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Matthew Dennison Born 1961 Portland, Oregon
FROELICK GALLERY Matthew Dennison Born 1961 Portland, Oregon Education 1981-2 Pacific Northwest College of Art, Portland, OR Solo Exhibitions 2018 Democracy, Froelick Gallery, Portland, OR Carvings and Cabinets, Astoria Vintage Hardware, Astoria, OR 2016 Commensalism, Froelick Gallery, Portland, OR 2014 Physical Verse, Froelick Gallery, Portland, OR 2013 Connectivity, Abmeyer + Wood, Seattle, WA 2012 A Current History of Encroachment, Froelick Gallery, Portland, OR 2010 The Memory of New Things, Froelick Gallery, Portland, OR 2009 Mutualism, Melanee Cooper, Chicago, IL 2008 Permutation, Froelick Gallery, Portland, OR 2007 Vistories, Melanee Cooper Gallery, Chicago, IL 2006 Poiesis, Froelick Gallery, Portland, OR 2005 Neologism, Friesen Gallery, Seattle, WA 2004 Ardent Cloud, Froelick Gallery, Portland, OR The Vasana Text, Melanee Cooper Gallery, Chicago, IL 2003 Zenithal, Froelick Gallery, Portland, OR Design, Chicago, IL ٠ The Glyphic Current, Tigerman Himmel: Decorative Art 2002 Proximal Content, Friesen Gallery, Sun Valley, ID The Ouragan Fuse Project: Giant Paintings by Matthew Dennison, Stumptown—Belmont Portland, OR 2001 Afferent Seam, Froelick Gallery, Portland, OR The Paintings of Mincing Hewn, The Fountainhead Gallery, Seattle, WA 2000 The Mapping of Shaped Hully, Froelick Adelhart Gallery, Portland, OR (color catalogue) 1999 New Paintings, Froelick Adelhart Gallery, Portland, OR 1998 The Fountainhead Gallery, Seattle, WA 1997 Vita, Portland, OR The Fountainhead Gallery, Seattle, WA 1996 Vita, Portland, OR 1995 D.O.T. Northwest -
Brenna Murphy [email protected]
Brenna Murphy www.bmruernpnhay.com www.mshr.info [email protected] Art Collectives Oregon Painting Society, 2007-2011 MSHR, 2011 - present Education BFA, General Fine Arts, Pacific Northwest College of Art, 2009. Awards Fotomuseum Winterthur Post-Photography Prize, 2016 RACC Innovative Art and Technology Award, 2016 RACC Project Grant, 2016 Oregon Arts Fellowship, 2015 Rhizome Commission Recipient, 2012-2013 Publications Domain~Lattice, Pleasure Editions, 2015 Centrl~Lattice Sequence, Onestar Press, 2014 Skyface~SensrMap, Floating World Comics, 2012 Press “Market for Virtual Reality Art gets Tested at Moving Image Fair,” Bryan Boucher, Artnet, 2/2017 “The Architecture of Consciousness: An Interview with Brenna Murphy,” Penny Rafferty, Berlin Art Link, 10/2016. “Alien Yearbook Report,” John Chiaverina, ArtNews, 10/2015. “All Watched Over,” Andrianna Campbell, Art Forum, 7/2015. “High-Tech Mysticism: An Interview with Brenna Murphy,” Tim Gentles, Art in America, 11/2014. “Brenna Murphy: yoni-shaped synths and tribal treasures,” Kate Neave, Dazed, Aug, 2014. “Hyper Object, Brenna Murphy meditates on digital ruins,” Francesco Spampinato, DAMn°,2014 “Expanded Internet Art and the Informational Millieu,” Ceci Moss, Rhizome, 12/2013. "Brenna Murphy presents familiar yet strange installation," John Motley, The Oregonian,10/2013 "Brenna Murphy at Upfor," Jeff Jahn, PORT, Oct 2013. "Brenna Murphy: The archaeologist of meditation," Matt Stangel, Oregon Arts Watch, Oct 2013. "Superare il meccanicismo," Marco Tagliafierro, Flash Art, March 2012. "Brenna Murphy and The Future," Ali Fitzgerald, Art 21 Blog, March 2012. "Artist Profile," Ian Glover, Rhizome, Sept 2011. "Gifs Gone Wild," Francesca Gavin. Oyster Magazine. May, 2011. “HyperJunk- NetArt out of the Past,” Nicolas O’Brien. -
PAGE 1 – SECOND AMENDED COMPLAINT Case 3:20-Cv-01035-SI Document 53 Filed 07/17/20 Page 2 of 52
Case 3:20-cv-01035-SI Document 53 Filed 07/17/20 Page 1 of 52 Matthew Borden, Admitted pro hac vice [email protected] J. Noah Hagey, Admitted pro hac vice [email protected] Athul K. Acharya, OSB No. 152436 [email protected] Gunnar K. Martz, Admitted pro hac vice [email protected] BRAUNHAGEY & BORDEN LLP 351 California Street, Tenth Floor San Francisco, CA 94104 Telephone: (415) 599-0210 Kelly K. Simon, OSB No. 154213 [email protected] AMERICAN CIVIL LIBERTIES UNION FOUNDATION OF OREGON P.O. Box 40585 Portland, OR 97240 Telephone: (503) 227-6928 Attorneys for Plaintiffs UNITED STATES DISTRICT COURT DISTRICT OF OREGON PORTLAND DIVISION INDEX NEWSPAPERS LLC, a Washington Case No. 3:20-cv-1035-SI limited-liability company, dba PORTLAND MERCURY; DOUG BROWN; BRIAN CONLEY; SAM GEHRKE; MATHIEU CLASS ACTION ALLEGATION LEWIS-ROLLAND; KAT MAHONEY; SECOND AMENDED COMPLAINT SERGIO OLMOS; JOHN RUDOFF; ALEX MILAN TRACY; TUCK DEMAND FOR JURY TRIAL WOODSTOCK; JUSTIN YAU; and those similarly situated, Plaintiffs, v. CITY OF PORTLAND, a municipal corporation; JOHN DOES 1-60, officers of Portland Police Bureau and other agencies working in concert; U.S. DEPARTMENT OF HOMELAND SECURITY; and U.S. MARSHALS SERVICE, Defendants. PAGE 1 – SECOND AMENDED COMPLAINT Case 3:20-cv-01035-SI Document 53 Filed 07/17/20 Page 2 of 52 Plaintiffs Index Newspapers LLC (“Portland Mercury”), Doug Brown, Brian Conley, Sam Gehrke, Mathieu Lewis-Rolland, Kat Mahoney, Sergio Olmos, John Rudoff, Alex Milan Tracy, Tuck Woodstock, and Justin Yau, on behalf of themselves and those similarly situated, allege as follows: INTRODUCTION 1. -
Todd Johnson
Todd Johnson www.toddjohnson.info Born 1966 Sacramento, California Lives and works in Portland, Oregon EDUCATION 1998 Master of Fine Arts in Photography San Francisco Art Institute, San Francisco, CA 1994 Bachelor of Arts in Photography, minor in Philosophy California State University Sacramento, Sacramento, CA 1991 Associate of Arts American River Junior College, Sacramento, CA 1985 GED Diploma Montgomery High School, Santa Rosa, CA ACADEMIC EXPERIENCE Portland Community College, Portland, Oregon Adjunct Instructor: 2005-2020 Digital Photography, Film Photography and Digital Video (Art) Reed College, Portland, Oregon Digital Media Lab and Photography Technician (Art Department): 2004-2011 Marylhurst University, Marylhurst, Oregon Exhibition Designer and Preparator (Art Technician): 2001-2003 San Francisco Art Institute, San Francisco, California Teaching Assistant: 1997-1998 Installation, Collaboration and Assemblage – Photography and Sculpture Images of the Self – Self Portraits California State Universtiy Sacramento, Sacramento, California Teaching Assistant: 1994 Photo Construction and Invention – Historic Processes SOLO EXHIBITIONS 2015 Malt Liquor and Cold Cuts, FalseFront Gallery, Portland, Oregon 2013 The Misadventures of Ansel Adams: Garage Sales, Geo Tracking and General Tomfoolery The Art Gym, Marylhurst University, Marylhurst, Oregon 2008 Dangerous Territory, PNCA, Portland, Oregon Sport and Leisure, Davis and Cline Gallery, Ashland, Oregon 2006 Lace Patterns, Augen Gallery, Portland, Oregon 2000 Discontinuous Systems, Midway -
B R I a N G I L L
GillisLAB.com [email protected] B R I A N G I L L I S (619) 335.7163 5232 University of Oregon Eugene, OR 97403 S E L E C T E D S O L O E X H I B I T I O N S 2015 Possible Medicine, Emile Levassor Museum of Art, Missoula, MT 2014 His Room, Gallery 2.5, Illinois State University, Bloomington, IL The Tome, Doris Ulmann Gallery, Berea College, Berea, KY 2013 Maps and Bridges, Heilongjiang University School of Art Gallery, Harbin, PR China Of Ghosts and Speculation, Birmingham Museum of Art, Birmingham, AL Of Ghosts and Speculation, Georgia Museum of Art, Athens, GA 2012 Of Ghosts and Speculation, Columbia Museum of Art, Columbia, SC Of Ghosts and Speculation, Milwaukee Art Museum, Milwaukee, WI Free Radio, CUE Art Foundation, New York, NY 2011 40 Years, Frontier Space, Missoula, MT 2010 NO!, Kirkland Art Center, Kirkland, WA …on Wednesday, Cascade Gallery, Portland, OR 2009 An Expeditionary Journal, The White Stag Block, Portland, OR NOW!, Tacoma Contemporary, Tacoma, WA A New World: On Taking The Long Way Home, Urban Institute for Contemporary Arts, Grand Rapids, MI You Deserve More, The Ice House, Phoenix, AZ 2008 In 1908…, Abraham Lincoln Presidential Library and Museum, Springfield, IL Communication, Merwin & Wakeley Gallery, Ames School of Art, Bloomington, IL 2007 On Strangers, S.O.F.A. Gallery, Sam Houston State University, Huntsville, TX Brian Gillis, Milikin University Gallery, Decatur, IL The Storyteller, UIS Gallery, U of I at Springfield, Springfield, IL 2004 History of Contemporary Ceramics XXXVI, 16ft. -
Issue May 2017 PORTLAND POLICE KILL BLACK TEEN with SHOT to HEAD
issue #71 may www. portlandcopwatch. Protests met with violence org 2017 or hugs, depending—p. 4 PORTLAND POLICE KILL BLACK TEEN FIRST MISCONDUCT CASE AT COUNCIL IN 14 YEARS WITH SHOT TO HEAD; WOUND WHITE MAN AS REVIEW GROUP HEARS LAST 2 APPEALS IN MENTAL HEALTH CRISIS ON SAME DAY Cop with Neo-Nazi Past Has Oversight Director Investigated; Former Chief Escapes Prosecution with Crowd Control and Deadly Force Policies Examined Compromise; Updates on 2016 Shootings hough the Citizen Review n February 9, 2017 Portland Police were involved in two Committee (CRC) was holding shooting incidents— as many as in all of 2016. The Ttwo meetings per month through Oshootings, coming hours apart, included many similarities most of 2016 to catch up on hearing and a striking difference: Quanice Hayes, a 17 year old African appeals of police misconduct cases, American young man, was shot in the head and died; Don they only held five meetings in the first Perkins, a 56 year old white man in mental health crisis who four months of 2017 as their backlog goaded police to kill him, cleared out. In addition, CRC brought its first appeal to City lived. Separate grand juries Council since 2003— the case of Matt Klug, who had a Taser found police committed no fired at him six times (PPRs #67, 68, 69 and 70). Council didn’t crime in either case, even agree with CRC— but also didn’t agree with the Bureau. though both police narratives Meanwhile, Director Constantin Severe of the “Independent” April 2017 allege the suspects were Police Review (IPR) was investigated based on a complaint by reaching around, but not former Neo-Nazi and current PPB Captain Mark Kruger. -
“It's a Really Exciting Time to Be in Portland Because of Its Fresh Voices and Its Fresh Ideas. We're at the Cusp of Somet
Portland, Oregon Photograph courtesy of Portland Oregon Visitors Association. ortland, Oregon, is a city full of artistic fied Portland’s strong sense of community, P paradoxes. Proud, feisty, creative and attracting 200 local artists and 500 volunteers. “It’s a really fiercely independent, it manages to Yet despite its from-the-ground-up success, flourish despite a floundering economy. Located PICA’s institutionalization also represents the exciting time to in a state with the nation’s highest unemploy- other, more difficult side of doing arts in ment rate, Portland’s arts organizations, both Portland. Tough times forced it to restructure: In be in Portland large and small, have been forced to adjust to 2003 it closed its gallery, laid off its visual-arts because of its falling ticket sales and diminishing budgets. Yet curator and stopped producing its regular per- the city is now attracting a huge influx of young forming-arts series. All resources have since been fresh voices and artists who are redefining its landscape. funneled into the TBA Festival, which in its first Consider the Portland Institute for year failed to break even. Even so, as its funding its fresh ideas. Contemporary Art (PICA), which was featured in base grew for the 2004 festival, PICA was opti- We’re at the the previous Reporting the Arts study. Founded mistic about its survival. in 1995 as an itinerant arts program, in just a few Historically, however, Portland does not have cusp of years it grew into a full-fledged organization, a strong tradition of philanthropy. The town does partly by securing its own space to house its per- not house a large number of corporate headquar- something new.” forming-arts season, art gallery and educational ters, and the recent economic downturn has only Byron Beck and residency programs. -
Ellen George
ELLEN GEORGE EDUCATION National College of Art and Design, Dublin, Ireland B.A., Austin College, Sherman, TX SOLO EXHIBITIONS 2019 I begin with a thin line, PDX CONTEMPORARY ART, Portland, OR 2018 Repose, collaborative exhibition with Jerry Mayer, Nine Gallery, Portland, OR 2017 April, Conduit Gallery, Dallas, TX 2016 May, PDX CONTEMPORARY ART, Portland, OR 2015 FORMATION, collaborative exhibition with Jerry Mayer, Nine Gallery, Portland, OR 2012 Prairie, Ida Green Gallery, Austin College, Sherman, TX Under Stories, Museum of East Texas, Lufkin, TX 2011 Sensing Place, PDX CONTEMPORARY ART, Portland, OR Space, collaborative exhibition with Jerry Mayer, Nine Gallery, Portland, OR 2010 Prairie Notes, Conduit Gallery, Dallas, TX Drawing Room, collaborative exhibition with Jerry Mayer, Nine Gallery, Portland, OR Lightly, collaborative exhibition with Jerry Mayer, Nine Gallery, Portland, OR 2009 Nose Touches Twig, PDX CONTEMPORARY ART, Portland, OR 2008 Weather, PDX Window Project, PDX CONTEMPORARY ART, Portland, OR Things Turning, a collaboration with Jerry Mayer, Nine Gallery, Portland, OR 2007 Undergrowth, Joan Wich Gallery, Houston, TX 2006 Speciation, PDX CONTEMPORARY ART, Portland, OR 2005 Archer Gallery, Clark College, Vancouver, WA Thin Air, Joan Wich Gallery, Houston, TX 2004 Meadow, PDX CONTEMPORARY ART, Portland, OR Out of Doors, Conduit Gallery, Dallas, TX 2003 Mum, Interstate Firehouse Cultural Center, Portland, OR Variation, Joan Wich Gallery, Houston, TX 2002 Trail and Other Things, Commencement Gallery, City of Tacoma Art Commission, Tacoma, WA Arrangements, PDX CONTEMPORARY ART, Portland, OR 2001 Jubilee, PDX Window Project, Portland, OR Small Sculpture: Ellen George, Conduit Gallery, Dallas TX Ellen George, Visual Art Center Gallery, Mount Hood Community College, Gresham, Ellen George, Joan Wich Gallery, Houston, TX 2000 Post Mark: Objects by Ellen George, Museum of East Texas, Lufkin, TX Special Handling, Lower Columbia College Art Gallery, Longview, WA 1999 Little Tin Boxes, Commencement Gallery 9th St. -
The Oregonian
The Oregonian Yelling, Venting Mark Listening Session Over Portland Police Texts with Patriot Prayer By Maxine Bernstein February 21, 2019 UPDATES 8:10 p.m.: The meeting wraps up. The bottom line: More yelling and venting than listening or suggestions for solutions. Full coverage coming up. Some parting words: Police Chief Danielle Outlaw quoted as saying: “I’m going to be honest with you, we didn’t have to hold this." One speaker quoted as saying: “Police don’t need training to stop identifying white supremacy, they need to stop identifying with white supremacy.” A crowd of about 50 people yelling: “Fascists go home.” 7:50 p.m.: Some reports are coming over Twitter that Patriot Prayer supporters and their anti- fascist opponents were facing off in the parking lot of the Maranatha Church. Later reports indicate Haley Adams is escorted off the church property. 7:40 p.m.: The session is continuing after it appeared Patriot Prayer supporter Haley Adams got escorted out. People at the meeting reported that Adams strode up to the front of the church, members of the crowd began chanting, “Nazi scum.” Police Chief Danielle Outlaw asked Adams to leave. It appeared the meeting might end but Outlaw said she was staying. 7:30 p.m.: The Rev. LeRoy Haynes: ‘We continue to have breakdown after breakdown in trust with Portland police ... there cannot be a double standard" between policing of white residents and black residents. 7:15 p.m.: The session continues with two-minute speaking slots. One woman accuses police of taking the side of “right-wingers” against residents and gives kudos to anti-fascist demonstrators for being “more disciplined than police.” Another speaker asks the city to form a task force to investigate hate crimes. -
Rae Bio 2017 *
RAE MAHAFFEY 2134 NW Hoyt Street Portland, OR 97210 503-295-6666, 971-212-1836, [email protected] COMMISSIONS & RELATED EXPERIENCE 2017 PORTLAND STATE UNIVERSITY, Lincoln Performance Hall, Portland, Oregon 2016 GOOD SAMARITAN HOSPITAL, Reception Desk, Portland, Oregon 2013 COMMISSION, Lake Union Window Project, Seattle, Washington 2010 PUBLIC ART COMMISSION, El Paso International Airport, Texas 2009 PUBLIC ART COMMISSION, Gray Middle School, Tacoma, Washington 2008 PACIFIC CENTER, Lobby, Harsch Investments, Portland, Oregon 2008 PUBLIC ART COMMISSION, Columbia Basin College, Pasco, Washington 2006 COMMISSION, Portland Art Museum, Patron Print, Gilkey Center 2004 PUBLIC ART COMMISSION, Tigard Public Library, Tigard, Oregon 2004 PUBLIC ART COMMISSION, Fire Station #11, Aurora, Colorado 2003 COMMISSION, Americans for the Arts, Selina Robert Ottum Award Design 2003 FINALIST, Denver International Airport Public Art Program, Denver, Colorado 2002 COMMISSION, Governor’s Award, Oregon Arts Commission 2001 PUBLIC ART COMMISSION, Oregon Convention Center 2001 & 2002 VISITING ARTIST, Pratt Fine Art Center, Seattle, Washington 2000 & 2001 VISITING ARTIST, Pilchuck Glass School, Stanwood, Washington SOLO EXHIBITIONS 2015 SO-AND-SO, Laura Russo Gallery, Portland, Oregon 2103 RESEARCHES, Fairbanks Gallery at Oregon State University, Corvallis, Oregon 2012 Laura Russo Gallery, Portland, Oregon 2010 Laura Russo Gallery, Portland, Oregon 2008 Laura Russo Gallery, Portland, Oregon 2006 OPEN SPACE, Palette Contemporary Art, Albuquerque, New Mexico Laura -
Uneven Development of the Sustainable City: Shifting Capital in Portland, Oregon
Portland State University PDXScholar Urban Studies and Planning Faculty Nohad A. Toulan School of Urban Studies and Publications and Presentations Planning 2015 Uneven Development of the Sustainable City: Shifting Capital in Portland, Oregon Erin Goodling Portland State University, [email protected] Jamaal Green Portland State University, [email protected] Nathan McClintock Portland State University, [email protected] Follow this and additional works at: https://pdxscholar.library.pdx.edu/usp_fac Part of the Urban Studies Commons, and the Urban Studies and Planning Commons Let us know how access to this document benefits ou.y Citation Details Goodling, Erin; Green, Jamaal; and McClintock, Nathan, "Uneven Development of the Sustainable City: Shifting Capital in Portland, Oregon" (2015). Urban Studies and Planning Faculty Publications and Presentations. 107. https://pdxscholar.library.pdx.edu/usp_fac/107 This Post-Print is brought to you for free and open access. It has been accepted for inclusion in Urban Studies and Planning Faculty Publications and Presentations by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. Uneven Development of the Sustainable City: Shifting Capital in Portland, Oregon Erin Goodling; Jamaal Green; Nathan McClintock* Nohad A. Toulan School of Urban Studies and Planning Portland State University Portland, Oregon, U.S.A. * - corresponding author [email protected] [email protected] [email protected] This is a post-print version of the following article: Goodling, Erin, Jamaal Green, & Nathan McClintock (2015) Uneven Development of the Sustainable City: Shifting Capital in Portland, Oregon. Urban Geography doi:10.1080/02723638.2015.1010791. -
Malia Jensen Maliajensenstudio.Com B. 1966, Honolulu, HI Education
Malia Jensen maliajensenstudio.com b. 1966, Honolulu, HI Education 1989 BFA, Pacific Northwest College of Art, Portland, OR Representation Elizabeth Leach Gallery, Portland OR Cristin Tierney Gallery, New York, NY Awards, Honors and Residencies 2020 Yucca Valley Materials Lab, Creative Collaboration, Yucca Valley, CA 2019 Creative Heights Initiative, Oregon Community Foundation, OR 2017 Portland Garment Factory, Artist in Residence, Portland, OR Ash Street Projects, Studio Residency, Portland, OR 2016 Ucross Foundation, Artist in Residence, Ucross, WY 2013 Robert Rauschenberg Foundation, Artist in Residence, Captiva, FL 2009 Pile, Commissioned work, Portland Public Art Collection, Portland, OR 2003 Waterfall, Public Art Commission, Regional Arts & Culture Council, Fire Station #27, Portland, OR 2002 The Headlands Center for the Arts, Project Residency, Sausalito, CA Bonnie Bronson Fellowship, Reed College, Portland, OR SLIPS, RACC Public Commission, Jamison Square, Portland, OR Projects and Community Engagement 2020 PNCA “Evening with an Artist”, Artist Talk, Skyline Tavern, Portland, OR Worth Your Salt, Project Discussion with HS Students, NeahKahNie High School, Rockaway Beach, OR 2019 Nearer Nature: Worth Your Salt, Video Installations at: San Dune Pub, Manzanita, OR NeahKahNie High School Library, Rockaway Beach, OR KSMoCA, Martin Luther King Elementary, Portland, OR OHSU, Dept. of Molecular & Medical Genetics, Portland, OR Skyline Tavern, Portland, OR Elizabeth Leach Gallery, Portland, OR Tygh Valley General Store, Tygh Valley, OR