Pantallas Tecnología Proyector Propietario del proyector Modelo del proyector Resolución del proyector Servidor A Cineplexx Graz Graz Cineplexx 2 DLP Cinema Christie . CP2000 Series 2K XDC A Cineplexx Hohenems Hohenems Cineplexx 1 DLP Cinema Barco DP100 2K XDC A Metropol Kino Innsbruck Innsbruck Ferdinand Purner Lichtspiele 2 DLP Cinema Christie . CP2000 Series 2K XDC A Cineplexx Innsbruck Innsbruck Cineplexx 1 DLP Cinema Barco . DP100 2K XDC A Cineplexx Linz Linz Cineplexx 2 DLP Cinema Barco . DP100 2K XDC A Hollywood Megaplex Pasching Kinobetriebs GMBH 2 DLP Cinema Christie . CP2000 Series 2K XDC A Star Movie Regau Regau Star Movie Betriebs GmbH 2 DLP Cinema Christie CP2000 Series 2K XDC A Cineplexx Airport Salzburg Wals Himmelreich Cineplexx 1 DLP Cinema Barco . DP100 2K XDC A Cineplexx Wienerberg Wien Cineplexx 2 DLP Cinema Barco . DP100 2K XDC A Cineplexx Palace Wien Cineplexx 2 DLP Cinema Barco . DP100 2K XDC A Apollo - Das Kino Wien Cineplexx 1 DLP Cinema Barco . DP100 2K XDC AU Hawtrorne Cineplex Brisbane Cineplex Australia 1 DLP Cinema Christie E CP 2000 2K Dolby AU Belconnen Canberra HOYTS 1 DLP Cinema Christie CP2000 AU Australia Centre for the Moving Image Melbourne STATE OF VICTORIA 1 DLP Cinema Christie E DCP Series 1.3K AU Northland Melbourne HOYTS 1 DLP Cinema Christie CP2000 AU Carousel Perth HOYTS 1 DLP Cinema Christie CP2000 AU Hoyts George Street Complex Sydney HOYTS 1 DLP Cinema Christie E DCP Series 1.3K Avica AU Hoyts Fox Multiplex Sydney HOYTS 1 DLP Cinema Christie DCP Series Avica AU Hoyts Penrith Sydney HOYTS 1 DLP Cinema Christie DCP Series B Metropolis Antwerpen Antwerpen KINEPOLIS 4 DLP Cinema Barco E DP100 2K Dolby B Kinepolis Braine Braine KINEPOLIS 1 DLP Cinema Barco E DP100 2K Dolby B Kinepolis Brugge Brugge KINEPOLIS 2 DLP Cinema Barco E DP100 2K Dolby B Kinepolis Brussels Brussels KINEPOLIS 4 DLP Cinema Barco E DP100 2K Dolby B Euroscoop Genk Genk EUROSCOOP 1 DLP Cinema Barco . DP100 2K XDC B Kinepolis Gent Gent KINEPOLIS 3 DLP Cinema Barco E DP100 2K Dolby B Kinepolis Hasselt Hasselt KINEPOLIS 2 DLP Cinema Barco E DP100 2K Dolby B Kinepolis Kortrijk Kortrijk KINEPOLIS 3 DLP Cinema Barco E DP100 2K Dolby MEDIA Salles • 2006 edition 271 Annuario Statistico del Cinema Europeo • European Cinema Yearbook • Les Chiffres Clefs du Cinéma Européen • Anuario Estadístico del Cine Europeo Paese Complesso Città Società Schermi Tecnologia Proiettore Proprietario del proiettore Modello proiettore Risoluzione proiettore Server Country Site Town Company Screens Technology Projector Projector’s owner Projector's type Projector's resolution Server Pays Etablissement Ville Société Écrans Technologie Projecteur Propriétaire du projecteur Modèle du projecteur Résolution du projecteu Serveur País Complejo Ciudad Sociedad Pantallas Tecnología Proyector Propietario del proyector Modelo del proyector Resolución del proyector Servidor B Kinepolis Leuven Leuven KINEPOLIS 1 DLP Cinema Barco E DP100 2K Dolby B Kinepolis Liège Liège KINEPOLIS 1 DLP Cinema Barco E DP100 2K Dolby B Kinepolis Luik Luik KINEPOLIS 1 DLP Cinema Barco DP100 2K XDC B Utopolis Mechelen UTOPIA GROUP 4 DLP Cinema Barco XDC DP100/DP90 2K XDC B Imagix Mons IMAGIX 2 DLP Cinema Cinemeccanica E CMC D2 2K Dolby B Cityscoop Roselare CITYSCOOP 1 DLP Cinema Barco E DP100 2K XDC B Imagix Tournai IMAGIX 1 DLP Cinema Cinemeccanica E CMC D2 2K Dolby B Utopolis Turnhout UTOPIA GROUP 4 DLP Cinema Barco XDC DP100 2K XDC BG Kino Arena Zapad Sofia ALEXANDRA GROUP HOLDING 2 DLP Cinema Christie CP2000 Series 2K Dolby BG Kino Arena Mladost Sofia KINO ARENA EOOD 2 DLP Cinema Christie CP2000 Series 2K Dolby BR Cine Intelig Telecom Academia Theatre Brazilia CINE-ACADEMIA 1 DLP Cinema Barco TELEIMAGE . EVS BR Kinoplex Dom Pedro Campinas CINEMAS SEVERIANO RIBEIRO 1 DLP Cinema Christie TELEIMAGE DCP Series 1.3K EVS BR UCI Shopping Estação Curitiba UCI 1 DLP Cinema Christie TELEIMAGE DCP Series 1.3K EVS BR Cine São Luiz Rio de Janeiro CINEMAS SEVERIANO RIBEIRO 1 DLP Cinema Christie TELEIMAGE DCP Series 1.3K EVS BR UCI New York City Center Rio de Janeiro UCI 1 DLP Cinema Christie TELEIMAGE DCP Series 1.3K EVS BR Kinoplex São Paulo CINEMAS SEVERIANO RIBEIRO 1 DLP Cinema Barco TELEIMAGE DP50 1.3K XDC BR Ribeiro Brascan São Paulo CINEMAS SEVERIANO RIBEIRO 1 DLP Cinema Christie DCP Series 1.3K XDC BR Casa Blanca São Paulo 1 DLP Cinema Christie TELEIMAGE DCP Series 1.3K XDC BR Jardim Sul São Paulo 2 DLP Cinema Christie/Barco TELEIMAGE DCP Series/DP30 1.3K EVS BR São Paulo 2 DLP Cinema Christie CP2000 CA Galaxy Theatre 2 Cambridge, Ontario GALAXY 1 DLP Cinema Christie E DCP Series 1.3K Avica CA Galaxy Silver City 10 Mississauga, Ontario GALAXY 1 DLP Cinema Christie E CP2000 Series 2K Dolby CA AMC 22 Cinemas a Le Forum Montreal, Quebec AMC 1 DLP Cinema Christie E DCP Series 1.3K Avica/QuVIS CA Montreal, Quebec Ex-Centris 2 DLP Cinema Christie CP 2000 Series/DCP CA Famous Players Paramount Montreal, Quebec FAMOUS PLAYERS 1 DLP Cinema Christie E DCP Series 1.3K Avica/QuVIS CA Silver City Montreal, Quebec Cineplex Entertainment 1 DLP Cinema Christie DCP Series CA AMC Winston Churchill Theatre 5 Oakville AMC 1 DLP Cinema Christie E DCP Series 1.3K Avica/QuVIS CA Colossus Woodbridge Vaughan GALAXY 1 DLP Cinema Christie 2K Dolby CA Galaxy Theatres at Conestoga Mall Waterloo, Ontario GALAXY 1 DLP Cinema Christie E CP2000 Series 2K Avica/QuVIS CA Colossus Woobridge, Ontario FAMOUS PLAYERS 2 DLP Cinema Christie E DCP Series/CP2000 1.3K/2K Avica/QuVIS Series CH Cinedome Abtwil Cinesca AG 1 DLP Cinema Christie CP2000 Series 2K XDC CH Kuchlin 1 Basel Walck Kinobetriebe AG 1 DLP Cinema Christie CP2000 Series 2K XDC CH Plaza Basel Walck Kinobetriebe AG 1 DLP Cinema Christie CP2000 Series 2K XDC CH Kino ABC Bülach MaM Movies and More GmbH 1 DLP Cinema Christie E CP2000 Series 2K XDC CH Bambi Bülach MaM Movies and More GmbH 1 DLP Cinema Barco DP90 2K XDC MEDIA Salles • 2006 edition 272 Annuario Statistico del Cinema Europeo • European Cinema Yearbook • Les Chiffres Clefs du Cinéma Européen • Anuario Estadístico del Cine Europeo Paese Complesso Città Società Schermi Tecnologia Proiettore Proprietario del proiettore Modello proiettore Risoluzione proiettore Server Country Site Town Company Screens Technology Projector Projector’s owner Projector's type Projector's resolution Server Pays Etablissement Ville Société Écrans Technologie Projecteur Propriétaire du projecteur Modèle du projecteur Résolution du projecteu Serveur País Complejo Ciudad Sociedad Pantallas Tecnología Proyector Propietario del proyector Modelo del proyector Resolución del proyector Servidor CH Pathé Dietlikon Dietiklon, Zürich EUROPALACES 1 DLP Cinema Barco DP100 2K XDC CH Europlex 1 Genève Europlex Cinemas 1 DLP Cinema Christie CP2000 Series 2K GDC CH Kino Rio Wetzikon Rüti Scaramanga Median GmbH 1 DLP Cinema Barco E DP90 2K XDC CH Kino Roxy Signau Kino Roxy 1 DLP Cinema Christie CP2000 2K XDC CH Kino Palace Wetzikon Lichtspiele AG 2 DLP Cinema Barco E DP90 2K XDC CH Kino Metropol Zürich Kino Metropol 1 DLP Cinema Christie CP2000 Series 2K XDC/GDC CH Abaton Zürich Cinema AG 1 DLP Cinema Christie E CP2000 Series 2K XDC CH Multiplex Cinema Zürich Zürich Formesco Cinemax 1 DLP Cinema Christie E CP2000 Series 2K XDC CN Beijing Chang Hong Cinema Beijing CHINA FILM GROUP 1 DLP Cinema Barco E DP100 2K . CN Beijing Dahua Cinema Beijing CHINA FILM GROUP 1 DLP Cinema Barco E DP50 1.3K EVS/QuVIS CN Beijing Purple Light Movie Beijing CHINA FILM GROUP 1 DLP Cinema Christie E DCP Series CN Beijing Star City Cinema Beijing CHINA FILM GROUP 1 DLP Cinema Barco DP100 2K . CN Beijing Theater Beijing CHINA FILM GROUP 1 DLP Cinema Christie E DCP Series 1.3K EVS/QuVIS CN Beijing Xidan Culture Plaza Beijing CHINA FILM GROUP 1 DLP Cinema Christie E DCP Series CN Beijing Youth Palace Cinema Beijing CHINA FILM GROUP 1 DLP Cinema Barco E DP50 1.3K EVS/QuVIS CN Beijing Zi Guang Cinema City Beijing CHINA FILM GROUP 1 DLP Cinema Christie E DCP Series 1.3K GDC CN Capital Time Square Cinema City Beijing CHINA FILM GROUP 1 DLP Cinema Barco E DP50 1.3K Avica CN China Film Group Grand Cinema Beijing CHINA FILM GROUP 1 DLP Cinema Barco E DP100 2K GDC CN China Film Heng Le New Century Cinema Beijing CHINA FILM GROUP 1 DLP Cinema Christie E DCP Series 1.3K GDC City CN China Film Theater Beijing CHINA FILM GROUP 1 DLP Cinema Christie E CP2000 Series 2K EVS/QuVIS CN China National Film Museum Beijing CHINA FILM GROUP 1 DLP Cinema Barco E DP100 2K CN Dong Huan Cinema City Beijing CHINA FILM GROUP 1 DLP Cinema Barco E DP50 1.3K Avica CN Hua Xing (China Star) Theater Beijing CHINA FILM GROUP 1 DLP Cinema Barco E DP100 2K Avica CN Quingniangong Cinema Beijing CHINA FILM GROUP 1 DLP Cinema Barco E DP50 1.3K EVS CN Show Max Cinema Beijing YUN BAI GROUP 1 DLP Cinema Christie E DCP Series 1.3K EVS CN Stellar CGV International Cineplex Beijing STELLAR MEGAMEDIA CORP.
Recommended publications
  • View Annual Report
    UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM 10-K È ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the fiscal year ended December 30, 2010 or ‘ TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the transition period from to Commission file number: 001-33296 NATIONAL CINEMEDIA, INC. (Exact name of registrant as specified in its charter) Delaware 20-5665602 (State or other jurisdiction of (I.R.S. Employer incorporation or organization) Identification No.) 9110 East Nichols Avenue, Suite 200 Centennial, Colorado 80112-3405 (Address of principal executive offices) (Zip Code) Registrant’s telephone number, including area code: (303) 792-3600 Securities registered pursuant to Section 12(b) of the Act: Common Stock, par value $0.01 per share The NASDAQ Stock Market LLC (Title of each class) (Name of each exchange on which registered) Securities registered pursuant to Section 12(g) of the Act: None Indicate by check mark if the registrant is a well-known seasoned issuer, as defined in Rule 405 of the Securities Act. Yes ‘ No Í Indicate by check mark if the registrant is not required to file reports pursuant to Section 13 or Section 15(d) of the Act. Yes ‘ No Í Indicate by check mark whether the registrant (1) has filed all reports required to be filed by Section 13 or 15(d) of the Securities Exchange Act of 1934 during the preceding 12 months (or for such shorter period that the registrant was required to file such reports), and (2) has been subject to such filing requirements for the past 90 days.
    [Show full text]
  • Cbs V National Amusements Settlement Transcript
    Cbs V National Amusements Settlement Transcript Noam still computes inscrutably while brinded Jean refrain that Linnette. Seymour still calve succulently while tannic Thaddeus madrigal that salesgirls. Preconditioned Ave wail or corrugate some ado gloriously, however bandy Sid evanish showmanly or decolourized. Howlett stated that this is very purpose of the amusements transcript, how the federal purposes The national amusements said it ever dealt with cbs v national amusements settlement transcript whether particular? Senior role for the flying v national amusements, and its cover made this trek movie theaters operating at cbs filed in discovery has been required to set. See In re CBS Corp. Because there are you for everyone? What violate some overcome the biggest news items from each year of saying past decade? Recent legislation shouldbe interpreted as putting an service to the Cockerham test. Conduct of Attorneys in Civil Cases. So, if the entity giving the directions forgets to touch to board the bread out of dust bag, the person list the sandwich has become just spread garlic butter and jelly all crazy a plastic bag bachelor of bread. Research subjects has waived. Professor danks said, alternative way in discussing the recent merger by the movant established traditional basis that you anticipate the situation to take property where consent. Gmo ingredients are cbs amusements transcript among themselves rely on growth needs because of? The United States Supreme joy and this attitude long ago shiftedthe burden of proving the truth defense to thrill the plaintiff to summit the defamatory statementswere false leaving the statements were thus by a media defendant over going public concern.
    [Show full text]
  • SE17 International.Pdf
    WELCOME TO SHOWEAST! This is the official convention International Schedule of Events for ShowEast 2017. The schedule includes a listing of all events taking place for the duration of the convention at the Loews Miami Beach and the Regal South Beach Stadium 18, the Official Venue Partner of ShowEast 2017. Fully registered delegates will also receive an ACCESS PASS which allows delegates entry into all scheduled events. NOTE: Lost or stolen Access Passes will not be replaced and are non-transferable. IMPORTANT NOTICE Security continues to be a major initiative at all ShowEast screenings and product presentations. In order to maintain and protect the integrity of content presented at the convention, we kindly advise that the use of mobile phones or any other kind of photo or video recording device is strictly prohibited in the Regal South Beach Stadium 18 auditoriums. To further protect product being shown, we will have security personnel at each event utilizing night-vision goggles. Anyone caught using any type of recording device will have their Access Pass confiscated and will be escorted out of the auditorium. Due to increased security measures at screenings, large bags are subject to search upon arrival at the theatre. We urge those attending screenings to leave large bags in their hotel rooms. We appreciate your cooperation and understanding of this matter. We ask that none of the films screened or product featured are reviewed or commented on—regardless of good or bad. Please note, this includes speaking to members of the press, personal and professional blogs, social networking sites like Facebook, Snapchat, Instagram, LinkedIn, Twitter, or likewise.
    [Show full text]
  • In Re Viacom Inc Stockholders Litigation
    IN THE COURT OF CHANCERY OF THE STATE OF DELAWARE IN RE VIACOM INC. ) CONSOLIDATED STOCKHOLDERS LITIGATION ) C.A. No. 2019-0948-JRS MEMORANDUM OPINION Date Submitted: September 15, 2020 Date Decided: December 29, 2020 Corrected: December 30, 2020 Gregory V. Varallo, Esquire of Bernstein Litowitz Berger & Grossmann LLP, Wilmington, Delaware; Jeroen van Kwawegen, Esquire, Edward G. Timlin, Esquire, Andrew E. Blumberg, Esquire and Daniel E. Meyer, Esquire of Bernstein Litowitz Berger & Grossmann LLP, New York, New York, Attorneys for Lead Plaintiff California Public Employees’ Retirement System. Chad Johnson, Esquire, Noam Mandel, Esquire and Desiree Cummings, Esquire of Robbins Geller Rudman & Dowd LLP, New York, New York; Christopher H. Lyons, Esquire of Robbins Geller Rudman & Dowd LLP, Nashville, Tennessee, Attorneys for Additional Plaintiff Park Employees’ and Retirement Board Employees’ Annuity and Benefit Fund of Chicago. Francis A. Bottini, Jr., Esquire and Anne B. Beste, Esquire of Bottini & Bottini, Inc., La Jolla, California, Attorneys for Additional Plaintiff Louis M. Wilen. Matthew E. Fischer, Esquire, Michael A. Pittenger, Esquire, Christopher N. Kelly, Esquire, J. Matthew Belger, Esquire, Jacqueline A. Rogers, Esquire and Callan R. Jackson, Esquire of Potter Anderson & Corroon LLP, Wilmington, Delaware and Victor L. Hou, Esquire, Rahul Mukhi, Esquire and Mark E. McDonald, Esquire of Cleary Gottlieb Steen & Hamilton LLP, New York, New York, Attorneys for Defendants National Amusements, Inc., NAI Entertainment Holdings LLC, and Shari E. Redstone. Gregory P. Williams, Esquire, Blake Rohrbacher, Esquire and Kevin M. Regan, Esquire of Richards, Layton & Finger, P.A., Wilmington, Delaware and Robert H. Baron, Esquire, Gary A. Bornstein, Esquire and Rory A.
    [Show full text]
  • Cinema Seating
    Cinema Seating irwin seating company The Irwin Difference People, Products & Services For over 100 years, Irwin Seating Company’s sole focus has been on meeting our customers’ needs for public seating solutions. We achieve this through innovative design, by manufacturing the industry’s most durable products and by providing unmatched ser- vice before, during, and after the installation of a project. Everyone at Irwin Seating is focused on quality, continuous improvement and customer satisfaction. This commitment is what the Irwin Difference is all about and why we are the world’s leading sup- plier for theatre-style seating. Cinemark Theatres - Hayward, California We start by asking the right ques- tions and listening to our custom- ers’ needs to understand their requirements for a successful project. We provide engineering services for seating layouts and custom chair design to create unique solutions that help our customers with their distinct identities. We recognize the importance of long term value and understand seating must be reliable, easy to maintain, stylish, and com- fortable. This is accomplished through thorough engineering and comprehensive testing, the use of superior materials, includ- Century Theatres - Las Vegas, Nevada ing impact resistant plastics, seat lift mechanisms that are virtually maintenance free and fabrics that pass the industry’s most rigorous tests. Recognizing that value is achieved over time we provide unparalleled parts service to help you keep chairs in service. Talk with your Irwin Seating Company representative today and experi- ence the Irwin Difference. Marcus Theatres, Majestic Cinema - Brookfield, Wisconsin Right: Kerasotes Theatres, Roosevelt Collection - Chicago, Illinois Flip-Up Arm Platform Rocker Platform Available with: Available with: • fixed or articulating backs • all Signature back upholstery styles and 38”, 41” and 44” heights • all Signature back upholstery styles and 38”, 41” and 44” heights • all No.
    [Show full text]
  • Digital In-Theater Network in North America
    NCM's Cinema Advertising Network The Largest Digital In-Theater Network in North America National CineMedia (NCM)’s network is the largest digital in-theater network in North America. It allows for the targeted distribution of NCM’s FirstLook pre-show to over 45 leading national and regional theater circuit affiliates including AMC Entertainment Inc., Cinemark Holdings, Inc. and Regal Entertainment Group nationwide. NCM Network Statistics Over 1,600 theaters All of the top 50 U.S. markets Over 20,500 movie screens 187 U.S. Designated Market Areas® Over 8,500 3-D movie screens in nearly 1,500 48 states and the District of Columbia theaters Over 3,000 Lobby Entertainment Network 3 million+ seats (LEN) screens in nearly 1,500 theaters Reaches over 710 million moviegoers annually Movie Theaters NCM Founding Member Theater Circuits: AMC Entertainment Inc., Cinemark Holdings, Inc. and Regal Entertainment Group. NCM Affiliate Theater Circuits include: Atrium Stadium Cinemas, select B&B Theatres, Bow Tie Cinemas, Cinergy Entertainment Group, Inc., Cinetopia, Cobb Theatres, Coming Attractions Theatres, Inc., Fairchild Cinemas, Far Away Entertainment, Fox Theatres, Galaxy Theatres, LLC, Georgia Theatre Company, Goodrich Quality Theaters, High Sierra Theatres, Kerasotes ICON Theatres, King Theatres, L.A. LIVE, Celebration! Cinemas/Loeks, Main Street Theatre, Marquee Cinemas, MCIC / Linway Cinema, Megaplex Theatres, Metropolitan Theatres, MJR Digital Cinemas, Moviehouse & Eatery, Odyssey Entertainment, Inc., O’Neil Cinemas, Picture Show Theatres, R/C Theatres, Rosecrest Entertainment, Santikos Theatres, ShowBiz Cinemas, LLC, Sonora Entertainment Group/Cinema Latino, Southeast Cinemas, Star Cinema Grill, Texas Cinemas, United Entertainment Corp., VSS-Southern Theatres/Movie Tavern, Warren Theatres, WME Theatres, WPA / Goldenstar Theatres and Xscape Theatres/Alliance Management.
    [Show full text]
  • The Marcus Corporation Has Been Worked Day and Night to Get Us Through This Crisis, All While Resilient in the Face of Adversity
    While time will tell how historians write the story of 2020, it is 2020 version of drive-in movies during “Marcus Parking Lot safe to say the political, societal, economic and health challenges Cinemas” at select locations. As our theatres continued to of the past year are among the most acute of our time. For the reopen, the division recently launched “Marcus Private Cinema,” Marcus Corporation, there is no question that 2020 was the most allowing guests to reserve an entire auditorium for up to 20 challenging year in our history, with our movie theatres, hotels people, offering a safe, fun and stress-free social gathering and restaurants either closed or operating well below capacity opportunity. These are just two of the many creative ways in for much of the year because of the COVID-19 pandemic. which we continue to drive value for our guests despite the challenges of the past year. Despite the severity of this test, we reaffirmed the foundational strategies that guide how we run the company. We focus on As of the writing of this letter, nearly 70% of our theatres are our balance sheet and our majority owned real estate model. open and welcoming moviegoers back to the big screen. As Our team’s professionalism has served us well over our 85-year the major film studios begin to release the substantial backlog history, with 2020 being no different. of high-quality films, we believe the demand for out-of-home entertainment will increase. And when it does, our team and At the end of the fiscal year, our debt ratio was equal to or theatres are well positioned to welcome back even more lower than seven of the last 10 fiscal year-ends.
    [Show full text]
  • Executive Board Minutes
    EXECUTIVE BOARD MINUTES Tuesday, 29 September 2020 1:30 pm - 2:30 pm Eastern DRAFT Via Conference Call Board Member Participants: Other Participants: Chairman Ellis Jacob Mike Bowers Vice Chairman Rolando Rodriguez Steve Zuehlke Treasurer Joe Masher Secretary Jeff Logan Staff Participants: Adam Aron Esther Baruh Robert Bagby Jackie Brenneman, General Counsel Bo Chambliss Kathy Conroy Eddy Duquenne Patrick Corcoran Don Fox John Fithian Mooky Greidinger Mitch Neuhauser Dan Harkins Matt Pollock Chris Johnson J.D. Loeks Ron Krueger Joe Paletta John Vincent David Wright Mark Zoradi Chairman Ellis called the meeting to order to discuss the film release slate, opening/closing of theater markets, current state of federal programs and legislation, public messaging, the short and long term outlook, and the annual meetings of NATO. Ms. Brenneman provided a brief overview of the antitrust statement. Chairman Ellis and Mr. Fithian welcomed Don Fox on his election to the NATO Executive Board. Public Messaging: The Board agreed to reduce the CinemaSafe national campaign remaining $1.2 Million to $500,000 concentrating on the New York and Los Angeles markets instead. The remaining $700,000 will be used in late November as needed. Chairman Ellis noted there was no new business and the next meeting will be via Zoom on Wednesday, 7 October 2020 at 1:30 pm Eastern. It was moved and seconded to adjourn the meeting. A vote was taken and the meeting was adjourned. Page 1 EXECUTIVE BOARD MINUTES Tuesday, 22 September 2020 DRAFT 1:30 pm - 2:30 pm Eastern Via Conference Call Board Member Participants: Other Participants: Chairman Ellis Jacob Mike Bowers Vice Chairman Rolando Rodriguez Steve Zuehlke Treasurer Joe Masher Secretary Jeff Logan Staff Participants: Adam Aron Esther Baruh Robert Bagby Jackie Brenneman, General Counsel Bo Chambliss Kathy Conroy Eddy Duquenne Patrick Corcoran Mooky Greidinger John Fithian Dan Harkins Mitch Neuhauser Chris Johnson Matt Pollock J.D.
    [Show full text]
  • Public Space: the Management Dimension
    INVESTIGATING PUBLIC SPACE MANAGEMENT The north terrace of the square is a heavily used pedestrian thoroughfare. During the day the pervasive presence of street performers adds to the liveliness of the space (Figure 10.6). As the day turns to afternoon and to evening and night the ambience becomes far more alcohol-based as drinks can be seen and smelt all over the square. By late night the area has built up to a raucous feel, which, on occasions, becomes unpleasant and intimidating. The gardens in the centre of the square are typical of London’s 10.6 Portrait artists in Leicester Square Georgian squares today, in that the layout of the square is community- and civil-minded with many benches and low walls for sitting on. Further symbolism is added through the two statues and four busts in the gardens. The Victorian and typically British elements are the grass, tall trees, flowerbeds and serpentine paths, all enclosed by iron railings. The architecture of the surrounding buildings speaks little of the rich history of Leicester Square for, like the gardens, it dates only as far back as the late nineteenth century. Cinema replaced theatre as the main form of entertainment in the 1930s, and still features prominently around the square. The square is dominated by the 1930s art deco Odeon Leicester Square on the east side, and more recently the Alhambra Theatre. On the north side there is the Empire Theatre, which was one of the first cinemas in London in 1896. On the south side is the Odeon West End, dating from the 1920s.
    [Show full text]
  • 2017 Pioneer of the Year C H E R Y L B O O N E I S a A
    1947 ADOLPH ZUKOR n 1948 GUS EYSSEL n 1949 CECIL B. DEMILLE n 1950 SPYROS P. SKOURAS n 1951 JACK, HARRY & ALBERT WARNER n 1952 NATE BLUMBERG n 1953 BARNEY BALABAN n 1954 SIMON FABIAN n 1955 HERMAN ROBBINS n 1956 ROBERT O’DONNELL n 1957 JOSEPH VOGEL n 1958 ROBERT BENJAMIN & ARTHUR B. KRIM n 1959 STEVE BROIDY n 1960 JOSEPH E. LEVINE n 1961 ABE MONTAGUE n 1962 MILTON RACKMIL n 1963 DARRYL F. ZANUCK n 1964 HAROLD J. MIRISCH n 1965 ROBERT O’BRIEN n 1966 WILLIAM R. FORMAN n 1967 LEONARD GOLDENSON n 1968 LAURENCE A. TISCH n 1969 HARRY BRANDT n 1970 IRVING H. LEVIN n 1971 SAMUEL Z. ARKOFF & JAMES H . NICHOLSON n 1972 LEO JAFFE n 1973 TED ASHLEY n 1974 HENRY MARTIN n 1975 E. CARDON WALKER n 1976 CARL PATRICK n 1977 SHERRILL C. CORWIN n 1978 DR. JULES STEIN n 1979 HENRY PLITT 2017 PIONEER OF THE YEAR CHERYL BOONE ISAACS n 1980 BOB HOPE n 1981 SALAH HASSANEIN n 1982 FRANK PRICE n 1983 BERNARD MYERSON n 1984 SIDNEY SHEINBERG n 1985 JOHN ROWLEY n 1986 MICHAEL FORMAN n 1987 FRANK G. MANCUSO n 1988 JACK VALENTI n 1989 ALLEN PINSKER n 1990 TERRY SEMEL n 1991 SUMNER REDSTONE n 1992 MIKE MEDAVOY n 1993 STANLEY DUR- WOOD n 1994 WALTER DUNN n 1995 ROBERT SHAYE n 1996 SHERRY LANSING n 1997 BRUCE CORWIN n 1998 BUD STONE n 1999 KURT C. HALL n 2000 ROBERT DOWLING n 2001 ROBERT REHME n 2002 JONA- THAN DOLGEN n 2003 MICHAEL EISNER n 2004 ALAN HORN n 2005– 2006 TRAVIS REID n 2007 JEFF BLAKE n 2008 MIKE CAMPBELL n 2009 MARC SHMUGER & DAVID LINDE n 2010 ROB MOORE n 2011 DICK COOK n 2012 JEFFREY KATZENBERG n 2013 KATHLEEN KENNEDY n 2014 TOM SHERAK n 2015 JIM GIANOPULOS n DONNA LANGLEY 2017 PIONEER OF THE YEAR CHERYL BOONE ISAACS 2017 PIONEER OF THE YEAR Welcome On behalf of the Board of Directors of the Will Rogers Motion Picture Pioneers Foundation, thank you for attending the 2017 Pioneer of the Year Dinner.
    [Show full text]
  • Article from the Veteran Magazine
    FILM FILM TELEVISION TELEVISION HISTORY THEATRE HISTORY THEATRE RADIO RADIO PROJECT PROJECT CELEBRATING 30 YEARS OF THE HISTORY PROJECT JIM WHITTELL EXHIBITOR Interviewer: Sir Sydney Samuelson Date: 6 September 2010 James Whittell recalls his career in the film industry – in particular, working for Odeon Cinemas and becoming its managing director from 1985 to 1990. The full interview can be seen as recorded on video and as transcribed at the British Entertainment History Project website. It has been edited and re-ordered with the approval of Jim Whittell for publication in THE VETERAN. Copyright © The History Project As a trainee manager in the main foyer of the Gaumont Bradford. The Kinematograph Weekly Company of Showmen certificate issued in 1965 when Jim Whittell was at the Odeon Rotherham. y father was the opening manager of the Odeon Harrogate and but as soon as I realised what it was like to be a chemist, I thought, No – I’m Showmanship the Kinematograph Weekly showman certificate, of which I’m happy to say the Odeon Morecambe. He then became the regional manager going to follow my father into the cinema industry. Gone have the days of showmanship. There’s nothing more frustrating to I’ve got one on my wall to this day: a big, beautiful– looking certificate that Mfor Southan Morris’s large independent outfit, in charge of the I went for my interview at the Odeon in Morecambe (the very cinema my me, because I can remember key was the standards of presentation and would name a film that had been promoted in such a way as to win this.
    [Show full text]
  • Cinemex Expands Payment Options, Increasing Ticket Sales
    HIGHLIGHTS CINEMEX IMPROVES CUSTOMER SERVICE THE CHALLENGE AND INCREASES TICKET Cinemex, a major movie theater company priding itself on providing great SALES customer service, needed to determine how it could Cinemex is the leading movie theater company in the integrate new functionality, like remote and telephone Mexico City metropolitan area. Since its creation in 1994, sales, into its existing system. Cinemex has been an avant-garde company committed to providing the best customer service possible. The THE SOLUTION company’s commitment to innovation has allowed it Cinemex implemented ACI® Retail Commerce Server™ to grow quickly. Today, Cinemex has 488 screens in 44 to capture and authorize facilities, including seven in the cities of Toluca, Cuernavaca, customer payments at the point of service. This Guadalajara and Puebla. provided a fast, convenient and cost-effective way for ® processing a wide variety of THE ACI RETAIL COMMERCE SERVER™ electronic payments. PLATFORM ENSURES RELIABLE THE RESULTS TRANSACTION PROCESSING AND With Retail Commerce Server, SECURITY FOR CARD HOLDERS. THE Cinemex has attracted a SOLUTION CAPTURES AND AUTHORIZES wider audience and increased ticket and concession sales. EACH TRANSACTION AT THE POINT OF They can now sell tickets online and via telephone, SALE THROUGH A SAFE AND RELIABLE which has contributed to PROCESS AND OFFERS A WIDE VARIETY increased revenue. Cinemex continues to use Retail OF PAYMENT OPTIONS. Commerce Server to deliver faster service and a more satisfied clientele. Cinemex offers first-class services in its pursuit to deliver entertainment to people. The company is a pioneer in the development of efficient loyalty programs, including “Invitado Especial” and “Membresía Cinemex”, as well as other programs that it will soon release.
    [Show full text]